Quotes about writing
page 49

Salvador Dalí photo

“It was in 1929 that Salvador Dali [Dali is writing about himself] brought his attention to hear upon the internal mechanism of paranoiac phenomena and envisaged the possibility of an experimental method based on the sudden power of the systematic associations proper to paranoia; this method afterwards became the delirio-critical synthesis which hears the name of "paranoiac-critical activity."”

Salvador Dalí (1904–1989) Spanish artist

Paranoia: delirium of interpretive association bearing a systematic structure. Paranoiac-critical activity: spontaneous method of irrational knowledge based upon the interpretive-critical association of delirious phenomena.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 15

John Stuart Mill photo
Thomas Carlyle photo

“The Church, poor old benighted creature, had at least taken care of that: the noble aspiring soul, not doomed to choke ignobly in its penuries, could at least run into the neighboring Convent, and there take refuge. Education awaited it there; strict training not only to whatever useful knowledge could be had from writing and reading, but to obedience, to pious reverence, self-restraint, annihilation of self,—really to human nobleness in many most essential respects. No questions asked about your birth, genealogy, quantity of money-capital or the like; the one question was, "Is there some human nobleness in you, or is there not?"”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

The poor neat-herd's son, if he were a Noble of Nature, might rise to Priesthood, to High-priesthood, to the top of this world,—and best of all, he had still high Heaven lying high enough above him, to keep his head steady, on whatever height or in whatever depth his way might lie!
1850s, Latter-Day Pamphlets (1850), The New Downing Street (April 15, 1850)

Jane Austen photo
Ernest Hemingway photo

“You see it's awfully hard to talk or write about your own stuff because if it is any good you yourself know about how good it is — but if you say so yourself you feel like a shit.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to Malcolm Cowley (17 October 1945); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Ernest Hemingway photo

“Write me at the Hotel Quintana, Pamplona, Spain. Or don't you like to write letters. I do because it's such a swell way to keep from working and yet feel you've done something”

Ernest Hemingway (1899–1961) American author and journalist

Letter to F. Scott Fitzgerald (1 July 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Ernest Hemingway photo

“Forget your personal tragedy. We are all bitched from the start and you especially have to be hurt like hell before you can write seriously. But when you get the damned hurt use it — don't cheat with it.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to F Scott Fitzgerald, as quoted in Scott Fitzgerald (1962) by Andrew Turnbull (1962) Ch. 14

Anton Chekhov photo

“Tell me, pleez, my sawl, when will I live like human, that is, to work and not to be in need? Now I work, and I'm in need, and I spoil my reputation by the need to write bullshit.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Скажи, пожалюста, душя моя, когда я буду жить по-человечески, т. е. работать и не нуждаться? Теперь я и работаю, и нуждаюсь, и порчу свою репутацию необходимостью работать херовое.
Letter to the Alexander Chekhov (April 14, 1887)
Letters

Luis Alberto Urrea photo
Tracey Thorn photo

““Never fancied him anyway,” I’d write when a boy dumped me. I’d leave out things that had gone wrong, or been difficult. I think it was partly an exercise in defiance, a refusal to be defeated by life’s adversities. So in that sense, my diary was a bit of a self-help manual, written by me, for me.”

Tracey Thorn (1962) English singer and songwriter

On reading past diaries in “Tracey Thorn: ‘I went through a phase of carrying Camus under my arm’” https://www.theguardian.com/books/2020/jan/25/tracey-thorn-interview-another-planet-memoir in The Guardian (2020 Jan 25)

Peter Hammill photo
Johannes Kepler photo

“Now because 18 months ago the first dawn, 3 months ago broad daylight but a very few days ago the full sun of the most highly remarkable spectacle has risen — nothing holds me back. I can give myself up to the sacred frenzy, I can have the insolence to make a full confession to mortal men that I have stolen the golden vessel of the Egyptians to make from them a tabernacle for my God far from the confines of the land of Egypt. If you forgive me I shall rejoice; if you are angry, I shall bear it; I am indeed casting the die and writing the book, either for my contemporaries or for posterity to read, it matters not which: let the book await its reader for a hundred years; God himself has waited six thousand years for his work to be seen.”

