
Letter (1924) to Ezra Pound; published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker, p. 113
Letter (1924) to Ezra Pound; published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker, p. 113
In Search of History, Chapter I: War and Peace in Historical Perspectives, p. 1
Culture
And those of us who live in racialized bodies feel that lack, we feel that erasure, so yes, there was something quite deliberate in my doing half the speech as an alien.
On race still being a taboo topic in the world of science fiction in “Interview: Nalo Hopkinson” http://www.lightspeedmagazine.com/nonfiction/interview-nalo-hopkinson/ in Lightspeed (June 2013)
As quoted in B. F. Skinner : The Man and His Ideas (1968) by Richard Isadore Evans, p. 73
Speech to the Stalhelm in Münster (13 May 1933), quoted in Frederick Schuman, Hitler and the Nazi Dictatorship (London: Hale, 1936), pp. 345-346
1930s
Max Muller. (Preface to the text of the Rigveda, Vol.4, p.xiii). Quoted in https://talageri.blogspot.com/2016/07/the-recorded-history-of-indo-european_27.html
Speech https://api.parliament.uk/historic-hansard/lords/1911/nov/28/morocco#column_384 in the House of Lords during the Agadir Crisis (28 November 1911)
1910s
... I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
Rukeyser, Rebecca. " Kazuo Ishiguro: Mythic Retreat https://www.guernicamag.com/mythic-retreat/" guernicamag.com interview. 1 May 2015.
On her time working for the lesbian magazine esto no tiene nombre (as quoted in “Celebrating Tatiana De La Tierra And The Latina Lesbian Zine Culture Of The '90s” https://bust.com/books/194419-tatiana-de-la-tierra-zine-culture.html in Bust Magazine)
On some people’s resistance to reading English literature in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)
On the lack of ubiquity regarding Puerto Rican writings in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)
On the burden of racialized writers to represent their communities in “‘What I Fear Most is Homogeneity’: An Interview with Rawi Hage” https://hazlitt.net/feature/what-i-fear-most-homogeneity-interview-rawi-hage in Hazlitt (2018 Sep 12)
Source: Mary, the Mother of Jesus: An Essay (1912), Ch. II. "Mary in the Scriptures", pp. 18, 21
“To be learned in literature is such a different thing from liking it.”
Frank Moore Colby, Imaginary Obligations, Dodd, Mead, and Company (1904) ISBN 9780848692599. p. 217.
Letter to William Cusac Smith (22 July 1791), quoted in Alfred Cobban and Robert A. Smith (eds.), The Correspondence of Edmund Burke, Volume VI: July 1789–December 1791 (1967), pp. 303-304
1790s
Speech to the Royal Society of St George (22 April 1961), quoted in A Nation Not Afraid. The Thinking of Enoch Powell (1965), pp. 145–146
Journeys Out of the Body (1971), Chapter 2. Search and Research
Reincarnation & Christianity (1967)
Lawrence, Chua. "Michael Haneke" http://bombsite.com/issues/80/articles/2489, BOMB Magazine, Summer, 2002. Retrieved 29 July 2011.
“We cultivate literature on a little oatmeal.”
Vol. I, ch. 2, p. 60.
Motto proposed by Smith for the Edinburgh Review.
Lady Holland's Memoir (1855)
Source: As quoted in “Race & Resistance Literature & Politics In Asian America" (2002) p.3
Alain Danielou in: Virtue, Success, Pleasure, and Liberation: The Four Aims of Life in the Tradition of Ancient India https://books.google.co.in/books?id=IMSngEmfdS0C&pg=PA17, Inner Traditions / Bear & Co, 1 August 1993, p. 17.
Kaori Momoi http://www.midnighteye.com/interviews/kaori-momoi/ (16 March 2008)
“Epic literature is not history but is again a way of looking at the past.”
Source: Early India: From the Origins to AD 1300, p. 100.
The Educated Imagination (1963), Talk 3: Giants in Time
The Educated Imagination (1963), Talk 3: Giants in Time
“The kind of problem that literature raises is not the kind that you ever 'solve.'”
Whether my answers are any good or not, they represent a fair amount of thinking about the questions.
The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html
Source: Short fiction, The Fairy Chessmen (1946), Chapter 4 (p. 29)
What these works of fiction have allowed me to do is to enter the pain and despair, the hope, to share in the struggles of certain characters that I have identified with (because of the artistry of the writers in making these individuals come alive).
Source: Institute of Education Alumni Life Issue 33 Summer 2010 https://www.irenesabatini.com/files/IS-Novel-Revolutionary-IOE-July-2010.pdf
Source: Speech at the Reception for the Representatives of the Beijing Workers Propaganda Team and the People's Liberation Army Propaganda Team (14 September 1968)
Source: Leave Me Alone, I'm Reading (2005), Chapter 1 (p. 34)
“I get upset about what is taken as great literature and what is cute and exotic.”
Source: On the unpredictability of how a written work will be received in “Rabih Alameddine: 'Right now in the west, Arabs are the other'” https://www.theguardian.com/books/2015/jan/09/rabih-alameddine-interview-an-unnecessary-woman-national-book-award in The Guardian (2015 Jan 9)
“It’s frustrating, that you know what good literature is but you cannot get it totally right.”
Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)
Source: Leave Me Alone, I'm Reading (2005), Chapter 2 (p. 70)
Context: Family and cultural origins are crucial to self-definition, but they’re not the end of the story. I certainly don’t think that we readers only or even chiefly enjoy or understand books whose main characters mirror us. In fact, the opportunity to become who we are decidedly not—whether it’s Amis’s Dixon or Philip Roth’s Portnoy or Ellison’s Invisible Man or Kafka’s beetle—is one of the greatest gifts reading offers. Women readers get to serve on that floating boy’s club, the Pequod; male readers get to step into Elizabeth Bennet’s shoes and teach Mr. Darcy the dance of humility; readers of either gender who are not African American get to crawl toward freedom alongside Toni Morrison’s Sethe. One of the most magical and liberating things about literature is that it can transport us readers into worlds totally unlike our own.
"Toward a “Grander Strategy of Containing Putin’s Russia”: Ambassador Michael McFaul on Engagement and Containment in a New Era of Great Power Competition" in The Yale Review of International Studies http://yris.yira.org/comments/5314 (June 2021)
Source: Count Magnus Fredrik Ferdinand Bjornstjerna in: The Theogony of the Hindoos with Their System of Philosophy and Cosmogony by Count M. Björnstjerna https://books.google.co.in/books?id=mHNK92IkdUkC&pg=PA85, Murray, 1844 , p. 85.
Between Parentheses. Essays, Articles, and Speeches, 1998–2003. ed. Ignacio Echevarría, trans. Natasha Wimmer (New York: New Directions, 2011 [2004]). 358.
Variant: Alternative translation: "Those who have power—even for a short time—know nothing about literature; they are solely interested in power. I can be a clown to my readers, if I damn well please, but never to the powerful." Interview with Mónica Maristain for Playboy (Mexican edition), "The Last Interview" (2003), 102, in: The Last Interview. trans. Sybil Perez (New York: Mellville House, 2009). 93-123
"Religion and Literature" (1935), in Essays Ancient and Modern (1936)
De Colores Means All of Us: Latina Views for a Multi-Colored Century (2017)
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)
Source: http://letras.mysite.com/jbar050923.html
Source: https://www.peruinforma.com/entrevista-cultural-al-escritor-chileno-jose-baroja/
“Literature must avoid propaganda or moralism if it truly wants to be critical and open.”
Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/
“Good literature should disturb the status quo, not preach.”
Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/
Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/
Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/