Quotes about reality
page 28

Jane Roberts photo

“Paradoxes often arise because theory routinely refuses to be subordinate to reality.”

L. K. Samuels (1951) American writer

Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 324

Anu Partanen photo
Martin Luther King, Jr. photo

“I want to deal with one or two of these mighty precious values that we've left behind, that if we're to go forward and to make this a better world, we must rediscover. The first is this—the first principle of value that we need to rediscover is this: that all reality hinges on moral foundations. In other words, that this is a moral universe, and that there are moral laws of the universe just as abiding as the physical laws. I'm not so sure we all believe that. We never doubt that there are physical laws of the universe that we must obey. We never doubt that. And so we just don't jump out of airplanes or jump off of high buildings for the fun of it—we don't do that. Because we unconsciously know that there is a final law of gravitation, and if you disobey it you'll suffer the consequences—we know that. Even if we don't know it in its Newtonian formulation, we know it intuitively, and so we just don't jump off the highest building in Detroit for the fun of it—we don't do that. Because we know that there is a law of gravitation which is final in the universe. (Lord) If we disobey it we'll suffer the consequences. But I'm not so sure if we know that there are moral laws just as abiding as the physical law. I'm not so sure about that. I'm not so sure if we really believe that there is a law of love in this universe, and that if you disobey it you'll suffer the consequences.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954)

Fritjof Capra photo
Claude Debussy photo
Jack McDevitt photo

“The reality is, we don’t want our kids to be smart. We want them to be like us. Only more so.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 4 (p. 37)

Nisargadatta Maharaj photo
Federica Mogherini photo
John Gray photo
David Bowie photo

“The tragic youth was going down on me
(…)
I've been right and I've been wrong
Now I'm back where I started from
Never looked over reality's shoulder”

David Bowie (1947–2016) British musician, actor, record producer and arranger

"Reality"
Song lyrics, Reality (2003)

Allan Kardec photo
Victor Davis Hanson photo
Simon LeVay photo
Rosa Luxemburg photo
Al Gore photo

“Like an audience entertained by a magician, we allow ourselves to be deceived by those with a stake in persuading us to ignore reality.”

Al Gore (1948) 45th Vice President of the United States

"Without a Trace" (review of The Sixth Extinction by Elizabeth Kolbert), New York Times Sunday Book Review, 10 February 2014, page BR1 http://www.nytimes.com/2014/02/16/books/review/the-sixth-extinction-by-elizabeth-kolbert.html?_r=0

Thomas Nagel photo
Willa Cather photo
Gerhard Richter photo
Sarvepalli Radhakrishnan photo
Anand Gandhi photo

“The ability and the desire to transmit knowhow, intention, and insight to others around us have co-evolved with humanity itself. Mixed reality is a huge milestone in that human project of record keeping, perspective sharing, empathising, and merging with the ‘other’, a project that began with the first cave painting, or even earlier.”

Anand Gandhi (1980) Indian film director

"‘Cost of Coal’, India’s first documentary in VR" in The Hindu (16 July 2016) http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/cost-of-coal-indias-first-documentary-in-vr/article8856593.ece

Paulo Freire photo
Dick Gregory photo
Herbert Marcuse photo
Emma Goldman photo
Salvador Dalí photo
Stanislaw Ulam photo

“In many cases, mathematics is an escape from reality. The mathematician finds his own monastic niche and happiness in pursuits that are disconnected from external affairs. Some practice it as if using a drug.”

Stanislaw Ulam (1909–1984) Polish-American mathematician

Source: Adventures of a Mathematician - Third Edition (1991), Chapter 6, Transition And Crisis, p. 120

Mariano Rajoy photo

“You can not be an absurd optimist, but you can not have a sad or cramped approach because at the moment so is out of reality.”

Mariano Rajoy (1955) Spanish politician

6 May, 2014
As President, 2014
Source: El Mundo http://www.elmundo.es/espana/2014/05/06/53688afde2704e95318b4570.html

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Pope Benedict XVI photo
Howard Bloom photo

“Reality is a fabrication slapped together by an often bumbling inner team. …The proclamation that "there can be no such thing as an objective fact" has a great deal of validity.”

