Quotes about whole
page 18

Nicolas Léonard Sadi Carnot photo
Haruki Murakami photo
Edmund White photo
Firuz Shah Tughlaq photo

“Forcible marriages, euphemistically called matrimonial alliances, were common throughout the medieval period. Only some of them find mention in Muslim chronicles with their bitter details. Here is one example given by Shams Siraj Afif (fourteenth century). The translation from the original in Persian may be summarised as follows. Firoz Shah was born in the year 709 H. (1309 C. E.). His father was named Sipahsalar Rajjab, who was a brother of Sultan Ghiyasuddin Tughlaq Ghazi. The three brothers, Tughlaq, Rajjab, and Abu Bakr, came from Khurasan to Delhi in the reign of Alauddin (Khalji), and that monarch took all the three in the service of the Court. The Sultan conferred upon Tughlaq the country of Dipalpur. Tughlaq was desirous that his brother Sipahsalar Rajjab should obtain in marriage the daughter of one of the Rais of Dipalpur. He was informed that the daughters of Ranamall Bhatti were very beautiful and accomplished. Tughlaq sent to Ranamall a proposal of marriage. Ranamall refused. Upon this Tughlaq proceeded to the villages (talwandi) belonging to Ranamall and demanded payment of the whole year’s revenue in a lump sum. The Muqaddams and Chaudharis were subjected to coercion. Ranamall’s people were helpless and could do nothing, for those were the days of Alauddin, and no one dared to make an outcry. One damsel was brought to Dipalpur. Before her marriage she was called Bibi Naila. On entering the house of Sipahsalar Rajjab she was styled Sultan Bibi Kadbanu. After the lapse of a few years she gave birth to Firoz shah. If this could be accomplished by force by a regional officer, there was nothing to stop the king.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Shams Siraj Afif cited in Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12

Jeremy Clarkson photo
Henry Adams photo
Brigham Young photo
Gottfried Feder photo
Daniel Tosh photo
Charles Cooley photo
Marino Marini photo
Max Horkheimer photo
Martin Buber photo
Peter Sloterdijk photo
Jacques Ellul photo
James Jeans photo
Karl Jaspers photo

“The mass-man has very little spare time, does not live a life that appertains to a whole, does not want to exert himself except for some concrete aim which can be expressed in terms of utility; he will not wait patiently while things ripen; everything for him must provide some immediate gratification; and even his mental life must minister to his fleeting pleasures. That is why the essay has become the customary form of literature, why newspapers are taking the place of books… People read quickly and cursorily.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Der Massenmensch hat wenig Zeit, lebt kein Leben aus einem Ganzen, will nicht mehr die Vorbereitung und Anstrengung ohne den konkreten Zweck, der sie in Nutzen umsetzt; er will nicht warten und reifen lassen; alles muß sogleich gegenwärtige Befriedigung sein; Geistiges ist zu den jeweils augenblicklichen Vergnügungen geworden. Daher ist der Essay die geeignete Literaturform für alles, tritt die Zeitung an die Stelle des Buches... Man liest schnell.
Man in the Modern Age (1933)

Donald J. Trump photo
Phil Brooks photo

“Punk: Tonight, the Straight-edge Society becomes the first ever Straight-edge World Unified Tag Team Champions. I came out here for a reason, I came out with a purpose. I'm here to lead my crusade, [Crowd chants you suck] and I've brought my disciples, Luke Gallows and the beautiful Serena with me.
Triple H: Punk, I have been watching Smackdown. And I gotta say, while I'm relieved to know that your straight, this whole I don't drink thing, I don't think anybody really gives a crap, do you know what I mean? [Crowd cheers]
Punk: You're looking at three people who give a crap, and don't try to pretend you know anything about me, or you know anything about Straight-edge, or you know anything about my society at all.
Triple H: No, no, no, no, you're right. I don't know anything about it, I don't get it, Punk, that's the thing. I don't get it, I mean you don't drink, you don't do drugs, you don't smoke. Okay, neither do I. But then again, I don't look like I've been on a week long crack binge with Amy Winehouse! [Serena shakes her head, Punk looks pissed] I'm just saying, have a little pride, man. Pick yourself up, clean yourself off. Maybe take them clippers out of the bag, shave that squirrel off you got on your chin. [Punk grabs his beard and mouths off] Hey, do yourself a favor. Grab a shower, cause I don't know if it's you, Lobotomy Man, or Britney Spears right there, but one of you's got a bad case of swamp butt!
Punk: Alright, are you done? Is amateur comedy hour over? Because I came here to claim those tag titles!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

