Quotes about anger
page 6

Letitia Elizabeth Landon photo

“Despair is anger with no place to go.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Fyodor Tyutchev photo
Robert Patrick (playwright) photo
Martin Buber photo

“An example may clarify more precisely the relation between the psychologist and the anthropologist. If both of them investigate, say, the phenomenon of anger, the psychologist will try to grasp what the angry man feels, what his motives and the impulses of his will are, but the anthropologist will also try to grasp what he is doing. In respect of this phenomenon self-observation, being by nature disposed to weaken the spontaneity and unruliness of anger, will be especially difficult for both of them. The psychologist will try to meet this difficulty by a specific division of consciousness, which enables him to remain outside with the observing part of his being and yet let his passion run its course as undisturbed as possible. Of course this passion can then not avoid becoming similar to that of the actor, that is, though it can still be heightened in comparison with an unobserved passion its course will be different: there will be a release which is willed and which takes the place of the elemental outbreak, there will be a vehemence which will be more emphasized, more deliberate, more dramatic. The anthropologist can have nothing to do with a division of consciousness, since he has to do with the unbroken wholeness of events, and especially with the unbroken natural connection between feelings and actions; and this connection is most powerfully influenced in self-observation, since the pure spontaneity of the action is bound to suffer essentially. It remains for the anthropologist only to resign any attempt to stay outside his observing self, and thus when he is overcome by anger not to disturb it in its course by becoming a spectator of it, but to let it rage to its conclusion without trying to gain a perspective. He will be able to register in the act of recollection what he felt and did then; for him memory takes the place of psychological self-experience. … In the moment of life he has nothing else in his mind but just to live what is to be lived, he is there with his whole being, undivided, and for that very reason there grows in his thought and recollection the knowledge of human wholeness.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

Variant: An example may clarify more precisely the relation between the psychologist and the anthropologist. If both of them investigate, say, the phenomenon of anger, the psychologist will try to grasp what the angry man feels, what his motives and the impulses of his will are, but the anthropologist will also try to grasp what he is doing. In respect of this phenomenon self-observation, being by nature disposed to weaken the spontaneity and unruliness of anger, will be especially difficult for both of them. The psychologist will try to meet this difficulty by a specific division of consciousness, which enables him to remain outside with the observing part of his being and yet let his passion run its course as undisturbed as possible. Of course this passion can then not avoid becoming similar to that of the actor, that is, though it can still be heightened in comparison with an unobserved passion its course will be different: there will be a release which is willed and which takes the place of the elemental outbreak, there will be a vehemence which will be more emphasized, more deliberate, more dramatic. The anthropologist can have nothing to do with a division of consciousness, since he has to do with the unbroken wholeness of events, and especially with the unbroken natural connection between feelings and actions; and this connection is most powerfully influenced in self-observation, since the pure spontaneity of the action is bound to suffer essentially. It remains for the anthropologist only to resign any attempt to stay outside his observing self, and thus when he is overcome by anger not to disturb it in its course by becoming a spectator of it, but to let it rage to its conclusion without trying to gain a perspective. He will be able to register in the act of recollection what he felt and did then; for him memory takes the place of psychological self-experience. … In the moment of life he has nothing else in his mind but just to live what is to be lived, he is there with his whole being, undivided, and for that very reason there grows in his thought and recollection the knowledge of human wholeness.
Source: What is Man? (1938), pp. 148-149

George W. Bush photo
Gerald of Wales photo

“This seems to me a thing to be noticed, that just as the men of this country are, during this mortal life, more prone to anger and revenge than any other race, so in eternal death the saints of this land, that have been elevated by their merits, are more vindictive than the saints of any other region.”
Hoc autem mihi notabile videtur, quod sicut nationis istius homines hac in vita mortali prae aliis gentibus impatientes et praecipites sunt ad vindictam, sic et in morte vitali meritis jam excelsi, prae aliarum regionum sanctis, animi vindicis esse videntur.

Gerald of Wales (1146) Medieval clergyman and historian

Topographia Hibernica Part 2, chapter 55 (83); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 91. (1188).