Book V, Introduction
Variant translation: It may well wait a century for a reader, as God has waited six thousand years for an observer.
As quoted in The Martyrs of Science; or, the Lives of Galileo, Tycho Brahe, and Kepler (1841) by David Brewster, p. 197. This has sometimes been misquoted as "It may be well to wait a century for a reader, as God has waited six thousand years for an observer."
Variant translation: I feel carried away and possessed by an unutterable rapture over the divine spectacle of heavenly harmony... I write a book for the present time, or for posterity. It is all the same to me. It may wait a hundred years for its readers, as God has also waited six thousand years for an onlooker.
As quoted in Calculus. Multivariable (2006) by Steven G. Krantz and Brian E. Blank. p. 126
Mysterium Cosmographicum (1596), Harmonices Mundi (1618)

Steven Wright photo

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow."”

Steven Wright (1955) American actor and author

And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.
[The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders, Thompson, Steven, 2002, Three Rivers Press, 0609809911, September 9, 2012, http://www.avclub.com/articles/steven-wright,13796/]
Interviews

James McBride (writer) photo

“Writing is the act of failing at something all the time. Do it with a sense of humor, and it ain’t no big deal. Life is just about falling on stage and getting up, and that’s what writing is all about, too.”

James McBride (writer) (1957) American journalist

On the potential failure of writing in “James McBride: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/james-mcbride-write/ in The Writer (2013 Dec 30)

Andrea Dworkin photo
Uwem Akpan photo
June Downey photo
June Downey photo

“Writing with attention preoccupied or distracted results variously in the enlargement or dwarfing of characters, an alternative result that seems to depend upon deep-seated tendencies of the individual.”

June Downey (1875–1932) American psychologist

August 1909, Popular Science Monthly Volume 75, Article:"The Varificational Factor in Handwriting", p. 151
about Handwriting

Joe Biden photo

“We got a real clear picture of what they all value. Every Republican's voted for it. Look at what they value and look at their budget and what they're proposing. Romney wants to let the — he said in the first hundred days he’s going to let the big banks once again write their own rules, 'unchain Wall Street.'”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

They're going to put y'all back in chains.
Campaign speech in Danville, Virginia, criticizing Mitt Romney, Paul Ryan, and the Republican speech, quoted in * 2012-08-14
VP Biden Says Republicans Are 'Going to Put Y'all Back in Chains'
Jake Tapper
ABC News
http://abcnews.go.com/blogs/politics/2012/08/vp-biden-says-republicans-are-going-to-put-yall-back-in-chains/
2012

Steve Jobs photo

“I wish developing great products was as easy as writing a check. If that was the case, Microsoft would have great products.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On why he delayed the Leopard OS in favor of developing the iPhone rather than hiring more developers, at the annual Apple stockholder's meeting (10 May 2007) as quoted in "Apple's Jobs brushes aside backdating concerns" at c|net News (10 May 2007) http://archive.is/20130628220833/http://news.com.com/2100-1041_3-6182965.html?part=rss&tag=2547-1_3-0-5&subj=news
As quoted in "Apple iPhone: more secrets revealed" (11 May 2007) http://www.tech.co.uk/computing/mac/news/apple-iphone-jobs-spills-more-secrets?articleid=1431998781
2000s
Variant: I wish developing great products was as easy as writing a check … if so, then Microsoft would have great products.

Philip Roth photo
Jason Reynolds photo
Jonathan Mitchell photo

“Hopefully on my tombstone they will write, "We don't need no stinkin’ neurodiversity."”

Jonathan Mitchell (1955) American writer and activist

The Debate Over an Autism Cure Turns Hostile

Marilyn Ferguson photo
William Lloyd Garrison photo
Victor Hugo photo
Pope Pius VI photo
Marilyn Ferguson photo
Dana Arnold photo
Jason Reynolds photo

“Who else is there to write for, as far as I’m concerned. I’d rather go ahead and tap into these kids, who still are malleable, but who also have insight into things that we don’t know, with vision that we no longer have; who have imaginations that have already been zapped from us.”

Jason Reynolds (1983) author of young adult novels

As quoted in [McKenzie, Joi-Marie, Why Author Jason Reynolds Writes For The Youngest Generation, https://www.essence.com/entertainment/author-jason-reynolds/, Essence, 10 March 2020, February 12, 2020]

David Sedaris photo
Bill Withers photo
Céline Sciamma photo

“The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, really quickly, alone, by itself. The weird compass of the film was its last scene. That’s a compass, but it’s a high pressure one.”

