Quotes about work
page 72

Frederick William Faber photo
Stephen Baxter photo
Menno Simons photo
Bouck White photo
George Steiner photo

“The renaissance of New York City has been built on a foundation of crime reduction, and for the last four years, Howard Safir has worked tirelessly to increase safety and the quality of life for all New Yorkers. The extent to which he's succeeded—on his watch, crime is down by 38%, and homicide by 44%—is not only remarkable, it's a testament to his skill and dedication. During Howard's tenure, the Department reduced crime by more than it has under any other Police Commissioner. Howard has enjoyed a long and distinguished career in law enforcement. I wish him the best as he begins this new chapter in his life.”

Howard Safir (1941)

Rudolph Giuliani, then-Mayor of New York City, announcing the resignation of Howard Safir as New York City Police Commissioner.
[Archives of the Mayor's Press Office, http://www.nyc.gov/html/om/html/2000b/pr307-00.html, Release #307-00 - MAYOR GIULIANI AND POLICE COMMISSIONER SAFIR ANNOUNCE THAT SAFIR IS LEAVING THE NEW YORK CITY POLICE DEPARTMENT, The City of New York, 2000-08-09, 2007-12-20]
About

Pierre-Auguste Renoir photo
Scott Moir photo
Harrington Emerson photo
Gangubai Hangal photo
Alice A. Bailey photo
Steve Sailer photo
James Frazer photo
James Meade photo
Philip D. Zelikow photo

“One reason you tend to doubt conspiracy theories when you've worked in government is because you know government is not nearly competent enough to carry off elaborate theories. It's a banal explanation, but imagine how efficient it would need to be.”

Philip D. Zelikow (1954) American diplomat

Quoted in [Conspiracy Theories Flourish on the Internet, Morello, Carol, The Washington Post, http://www.washingtonpost.com/wp-dyn/articles/A13059-2004Oct6.html, 2004-10-07, B1]

“He'll speak his mind only on ploughs;
He hates dissension where he works.
He'll make and follow no war,
He'll oppress no one for his goods,
He's never brutal with us
Nor will he pursue false claims.”

Iolo Goch (1320–1398) Welsh bard

Ni rydd farn eithr ar arnawdd,
Ni châr yn ei gyfar gawdd.
Ni ddeily rhyfel, ni ddilyn,
Ni threisia am ei dda ddyn.
Ni bydd ry gadarn arnam,
Ni yrr hawl gymedrawl gam.
Source: Y Llafurwr (The Labourer), Line 17.

Ken Thompson photo
Georgia O'Keeffe photo
Mark Rothko photo
Halldór Laxness photo

“Work on the one side, the home on the other—they were two walls in the one prison.”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book Three: The House of the Poet

Lucius Shepard photo
Mark Satin photo
Dick Cheney photo
Aurangzeb photo
Ray Bradbury photo
Zephyr Teachout photo
Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Steven Erikson photo
Margaret Thatcher photo
Cat Deeley photo

“I don't know how they do it but those two love each other so much. They're this husband and wife duo that work together all the time and yet I've never seen them have an argument. I've never seen them kind'of roll their eyes at each other. I've never seen anything like that. They are the perfect example of a fabulous marriage.”

Cat Deeley (1976) English television presenter, actress, singer and model

On Tabitha and Napoleon D'umo, in "So You Think You Can Dance" host Cat Deeley dishes on her colleagues.mp4 interview for The Los Angeles Times (May 2010) http://www.youtube.com/watch?v=1hekmnJWg1k

Larry Sanger photo
Sergei Prokofiev photo

“This is my best work, but only because The Flaming Angel is my greatest.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

He made a rare admission to a visiting musicologist when he was conducting his Third Symphony in Rome in 1934.
time.com http://content.time.com/time/magazine/article/0,9171,864759,00.html

Michelle Obama photo
Christopher Hitchens photo
L. David Mech photo
António de Oliveira Salazar photo

“Do not discuss God and virtue. Do not discuss the homeland and its history. Do not discuss the authority and prestige. Do not discuss the family and its moral. Not discuss the glory of work and their duty.”

