Quotes about literature
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Ernest Hemingway photo

“Fuck literature.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (1924) to Ezra Pound; published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker, p. 113

Anaïs Nin photo

“When we talk about culture, it includes literature, paintings, music, dance, sculpture, folklores, festivals, and celebrations.”

Mubarak Ali (1941) Historian, activist, scholar

In Search of History, Chapter I: War and Peace in Historical Perspectives, p. 1
Culture

Nalo Hopkinson photo

“…Even though we talk about race a lot in the literature, there’s still this idea of “Well, if we make this person blue and give them pointy ears, then we don’t have to actually talk about what’s happening in the real world.””

Nalo Hopkinson (1960) Jamaican Canadian writer

And those of us who live in racialized bodies feel that lack, we feel that erasure, so yes, there was something quite deliberate in my doing half the speech as an alien.
On race still being a taboo topic in the world of science fiction in “Interview: Nalo Hopkinson” http://www.lightspeedmagazine.com/nonfiction/interview-nalo-hopkinson/ in Lightspeed (June 2013)

William Quan Judge photo
B.F. Skinner photo
Franz von Papen photo
Max Müller photo

“I need hardly say that I agree with almost every word of my critics. I have repeatedly dwelt on the entirely hypothetical character of the dates I ventured to assign to the first three periods of Vedic literature. All I have claimed for them has been that they are minimum dates”

Max Müller (1823–1900) German-born philologist and orientalist

Max Muller. (Preface to the text of the Rigveda, Vol.4, p.xiii). Quoted in https://talageri.blogspot.com/2016/07/the-recorded-history-of-indo-european_27.html

John Morley, 1st Viscount Morley of Blackburn photo
Kazuo Ishiguro photo

“I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."”

Kazuo Ishiguro (1954) Japanese-born British author

... I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.

Rukeyser, Rebecca. " Kazuo Ishiguro: Mythic Retreat https://www.guernicamag.com/mythic-retreat/" guernicamag.com interview. 1 May 2015.

Tatiana de la tierra photo

“The early days of esto no tiene nombre were the happiest time in my life. I had a vision, I had hope, and I was not alone. There was a lot of love going around then — sexual love, spiritual love, friendship love, literature love, publishing love. Perfect love.”

Tatiana de la tierra (1961–2012) Latina writer and activist

On her time working for the lesbian magazine esto no tiene nombre (as quoted in “Celebrating Tatiana De La Tierra And The Latina Lesbian Zine Culture Of The '90s” https://bust.com/books/194419-tatiana-de-la-tierra-zine-culture.html in Bust Magazine)

“…The resistance to English, the fear of English, has made us bad readers of English literature, because of our fear of contaminating the Spanish language, of losing it in the avalanche of North American influence…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On some people’s resistance to reading English literature in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

“…every day I’m convinced that if one is firmly planted in his own world, the work necessarily appeals to a greater number of people. In that sense, I want to profit from my Caribbean self and incorporate it into my literature, hoping to give testimony to who and what I am…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On the lack of ubiquity regarding Puerto Rican writings in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

Rawi Hage photo

“…The responsibility, the burden, is much heavier for us. If we don’t exercise our collective imagination—and not just documentation —we’ll always be at a certain disadvantage. I think what literature could provide us with is showing other possibilities. What I fear most is homogeneity.”

Rawi Hage (1964) Canadian writer

On the burden of racialized writers to represent their communities in “‘What I Fear Most is Homogeneity’: An Interview with Rawi Hage” https://hazlitt.net/feature/what-i-fear-most-homogeneity-interview-rawi-hage in Hazlitt (2018 Sep 12)

Alice Meynell photo

“To be learned in literature is such a different thing from liking it.”

Frank Moore Colby (1865–1925) American historian

Frank Moore Colby, Imaginary Obligations, Dodd, Mead, and Company (1904) ISBN 9780848692599. p. 217.

