Quotes about imagination
page 19
Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism
"Prop4aShw" (2013)
Source: A Woman's Thoughts About Women (1858), Ch. 10
"An interview with Paul Joseph Watson", The Tab (7 November 2016)
Conversation with Thomas Jones (22 May 1936), quoted in Thomas Jones, A Diary with Letters. 1931-1950 (Oxford University Press, 1954), p. 204.
1936
Source: Problems In Genetics (1913), p. 190
"Heil und Heilung - Theologie und Psychoanalyse," speech at a conference of therapists in Basel, Switzerland (1977-05-21)
"The Man Who Named the World" (1990)
Letter to George Washington (November 1779)
"Interview with Nick Cave" http://www.musicomh.com/music/features/nick-cave_0308.htm, musicOMH (March, 2008)
God and religion
Source: The Courage to Create (1975), Ch. 7 : Passion for Form, p. 134
Jane and Prudence (1953), chapter 7
The Impact of Space Activities Upon Society (ESA Br) European Space Agency (2005)
On playing the Man With No Name character
Source: Clint: The Life and Legend (1999), p. 133.
"Return" st. 2, 1962; New Collected Poems, New Directions, 2002, ISBN 0-811-21488-5
Alfred Marshall Mayer, Lecture-notes on Physics (1868) Part 1 https://books.google.com/books?id=hqsLAAAAYAAJ
The Origins of Knowledge and Imagination (1978)
Thoughts and Glimpses (1916-17)
"The Razumovsky Duet", p. 270
Dinosaur in a Haystack (1995)
Source: The Literary Character, Illustrated by the History of Men of Genius (1795–1822), Ch. IV.
“There is more in a common bubble than those who have only played with them generally imagine.”
[Charles Vernon Boys, Soap-bubbles and the forces which mould them: Being a course of three lectures delivered in the theatre of the London institution on the afternoons of Dec. 30, 1889, Jan. 1 and 3, 1890, before a juvenile audience, Society for promoting Christian knowledge, 1896, 10]
In Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 233
quote circa 1853, in which Delacroix relates painting to theater from the view of the visitor / spectator
1831 - 1863
Address at the International Women's Day Conference (2013)
Ghost Of Corporate Future
Soviet Kitsch (2004)
“I can't imagine working without an audience.”
Interview, The New York Times, December 6, 2000
Un Art de Vivre (The Art of Living) (1939), The Art of Working
Source: Islam: the Misunderstood Religion, Chapter 11, Islam and Sexual Repression, p. 207.
Reflections on the Motive Power of Heat (1824)
As quoted in "The Freedom of Association" http://www.lewrockwell.com/rockwell/freedom-of-association145.html (1 June 2010).
2010s
“Compassion takes imagination.”
Interview on ABC Chicago (3 May 2011) http://abclocal.go.com/wls/video?id=8109463/
letter to his friend Bernardo de Iriarte, deputy of the Royal Academy of San Fernando in Madrid, Jan. 1794; as quoted in 'Goya and Iriarte', in Goya his Life and Work, P. Gassier and J. Wilson, 1971, p. 382
cabinet paintings were small portable paintings, which did not need a lot of wall-space and could be moved around at the owner's whim. Goya's famous series 'Caprichos' really begin after physical and probably mental breakdown in 1792. He was 46, and thereafter deaf until his death in 1828
1790s
15 March 1834
Table Talk (1821–1834)
Segment from an article on the UKIP website, 31 May 2012. On the edge of social breakdown http://www.ukip.org/content/latest-news/2681-on-the-edge-of-social-breakdown
2012
1910 - 1935, The mysteries of the forest' (1934)
Scott Moir, Interview with Kristina Rutherford for Sportsnet.ca (January 2018)
Partnership with Tessa Virtue, Scott Moir about Virtue
Malala in Interview with a Pakistani Television network, 2011-12; Cited in: The girl who wanted to go to school http://www.newyorker.com/online/blogs/newsdesk/2012/10/the-girl-who-wanted-to-go-to-school.html." The New Yorker by Basharat Peer, posted October 10, 2012
2010 -
"Dissenting Rivals: Urquhart and Cobden", p. 55
The Trouble Makers: Dissent over Foreign Policy, 1792-1939 (1957)
Source: The Principles of Art (1938), p. 134
"Penitence and Social Progress" World Tomorrow 15 (May, 1932)
from "All men have secrets and these are Morrissey’s", interview by Neil McCormick,Hot Press (4 May 1984)
In interviews etc., About life and death
Wendy Wasserstein (1991) The Heidi chronicles and other plays, p. 60
' Witnessing the Obama Presidency, from Start to Finish https://www.newyorker.com/magazine/2018/06/18/witnessing-the-obama-presidency-from-start-to-finish' by George Packer, The New Yorker, June 18, 2018.
As quoted in "A revealing sit-down with Courteney Cox" in USA Today (10 September 2003) http://www.usatoday.com/life/television/2003-10-08-cox_x.htm
Quote from 'The History of Landscape Painting,' first lecture, Royal Institution (26 May 1836), from notes taken by C.R. Leslie
1830s, his lectures History of Landscape Painting (1836)
Source: Democracy Realizedː The Progressive Alternative (1998), p. 29
Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 22
Quoted by Bob January http://bobjanuary.com/waltz.htm
Remark at the International PEN Club conference, Sept 11-13 1941, reproduced in John Dos Passos: The Major Nonfictional Prose, ed. Donald Pizer
Maria Mitchell: Life, Letters and Journals (illustrated) by Maria Mitchell, 1896, p. 186.
Source: Preface to The Golden Days, 1973, p. 45
Sens-plastique
Podcast - Bonus Hour
On Nature
(76-77) [ellipsis added]
The Christian Agnostic (1965)
Source: Living In The Number One Country (2000), Chapter Two, Visions Of Global Electronic Mastery, p. 70
L’Abeille et l’architecte [The Bee and the Architect] (1980)
"The Confessions of Ebenezer Scrooge" p. 158 (originally published in Spirits of Christmas: Twenty Otherworldly Tales, edited by Kathryn Cramer and David G. Hartwell)
Short fiction, Bible Stories for Adults (1996)
Source: Dancing in the Flames (1997), p. 207
“Nature's imagination far surpasses our own.”
Source: The Character of Physical Law (1965), chapter 7, “Seeking New Laws,” p. 162: video http://www.youtube.com/watch?v=-2NnquxdWFk&t=29m20s
Source: The Philosopher's Apprentice (2008), P. S. (p. 14)
Acceptance Speech for the Margaret Edwards Award (1998)
Source: Tennis Week "The Tennis Week Interview: Sania Mirza"
Quoted in "There is nothing like a dame: Dame Rebecca West at ninety," Vogue (February 1983)
Source: Manhood of Humanity (1921), p. 67. Chapter: What is Man?
The God of Dark Laughter https://www.newyorker.com/magazine/2001/04/09/the-god-of-dark-laughter, The New Yorker (April 9, 2001)
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94
Source: Introduction to Systems Philosophy (1972), p. 80.
Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
Quotes of Paul Cezanne, 1860s - 1870s
Quote (July 1902), # 425, in The Diaries of Paul Klee - 1898-1918, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1968
1895 - 1902