Céline Sciamma (1978) French director and screenwriter

On her creative process for Portrait of a Lady on Fire in “‘Portrait of a Lady on Fire’ Filmmaker Céline Sciamma Is Trying to Break Your Heart” https://www.indiewire.com/2019/12/portrait-of-a-lady-on-fire-filmmaker-celine-sciamma-interview-1202193537/ in IndieWire (2019 Dec 05)

Marilyn Ferguson photo

“According to Confucian writings, wise individuals, wanting good government, looked first within, seeking precise words to express their hitherto unvoiced yearnings, "the tones given off by the heart."”

Marilyn Ferguson (1938–2008) American writer

Once they were able to verbalize the intelligence of the heart they disciplined themselves. Order within the self led first to harmony within their own households, then the state, and finally the empire.
The Aquarian Conspiracy (1980), Chapter Seven, Right Power

John Prine photo
Bangalore Nagarathnamma photo

“Perhaps the concept of shame applies to only women but not men. Maybe because she was a ‘prostitute’ she was able to write crude depictions of sex without shame. In that case, it surely must not suit the supposed learned men to depict conjugal pleasures in the same way?”

Bangalore Nagarathnamma (1878–1952) Indian singer

as a sarcastic retort to criticism of the original work and her 1910 edition containing sexual/erotic passages, believed to being unsuitable for women

Firstpost Article - An early 20th century tale of censorship - 22 Mar 2020 https://www.firstpost.com/living/an-early-20th-century-tale-of-censorship-how-bangalore-nagarathnamma-fought-social-norms-to-revive-the-legacy-of-muddupalani-8132331.html Archive https://web.archive.org/web/20200415202057/https://www.firstpost.com/living/an-early-20th-century-tale-of-censorship-how-bangalore-nagarathnamma-fought-social-norms-to-revive-the-legacy-of-muddupalani-8132331.html

the wording of the quote is different in the sources provided(probably due to translation), but the tonality and meaning are similar.
About Radhika Santawanam (Appeasing Radhika)

Ekta Kapoor photo

“When you're writing a character, you have to know where they're coming from. You may never use that information, but you have to know it. It just helps you mark the journey better.”

Ekta Kapoor (1975) TV and film producer

Talks at Google - 16 Aug 2016, at 14 Min 24 Sec https://www.youtube.com/watch?v=4wkKtvlGykc
From Talks at Google

“…Ever since my first novel, people have had quite a snippy vibe about YA, and it’s almost like: ‘Do you think one day you’ll write a real book?’…”

Juno Dawson (1981) British youth fiction author

On how young adult fiction is viewed in “Juno Dawson on the darker side of fashion in Meat Market and why 'people have a snippy vibe about Young Adult fiction'” https://inews.co.uk/culture/books/juno-dawson-meat-market-interview-new-book-release-635361 in i Newsletter (2019 Aug 3)

“…I was desperate to write a trans character for whom it wasn’t really an issue. After you come out, after the initial makeover and being on hormones for a few years, what happens next? That’s a story nobody tells…”

Juno Dawson (1981) British youth fiction author

On her novel Clean in “Juno Dawson: ‘Teenagers have seen things that would make milk curdle’” https://www.theguardian.com/books/2018/apr/01/juno-dawson-clean-interview-transgender-anorexia-drugs in The Guardian (2018 Apr 1)

Anthony Fauci photo

“I feel like I'm 45. And I act like I'm 35. When I start to feel like I don't have the energy to do the job, whatever my age, I’ll walk away and write my book”

Anthony Fauci (1940) American immunologist and head of the U.S. National Institute of Allergy and Infectious Diseases

Quoted in 'You don't want to go to war with a president' https://www.politico.com/news/2020/03/03/anthony-fauci-trump-coronavirus-crisis-118961, 3 March 2020, Politico

Aparna Sen photo

“When you start getting into the process of writing, then the characters start coming alive. And then they tell you what to write.”

Aparna Sen (1945) Indian filmmaker, script writer and actress

Interview at the 10th Jagran Film Festival, JFF TALKIES Episode 4 - 16 Apr 2020, at 28 Min 15 Sec https://www.youtube.com/watch?v=exGQ7wUHhOI

E.M. Forster photo
Joanna Trollope photo

“I wanted to write a novel about the sandwich generation: parents falling to pieces at one end of your life and children being quite demanding at the other. You, the woman, are probably working full-time, but society, which is really very old-fashioned, still expects women to do all the caring.”

