Quotes about beauty
page 39

Yves Klein photo
Ernest Flagg photo
Abraham Cahan photo
Recep Tayyip Erdoğan photo
Jorge Vargas González photo

“I always said that it was going to be beautiful that Paulina [Nin] presented me as entertainer and I sang.”

Jorge Vargas González (1967) Chilean politician

In La Cuarta, (4 November 2004)

Baldassarre Castiglione photo

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

William S. Burroughs photo
Letitia Elizabeth Landon photo

“One of those gifted ones that walk the earth,
Like angels in their beauty, and the while
The air is filled with music from their wings.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(31st January 1829) Lines to the Author after Reading the Sorrows of Rosalie
The London Literary Gazette, 1829

Ibn Battuta photo
Adyashanti photo

“The beautiful thing is that anybody has the potential for a massive shift in perspective… even if they're a complete mess.”

Adyashanti (1962) Spiritual teacher

Wake Up San Francisco event (2015)
Source: Alanis Morissette - Wake Up San Francisco with Adyashanti & Tami Simon - YouTube (starts at 10:27) https://www.youtube.com/watch?v=Jr_ClddVgJs

John Kenneth Galbraith photo

“There is certainly no absolute standard of beauty. That precisely is what makes its pursuit so interesting.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

The New York Times Magazine (9 October 1960)

Karl Kraus photo

“The esthete stands in the same relation to beauty as the pornographer stands to love, and the politician stands to life.”

Karl Kraus (1874–1936) Czech playwright and publicist

Die Fackel no. 406/12 (5 October 1915)
Die Fackel

Stella Vine photo

“I have always been drawn to the beauty and the tragedy of Diana’s life which I hope I’ve captured in this new series of paintings. I wanted to show her”

Stella Vine (1969) English artist

Kallaway, Stella Vine's Latest Exhibition http://www.kallaway.co.uk/pdf/Stella-Vines-Latest-Exhibition.pdf Modern Art Oxford, (2007-07-14).
On her connection to Diana, Princess of Wales.

Anthony Burgess photo

“God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Theodore Dreiser photo

“Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men. The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal. It would seem that a censorship of life had been established by divinity, and the care of its execution given into the hands of the utterly conservative. Yet there is that other form of liaison which has nothing to do with conscious calculation. In the vast majority of cases it is without design or guile. The average woman, controlled by her affections and deeply in love, is no more capable than a child of anything save sacrificial thought—the desire to give; and so long as this state endures, she can only do this. She may change—Hell hath no fury, etc.—but the sacrificial, yielding, solicitous attitude is more often the outstanding characteristic of the mistress; and it is this very attitude in contradistinction to the grasping legality of established matrimony that has caused so many wounds in the defenses of the latter. The temperament of man, either male or female, cannot help falling down before and worshiping this nonseeking, sacrificial note. It approaches vast distinction in life. It appears to be related to that last word in art, that largeness of spirit which is the first characteristic of the great picture, the great building, the great sculpture, the great decoration—namely, a giving, freely and without stint, of itself, of beauty.”

Source: The Financier (1912), Ch. XXIII

Letitia Elizabeth Landon photo

“There is an antique gem, on which her brow
Retains its graven beauty even now.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

Vitruvius photo
Alan Kay photo
Silvio Berlusconi photo

“The women of the Right are certainly the most beautiful … the Left has no taste, not even when it comes to women”

Silvio Berlusconi (1936) Italian politician

As quoted in "Did I say This? in The Observer (20 April 2008)
2008

Samuel Johnson photo

“I am very fond of the company of ladies. I like their beauty, I like their delicacy, I like their vivacity, and I like their silence.”

Samuel Johnson (1709–1784) English writer

Seward, 617
Bartlett's Familiar Quotations, 10th ed. (1919), Johnsoniana

Horace Bushnell photo
Felicia Hemans photo

“They grew in beauty side by side,
They filled one home with glee:
Their graves are severed far and wide
By mount and stream and sea.”

Felicia Hemans (1793–1835) English poet

The Graves of a Household http://digital.library.upenn.edu/women/hemans/records/graves.html, st. 1.

Isaac Leib Peretz photo

“"May all unite to do Thy will with a perfect heart!"… Thus prays the Jew. Have you more beautiful prayers to offer?”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Advice to the Estranged, S. Liptzin. Peretz. Yivo, 1947, p. 348.

Mata Amritanandamayi photo
Frank Miller photo
Charles Baudelaire photo

“An artist is only an artist thanks to his exquisite sense of beauty — a sense which provides him with intoxicating delights, but at the same time implying and including a sense, equally exquisite, of all deformity and disproportion.”