January 29, 2010
Friday Night SmackDown

Alfred Nobel photo

“My dynamite will sooner lead to peace than a thousand world conventions. As soon as men will find that in one instant, whole armies can be utterly destroyed, they surely will abide by golden peace.”

Alfred Nobel (1833–1896) Swedish chemist, innovator, and armaments manufacturer

As quoted in The Military Quotation Book (2002) by James Charlton, p. 114.

Peter L. Berger photo
John Wallis photo
William Bateson photo
Alexis De Tocqueville photo
Apuleius photo

“Behold me, Lucius; moved by thy prayers, I appear to thee; I, who am Nature, the parent of all things, the mistress of all the elements, the primordial offspring of time, the supreme among Divinities, the queen of departed spirits, the first of the celestials, and the uniform manifestation of the Gods and Goddesses; who govern by my nod the luminous heights of heaven, the salubrious breezes of the ocean, and the anguished silent realms of the shades below: whose one sole divinity the whole orb of the earth venerates under a manifold form, with different rites, and under a variety of appellations.”
En adsum tuis commota, Luci, precibus, rerum naturae parens, elementorum omnium domina, saeculorum progenies initialis, summa numinum, regina manium, prima caelitum, deorum dearumque facies uniformis, quae caeli luminosa culmina, maris salubria flamina, inferum deplorata silentia nutibus meis dispenso: cuius numen unicum multiformi specie, ritu vario, nomine multiiugo totus veneratus orbis.

Bk. 11, ch. 5; p. 226.
Metamorphoses (The Golden Ass)

Benjamin Peirce photo
Huldrych Zwingli photo

“Grace and peace from God to you, respected, honoured, wise clement, gracious and beloved Masters: An exceedingly unfortunate affair has happened to me, in that I have been publicly accused before your worships of having reviled you in unseemly words and, be it said with all respect, of having called you heretics, my gracious rulers of the State. I am so far from applying this name to you, that I should as soon think of calling heaven hell. For all my life I have thought and spoken of you in terms of praise and honour, gentlemen of Abtzell, as I do to-day, and, as God favours me, shall do to the end of my days. But it happened not long ago when I was preaching against the Catabaptists that I used these words: 'The Catabaptists are now doing so much mischief to the upright citizens of Abtzell and are showing so great insolence, that nothing could be more infamous. You see, gentle sirs, with what modesty I grieved on your account, because the turbulent Catabaptists caused you so much trouble. Indeed I suspect that the Catabaptists are the very people who have set this sermon against me in circulation among you, for they do many of those things which do not become true Christians. Therefore, gentle and wise sirs, I beg most earnestly that you will have me exculpated before the whole community, and, if occasion arise, that you will have this letter read in public assembly. Sirs, I assure you in the name of God our Saviour, in these perilous times you have never been our of my thoughts and my solicitious anxiety; and if in any way I shall be able to serve you I will spare no pains to do so. In addition to the fact that I never use such terms even against my enemies, let me say that it never entered my mind to apply such insulting epithets to you, pious and wise sirs. Sufficient of this. May God preserve you in safety, and may He put a curb on these unbridled falsehoods which are being scattered everywhere, which is an evidence of some great peril - and may He hold your worships and the whole state in the true faith of Christ@ Take this letter of mine in good part, for I could not suffer that so base a falsehood against me should lie uncontradicted.”

