Quotes about window
page 7

“The flies go up the window,
They've nothing else to do,
They go up in their hundreds
And they come down two by two.”

William Hargreaves (1880–1941) English composer

Song I Know Where The Flies Go.

Mike Oldfield photo
William Hazlitt photo
Wang Wei photo
Peter Gabriel photo
Steve Ballmer photo

“We've had DRM in Windows for years. The most common format of music on an iPod is "stolen."”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

[John, Lettice, http://www.theregister.co.uk/2004/10/07/ballmer_doesnt_get_it/, Love DRM or my family starves: why Steve Ballmer doesn't Get It, Software, The Register, 7 October 2004, 2007-04-20]
2000s

Russell Brand photo
Smita Nair Jain photo
Kalpana Chawla photo
Eric Hoffer photo
Brad Garrett photo

“[M]iddle age is the window to your eventual end…”

Brad Garrett (1960) actor, comedian, voice actor

When the Balls Drop https://books.google.com/books?idlLydBAAAQBAJ&pgPT0 (2015), Foreword, "Being Forward."

Agatha Christie photo

“I'll have this on you for the rest of my life," the maid said, smiling and dangling the strand of hair before him. "Everything will be all right if all goes well between us. Otherwise I'll drag this out and show it to her."
"Put it away carefully and don't ever let her find it," Chia Lien importuned. Then catching Patience off guard, he snatched the hair from her, saying, "It's safest out of your hands and destroyed."
"Ungrateful brute," Patience said with a pretty pout. […] In his tussle with Patience Chia Lien began to feel the fire of passion burn within him. Patience now looked prettier than ever with her pouted lips and her provocative scolding. He tried again to put his arms around her and make love to her, but Patience wriggled free and fled from the room. "You shameless little wanton," Chia Lien said. "You get one all excited and then run away."
Standing outside the window, Patience retorted, "Who's trying to get you excited? You only think of your pleasure. What's going to happen to me when she finds out?"
"Don't be afraid of her," Chia Lien said. "One of these days I'll get good and mad and give that jealous vinegar jar a good and proper beating and teach her who is master. She spies on me as if I were a thief. It's all right for her to talk and laugh with the men of the family, but she grows suspicious if she sees me so much as look at another woman.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), pp. 131–132

Christopher Hitchens photo
Zainab Salbi photo
Paul Thurrott photo

“These early [Windows Phone sales] reports don't provide any credible figures. But even if sales are as bad as all get-out, you're forgetting one thing: It almost doesn't matter, because Microsoft is in this for the long haul. They're going to continue pushing this system ahead, and pushing it to developers and users.”

Paul Thurrott (1966) American podcaster, author, and blogger

About those Windows Phone Chicken Little stories... http://windowsphonesecrets.com/2010/11/29/about-those-windows-phone-chicken-little-stories in Windows Phone Secrets (29 November 2010)

Robert Delaunay photo

“Light in nature creates movement in color. The movement is provided by the relationships of uneven measures, of colors contrasts among themselves and constitutes Reality [In this quote Delaunay is referring to his series 'Window'-paintings', which he had started in 1912].”

Robert Delaunay (1885–1941) French painter

Quote in: 'Nous irons jusqu'au soleil', Delaunay; as cited in 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 217
1915 - 1941

Lucy Aharish photo

“We have other things to get over besides the occupation and discrimination. We are fighters and don't give in. If you don't open the door for me, I will come in through the window, and if it is closed, down the chimney. We were too polite, but we learned Israeli chutzpah. It's easy to humiliate an Arab who kowtows, but when that person says 'Listen, pal, tone it down, don't talk to me like that,' you arrive at a dialogue.”

Lucy Aharish (1981) Arab-Israeli journalist

Source: [Halutz, Doron, A generation of Israeli Arabs nurtured on Jewish chutzpah, http://www.haaretz.com/a-generation-of-israeli-arabs-nurtured-on-jewish-chutzpah-1.279267, 5 April 2011, Haaretz, 3 July 2009, That strategy seems to be working. Aharish is a reporter on Good Evening, a program about the entertainment industry hosted by the veteran Guy Pines; the anchor of the children's news program on Channel 1 (state television); and twice a week she also anchors the morning show of the Tel Aviv-based Radio 99, alongside Emanuel Rosen and Maya Bengal.]

Ernest Flagg photo
Jef Raskin photo
Amit Chaudhuri photo
William F. Buckley Jr. photo
Scott McNealy photo

“[…] the only thing I'd rather own than [Microsoft] Windows is English or Chinese or Spanish, because then I could charge a $249 right to speak English. And I could charge you an upgrade fee when I add new letters like N and T.”

Scott McNealy (1954) American businessman

Testimony before U.S. Senate Judiciary Committee meeting on market power and structural change in the software industry, 1998-03-03 ( transcript at CNN.com http://www.cnn.com/SPECIALS/1997/microsoft/transcripts/hearing/)

Eddie Izzard photo
Georgia O'Keeffe photo
Bel Kaufmanová photo
Thomas Bailey Aldrich photo
Vin Scully photo
Richard Dawkins photo

“Gravity is not a version of the truth. It is the truth. Anybody who doubts it is invited to jump out of a tenth-floor window.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

The Genius of Charles Darwin (2008)

Paul Klee photo
Mordecai Richler photo
Philip K. Dick photo
John Muir photo
Anthony Burgess photo
Arthur Hugh Clough photo
Paul Simon photo
Michel Foucault photo
Georg Christoph Lichtenberg photo
Abraham Cahan photo
Lewis Black photo
Bob Dylan photo

“Throw my ticket out the window,
Throw my suitcase out there too,
Throw my troubles out the door, I don't need them anymore,
'Cause tonight I'll be staying here with you.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Nashville Skyline (1969), Tonight I'll Be Staying Here With You

Marcel Duchamp photo
Robert A. Heinlein photo
John Greenleaf Whittier photo

“The windows of my soul I throw
Wide open to the sun.”