Howard Bloom (1943) American publicist and author

Source: Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century (2000), Ch.7 A Trip Through the Perception Factory

James A. Garfield photo

“But liberty is no negation. It is a substantive, tangible reality. It is the realization of those imperishable truths of the Declaration 'that all men are created equal', that the sanction of all just government is 'the consent of the governed'. Can these truths be realized until each man has a right be to heard on all matters relating to himself?”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)
Context: Have we done it? Have we given freedom to the black man? What is freedom? Is it mere negation? Is it the bare privilege of not being chained, of not being bought and sold, branded and scourged? If this is all, then freedom is a bitter mockery, a cruel delusion, and it may well be questioned whether slavery were not better. But liberty is no negation. It is a substantial, tangible reality. It is the realization of those imperishable truths of the Declaration, 'that all men are created equal'; that the sanction of all just government is 'the consent of the governed.' Can these be realized until each man has a right to be heard on all matters relating to himself?
Context: In the great crisis of the war, God brought us face to face with the mighty truth, that we must lose our own freedom or grant it to the slave. In the extremity of our distress, we called upon the black man to help us save the Republic; and, amid the very thunders of battle, we made a covenant with him, sealed both with his blood and with ours, and witnessed by Jehovah, that, when the nation was redeemed, he should be free, and share with us its glories and its blessings. The Omniscient Witness will appear in judgment against us if we do not fulfill that covenant. Have we done it? Have we given freedom to the black man? What is freedom? Is it mere negation? Is it the bare privilege of not being chained, of not being bought and sold, branded and scourged? If this is all, then freedom is a bitter mockery, a cruel delusion, and it may well be questioned whether slavery were not better. But liberty is no negation. It is a substantial, tangible reality. It is the realization of those imperishable truths of the Declaration, 'that all men are created equal'; that the sanction of all just government is 'the consent of the governed.' Can these be realized until each man has a right to be heard on all matters relating to himself? The plain truth is, that each man knows his own interest best It has been said, 'If he is compelled to pay, if he may be compelled to fight, if he be required implicitly to obey, he should be legally entitled to be told what for; to have his consent asked, and his opinion counted at what it is worth. There ought to be no pariahs in a full-grown and civilized nation, no persons disqualified except through their own default.' I would not insult your intelligence by discussing so plain a truth, had not the passion and prejudice of this generation called in question the very axioms of the Declaration.

Hans Arp photo

“We [Hans Arp and Sophie Taeuber ] painted embroidered and made collages. All these works were drawn from the simplest forms and were probably the first examples of concrete art. These works are realities pure and independent with no meaning or cerebral intention. We rejected all mimesis and description, giving free reign to the elementary and spontaneous.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote, on the cooperation with his future wife Sophie Taeuber ca. 1916; as quoted in: Abstract Art, Anna Moszynska, Thames and Hudson, London, 1990, p. 65
1910-20s

William Ewart Gladstone photo
Maimónides photo

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Guide for the Perplexed (c. 1190), Introduction

Joseph Campbell photo
Charles Stross photo
Howard Bloom photo

“Almost every reality you "know" at any given second is a mere ghost held in memory.”

Howard Bloom (1943) American publicist and author

Source: Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century (2000), Ch.8 Reality is a Shared Hallucination

Roger Ebert photo
John Horgan (journalist) photo
Slavoj Žižek photo
C. Wright Mills photo
Roberto Mangabeira Unger photo
Orrin H. Pilkey photo

“If a model itself is “a poor representation of reality,” they write, “determining the sensitivity of an individual parameter in the model is a meaningless pursuit.””