Huldrych Zwingli (1484–1531) leader of the Protestant Reformation in Switzerland, and founder of the Swiss Reformed Churches

Letter to Abtzell February 12, 1526 (vi., 473), ibid, p.250-251

Helen Kane photo

“When I listen to this rock and roll and look at you kids, I don't think it's a whole lot different than the Charleston and the Varsity Drag.”

Helen Kane (1904–1966) American actress

1959 interview. https://archive.org/details/HelenKaneInterview

Francisco Varela photo
Robert Rauschenberg photo
Carole King photo
Mao Zedong photo
Alan Bennett photo
Tom McCarthy (writer) photo
Chittaranjan Das photo
Johannes Grenzfurthner photo

“Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well… the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Roger Wolcott Sperry photo
John Buchan photo
John of St. Samson photo

“God takes such great pleasure in the sanctity of His saints that in the interests of a few, He often allows the whole Church to suffer great loss.”

John of St. Samson (1571–1636)

From, Light on Carmel: An Anthology from the Works of Brother John of Saint Samson, O.Carm.

Erik Naggum photo
Karel Appel photo
Poul Anderson photo
Newton Lee photo
Chuck Palahniuk photo

“He wasn't just a genius, he had the genius's impatience with the whole idea of doing something again. He reinvented an art form, exhausted its possibilities, and just left it. There is always something frightening about that degree of inventiveness… He didn't lose his powers. He just lost interest in proving that he possessed them.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Vale, Peter Cook' ( The Pembroke College, Cambridge, Society Annuel Gazette http://www.agsm.edu.au/bobm/odds+ends/petercook.html, September 1995)
Essays and reviews

Ingmar Bergman photo
Stuart Merrill photo

“In the whole period, from Walt Whitman and Emily Dickinson to Edwin Arlington Robinson and Robert Frost, the greatest American poet is Stuart Merrill.”

Stuart Merrill (1863–1915) American poet, who wrote mostly in the French language

Kenneth Rexroth, as quoted in Ramez Qureshi on Stuart Merrill's The White Tomb: Selected Writing http://home.jps.net/~nada/merrill.htm
About

Khandro Rinpoche photo
George Holmes Howison photo
Gustav Stresemann photo

“We agree to recognise Lithuanian independence on condition that the desire of the Lithuanians for a military convention and a customs, monetary and postal union with Germany, communicated to us some time ago by a Lithuanian delegation, still remains. For to be candid, the idea of full independence for these peripheral countries seems to me to be purely theoretical and impracticable…The whole development of world politics shows that we have not only great and powerful individual countries like Germany on the one hand and Britain and France on the other, but associations of States fighting against each other…I do not believe in Wilson's universal League of Nations, I think that after the peace it will burst like a soap bubble. Great and powerful complexes of nations with hundreds of millions of inhabitants, armies of millions of men and exports amounting to thousands of millions, will be confronting each other. In the circumstances such small fractional nationalities will not be able to exist in complete independence, without seeking to lean on one side or the other. Just as there is no independent Belgium in the sense that it gravitates towards one side or the other, so it is not possible to conceive of a completely independent Lithuania, Balticum or Poland without that provisio.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

1910s, Speech in the Reichstag, 18 March 1918

John Millington Synge photo
Thomas Jefferson photo
David Lee Roth photo
Richard Mead photo
Buckminster Fuller photo
Marshall McLuhan photo

“The business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication…is towards participation in a process, rather than apprehension of concepts.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Harold Adam Innis (14 March 1951), published in Essential McLuhan (1995), edited by Eric McLuhan and Frank Zingrone, p. 73
1950s

Max Beckmann photo

“If one perceives of it all – the entire War or even life as a whole – as a scene in the theater of 'infinity', many things are much easier to bear.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's Diary, 12 September 1940, Amsterdam; as quoted on: 'Arts in exile' http://kuenste-im-exil.de
1940s

Washington Irving photo
Charles Krauthammer photo
Edward Payson photo
John Calvin photo

“For in the cross of Christ, as in a splendid theatre, the incomparable goodness of God is set before the whole world.”