Pablo Neruda photo

“One pillar holding up consolations
And don’t bother telling me anything
And so? The pale metalloid heals you?
I have a terrible fear of being an animal.
And what if after so many words,
The anger that breaks a man down into boys.”

Pablo Neruda (1904–1973) Chilean poet

Un pilar soportando consuelos
Y no me digan nada
¿Y bien? ¿Te sana el metaloide pálido?
Tengo un miedo terrible de ser un animal
íY, si después de tantos palabras
La cólera que quiebra al hombre en niños
From Espana, aparta de mi este caliz, Masa, Neruda and Vallejo: selected poems, By Robert Bly, John Knoepfle, James Arlington Wright, Pablo Neruda, César Vallejo, copyright 1971, Beacon Press. Translations by Robert Bly, John Knoepfle, and James Wright. ISBN 0-8070-6480-0.

Paul Simon photo

“In the clearing stands a boxer
And a fighter by his trade
And he carries the reminders
Of ev'ry glove that laid him down
Or cut him till he cried out
In his anger and his shame
"I am leaving, I am leaving."”

Paul Simon (1941) American musician, songwriter and producer

But the fighter still remains.
The Boxer
Song lyrics, Bridge over Troubled Water (1970)

Steve McManaman photo
Billy Corgan photo
Seneca the Younger photo

“The cause of anger is the belief that we are injured; this belief, therefore, should not be lightly entertained. We ought not to fly into a rage even when the injury appears to be open and distinct: for some false things bear the semblance of truth. We should always allow some time to elapse, for time discloses the truth.”
Contra primus itaque causas pugnare debemus; causa autem iracundiae opinio iniuriae est, cui non facile credendum est. Ne apertis quidem manifestisque statim accedendum; quaedam enim falsa ueri speciem ferunt. Dandum semper est tempus: ueritatem dies aperit.

De Ira (On Anger): Book 2, cap. 22, line 2
Alternate translation: Time discovers truth. (translator unknown).
Moral Essays

Wendy Doniger photo

“I was, of course, angry and disappointed to see this happen, and I am deeply troubled by what it foretells for free speech in India in the present, and steadily worsening, political climate… I do not blame Penguin Books, India. Other publishers have just quietly withdrawn other books without making the effort that Penguin made to save this book [The Hindus: An Alternative History]. Penguin, India, took this book on knowing that it would stir anger in the Hindutva ranks, and they defended it in the courts for four years, both as a civil and as a w:Lawsuitcriminal suit. They were finally defeated by the true villain of this piece – the Indian law that makes it a criminal rather than civil offense to publish a book that offends any Hindu, a law that jeopardizes the physical safety of any publisher, no matter how ludicrous the accusation brought against a book.”

Wendy Doniger (1940) American Indologist

Wendy Doniger, In: India: PEN protests withdrawal of best-selling book http://fleursdumal.nl/mag/category/news-events/page/12, Fleursdumal.org
Her book [The Hindus: An Alternative History] became controversial and Dinanath Batra of Shiksha Bachao Andolan filed a case against the publisher, claiming that the book was offensive to Hindus and therefore in violation of Section 295A of the Indian penal code which prohibits ‘deliberate and malicious acts intended to outrage religious feelings or any class by insulting its religion or religious beliefs.'

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Orson Scott Card photo
Beverly Sills photo

“Anger begins with folly, and ends with repentance.”

Beverly Sills (1929–2007) opera soprano

Pythagoras, as quoted in Treasury of Thought : Forming an Encyclopædia of Quotations from Ancient and Modern Authors (1894) by Maturin Murray Ballou
Misattributed

Francis Escudero photo

“If we are shocked by reports about policemen owning prime properties then all the more should we be angered by the fact many police officers rent rooms no bigger than a pig pen.”

Francis Escudero (1969) Filipino politician

Manila Standard Today http://manilastandardtoday.com/mobile/2014/09/26/belmonte-to-purisima-resign-now
2014

Robert Sheckley photo
George H. W. Bush photo
Meher Baba photo

“To gulp down anger is the most courageous act one can perform. One who does it becomes humble.”

