Quotes about watch
page 24

Bono photo

“History, like God, is watching what we do.”

Bono (1960) Irish rock musician, singer of U2

National Prayer Breakfast (2006)
Context: There is a continent — Africa — being consumed by flames.
I truly believe that when the history books are written, our age will be remembered for three things: the war on terror, the digital revolution, and what we did — or did not to — to put the fire out in Africa.
History, like God, is watching what we do.

Paul Simon photo
Nicholas Roerich photo

“Wayfarer, friend, let us travel together. Night is near, wild beasts are about, and our campfire may go out. But if we agree to share the night watch, we can conserve our forces.”

Nicholas Roerich (1874–1947) Russian painter, writer, archaeologist, theosophist, enlightener, philosopher

Introduction
New Era Community (1926)
Context: Wayfarer, friend, let us travel together. Night is near, wild beasts are about, and our campfire may go out. But if we agree to share the night watch, we can conserve our forces.
Tomorrow our path will be long and we may become exhausted. Let us walk together. We shall have joy and festivity. I shall sing for you the song your mother, wife and sister sang. You will relate for me your father's story about a hero and his achievements. Let our path be one.
Be careful not to step upon a scorpion, and warn me about any vipers. Remember, we must arrive at a certain mountain village.
Traveler, be my friend.

Woodrow Wilson photo

“Since I entered politics, I have chiefly had men's views confided to me privately. Some of the biggest men in the United States, in the field of commerce and manufacture, are afraid of somebody, are afraid of something. They know that there is a power somewhere so organized, so subtle, so watchful, so interlocked, so complete, so pervasive, that they had better not speak above their breath when they speak in condemnation of it.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Section I: “The Old Order Changeth”, p. 13 http://books.google.com/books?id=MW8SAAAAIAAJ&pg=PA13&dq=%22Since+I+entered%22
1910s, The New Freedom (1913)
Context: Since I entered politics, I have chiefly had men's views confided to me privately. Some of the biggest men in the United States, in the field of commerce and manufacture, are afraid of somebody, are afraid of something. They know that there is a power somewhere so organized, so subtle, so watchful, so interlocked, so complete, so pervasive, that they had better not speak above their breath when they speak in condemnation of it.
They know that America is not a place of which it can be said, as it used to be, that a man may choose his own calling and pursue it just as far as his abilities enable him to pursue it; because to-day, if he enters certain fields, there are organizations which will use means against him that will prevent his building up a business which they do not want to have built up; organizations that will see to it that the ground is cut from under him and the markets shut against him. For if he begins to sell to certain retail dealers, to any retail dealers, the monopoly will refuse to sell to those dealers, and those dealers, afraid, will not buy the new man's wares.

Babe Ruth photo

“I decided to pick out the greatest hitter to watch and study, and Jackson was good enough for me.”

Babe Ruth (1895–1948) American baseball player

On Shoeless Joe Jackson, as quoted in "The Sportlight" http://www.mediafire.com/view/mazvkq3hy6g68vp/Rice%2C%20Grantland.%20The%20Sportlight.%20The%20Daily%20Boston%20Globe.%20December%2016%2C%201932..jpg by Grantland Rice, in The Daily Boston Globe (December 16, 1932), p. 40
Context: I decided to pick out the greatest hitter to watch and study, and Jackson was good enough for me. I liked the way he kept his right foot forward, being a left-handed hitter, and his left foot back. That gave him more body and shoulder power than the average hitter has.