John Calvin (1509–1564) French Protestant reformer

Re John 13:31 (Torrance 1959 edition).
St John

Friedrich Engels photo
Arthur C. Clarke photo
Kazimierz Ajdukiewicz photo
Jack Vidgen photo

“There was this whole thing of ‘Jack's voice breaking’ about three or four months ago, and I think I sort of laughed at the whole thing, 'cause they sort of made out like I couldn't sing anymore, and my whole life was over, which it wasn't.”

Jack Vidgen (1997) Australian singer

Today Tonight, Jack Vidgen's rising star http://au.news.yahoo.com/today-tonight/celebrity/article/-/13385033/jack-vidgens-rising-star/, 10 April, 2012.

Marianne von Werefkin photo
Charles Dickens photo

“I am quite serious when I say that I do not believe there are, on the whole earth besides, so many intensified bores as in these United States. No man can form an adequate idea of the real meaning of the word, without coming here.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

Comment while on an American tour (March 1842), as quoted in Dickens (1949) by Hesketh Pearson, Ch. 8

Joni Madraiwiwi photo
Jacob M. Appel photo

“There is a fundamental difference, however, between asking to be permitted to keep a vegetative relative on costly machinery, and asking the taxpayers or society as a whole to pay for such machinery.”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

"Rational Rationing vs. Irrational Rationing" http://www.huffingtonpost.com/jacob-m-appel/rational-rationing-vs-irr_b_622057.html, The Huffington Post (2010-06-23)

Robert Fludd photo
John Byrne photo
Conor Oberst photo

“Well, I stood dropping a coin into the pit of a well.
And I would throw my whole billfold if I thought it would help.”

Conor Oberst (1980) American musician

Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Andrew Dickson White photo
Nayef Al-Rodhan photo
Robin Williams photo
Henry James photo
Thomas Jefferson photo

“The art and mystery of banks… is established on the principle that 'private debts are a public blessing.' That the evidences of those private debts, called bank notes, become active capital, and aliment the whole commerce, manufactures, and agriculture of the United States. Here are a set of people, for instance, who have bestowed on us the great blessing of running in our debt about two hundred millions of dollars, without our knowing who they are, where they are, or what property they have to pay this debt when called on; nay, who have made us so sensible of the blessings of letting them run in our debt, that we have exempted them by law from the repayment of these debts beyond a give proportion (generally estimated at one-third). And to fill up the measure of blessing, instead of paying, they receive an interest on what they owe from those to whom they owe; for all the notes, or evidences of what they owe, which we see in circulation, have been lent to somebody on an interest which is levied again on us through the medium of commerce. And they are so ready still to deal out their liberalities to us, that they are now willing to let themselves run in our debt ninety millions more, on our paying them the same premium of six or eight per cent interest, and on the same legal exemption from the repayment of more than thirty millions of the debt, when it shall be called for.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

ME 13:420
1810s, Letters to John Wayles Eppes (1813)

Nathaniel Hawthorne photo
Alexander Bogdanov photo
Cesare Pavese photo

“I spent the whole evening sitting before a mirror to keep myself company.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

John Mayer photo

“It was so frightening at the time to be seventeen and have heart monitors hooked up to you. That was the moment the songwriter in me was born. I discovered a whole other side of me. I came home that night and started writing lyrics. I discovered it all at once: It was like opening up a lockbox, and inside was a depth that I didn't even know I had as a person, or a writer — incredible creativity and vision and neurosis, complete neurosis. They all go together in a package.”

John Mayer (1977) guitarist and singer/songwriter

On the effects of having a critical cardiac arrhythmia at age 17
Hiatt, Brian (2006-09-21), "My Big Mouth Strikes Again" http://www.rollingstone.com/news/story/11515443/john_mayer_speaks_listen_to_his_hilarious_takes_on_paris_hilton_brad__angelina_living_in_ny. Rolling Stone. (1009): 66-70

Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840