
In 1961; p. 67
1960 -1964, "Yves Klein, 1928 – 1962, Selected Writings"
In 1961; p. 67
1960 -1964, "Yves Klein, 1928 – 1962, Selected Writings"
Introduction
Small Houses: Their Economic Design and Construction (1922)
Modern Art U.S.A., R. Blesh, New York, Alfred A. Knopf, 1956, pp. 268-69
1950s
As quoted in " Erdoğan to Turks in EU: Have 5 children, you are the future of Europe https://www.turkishminute.com/2017/03/17/erdogan-turks-eu-5-children-future-europe/", TurkishMinute (March 17 2017)
Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)
Source: Queer: A Novel (1985), Chapter Two
(31st January 1829) Lines to the Author after Reading the Sorrows of Rosalie
The London Literary Gazette, 1829
Source: The Band That Played On (Thomas Nelson, 2011), p. 152
Wake Up San Francisco event (2015)
Source: Alanis Morissette - Wake Up San Francisco with Adyashanti & Tami Simon - YouTube (starts at 10:27) https://www.youtube.com/watch?v=Jr_ClddVgJs
The New York Times Magazine (9 October 1960)
Die Fackel no. 406/12 (5 October 1915)
Die Fackel
Kallaway, Stella Vine's Latest Exhibition http://www.kallaway.co.uk/pdf/Stella-Vines-Latest-Exhibition.pdf Modern Art Oxford, (2007-07-14).
On her connection to Diana, Princess of Wales.
“There is an antique gem, on which her brow
Retains its graven beauty even now.”
Erinna
The Golden Violet (1827)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII "Methods of Building Walls" Sec. 1
ACM Queue A Conversation with Alan Kay Vol. 2, No. 9 - Dec/Jan 2004-2005 http://queue.acm.org/detail.cfm?id=1039523
2000s, A Conversation with Alan Kay, 2004–05
As quoted in "Did I say This? in The Observer (20 April 2008)
2008
Seward, 617
Bartlett's Familiar Quotations, 10th ed. (1919), Johnsoniana
Source: Drenai series, Quest for Lost Heroes, Ch. 4
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 89.
The Graves of a Household http://digital.library.upenn.edu/women/hemans/records/graves.html, st. 1.
Advice to the Estranged, S. Liptzin. Peretz. Yivo, 1947, p. 348.
Un artiste n'est un artiste que grâce à son sens exquis du beau, — sens qui lui procure des jouissances enivrantes, mais qui en même temps implique, enferme un sens également exquis de toute difformité et de toute disproportion.
XI: "Notes nouvelles sur Edgar Poe III," IV http://fr.wikisource.org/wiki/Edgar_Poe_III._Notes_nouvelles_sur_Edgar_Poe_%28L%E2%80%99Art_romantique%29#IV
L'art romantique (1869)
(11th August 1832) Youth
The London Literary Gazette, 1832
2000s, 2009, Farewell speech to the nation (January 2009)
Interview with Chris Douridas (1997) quoted in David Lynch Interviews (2009) by Richard A. Barney
Poem: Child and Maiden http://www.bartleby.com/106/81.html
Christian Chelman, 1993, Capricornian Tales, L & L Publishing, p. 6
March 12, 2010
Friday Night SmackDown
The Nuts of Knowledge (1903)
I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10
Leaving the Surface (1968)
“Art is limitation…. The most beautiful part of every picture is the frame.”
Tremendous Trifles (1909)
Mont Saint Michel and Chartres (1904)
Source: 1930s, Adventures of Ideas (1933), p. 353.
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 4: Fire and Brimstone, Horns and Tail, p. 66
Victory speech after winning New Jersey and other states Tuesday night (7 June 2016) – TIME transcript http://time.com/4360872/donald-trump-new-jersey-victory-speech-transcript/
2010s, 2016, June
"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews
“To this man life is already as earnest and awful, and beautiful and terrible, as death.”
1840s, Past and Present (1843)
“A woman is more beautiful than the world in which I live, and I close my eyes.”
Une femme est plus belle que le monde où je vis, Et je ferme les yeux.
Cited: Leon-Gabriel Gros. "A miracol mostrare." Cahiers du Sud. (1953) p. 36.
Citation reported: Sara Sturm-Maddox. Petrarch's laurels. (1992). Penn State Press. p. 68.
http://news.bbc.co.uk/sport1/hi/football/teams/c/chelsea/4175077.stm
Chelsea FC
“So beautiful and fortunate
You're the one who hates to love
But he's the one who loves to hate.”
Love For Tender
Song lyrics, Get Happy!! (1980)
Sources of Chinese Tradition (1999), vol. 1, p. 181
Human nature is evil
The Story of Islamic Imperialism in India (1994)
Source: Sayings of Sri Ramakrishna (1960), p. 37
Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
Das Ressentiment im Aufbau der Moralen (1912)
Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard
“To the degree it is efficient, a spaceship is elegant and beautiful.”