Charles Baudelaire (1821–1867) French poet

Un artiste n'est un artiste que grâce à son sens exquis du beau, — sens qui lui procure des jouissances enivrantes, mais qui en même temps implique, enferme un sens également exquis de toute difformité et de toute disproportion.
XI: "Notes nouvelles sur Edgar Poe III," IV http://fr.wikisource.org/wiki/Edgar_Poe_III._Notes_nouvelles_sur_Edgar_Poe_%28L%E2%80%99Art_romantique%29#IV
L'art romantique (1869)

George MacDonald photo
Letitia Elizabeth Landon photo
George W. Bush photo
Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

George Eliot photo
David Lynch photo

“Every single thing in the world that was made by anyone started with an idea. So to catch one that is powerful enough to fall in love with, it is one of the most beautiful experiences. It's like being jolted with electricity and knowledge at the same time.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

Interview with Chris Douridas (1997) quoted in David Lynch Interviews (2009) by Richard A. Barney

John Mayer photo
Charles Sedley photo
Christian Chelman photo
Phil Brooks photo

“Punk: Don't stop on account of me. [Starts singing "Happy Birthday" to Rey's daughter, who is scared]. Rey, you look scared, but I assure you I'm not out here to hurt you, and I'm not out here to hurt your family. In fact, I'm happy that we're all here – my family and yours. And today's a big day, we all need to celebrate the occasion, and it doesn't get any bigger that WrestleMania, Rey, so that's exactly why I wanna challenge you to a match at WrestleMania. I also wanna challenge you to a match tonight. And I don't mean later in the show, Rey. I mean now. I mean, as in, right now!
Rey: Come on Punk. This ain't the time
Punk: Don't be sad. Aaliyah, since it's your birthday, sweet, innocent little Aaliyah, I'll tell you what. As my birthday present to you, I'll let you shut your eyes while I reduce your daddy to tears and make him beg for my mercy. And Dominik. You're such… you're all grown up now, aren't you? We watched you grow up before our very eyes, but I don't think you ever heard your father squeal like a pig from somebody repeatedly stomping his surgically repaired knees, so it's okay if you plug your ears. And beautiful, voluptuous Angie. Now I'm sure you and your loving husband Rey have shared the best of times. But look at me. I promise you, after I do what I'm going to do to your husband, it will be the worst of times. So feel free to cup your hand over your mouth to muffle the screams. What's the matter, Rey? Don't you wanna fight me in front of your family? No? Are you afraid that your family's gonna watch you get hurt? You're a coward! I know it; deep down inside, Dominik knows it; your wife has always known; and now on her 9th birthday, your sweet innocent little Aaliyah knows it. All these people here know it, Rey, you're a coward! What's it gonna take? Huh, Rey? Where's Giant-Killer Rey Mysterio at? [Crowd chants "619"] Where's your 619, huh, Rey? Where's the ultimate underdog, Rey? Rey, where's your machismo? Where's your machismo, Rey?! I'll tell you where, Rey. Your machismo, your courage – you never had it. What's it gonna take, Rey? Huh? Rey, I'll even drop down to your level, Rey. [Gets down on his knees] Come on, Rey! So, you're turning me down? You won't fight me? What's it gonna take, Rey? [Gets up] What's it gonna take, Rey?! Not now?! Not now?! [Slaps Rey across the face] [Rey then walks away very frustrated with his family. ] Come on, Rey! Come on, now! There he is, ladies and gentlemen! There's your superhero!
Striker: He's got no alternative but to protect his family.
Punk: Watch him take his walk of shame! But one more thing, sweet little princess Aaliyah… [Sings "Happy Birthday" to her in a disturbing type way. ]”

Phil Brooks (1978) American professional wrestler and mixed martial artist

March 12, 2010
Friday Night SmackDown

George William Russell photo

“The tower of heaven turns darker blue; a starry sparkle now begins;
The mystery and magnificence, the myriad beauty and the sins
Come back to me.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Gregory of Nyssa photo

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

G. K. Chesterton photo
Henry Adams photo
Alfred North Whitehead photo

“A general definition of civilization: a civilized society is exhibiting the five qualities of truth, beauty, adventure, art, peace.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: 1930s, Adventures of Ideas (1933), p. 353.

Bhakti Tirtha Swami photo
Donald J. Trump photo
Pauline Kael photo

“For some strange reason we don't go to charming, light movies anymore. People expect a movie to be heavy and turgid, like "American Beauty." We've become a heavy-handed society.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

Thomas Carlyle photo

“To this man life is already as earnest and awful, and beautiful and terrible, as death.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Paul Éluard photo

“A woman is more beautiful than the world in which I live, and I close my eyes.”