António de Oliveira Salazar (1889–1970) Prime Minister of Portugal

Quoted in Salazar: Biographical Study - page 368; of Franco Nogueira - Published by Atlantis Publishing, 1977

Alexander Maclaren photo
Aaron Judge photo

“We didn’t win the World Series. How are we satisfied with that? That’s what we want. That’s why we work, that’s why we train, that’s why we do everything in the offseason, the cage work. Everything is to get an opportunity to win a World Series. We came up short.”

Aaron Judge (1992) American baseball player

quoted by Newsday https://www.newsday.com/sports/aaron-judge-makes-spectacular-catch-but-falls-short-at-the-plate-in-yankees-game-7-loss-1.14574441

“With Diophantus the history of Greek arithmetic comes to an end. No original work, that we know of, was done afterwards.”

James Gow (scholar) (1854–1923) scholar

p, 125
A Short History of Greek Mathematics (1884)

Talcott Parsons photo
Frances Kellor photo
Hélène Binet photo
Ravachol photo

“Yes, I repeat it: it's society that makes criminals and you jurymen, rather than striking them, you should use your intelligence and your powers to transform society. At once you would suppress all crime; and your work, in attacking the causes, would be greater and more fecund than your justice that limits itself to punishing the effects.”

Ravachol (1859–1892) French anarchist

Oui, je le répète : c'est la société qui fait les criminels, et vous jurés, au lieu de les frapper, vous devriez employer votre intelligence et vos forces à transformer la société. Du coup, vous supprimeriez tous les crimes ; et votre œuvre, en s'attaquant aux causes, serait plus grande et plus féconde que n'est votre justice qui s'amoindrit à punir les effets.
Trial statement

Antoni Tàpies photo
Kees van Dongen photo

“Life is beautiful, and this work is even more beautiful than life.”

Kees van Dongen (1877–1968) Dutch painter

Source: Modern Dutch painting: an introduction, Netherlands Information Service, (1960), p. 26

“I do not want other artists to imitate my work – they do even when I tell them not to – but only [ imitate] my example for freedom and independence from all external, decadent and corrupting influences..”

Clyfford Still (1904–1980) American artist

1960s
Source: 'A period of Exploration', McChesney, as quoted in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p 35

Will Eisner photo

“Reporter: The “Protocols” trial is on today. I’ve been assigned to report on it for my paper.
Reporter 2: What’s your hurry Carl? The Jewish community’s lawyer is trying to show the damage done by the “Protocols of Zion” book.
Lawyer: Your honor, we have demonstrated that the “Protocols” is ‘’’smut…’’’ I would conclude by exhibiting evidence of its influence on public opinion as a fraud.
Judge: You may proceed!
Lawyer: Since its first publication in Russia by Dr. Nilus in 1905, four printings have been distributed there!
In 1919, type script copies were distributed to delegated at the Versailles peace conference by white Russians.
In England Victor Marsden translated the “protocols” into English in 1922.
In 1920, the first polish language edition was brought into the United States and South America by Polish immigrants.
In 1921, the first Arabic and the first Italian copies appeared!
In 1921, “The Times” of London published its famous expose of this false document!
And because of his fame, Henry Ford’s work deserves recounting.
Lawyer: In 1920, Henry ford the American auto magnate, bought a small newspaper, the “Dearborn Independent.” He began a series, “The International Jew,” made up of borrowings from the “Protocols of the Elders on Zion.”
Later, in 1922, it was published in sxteen language for a world-wide distribution. It sold over a ‘’’half million’’’ copies in America alone!
Reporter: Actually, Ford recanted in 1926 when he was threatened with a libel suit.