Meher Baba (1894–1969) Indian mystic

5:1857.
Lord Meher (1986)

Joseph Arch photo
Elie Wiesel photo
Steven Moffat photo

“Do you know how you make someone into a Dalek? Subtract Love, add Anger.”

Steven Moffat (1961) Scottish television writer and producer

Lines written for Oswin Oswald, in Asylum of the Daleks (1 September 2012)

Ahad Ha'am photo
Albert Barnes photo
Mahendra Chaudhry photo
Derren Brown photo

“I am embarrassingly incompetent at football or any kind of team sport. I’m so bad it would anger you.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Parker Palmer photo

“I waste energy on anger rather than investing it in hope.”

Parker Palmer (1939) American theologian

Let Your Life Speak: Listening for the Voice of Vocation (1999)

Emily Dickinson photo
Bryant Gumbel photo
David Hume photo
Bhakti Tirtha Swami photo
George Steiner photo
Paul Ryan photo
Vyasa photo

“The repulsion, the anxiety, the wish for removal and the anger at pain and the means thereof, which stick in the mind in consequence of feeling of pain, in the case of him who has felt the pain, preceded by a remembrance of the pain, is aversion.”

Vyasa central and revered figure in most Hindu traditions

In p. 104.
Sources, The Yoga Darsana Of Patanjali With The Sankhya Pravacana Commentary Of Vyasa

Linus Torvalds photo

“That's the spirit. Greg has taught you well. You have controlled your fear. Now, release your anger. Only your hatred can destroy me. Come to the dark side, Sarah. We have cookies.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

<nowiki>Re: [ 00/19 http://marc.info/?l=linux-kernel&m=137390810310498&w=2, 3.10.1-stable review</nowiki>, Torvalds, Linus, 2013-07-15, 2013-07-17]
2010s, 2013

Nagarjuna photo

“Although you may spend your life killing,
You will not exhaust all your foes.
But if you quell your own anger,
your real enemy will be slain.”

Nagarjuna (150–250) Indian philosopher

Nagarjuna & Sakya Pandita. (1977). Elegant sayings. Cazadero, California: Dharma Publishing.

Salma Hayek photo
Muhammad al-Baqir photo
Gabrielle Roy photo
Elizabeth I of England photo

“Anger makes dull men witty, but it keeps them poor.”

Elizabeth I of England (1533–1603) Queen regnant of England and Ireland from 17 November 1558 until 1603

To Sir Edward Dyer, as quoted in Apophthegms (1625) by Francis Bacon

Ilana Mercer photo
William O. Douglas photo
Toni Morrison photo
Bruno Schulz photo
Theodore Roszak photo
Orson Scott Card photo

“Denmark nursed that anger and it kept him free.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Heartfire (1998), Chapter 10.

Murray Leinster photo
Thiruvalluvar photo
Ben Carson photo

“You can sense their anger before they even say a word.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 77

Thomas C. Schelling photo
Musa al-Kadhim photo

“Anger is the key to any evil.”

Musa al-Kadhim (745–799) Seventh of the Twelve Imams and regarded by Sunnis as a renowned scholar

Ibn Shu’ba al-Harrani, Tuhaf al-'Uqul, p. 416.
General

Edward Carpenter photo

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Kelly Osbourne photo

“With parents like heavy metal rocker Ozzy Osbourne and entertainment impresario/personality Sharon Osbourne, you might have anger management issues, too.”

Kelly Osbourne (1984) English singer-songwriter, actress, television presenter and fashion designer

Baltimore Jewish Times, Jan 30 2009 http://www.jewishtimes.com/index.php/jewishtimes/celebrities/jt/celebrities/kelly_osbourne/
About

Hermann Cohen photo
David Hume photo
Bernard Cornwell photo
Ashoka photo
Irvine Welsh photo
Ray Comfort photo
Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Irvine Welsh photo
Kunti photo
Ai Weiwei photo
Laisenia Qarase photo

“We must learn to respect each other's views and to differ without anger or ill will.”