Orrin H. Pilkey (1934) American ecologist

Cornelia Dean, " The Problems in Modeling Nature, With Its Unruly Natural Tendencies http://www.nytimes.com/2007/02/20/science/20book.html?_r=1&em&ex=1172034000&en=66b1bbb4657b7f9d&ei=5087%0A&oref=slogin", The New York Times (February 20, 2007).
Useless Arithmetic: Why Environmental Scientists Can’t Predict the Future (2007)

Dejan Stojanovic photo
Martin Amis photo
Yvette Cooper photo

“I have to say, Mr. Deputy Speaker, the Ministers are like fraudsters in the fairy tale, telling gullible Liberal Democrat MPs about the beautiful progressive clothes that the emperor is wearing, if only they are clever enough and loyal enough to see them. And desperately, we have Liberal Democrats clinging to shreds of invisible cloth, reaching deep into their Liberal and Conservative history to pretend that they can be progressive now. They are claiming that Keynes might have backed the Budget. They are calling on Beveridge for support, kidding themselves that they can call on their history and that they are following in the footsteps of great liberal Conservatives like Winston Churchill, who supported the minimum wage, but the truth is that the emperor has no clothes.
The truth is that if you look at the detail, the Budget is nastier than any brought in by Margaret Thatcher. Instead of Churchill, Keynes or the founders of the welfare state, the Liberal Democrats have signed up, with the Right Honourable Member for Chingford and his Chancellor, to cut support for the poor. It is perhaps apt that in this week of World Cup disappointments, it was actually a footballer who got it right. In 2002, after England were defeated in the World Cup by Brazil, Gareth Southgate reflected ruefully on England's performance and said:
"We were expecting Winston Churchill and instead got Iain Duncan Smith."
That is the reality for the Liberal Democrats now. With all their high hopes, they have betrayed the poor and the vulnerable, whom they stood up to defend.
[The Minister of State, Department for Work and Pensions (Steve Webb) rose]
I will give way to the hon. Gentleman because I know he has a history of supporting people on low incomes and I do not know why he is betraying it now.”

Yvette Cooper (1969) British politician

During a budget response debate http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100628/debtext/100628-0012.htm, 28 July, 2010. Link to the video http://www.youtube.com/watch?v=NtORBuxY0MU.

Yousef Munayyer photo
Carl Bernstein photo
Cyril Connolly photo

“Everything is a dangerous drug to me except reality, which is unendurable.”

Part I: Ecce Gubernator (p. 37)
The Unquiet Grave (1944)

B.K.S. Iyengar photo

“The compass is ourselves. So we are able to infer that there is a universal reality in ourselves that aligns us with a universal reality that is everywhere.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 8

Ernst Gombrich photo

“Like art, science is born of itself, not of nature. There is no neutral naturalism. The artist, no less than the writer, needs a vocabulary before he can embark on a 'copy' of reality.”

Ernst Gombrich (1909–2001) art historian

E. H. Gombrich (1962), quoted in: Robert Maxwell Young. Mind, Brain, and Adaptation in the Nineteenth Century, 1970. p. 101.

Alexander Bogdanov photo
Jane Roberts photo
William Westmoreland photo
Frederick William Robertson photo

“Only what coronation is in an earthly way, baptism is in a heavenly way; God's authoritative declaration in material form of a spiritual reality.”

Frederick William Robertson (1816–1853) British writer and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 21.

Jerry Coyne photo
John Theophilus Desaguliers photo
Joseph Massad photo
Piet Mondrian photo
Democritus photo
Thomas Gainsborough photo

“Dear Sir Joshua, - I am just to write what I fear you will not read - after lying in a dying state for 6 months [in reality much shorter]. The extreme affection which I am informed of by a Friend which Sir Joshua has expresd induces me to beg a last favor, which is to come once under my Roof and look at my things, my woodman you never saw, if what I ask now is not disagreeable to your feeling that I may have the honour to speak to you. I can from a sincere Heart say that I always admired and sincerely loved Sir Joshua Reynolds. 'Tho. Gainsborough.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

A last letter of Gainsborough to Sir Joshua Reynolds, End of July 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 307
Gainsborough, on the occasion of that last visit, actually had many of his unfinished canvases brought to his bedside to show to Sir Joshua
1770 - 1788

Walter Rauschenbusch photo
Friedrich Engels photo
N. K. Jemisin photo
African Spir photo

“To sacrifice the moral to the physical, as is done in these days, is to sacrifice reality for a shadow.”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 61.