Paul Éluard (1895–1952) French poet

Une femme est plus belle que le monde où je vis, Et je ferme les yeux.
Cited: Leon-Gabriel Gros. "A miracol mostrare." Cahiers du Sud. (1953) p. 36.
Citation reported: Sara Sturm-Maddox. Petrarch's laurels. (1992). Penn State Press. p. 68.

José Mourinho photo
Elvis Costello photo

“So beautiful and fortunate
You're the one who hates to love
But he's the one who loves to hate.”

Elvis Costello (1954) English singer-songwriter

Love For Tender
Song lyrics, Get Happy!! (1980)

Xun Zi photo
David Cross photo
Anne Louise Germaine de Staël photo
Emma Thompson photo

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Sophie B. Hawkins photo
William Somervile photo
Regina Spektor photo

“Leaves become most beautiful when they're about to die
When they're about to fall from trees
When they're about to dry”

Regina Spektor (1980) American singer-songwriter and pianist

Time Is All Around
Far (2009)

Ramakrishna photo
E.E. Cummings photo
Max Scheler photo

“But this instinctive falsification of the world view is only of limited effectiveness. Again and again the ressentiment man encounters happiness, power, beauty, wit, goodness, and other phenomena of positive life. They exist and impose themselves, however much he may shake his fist against them and try to explain them away. He cannot escape the tormenting conflict between desire and impotence. Averting his eyes is sometimes impossible and in the long run ineffective. When such a quality irresistibly forces itself upon his attention, the very sight suffices to produce an impulse of hatred against its bearer, who has never harmed or insulted him. Dwarfs and cripples, who already feel humiliated by the outward appearance of the others, often show this peculiar hatred—this hyena-like and ever-ready ferocity. Precisely because this kind of hostility is not caused by the “enemy's” actions and behavior, it is deeper and more irreconcilable than any other. It is not directed against transitory attributes, but against the other person's very essence and being. Goethe has this type of “enemy” in mind when he writes: “Why complain about enemies?—Could those become your friends—To whom your very existence—Is an eternal silent reproach?” (West-Eastern Divan). The very existence of this “being,” his mere appearance, becomes a silent, unadmitted “reproach.””

Max Scheler (1874–1928) German philosopher

Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
Das Ressentiment im Aufbau der Moralen (1912)

Tori Amos photo
Pierre-Auguste Renoir photo
Vanna Bonta photo

“To the degree it is efficient, a spaceship is elegant and beautiful.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

“This city is a completely female city. Female town. Beijing is male. All rough and politics. Shanghai is more delicate. Money talks. Beautiful. I had enough rough. I need details. Specially because (I am) a lady. I need city.”

Cited in: SanSan Kwan, Kinesthetic City: Dance and Movement in Chinese Urban Spaces, 2013 p. xxx; Talking about Shanghai
Text originate from a French-made documentary, where "Jin herself associated her (definitely female) identity with the city" of Shanghai.

Josh Homme photo
Italo Svevo photo

“Life is neither ugly nor beautiful, but it's original!”

Source: La coscienza di Zeno (1923), P. 275; p. 330.

Florbela Espanca photo

“All is so calm and chaste, so like a dream.
That looking at this masterpiece of God, I ask myself
Where is there a painter, an artist so supreme,So profoundly wise as to unfurl
A canvas with a more arresting scene,
More delicate and beautiful in this World?”

Florbela Espanca (1894–1930) Portuguese poet

Tudo é tranquilo e casto e sonhador...
Olhando esta paisagem que é uma tela
De Deus, eu penso então: Onde há pintor<p>Onde há artista de saber profundo,
Que possa imaginar coisa mais bela,
Mais delicada e linda neste Mundo?
Juvenilia: versos inéditos de Florbela Espanca (1946), p. 56
Translated by John D. Godinho
Juvenília (1931), No meu Alentejo

William Blake photo
Yasunari Kawabata photo
George William Russell photo
Frédéric Bazille photo

“This country [landscape around Honfleur, where Bazille was painting with Monet, circa 1864] is paradise. Nowhere could you find more lush fields with more beautiful trees. Cows and horses roam freely everywhere.”