Edmund Burke photo
Enoch Powell photo

“For the unbroken life of the English nation over a thousand years and more is a phenomenon unique in history. ... Institutions which elsewhere are recent and artificial creations, appear in England almost as works of nature, spontaneous and unquestioned. The deepest instinct of the Englishman—how the word “instinct” keeps forcing itself in again and again!—is for continuity; he never acts more freely nor innovates more boldly than when he most is conscious of conserving or even of reacting. From this continuous life of a united people in its island home spring, as from the soil of England, all that is peculiar in the gifts and the achievements of the English nation, its laws, its literature, its freedom, its self-discipline. ... And this continuous and continuing life of England is symbolised and expressed, as by nothing else, by the English kingship. English it is, for all the leeks and thistles and shamrocks, the Stuarts and the Hanoverians, for all the titles grafted upon it here and elsewhere, “her other realms and territories”, Headships of Commonwealths, and what not. The stock that received all these grafts is English, the sap that rises through it to the extremities rises from roots in English earth, the earth of England's history.”

Enoch Powell (1912–1998) British politician

Speech to the Royal Society of St George (22 April 1961), quoted in A Nation Not Afraid. The Thinking of Enoch Powell (1965), pp. 145–146

Susan Sontag photo
Michael Haneke photo
Sydney Smith photo

“We cultivate literature on a little oatmeal.”

Sydney Smith (1771–1845) English writer and clergyman

Vol. I, ch. 2, p. 60.
Motto proposed by Smith for the Edinburgh Review.
Lady Holland's Memoir (1855)

Viet Thanh Nguyen photo
Alain Daniélou photo
Kaori Momoi photo

“For me, filmmaking is but a means of achieving things that one cannot achieve with either literature or music.”

Kaori Momoi (1952) Japanese actress

Kaori Momoi http://www.midnighteye.com/interviews/kaori-momoi/ (16 March 2008)

Ismail Kadare photo
Romila Thapar photo

“Epic literature is not history but is again a way of looking at the past.”

Romila Thapar (1931) Indian historian

Source: Early India: From the Origins to AD 1300, p. 100.

Northrop Frye photo
Northrop Frye photo
Northrop Frye photo

“The kind of problem that literature raises is not the kind that you ever 'solve.'”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Whether my answers are any good or not, they represent a fair amount of thinking about the questions.
The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html

Irene Sabatini photo

“I think that literature, when it’s good, as opposed to journalism, gives you the freedom to be the characters, to enter into their lives, their psyche and so their experiences become, in a way, yours.”

Irene Sabatini (1967) writer from Zimbabwe

What these works of fiction have allowed me to do is to enter the pain and despair, the hope, to share in the struggles of certain characters that I have identified with (because of the artistry of the writers in making these individuals come alive).
Source: Institute of Education Alumni Life Issue 33 Summer 2010 https://www.irenesabatini.com/files/IS-Novel-Revolutionary-IOE-July-2010.pdf

Jiang Qing photo

“Because of the nature of my work and because I was suffering from a grave ailment, my doctors advised me to take part in cultural activities to improve the balance of my sense of hearing and sense of sight. Thus, I came into contact with some literature and art.”

Jiang Qing (1914–1991) Chinese political figure and wife of Mao Zedong

Source: Speech at the Reception for the Representatives of the Beijing Workers Propaganda Team and the People's Liberation Army Propaganda Team (14 September 1968)

Maureen Corrigan photo

“I get upset about what is taken as great literature and what is cute and exotic.”

Rabih Alameddine (1959) Lebanese-American painter and writer.

Source: On the unpredictability of how a written work will be received in “Rabih Alameddine: 'Right now in the west, Arabs are the other'” https://www.theguardian.com/books/2015/jan/09/rabih-alameddine-interview-an-unnecessary-woman-national-book-award in The Guardian (2015 Jan 9)

Geling Yan photo

“It’s frustrating, that you know what good literature is but you cannot get it totally right.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)

Maureen Corrigan photo

“I don’t believe in identity politics in literature—or in life much, either. Indeed the current scholarly enchantment with identity politics strikes me as a more intellectual version of the warning oft heard around Sunnyside when I was growing up: “Stick with your own kind.””