“We act like a zero-sum society, when in reality there is a lot of non zero-sum fat to be skimmed off to everyone's mutual advantage.”

Howard Raiffa (1924–2016) American academic

Part IV, Chapter 21, Environmental Conflict Resolution, p. 310.
The Art and Science of Negotiation (1982)

Clive Barker photo

“Perhaps there was a natural process at work here; a means by which the mind dealt with experiences that contradicted a lifetime’s prejudices about the nature of reality. People simple forgot.”

Clive Barker (1952) author, film director and visual artist

Part Seven “The Demagogue”, Chapter vi “Hello, Stranger”, Section 2 (p. 307)
(1987), BOOK TWO: THE FUGUE

Charles T. Canady photo
Donnie Dunagan photo
Jordan Peterson photo

“The moral relativists ask: what do you mean by should? Here's how you should act: Act in a way so that things are good for you like they would be for someone you're taking care of. But they have to be good for you in a way that's also good for your family, and they have to be good for you and your family also in a way that's good for society (and maybe even good for the broader environment if you can manage that), so it's balanced at all those levels. And it has to be good for you, your family, and society right now, AND next week, AND next month, AND a year from now, AND ten years from now. It's this harmonious balancing of multiple layers of Being simultaneously, and that's a Darwinian reality, I would say. Your brain is actually attuned to tell you when you are doing that. And the way it tells you is that it reveals that what you're doing is meaningful. That's the sign. Your nervous system is adapted to do this. It's adapted to exist on the edge between order and chaos. Chaos is where things are so complex that you can't handle it, and order is where things are so rigid that it's too restrictive. In between that, there's a place. It's a place that's meaningful. It's where you're partly stabilized, and partly curious. You're operating in a manner that increases your scope of knowledge, so you're inquiring and growing, and at the same time you're stabilizing and renewing you, your family, society, nature; now, next week, next month, and next year. When you have an intimation of meaning, then you know you're there.""Lies and deception destroy people's lives. When they start telling the truth and acting it out, things get a lot better.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Paulo Freire photo
Alex Salmond photo
Louis Kauffman photo
Edmund White photo
Sathya Sai Baba photo

“I am all deities in one. You may endeavour your best for thousands of years and have all mankind with you in your search. But you cannot understand My Reality.”

Sathya Sai Baba (1926–2011) Indian guru

US ed. of Kasturi's authorized biography Sathyam Sivam Sundaram Vol 3 page 315

Brad Paisley photo
Graham Greene photo

“Reality in our century is not something to be faced.”

Pt. 1, ch. 1, sct. 1
Our Man in Havana (1958)

Pope Pius X photo
Robert Costanza photo
Roy A. Childs, Jr. photo

“The more complex the faculty of awareness or consciousness is in an organism, the more discriminations are possible to it, i. e., the more differentiating and integration between and of aspects of reality it is capable of engaging in.”

Roy A. Childs, Jr. (1949–1992) American libertarian essayist and critic

Roy A. Childs, Jr., The Epistemological Basis of Anarchism: An Open Letter to Objectivists and Libertarians,” Part I, (1969); : Republished in: Roy A. Childs, Jr. Anarchism & Justice, Libertarianism.org Press, 2012.

Ken Wilber photo
Mircea Eliade photo

“For those to whom a stone reveals itself as sacred, its immediate reality is transmuted into supernatural reality. In other words, for those who have a religious experience all nature is capable of revealing itself as cosmic sacrality.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

The Sacred and the Profane: The Nature of Religion: The Significance of Religious Myth, Symbolism, and Ritual within Life and Culture (1961).

Frank P. Ramsey photo
Antoni Tàpies photo
Colin Wilson photo
Tina Fey photo