Frédéric Bazille (1841–1870) French painter

Quote from Bazille's letter to his mother, c. 1864; as quoted in Frédéric Bazille and early Impressionism, Marandel, Daulte et al. p. 166
1861 - 1865

Nanak photo
Willem Maris photo

“Weiss' always said it so well: 'When you go outside, it's like getting a punch against your chest.. hey.. damned, that's beautiful!!' And that's why we made so many beautiful things in our studio in the Juffrouw Idastraat in The Hague city. The studio was not very special. It was noisy. But going outside suddenly, that moved you so strongly..”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Willem Maris, in het Nederlands: 'Weiss' zei dat altijd zoo goed: 'als je buitenkomt, dan is 't alsof je een stomp tegen je borst krijgt..hè.. ..verdomme, da's mooi!!'. En daarom hebben we in ons atelier in de Juffrouw Idastraat [Den Haag] zooveel mooie dingen gemaakt: 't Atelier was zoo bizonder niet. 't Was lawaaierig. Maar 't buitenkomen plots, ontroèrde je te sterker..
Quote in: Willem Maris, by H. de Boer; P.J. Zürcherp, Den Haag, 1900, p. 23 + note 117: C. Harms Tiepen, 1910, pp. 14 [database 19th century studio practice - quotes RKD]

Primo Levi photo
Robert Graves photo

“Down, wanton, down! Have you no shame
That at the whisper of Love’s name,
Or Beauty’s, presto! up you raise
Your angry head and stand at gaze?”

Robert Graves (1895–1985) English poet and novelist

"Down, Wanton, Down!," lines 1-4, from Poems 1930-1933 (1933).
Poems

“My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, Hovhaness.com biography http://www.hovhaness.com/hovhaness-biography.html

Lucian photo
Elie Wiesel photo
Janusz Korwin-Mikke photo

“This is not about the aesthetics: there is a rule in a society: "Whoever you deal with, makes you become them", therefore watching the efforts of para-athletes, which are nevertheless very admirable, can bring the temporary mobility disorder. If we want humanity to develop, the television should show us people who are healthy, beautiful, strong, honest and wise - not perverts, murderers, weaklings, losers, idiots or, unfortunately, invalids.”

Janusz Korwin-Mikke (1942) polish politician

Polish: I nie chodzi o estetykę: w społeczeństwie obowiązuje zasada: „Z kim przestajesz, takim się stajesz”, więc i oglądanie – godnych podziwu skądinąd – wysiłków para-sportowców może przynieść – przejściowe, na szczęście – zaburzenia w motoryce!). Jeśli chcemy, by ludzkość się rozwijała, w telewizji powinnismy ogladac ludzi zdrowych, pieknych, silnych, uczciwych, madrych – a nie zboczeńców, morderców, słabeuszy, nieudaczników, kiepskich, idiotów – i inwalidów, niestety.
Source: Blog of the autor http://3obieg.pl/para-olimpiada-czyli-paranoja

William Blake photo
Amit Ray photo

“Beautify your inner dialogue. Beautify your inner world with love, light and compassion. Life will be beautiful.”

Amit Ray (1960) Indian author

Meditation:Insights and Inspirations (2010) https://books.google.com/books?id=s2ctBgAAQBAJ,

Sufjan Stevens photo

“Ah, ah,
Beautiful is the mother.
Ah, ah,
Beautiful is her son.”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

"Bring a Torch, Jeanette, Isabelle"
Lyrics, The Age of Adz (2010)

Gloria Estefan photo
Ellen Page photo
Marie Bilders-van Bosse photo

“He [ Johannes Warnardus Bilders ] painted – was living in Utrecht, [he] immediately attracted attention and had many ideas, got good prices for that time; and once he thought 'Is this really beautiful, as people say - but the people are crazy or I am - I came to the conclusion – the people are wrong - picked up my things and went to Oosterbeek' [Autumn of 1841, where he thoroughly started to study nature: branches, stems, plants. Etc.. ] (translation from Dutch, Fons Heijnsbroek).”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

version in original Dutch (citaat uit een brief van MarieBilders-van Bosse, in het Nederlands:) Hij schilderde – woonde te Utrecht, [hij] trok aanstonds de aandacht en had veel ideeën, kreeg voor den tijd goede prijzen; en dacht op eenmaal 'Moet dat nu mooi heeten – maar de menschen zijn gek of ik – Ik kwam tot de conclusie – de menschen slaan de bal mis – pakte mijn rommeltje en ging naar ' [herfst van 1841, waar Bilders grondig studie van de natuur begint te maken: takken, stammen, planten. Etc..]
In a letter of Marie Bilders-van Bosse to A. C. Loffelt, c. 1891; as cited in Van Oosterbeek naar Haagsche School, E. Maas; kunsthandel Kupperman, Amsterdam, 1994, p. 57
Marie Bosse-Bilders was first a pupil of the older Bilders; later they married

John Donne photo

“God pity me now and all desolate sinners
Demented with beauty!”