The Cosmos as a Poem (2010)
Cited in: SanSan Kwan, Kinesthetic City: Dance and Movement in Chinese Urban Spaces, 2013 p. xxx; Talking about Shanghai
Text originate from a French-made documentary, where "Jin herself associated her (definitely female) identity with the city" of Shanghai.
" Dazed & Confused Magazine | Josh Homme | Sept'10 http://www.youtube.com/watch?v=Zf8MQqPIroc", Dazed & Confused Magazine (September 2010)
“Life is neither ugly nor beautiful, but it's original!”
Source: La coscienza di Zeno (1923), P. 275; p. 330.
Tudo é tranquilo e casto e sonhador...
Olhando esta paisagem que é uma tela
De Deus, eu penso então: Onde há pintor<p>Onde há artista de saber profundo,
Que possa imaginar coisa mais bela,
Mais delicada e linda neste Mundo?
Juvenilia: versos inéditos de Florbela Espanca (1946), p. 56
Translated by John D. Godinho
Juvenília (1931), No meu Alentejo
Japan, the Beautiful and Myself (1969)
The Nuts of Knowledge (1903)
“The moment you recognize what is beautiful in this world, you stop being a slave.”
The Sixth Night.
The White Tiger (2008)
Quote from Bazille's letter to his mother, c. 1864; as quoted in Frédéric Bazille and early Impressionism, Marandel, Daulte et al. p. 166
1861 - 1865
Raag Aasaa Mehal 1, p. 473; in Aad Guru Granth Sahib (1983 edition by Shiromani Gurdwara Parbandhak Committee); also in Guru Nanak and His Times (1971) by Anil Chandra Banerjee, p. 78
translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Willem Maris, in het Nederlands: 'Weiss' zei dat altijd zoo goed: 'als je buitenkomt, dan is 't alsof je een stomp tegen je borst krijgt..hè.. ..verdomme, da's mooi!!'. En daarom hebben we in ons atelier in de Juffrouw Idastraat [Den Haag] zooveel mooie dingen gemaakt: 't Atelier was zoo bizonder niet. 't Was lawaaierig. Maar 't buitenkomen plots, ontroèrde je te sterker..
Quote in: Willem Maris, by H. de Boer; P.J. Zürcherp, Den Haag, 1900, p. 23 + note 117: C. Harms Tiepen, 1910, pp. 14 [database 19th century studio practice - quotes RKD]
"Down, Wanton, Down!," lines 1-4, from Poems 1930-1933 (1933).
Poems
Alan Hovhaness, Hovhaness.com biography http://www.hovhaness.com/hovhaness-biography.html
From an address given at Auschwitz in occasion of the fiftieth anniversary of the Holocaust (27 January 1995)
Polish: I nie chodzi o estetykę: w społeczeństwie obowiązuje zasada: „Z kim przestajesz, takim się stajesz”, więc i oglądanie – godnych podziwu skądinąd – wysiłków para-sportowców może przynieść – przejściowe, na szczęście – zaburzenia w motoryce!). Jeśli chcemy, by ludzkość się rozwijała, w telewizji powinnismy ogladac ludzi zdrowych, pieknych, silnych, uczciwych, madrych – a nie zboczeńców, morderców, słabeuszy, nieudaczników, kiepskich, idiotów – i inwalidów, niestety.
Source: Blog of the autor http://3obieg.pl/para-olimpiada-czyli-paranoja
The Lily
1790s, Songs of Experience (1794)
“Ah, ah,
Beautiful is the mother.
Ah, ah,
Beautiful is her son.”
"Bring a Torch, Jeanette, Isabelle"
Lyrics, The Age of Adz (2010)
news.bostonherald.com (March 12, 2008)
2007, 2008
version in original Dutch (citaat uit een brief van MarieBilders-van Bosse, in het Nederlands:) Hij schilderde – woonde te Utrecht, [hij] trok aanstonds de aandacht en had veel ideeën, kreeg voor den tijd goede prijzen; en dacht op eenmaal 'Moet dat nu mooi heeten – maar de menschen zijn gek of ik – Ik kwam tot de conclusie – de menschen slaan de bal mis – pakte mijn rommeltje en ging naar ' [herfst van 1841, waar Bilders grondig studie van de natuur begint te maken: takken, stammen, planten. Etc..]
In a letter of Marie Bilders-van Bosse to A. C. Loffelt, c. 1891; as cited in Van Oosterbeek naar Haagsche School, E. Maas; kunsthandel Kupperman, Amsterdam, 1994, p. 57
Marie Bosse-Bilders was first a pupil of the older Bilders; later they married
“God pity me now and all desolate sinners
Demented with beauty!”
She Walked Unaware (1975)
¿En perseguirme, mundo, qué interesas?
¿En qué te ofendo, cuando sólo intento
poner bellezas en mi entendimiento
y no mi entendimiento en las bellezas?
Sonnet 146, as translated by Edith Grossman in Sor Juana Inés de la Cruz: Selected Works (2014)
The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)
Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10