Laisenia Qarase (1941) Prime Minister of Fiji

14 July 2005
Additional remarks about the proposed Reconciliation and Unity Commission

Nancy Peters photo
Bernice King photo
Richard Pipes photo
Walter Rauschenbusch photo
Matthew Henry photo

“Wise anger is like fire from a flint: there is great ado to get it out; and when it does come, it is out again immediately.”

Matthew Henry (1662–1714) Theologician from Wales

Reported in The Miscellaneous Works of the Rev. Matthew Henry (1830), p. 134.

Adam Roberts photo
Euripidés photo

“Where two discourse, if the one's anger rise,
The man who lets the contest fall is wise.”

Euripidés (-480–-406 BC) ancient Athenian playwright

Protesilaus Frag. 656

William Beckford photo

“When he was angry, one of his eyes became so terrible, that no person could bear to behold it; and the wretch upon whom it was fixed, instantly fell backward, and sometimes expired. For fear, however, of depopulating his dominions, and making his palace desolate, he but rarely gave way to his anger.”

Quand il étoit en colère, un de ses yeux devenoit si terrible qu'on n'en pouvoit pas soutenir les regards: le malheureux sur lequel il le fixoit tomboit à la renverse, & quelquefois même expiroit à l'instant. Aussi, dans la crainte de dépeupler ses états, & de faire un désert de son palais, ce prince ne se mettoit en colère que très-rarement.
Source: Vathek, P. 3; translation p. 1.

Vincent Gallo photo
Jeffrey Moussaieff Masson photo
Tenzin Gyatso photo

“Through violence, you may 'solve' one problem, but you sow the seeds for another.

One has to try to develop one's inner feelings, which can be done simply by training one's mind. This is a priceless human asset and one you don't have to pay income tax on!

First one must change. I first watch myself, check myself, then expect changes from others.

Love and compassion are necessities, not luxuries. Without them, humanity cannot survive.

I myself feel, and also tell other Buddhists that the question of Nirvana will come later.
There is not much hurry.
If in day to day life you lead a good life, honesty, with love,
with compassion, with less selfishness,
then automatically it will lead to Nirvana.

The universe that we inhabit and our shared perception of it are the results of a common karma. Likewise, the places that we will experience in future rebirths will be the outcome of the karma that we share with the other beings living there. The actions of each of us, human or nonhuman, have contributed to the world in which we live. We all have a common responsibility for our world and are connected with everything in it.

If the love within your mind is lost and you see other beings as enemies, then no matter how much knowledge or education or material comfort you have, only suffering and confusion will ensue.

It is under the greatest adversity that there exists the greatest potential for doing good, both for oneself and others.

Whenever Buddhism has taken root in a new land, there has been a certain variation in the style in which it is observed. The Buddha himself taught differently according to the place, the occasion and the situation of those who were listening to him.

Samsara - our conditioned existence in the perpetual cycle of habitual tendencies and nirvana - genuine freedom from such an existence- are nothing but different manifestations of a basic continuum. So this continuity of consciousness us always present. This is the meaning of tantra.

According to Buddhist practice, there are three stages or steps. The initial stage is to reduce attachment towards life.
The second stage is the elimination of desire and attachment to this samsara. Then in the third stage, self-cherishing is eliminated.

The creatures that inhabit this earth-be they human beings or animals-are here to contribute, each in its own particular way, to the beauty and prosperity of the world.

To develop genuine devotion, you must know the meaning of teachings. The main emphasis in Buddhism is to transform the mind, and this transformation depends upon meditation. in order to meditate correctly, you must have knowledge.

Anything that contradicts experience and logic should be abandoned.

The ultimate authority must always rest with the individual's own reason and critical analysis.

From one point of view we can say that we have human bodies and are practicing the Buddha's teachings and are thus much better than insects. But we can also say that insects are innocent and free from guile, where as we often lie and misrepresent ourselves in devious ways in order to achieve our ends or better ourselves. From this perspective, we are much worse than insects.