Joanna Trollope (1943) British writer

On her novel Mum & Dad in “Joanna Trollope on families, fiction and feminism: ‘Society still expects women to do all the caring’” https://www.theguardian.com/books/2020/mar/02/joanna-trollope-on-families-fiction-and-feminism-society-still-expects-women-to-do-all-the-caring in The Guardian (2020 Mar 2)

Caryl Phillips photo

“Questions of identity have always played a large part in my thinking and writing; and, of course, race is a key component of identity. Certainly for me, and certainly in Britain.”

Caryl Phillips (1958) Kittian-British writer

On the recurring theme of his works in “CARYL PHILLIPS: INTERVIEW” https://mosaicmagazine.org/caryl-phillips-interview/#.Xe58ovlKjcs in Mosaic Magazine (2012 Mar 19)

Elif Shafak photo

“I have met lots of women who have grown up in Turkey who cannot bring themselves to swear in Turkish. But in English they use the F-word all the time. Writing is like that for me.”

Elif Shafak (1971) Turkish writer

On comparing writing to the freedoms that Turkish women have found in another language in “Elif Shafak: ‘I thought the British were calm about politics. Not any longer’” https://www.theguardian.com/books/2019/sep/16/elif-shalak-i-thought-the-british-were-calm-about-politics-booker-prize-shortlist in The Guardian (2019 Sep 16)

Alan Turing photo
Vincent Van Gogh photo

“There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Letter to Émile Bernard, June 1888, in 'Van Gogh's Letters'. http://www.webexhibits.org/vangogh/letter/18/B06.htm
1880s, 1888

Karl Kraus photo

“Someone who can write aphorisms should not fritter away his time writing essays.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Walter Raleigh (professor) photo

“The measure of an author's power would be best found in the book which he should sit down to write the day after his library was burnt to the ground.”

Walter Raleigh (professor) (1861–1922) British academic

p. 28 https://babel.hathitrust.org/cgi/pt?id=uc1.$b325850;view=1up;seq=34
Six Essays on Johnson (1910)

Katori Hall photo

“Playwrights are the most gregarious writers—to get our work done, we need actors, directors, set designers. So whenever I have to go back into my writing cocoon, I get a little scared to be alone. But that's when the voices come to you. Silence is the start.”

Katori Hall (1981) American playwright

On needing solitary time to produce works in “5 Ways Katori Hall Gave In to Life, Love and Her Own Creativity” http://www.oprah.com/spirit/katori-hall-playwright-interview-the-mountaintop-play#ixzz65lY0pzMR in O Magazine

Katori Hall photo

“I always say that I’m a writer who writes more from place than race.”

Katori Hall (1981) American playwright

On the theme that she most explores in “Art Talk with Playwright Katori Hall” https://www.arts.gov/art-works/2015/art-talk-playwright-katori-hall (National Endowment of the Arts; 2015 May 28)

Jonathan Swift photo
Ray Bradbury photo

“I write music with my mouth — first lyrics, then song, then rhythm.”

Tato Laviera (1950–2013) Puerto Rican writer

On his creative process in “An Interview with Tato Laviera, the King of Nuyorican Poetical Migrations” https://www.latinorebels.com/2012/07/11/an-interview-with-tato-laviera-the-king-of-nuyorican-poetical-migrations/ in Latino Rebels (2012 Jul 11)

“…I have discovered that plays are easier to write than novels if the writer has a certain verbal facility, a certain capacity for the colloquial, an ear for the secret cadences of the spoken word. A play can be written with more ease than a novel…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On plays versus novels in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

Kyung-sook Shin photo

“I was very young, and those events affected me deeply. I feel the time given to me doesn't belong only to me. In everything – my writing, my travelling, my happiness – I live partly on behalf of those who weren't able to survive. I feel I'm living their share of life.”

Kyung-sook Shin (1963) Korean writer

On being a survivor in “Kyung-Sook Shin: 'In my 20s I lived through an era of terrible political events and suspicious deaths'” https://www.theguardian.com/books/2014/jun/07/kyung-sook-shin-south-korea-interview in The Guardian (2014 Jun 7)

Tomi Adeyemi photo

“…I had a lot of different reasons for writing the book but at its core was the desire to write for black teenage girls growing up reading books they were absent from. That was my experience as a child. Children of Blood and Bone is a chance to address that. To say you are seen.”