Patrick MacDonogh (1902–1961) Irish poet

She Walked Unaware (1975)

Frances Kellor photo
Juana Inés de la Cruz photo

“O World, why do you wish to persecute me?
How do I offend you, when I intend
only to fix beauty in my intellect,
and never my intellect fix on beauty?”

Juana Inés de la Cruz (1651–1695) Nun, scholar and poet in New Spain

¿En perseguirme, mundo, qué interesas?
¿En qué te ofendo, cuando sólo intento
poner bellezas en mi entendimiento
y no mi entendimiento en las bellezas?
Sonnet 146, as translated by Edith Grossman in Sor Juana Inés de la Cruz: Selected Works (2014)

Arthur Schopenhauer photo
Jean Paul Sartre photo
Simon Munnery photo
Louis Comfort Tiffany photo

“I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Hendrik Lorentz photo

“One has been led to the conception of electrons, i. e. of extremely small particles, charged with electricity, which are present in immense numbers in all ponderable bodies, and by whose distribution and motions we endeavor to explain all electric and optical phenomena that are not confined to the free ether…. according to our modern views, the electrons in a conducting body, or at least a certain part of them, are supposed to be in a free state, so that they can obey an electric force by which the positive particles are driven in one, and the negative electrons in the opposite direction. In the case of a non-conducting substance, on the contrary, we shall assume that the electrons are bound to certain positions of equilibrium. If, in a metallic wire, the electrons of one kind, say the negative ones, are travelling in one direction, and perhaps those of the opposite kind in the opposite direction, we have to do with a current of conduction, such as may lead to a state in which a body connected to one end of the wire has an excess of either positive or negative electrons. This excess, the charge of the body as a whole, will, in the state of equilibrium and if the body consists of a conducting substance, be found in a very thin layer at its surface.
In a ponderable dielectric there can likewise be a motion of the electrons. Indeed, though we shall think of each of them as haying a definite position of equilibrium, we shall not suppose them to be wholly immovable. They can be displaced by an electric force exerted by the ether, which we conceive to penetrate all ponderable matter… the displacement will immediately give rise to a new force by which the particle is pulled back towards its original position, and which we may therefore appropriately distinguish by the name of elastic force. The motion of the electrons in non-conducting bodies, such as glass and sulphur, kept by the elastic force within certain bounds, together with the change of the dielectric displacement in the ether itself, now constitutes what Maxwell called the displacement current. A substance in which the electrons are shifted to new positions is said to be electrically polarized.
Again, under the influence of the elastic forces, the electrons can vibrate about their positions of equilibrium. In doing so, and perhaps also on account of other more irregular motions, they become the centres of waves that travel outwards in the surrounding ether and can be observed as light if the frequency is high enough. In this manner we can account for the emission of light and heat. As to the opposite phenomenon, that of absorption, this is explained by considering the vibrations that are communicated to the electrons by the periodic forces existing in an incident beam of light. If the motion of the electrons thus set vibrating does not go on undisturbed, but is converted in one way or another into the irregular agitation which we call heat, it is clear that part of the incident energy will be stored up in the body, in other terms [words] that there is a certain absorption. Nor is it the absorption alone that can be accounted for by a communication of motion to the electrons. This optical resonance, as it may in many cases be termed, can likewise make itself felt even if there is no resistance at all, so that the body is perfectly transparent. In this case also, the electrons contained within the molecules will be set in motion, and though no vibratory energy is lost, the oscillating particles will exert an influence on the velocity with which the vibrations are propagated through the body. By taking account of this reaction of the electrons we are enabled to establish an electromagnetic theory of the refrangibility of light, in its relation to the wave-length and the state of the matter, and to form a mental picture of the beautiful and varied phenomena of double refraction and circular polarization.
On the other hand, the theory of the motion of electrons in metallic bodies has been developed to a considerable extent…. important results that have been reached by Riecke, Drude and J. J. Thomson… the free electrons in these bodies partake of the heat-motion of the molecules of ordinary matter, travelling in all directions with such velocities that the mean kinetic energy of each of them is equal to that of a gaseous molecule at the same temperature. If we further suppose the electrons to strike over and over again against metallic atoms, so that they describe irregular zigzag-lines, we can make clear to ourselves the reason that metals are at the same time good conductors of heat and of electricity, and that, as a general rule, in the series of the metals, the two conductivities change in nearly the same ratio. The larger the number of free electrons, and the longer the time that elapses between two successive encounters, the greater will be the conductivity for heat as well as that for electricity.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10