Reporter 2: Really?
Reporter 3: What did he say?
Reporter: He said in part, “…To my great regret I learn that in the ‘Dearborn Independent’ there appeared articles which induced the Jews to regard me as their enemy promoting anti-Semitism!”
HE WENT ON TO SAY, “…I am…mortified that this Journal…is giving currency to ‘The Protocols of the wise men of Zion,’ which I learn to be gross forgeries…I deem it my duty…to make amends for the wrong done to the Jews as fellow men and brothers by asking their forgiveness.
HE GOES ON BY RECITING SOME OF THE MORE “evil ingredients” in the “Protocols” AND HE REFERS TO IT AS AN “infamous forgery.”
Reporter 3: DID HIS APOLOGY CHANGE ANYTHING?? HENRY FORD WAS FAMOUS the world over…his apology must have had influence!
Reporter: Not very much. In fact publication increased all over the globe.
Reporter 3: Look! Here I have two French translations of the “Protocols of the Elders of Zion” that were published in ‘’’France,’’’ dated 1934. Later they had many printings!
Judge: …I hope to see the day when nobody will be able to understand why otherwise sane and reasonable men should torment their brains for fourteen days over the authenticity or fabrication of the “Protocols of Zion”’’’…I regard the “protocols” as ridiculous nonsense!
Reporter: Good news! …judge Meyer found against the Nazis and imposed a fine on them…

Publisher: We will publish the judge’s decision!
Reporter: This should put an end to the “Protocols” at last!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107

Kellyanne Conway photo

“One of the most important things I tell my children is that hard work can pay off. You can’t quit. You can’t complain. You never claim it’s unfair or unequal.”

Kellyanne Conway (1967) American strategist and pollster

Kellyanne Conway tells The Post she feels ‘blessed’ over White House gig http://nypost.com/2016/11/13/kellyanne-conway-tells-the-post-she-feels-blessed-over-white-house-gig/ (November 13, 2016)

Rudolf E. Kálmán photo

“I have been aware from the outset (end of January 1959, the birthdate of the second paper in the citation) that the deep analysis of something which is now called Kalman filtering were of major importance. But even with this immodesty I did not quite anticipate all the reactions to this work. Up to now there have been some 1000 related publications, at least two Citation Classics, etc. There is something to be explained.
To look for an explanation, let me suggest a historical analogy, at the risk of further immodesty. I am thinking of Newton, and specifically his most spectacular achievement, the law of Gravitation. Newton received very ample "recognition" (as it is called today) for this work. it astounded - really floored - all his contemporaries. But I am quite sure, having studied the matter and having added something to it, that nobody then (1700) really understood what Newton's contribution was. Indeed, it seemed an absolute miracle to his contemporaries that someone, an Englishman, actually a human being, in some magic and un-understandable way, could harness mathematics, an impractical and eternal something, and so use mathematics as to discover with it something fundamental about the universe.”

Rudolf E. Kálmán (1930–2016) Hungarian-born American electrical engineer

Kalman (1986) " Steele Prizes Awarded at the Annual Meeting in San Antonio http://www-history.mcs.st-and.ac.uk/Extras/Kalman_response.html", Notices Amer. Math. Soc. 34 (2) (1987), 228-229.

Russell Brand photo
Boutros Boutros-Ghali photo
Hesiod photo
Frederic G. Kenyon photo

“Throughout, the work of Tyndale formed the foundation, and more than anyone else he established the rhythms and furnished much of the language which is familiar to us in the Authorised Version.”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter V, The English Bible, p. 49

Iain Banks photo
Kunti photo
John Gray photo
David Bohm photo
Kancha Ilaiah photo
Paul Krugman photo

“Sometimes economists in official positions give bad advice; sometimes they give very, very bad advice; and sometimes they work at the OECD.”