Tomi Adeyemi (1993) American author

On her primary motivation to write Children of Blood and Bone in “Tomi Adeyemi: ‘We need a black girl fantasy book every month’” https://www.theguardian.com/books/2018/mar/10/tomi-adeyemi-interview-children-of-blood-and-bone-sarah-hughes in The Guardian (2018 Mar 10)

“I like to write about modern instincts that are in some way good. And also in some way dangerous.”

Jia Tolentino (1988) American writer and editor

On being drawn to the small domestic truths of life in “Jia Tolentino: ‘I like to write about instincts that are in some way good and in some way dangerous'” https://www.theguardian.com/books/2019/aug/11/jia-tolentino-i-like-to-write-about-instincts-that-are-in-some-way-good-and-in-some-way-dangerous- in The Guardian (2019 Aug 11)

Gregory Pardlo photo

“I’m interested in coaching, modeling, and teaching various writing practices and less in discovering talent. I want students to develop their own unique writing practices rather than impose my aesthetic values from the top down…”

Gregory Pardlo (1968) American writer

On his teaching process in “Gregory Pardlo: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/gregory-pardlo-how-i-write/ in The Writer (2019 Jul 17)

Rawi Hage photo

“…I have to be in this frame of mind where I’m feeling pity for myself, and feeling pity for the world. Once I’ve attained the summit of this, then I have to sit down and write…”

Rawi Hage (1964) Canadian writer

On how he begins the writing process in “Rare Interview With Rawi Hage: ‘I’m Free To Be Difficult’” https://mideastposts.com/middle-east-society/rare-interview-with-rawi-hage-im-now-free-to-be-difficult/ in Mideast Posts (2013 Nov 7)

Petina Gappah photo

“I think it’s become clear to people what my motivation is. I am not simply anti-government, and I’m not in opposition to any one person; I want to write about all the things that I think are making us into an unkind society…”

Petina Gappah (1971) Zimbabwean writer, journalist and business lawyer

On her motivations as a writer in “Petina Gappah: ‘I want to write about what makes us into an unkind society’” https://www.theguardian.com/books/2016/nov/13/petina-gappah-zimbabwe-writer-interview in The Guardian (2016 Nov 13)

“…there should be an absolute identification between the individual's experience and the writer's so that [experience] serves as the starting point for being able to write a short story or a novel later on…”

Rosario Ferré (1938–2016) Puerto Rican writer

On not wanting to be deemed a woman author (as quoted in “ROSARIO FERRE: THE VANGUARD OF PUERTO RICAN FEMINIST LITERATURE” http://smjegupr.net/wp-content/uploads/2015/06/19.-Rosario-Ferr---The-Vanguard-of-Puerto-Rican-Feminist-Literature-por-Suzanne-S.-Hintz.pdf)

“In order to write anything profile-driven, I would become the person; and then I would analyse the person from within. Earlier, I would analyse them from without. But if I was going to write about him now, I would do it internally, so then it would be fiction.”

Hilton Als (1961) writer, critic

On how his writing has changed in “Hilton Als: ‘I had this terrible need to confess, and I still do it. It’s a bid to be loved’” https://www.theguardian.com/books/2018/feb/02/hilton-als-interview-pulitzer-prize-criticism-white-girls in The Guardian (2018 Feb 2)

Chi­ma­man­da Ngo­zi Adi­chie photo

“Because we write fiction we mine our souls. Of course you put yourself into your fiction, your fiction is you.”

Chi­ma­man­da Ngo­zi Adi­chie (1977) Nigerian writer

On the connection between the personal and fictional world in “Chimamanda Ngozi Adichie: ‘This could be the beginning of a revolution’” https://www.theguardian.com/books/2018/apr/28/chimamanda-ngozi-adichie-feminism-racism-sexism-gender-metoo in The Guardian (2018 Apr 28)

“Writing is a transformative act and writing the occult, which I interpret as writing what’s invisible, or apparently invisible, is inevitably connected to writing my desire as a woman…”

Ariana Reines (1982) American writer

On writing as a woman in “INTERVIEW WITH ARIANA REINES” http://www.thewhitereview.org/feature/interview-ariana-reines/ in The White Review (July 2019)

Justin Trudeau photo

“I want to lead Canada. All of Canada, not just parts of Canada. ... I am not going to write off certain parts of the country just because we had a tough past 10 years. Or, tough past 100 years.”