When the days become longer and there is more sunshine, the grass becomes fresh and, consequently, we feel very happy. On the other hand, in autumn, one leaf falls down and another leaf falls down. The beautiful plants become as if dead and we do not feel very happy. Why? I think it is because deep down our human nature likes construction, and does not like destruction. Naturally, every action which is destructive is against human nature. Constructiveness is the human way. Therefore, I think that in terms of basic human feeling, violence is not good. Non-violence is the only way.

We humans have existed in our present form for about a hundred thousand years. I believe that if during this time the human mind had been primarily controlled by anger and hatred, our overall population would have decreased. But today, despite all our wars, we find that the human population is greater than ever. This clearly indicates to me that love and compassion predominate in the world. And this is why unpleasant events are "news"; compassionate activities are so much a part of daily life that they are taken for granted and, therefore, largely ignored.

The fundamental philosophical principle of Buddhism is that all our suffering comes about as a result of an undisciplined mind, and this untamed mind itself comes about because of ignorance and negative emotions. For the Buddhist practitioner then, regardless of whether he or she follows the approach of the Fundamental Vehicle, Mahayana or Vajrayana, negative emotions are always the true enemy, a factor that has to be overcome and eliminated. And it is only by applying methods for training the mind that these negative emotions can be dispelled and eliminated. This is why in Buddhist writings and teachings we find such an extensive explanation of the mind and its different processes and functions. Since these negative emotions are states of mind, the method or technique for overcoming them must be developed from within. There is no alternative. They cannot be removed by some external technique, like a surgical operation."”

Tenzin Gyatso (1935) spiritual leader of Tibet

Dzogchen: The Heart Essence of the Great Perfection, Snow Lion Publications, Ithaca, 2004

Osama bin Laden photo
Warren Farrell photo
Muhammad photo
Charles Haughey photo

“It's guarded by units of the British army and I can never come up to this border without experiencing deep feelings of anger and resentment.”

Charles Haughey (1925–2006) Irish politician

Ex-Irish Taoiseach Haughey dies http://news.bbc.co.uk/1/hi/world/europe/3001775.stm (BBC News online)
In a television documentary in the 1980s.

Thomas Eakins photo

“My figures at least are not a bunch of clothes with a head and hands sticking out but more nearly resemble the strong living bodies that most pictures show. And in the latter end of a life so spent in study, you at least can imagine that painting is with me a very serious study. That I have but little patience with the false modesty which is the greatest enemy to all figure painting. I see no impropriety in looking at the most beautiful of Nature's works, the naked figure. If there is impropriety, then just where does such impropriety begin? Is it wrong to look at a picture of a naked figure or at a statue? English ladies of the last generation thought so and avoided the statue galleries, but do so no longer. Or is it a question of sex? Should men make only the statues of men to be looked at by men, while the statues of women should be made by women to be looked at by women only? Should the he-painters draw the horses and bulls, and the she-painters like Rosa Bonheur the mares and cows? Must the poor old male body in the dissecting room be mutilated before Miss Prudery can dabble in his guts?Such indignities anger me. Can not anyone see into what contemptible inconsistencies such follies all lead? And how dangerous they are? My conscience is clear, and my suffering is past.”

Thomas Eakins (1844–1916) American painter

Letter of resignation to Edward Hornor Coates, Chairman of the Committee on Instruction, Pennsylvania Academy of the Fine Arts (1886-02-15).

John Wilmot, 2nd Earl of Rochester photo

“The Elephant is never won with Anger,
Nor must that man, who would reclaim a Lion,
Take him by the teeth.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

Valentinian (1685), Act I, Scene III
Valentinian was Rochester's adaptation of a play (ca. 1610-1614) by John Fletcher
Other

Starhawk photo
Yoel Esteron photo
Justin Welby photo
Andrew Sega photo
Warren Farrell photo

“The best way to use these lists to replace anger with love in real life is to nurture each other by doing for your partner what your partner normally does for you.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Fred Astaire photo

“He is a truly complex fellow, not unlike the Michelangelos and da Vincis of the Renaissance period. He's a supreme artist but he is constantly filled with doubts and self-anger about his work--and that is what makes him so good. He is a perfectionist who is never sure he is attaining perfection.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Rouben Mamoulian, quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. ISBN 0091737362. p. 200.