Paul Krugman (1953) American economist

"The Beatings Must Continue" http://krugman.blogs.nytimes.com/2013/04/30/the-beatings-must-continue-2/, 30 April 2013
The Conscience of a Liberal blog

Jimmy Carter photo
Sri Chinmoy photo

“Some seekers will do anything for their Self-realisation — except work for it.”

Sri Chinmoy (1931–2007) Indian writer and guru

January 24
Meditations: Food For The Soul (1970)

Aron Ra photo
Lawrence M. Schoen photo

““You didn’t do any of these things because they were necessarily good unto themselves, but because you saw them as means to shape events to serve your own ends. The entire legacy of the Matriarch is the exploitation of others like pieces in some great game.”
She laughed in his face. “You can see it that way if you like. The weak usually do, if they see it at all. But you disappoint me. Despite your study of history, you fail to understand power. It’s obvious you never will… There’s really only one choice you ever have to make in any act of creation. Will you be the instrument or the artist? If you’re only now coming to realize that you’ve been a tool all your life, there’s no one to blame for it but yourself. If you don’t like that state of affairs, then act! Impose your will upon the world and walk your own path. If you don’t, you’ll just end up being a token in someone else’s game; you’ll continue to be used as they see fit. That’s how the universe works. You don’t have to like it, but you’d do well to get used to it.”…
“No, maybe that’s the way the world looks once you’ve already decided to take your path. Or maybe it’s just you’re so jaded, or you’ve bought into your own delusions. I don’t know which, and I don’t care. Those aren’t the only choices: use of be used. There is more than being tyrant or servant. I reject both options and I reject you. You’ve been dead for centuries, Margda, it’s about time you accepted that.””

Lawrence M. Schoen (1959) American writer and klingonist

Source: Barsk: The Elephants' Graveyard (2015), Chapter 38, “Loose Ends” (pp. 362-363; ellipses represent elisions of descriptive sections)

Jesse Ventura photo

“Government works less efficiently when it begins to grow out of control and takes on more and more of the responsibilities that belong to the citizens.”

Jesse Ventura (1951) American politician and former professional wrestler

I Ain't Got Time To Bleed (1999)

Patrick Swift photo
Roger Waters photo
Wilhelm Reich photo
George Henry Lewes photo
Ernest Hemingway photo
Warren Buffett photo
Miguel de Unamuno photo
Paul A. Samuelson photo
Benoît Mandelbrot photo

“For most of my life, one of the persons most baffled by my own work was myself.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

Lecture at the University of Maryland (March 2005)

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Mel Brooks photo

“Townspeople: A black sheriff?
Blinkin: He's Black?!
Ahchoo: Why not? It worked in Blazing Saddles.”

Mel Brooks (1926) American director, writer, actor, and producer

Robin Hood: Men in Tights

Jean Tinguely photo
Francesco Petrarca photo

“My Pandolfo, those works are frail in the long run, but our study is the one that makes men immortal through fame.”

Pandolfo mio, quest'opere son frali
da ll lungo andar, ma 'l nostro studio è quello
dche fa per fama gli uomini immortali.
Canzone 104, st. 4
Il Canzoniere (c. 1351–1353), To Laura in Life

Barbara Bush photo
Vladimir Lenin photo
Sinclair Lewis photo
Frederick William Robertson photo
James L. Brooks photo
George Holmes Howison photo
Phil Liggett photo
Heather Brooke photo
Walter Pater photo

“We need some imaginative stimulus, some not impossible ideal such as may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine-work which is so large a part of life.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

Source: Marius the Epicurean http://www.gutenberg.org/dirs/etext03/8mrs110.txt (1885), Ch. 25

Arnold Schoenberg photo

“My works are 12-tone compositions, not 12-tone compositions”

Arnold Schoenberg (1874–1951) Austrian-American composer

Stuckenschmidt, Hans Heinz. 1977, in Schoenberg: His Life, World and Work; translated from the German by Humphrey Searle. p. 349.
after 1930

Bill Clinton photo