My Psalm, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Ellsworth Kelly photo
Dylan Moran photo
Ryū Murakami photo
Albert Pike photo
Martin Amis photo
Simon Blackburn photo

“Nobody ever inferred from the multiple infirmities of Windows that Bill Gates was infinitely benevolent, omniscient, and able to fix everything.”

Simon Blackburn (1944) British academic philosopher

Source: Think (1999), Chapter Five, God, p. 170

Nancy Peters photo

“We're still in a state of shock … We have our "Dump Bush and Cheney" sign in the window, which Lawrence [Ferlinghetti] painted himself. We're looking forward to impeachment or perhaps, indictments for war crimes.”

Nancy Peters (1936) American writer and publisher

"Angry, resigned and motivated -- artists reflect on next four years", http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/11/09/DDG2R9N52H1.DTL San Francisco Chronicle, 2004-11-09.
2000s

Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

Don DeLillo photo
Mickey Spillane photo
John Ruskin photo
George Hendrik Breitner photo

“It is not possible to make such things [paintings of street-views] without the help of photos. How do you want me to make an Amsterdam street. I make thumbnail sketches in my sketchbook. if it's possible I make a study from a window. and a sketch for the details after my choice. The composition is mine anyhow.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Het is niet mogelijk dergelijke dingen te maken zonder hulp van photos. Hoe wil je dat ik een Amsterdamsche straat maak. Ik maak krabbeltjes in mijn schetsboek. als het kan een studie uit een raam. en een schets voor de details maar de keus. De compositie is toch van mij.
after 1886; quoted by Van Veen in G.H. Breitner : fotograaf en schilder van het Amsterdamse stadsgezicht', 1997, p. 28-29; as cited in Van IJs naar Sneeuw - De ontwikkeling van het wintergezicht in de 19de eeuw, Arsine Nazarian Juli 2008, Utrecht, p. 85
Breitner defended himself when he was criticized by his art-dealer in using photography for making his paintings
undated quotes

Jim Morrison photo

“(Windows work two ways, mirrors one way.)
You never walk through mirrors or swim through windows.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision

Alan Moore photo

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life…
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns…
And somebody falls off…
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller…
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives…
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick.”

Alan Moore (1953) English writer primarily known for his work in comic books

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Margaret Cho photo
Sienna Guillory photo
Orson Welles photo
Alyssa Milano photo
Khaled Hosseini photo
Kris Kristofferson photo

“Lay your head upon my pillow
Hold your warm and tender body
Close to mine
Hear the whisper of the raindrops
Blow softly against my window
Make believe you love me
One more time
For the good times
For the good times..”

Kris Kristofferson (1936) American country music singer, songwriter, musician, and film actor

For the Good Times
Song lyrics, Kristofferson (1970)

Toni Morrison photo
Karen Blixen photo
Théodore Rousseau photo
Max Beerbohm photo

“There is much virtue in a window. It is to a human being as a frame is to a painting, as a proscenium to a play, as 'form' to literature. It strongly defines its content.”

"Fenestralia" http://books.google.com/books?id=YZMhAAAAMAAJ&q=%22There+is+much+virtue+in+a+window+It+is+to+a+human+being+as+a+frame+is+to+a+painting+as+a+proscenium+to+a+play+as+form+to+literature+It+strongly+defines+its+content%22&pg=PA147#v=onepage, Mainly on the Air (1946), The Atlantic ( April 1944 http://books.google.com/books?id=5KAGAQAAIAAJ&q=%22There+is+much+virtue+in+a+window+It+is+to+a+human+being+as+a+frame+is+to+a+painting+as+a+proscenium+to+a+play+as+form+to+literature+It+strongly+defines+its+content%22&pg=PA85#v=onepage)

Jane Roberts photo
Alexej von Jawlensky photo
Mario Cuomo photo

“I told them that my grandfather had died in the Great Crash of 1929 — a stockbroker jumped out of a window and crushed him and his pushcart down below.”

Mario Cuomo (1932–2015) American politician, Governor of New York

On meeting with a group assembled by David Rockefeller, New York Times (14 September 1986)

“A window of opportunity for me usually involves a rock.”

Jay London (1966) American comedian

One-liners

Van Morrison photo
Hunter S. Thompson photo

“I like to slip out in the middle of the night and take my Lamborghini and drive it really fast on the highway. There’s a particular one close to my house in Pasadena. I just roll down the windows, and it’s kind of like I just slip into the night.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne interview to CR Fashion Book https://www.crfashionbook.com/fashion/a19743941/erika-jayne-pretty-mess-real-housewives-fashion/ (2018)

Henri-Frédéric Amiel photo
William Westmoreland photo
John Fante photo
Henry Ward Beecher photo
Grandma Moses photo
Takuboku Ishikawa photo

“Running away
From the window of a classroom,
Alone,
I lay down among the ruins of a castle.”

Takuboku Ishikawa (1886–1912) Japanese writer

Source: Modern Japanese Literature, ed. Donald Keene (New York: Grove Press, 1960), p. 208

Sri Aurobindo photo
Bob Dylan photo

“Well, God is in His heaven
And we all want what's his
But power and greed and corruptible seed
Seem to be all that there is
I'm gazing out the window
Of the St. James Hotel
And I know no one can sing the blues
Like Blind Willie McTell”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991 (1991), Blind Willie McTell (recorded 1983)

Sarah Bakewell photo
Clive Staples Lewis photo
Samuel Beckett photo

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

An explanation of the universe outside the room of Endgame
Endgame (1957)