Justin Trudeau (1971) 23rd Prime Minister of Canada; eldest son of Pierre Trudeau

Statement in Calgary, Alberta, a region where the Liberals have long struggled https://en.wikipedia.org/wiki/Western_alienation to gain electoral foothold, on the province's Heritage Day holiday, August 3, 2015. As quoted in Macleans https://www.macleans.ca/politics/ottawa/exorcising-the-ghost-of-trudeau-past/ discussing the subject of the lingering influence of the Trudeau name https://en.wikipedia.org/wiki/National_Energy_Program in Western Canada.

Ibn Hazm photo
Ennio Morricone photo
Arthur Stanley Eddington photo
Zachary Laoutides photo

“I started to write a screenplay on people’s stories and what they were going through.”

Zachary Laoutides (1986) film actor

WGN Chicago 2016: Chicagoland’s own Latino film studio making its mark in cinema http://wgntv.com/2016/10/12/chicagolands-own-latino-film-studio-making-its-mark-in-cinema/

Paulo Coelho photo

“I often made up these stories in my mind about people I idolized or wanted to be like. I always write happy endings for them and convinced myself that life would be so much easier if I could walk in their shoes. But I never realized that in those shoes their feet were scraped and bruised like mine.”

Ashlee Marie Preston American media personality, producer, and activist

As quoted in [Man, Chella, What It’s Like to Be Trans and Live With Gender Dysphoria, https://www.teenvogue.com/story/what-its-like-to-be-trans-and-live-with-gender-dysphoria, 29 January 2019, Teen Vogue, September 21, 2018]

Neal Shusterman photo
Neal Shusterman photo
Edmund Burke photo
Stephen Vincent Benét photo
Donna Tartt photo

“As a writer, I think I’m more an eye than an ear — the world comes mainly in for me at the eye. So I’m glad the visuals came through for you. As I’m writing my books, I really do see them almost literally — I experience scenes almost as an onlooker, watching from the outside.”

Donna Tartt (1963) American writer

Source: On how she uses visualization in her writings in “Interview with Donna Tartt” https://medium.com/@Powells/interview-with-donna-tartt-8d86a2438b41 in Medium (2015 Jul 13)

Donna Tartt photo
Aldous Huxley photo

“I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. … It's curious … to read what people in the time of Our Ford used to write about scientific progress. They seemed to imagine that it could go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasise from truth and beauty to comfort and happiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific resarch was still permitted. People still went on talking about truth and beauty as though they were sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled — after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for.”

Source: Brave New World (1932), Mustapha Mond, in Ch. 16

Robert Boyle photo
Charles Darwin photo

“What a book a Devil’s chaplain might write on the clumsy, wasteful, blundering, low, and horridly cruel works of nature!”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Letter to J.D. Hooker, 13 July 1856
Other letters, notebooks, journal articles, recollected statements

Bruno Heller photo
Diana Pavlac Glyer photo
Joe Biden photo
Phil Spector photo

“We were writing little symphonies for the kids.”

Phil Spector (1939–2021) American record producer, songwriter

Pop Chronicles Interviews #107 - Phil Spector, Part 3 https://digital.library.unt.edu/ark:/67531/metadc1752029/m1/, August 1, 1968.

Ernest Hemingway photo
Isabel Lucas photo
Prevale photo

“Every day is a blank sheet on which to write notes of music, notes coming from the depths of the soul. A sheet on which to blow a smile, to give it life.”

Prevale (1983) Italian DJ and producer

Original: (it) Ogni giorno è un foglio bianco su cui scrivere note di musica, note provenienti dal profondo dell’anima. Un foglio su cui soffiare un sorriso, per donargli vita.
Source: prevale.net

Prevale photo

“I live in the noise of the disks writing silently, the infinite book of my life.”

Prevale (1983) Italian DJ and producer

Original: Vivo nel rumore dei dischi scrivendo in silenzio, l'infinito libro della mia vita.
Source: prevale.net

Prevale photo

“I paint thoughts, I write notes and words in movement.”

Prevale (1983) Italian DJ and producer

Original: (it) Dipingo pensieri, scrivo note e parole in movimento.
Source: prevale.net

Celeste Ng photo