Maureen Corrigan (1955) American journalist and writer

Source: Leave Me Alone, I'm Reading (2005), Chapter 2 (p. 70)
Context: Family and cultural origins are crucial to self-definition, but they’re not the end of the story. I certainly don’t think that we readers only or even chiefly enjoy or understand books whose main characters mirror us. In fact, the opportunity to become who we are decidedly not—whether it’s Amis’s Dixon or Philip Roth’s Portnoy or Ellison’s Invisible Man or Kafka’s beetle—is one of the greatest gifts reading offers. Women readers get to serve on that floating boy’s club, the Pequod; male readers get to step into Elizabeth Bennet’s shoes and teach Mr. Darcy the dance of humility; readers of either gender who are not African American get to crawl toward freedom alongside Toni Morrison’s Sethe. One of the most magical and liberating things about literature is that it can transport us readers into worlds totally unlike our own.

Michael McFaul photo

“There is a big academic literature on under what conditions sanctions work and don’t work, on when they can change the behavior of targeted countries. And most times, they don’t work. That’s what the literature says.”

Michael McFaul (1963) American academic and diplomat

"Toward a “Grander Strategy of Containing Putin’s Russia”: Ambassador Michael McFaul on Engagement and Containment in a New Era of Great Power Competition" in The Yale Review of International Studies http://yris.yira.org/comments/5314 (June 2021)

Magnus Björnstjerna photo

“The literature of India makes us acquainted with a great nation of past ages, which grasped every branch of knowledge, and which will always occupy a distinguished place in the history of the civilization of mankind.”

Magnus Björnstjerna (1779–1847) Swedish count and general (1779-1847)

Source: Count Magnus Fredrik Ferdinand Bjornstjerna in: The Theogony of the Hindoos with Their System of Philosophy and Cosmogony by Count M. Björnstjerna https://books.google.co.in/books?id=mHNK92IkdUkC&pg=PA85, Murray, 1844 , p. 85.

Roberto Bolaño photo

“Those in power (even if it's only for a little while) known nothing about literature, all they care about is power. And I'll play the fool for my readers, if I feel like it, but never for the powerful.”

Roberto Bolaño (1953–2003) Chilean author

Between Parentheses. Essays, Articles, and Speeches, 1998–2003. ed. Ignacio Echevarría, trans. Natasha Wimmer (New York: New Directions, 2011 [2004]). 358.
Variant: Alternative translation: "Those who have power—even for a short time—know nothing about literature; they are solely interested in power. I can be a clown to my readers, if I damn well please, but never to the powerful." Interview with Mónica Maristain for Playboy (Mexican edition), "The Last Interview" (2003), 102, in: The Last Interview. trans. Sybil Perez (New York: Mellville House, 2009). 93-123

Larry Niven photo

“In fantasy, more than in other forms of literature, the obligation is to teach something universally true about the human condition.”

Introduction to All the Myriad Ways (p. 71)
Short fiction, N-Space (1990)

T.S. Eliot photo

“The 'greatness' of literature cannot be determined solely by literary standards; though we must remember that whether it is literature or not can be determined only by literary standards.”

T.S. Eliot (1888–1965) 20th century English author

"Religion and Literature" (1935), in Essays Ancient and Modern (1936)

Elizabeth Martinez photo

“The real concern of anti-diversity warriors is not with the introduction of politics but with the wrong kind of politics. They want literature to serve a very political function indeed: to sustain, not criticize, the status quo.”

Elizabeth Martinez (1925) American community organizer, activist, author, and educator

De Colores Means All of Us: Latina Views for a Multi-Colored Century (2017)

André Breton photo
Yoshimi Takeuchi photo
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José Baroja photo
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José Baroja photo
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José Baroja photo

“Literature must avoid propaganda or moralism if it truly wants to be critical and open.”

José Baroja (1983) Chilean author and editor

Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/

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José Baroja photo

“Good literature should disturb the status quo, not preach.”

José Baroja (1983) Chilean author and editor

Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/

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José Baroja photo

“The urban allows me to explore those contradictions without falling into propagandistic or moralistic discourse; an essential matter, in my view, when it comes to literature.”

José Baroja (1983) Chilean author and editor

Source: Interview to José Baroja. https://grupoigneo.com/blog/entrevista-jose-baroja-literatura/

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José Baroja photo