Emily Brontë photo

“I've watched thee every hour —
I know my mighty sway —
I know my magic power
To drive thy griefs away”

Emily Brontë (1818–1848) English novelist and poet

Shall Earth No More Inspire Thee (May 1841)

Julian (emperor) photo

“Set a strong watch upon yourself: reverence us and us alone, and of men him that is like us and none other.”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Myth at the end of Julian's oration to the cynic Heracleios, as translated in The Emperor Julian : Paganism and Christianity (1879) http://www.third-millennium-library.com/MedievalHistory/Julian_the_Emperor/CHAPTER_VI.html by Gerald Henry Rendall, Ch. VI : Julian's Personal Religion, p. 138
General sources
Context: "Suppose that I and Athene, at the behest of Zeus", said Helios, "were to make you steward of all these in the room of him that hath the inheritance." Then the young man clung to him once more, and besought him greatly that he might remain there. But he said, "Be not very rebellious, lest the excess of my love be turned to the fierceness of hatred."
So the young man answered, "Most mighty Helios, and thee Athene, and Zeus himself, I do adjure, do with me what ye will."
After this Hermes, suddenly reappearing, filled him with new courage, for now he thought he had found a guide for his return journey, and his sojourn on earth. And Athene said, "Listen, most goodly child of mine and of this good sire divine! This heir, you see, finds no pleasure in the best of his shepherds, while the flatterers and rogues have made him their subject and slave. Consequently the good love him not, while his supposed friends wrong and injure him most fatally. Take heed therefore when you return, not to put the flatterer before the friend. Give ear, my son, to yet a second admonition. Yon sleeper is habitually deceived; do you therefore be sober and watch, that the flatterer may never deceive and cheat you by a show of friendly candor, just as some sooty and grimy smith by dressing in white and plastering his cheeks with enamel might finally induce you to give him one of your daughters to wife. List now to a third admonition. Set a strong watch upon yourself: reverence us and us alone, and of men him that is like us and none other. You see what tricks self-consciousness and dumb-foundering faint-heartedness have played with yonder idiot." Great Helios here took up the discourse and said, "Choose your friends, then treat them as friends; do not regard them like slaves or servants, but associate with them frankly and simply and generously; not saying one thing of them and thinking something else. See how distrust towards friends has damaged yonder heritor. Love your subjects as we love you. Let respect toward us take precedence of all goods: for we are your benefactors and friends and saviours."
At these words the young man's heart was full, and he made ready there and then to obey the Gods implicitly always. "Away, then", said Helios, "and good hope go with you. For we shall be with you everywhere, I and Athene and Hermes here, and with us all the Gods that are in Olympus, and Gods of the air and of the earth, and all manner of deities everywhere, so long as you are holy toward us, loyal to your friends, kindly to your subjects, ruling and guiding them for their good. Never yield yourself a slave to your own desires or theirs. …"

Lillian Hellman photo

“There are people who eat earth and eat all the people on it like in the Bible with the locusts. Then there are people who stand around and watch them eat it.”

The Little Foxes (1939)
Context: There are people who eat earth and eat all the people on it like in the Bible with the locusts. Then there are people who stand around and watch them eat it. (Softly) Sometimes I think it ain't right to stand and watch them do it.

Alvin C. York photo

“Sir, it is not man power. A higher power than man power guided and watched over me and told me what to do.”

Alvin C. York (1887–1964) United States Army Medal of Honor recipient

Addendum to the account of 8 October 1918.
Diary of Alvin York
Context: After the Armistice was signed, I was ordered to go back to the scene of my fight with the machine guns. General Lindsey and some other generals went with me.
We went over the ground carefully. The officers spent a right smart amount of time examining the hill and the trenches where the machine guns were, and measuring and discussing everything.
And then General Lindsey asked me to describe the fight to him. And I did. And then he asked me to march him out just like I marched the German major out, over the same ground and back to the American lines.
Our general was very popular. He was a natural born fighter and he could swear just as awful as he could fight. He could swear most awful bad.
And when I marched him back to our old lines he said to me, "York, how did you do it?" And I answered him, "Sir, it is not man power. A higher power than man power guided and watched over me and told me what to do." And the general bowed his head and put his hand on my shoulder and solemnly said, "York, you are right."
There can be no doubt in the world of the fact of the divine power being in that. No other power under heaven could bring a man out of a place like that. Men were killed on both sides of me; and I was the biggest and the most exposed of all. Over thirty machine guns were maintaining rapid fire at me, point-blank from a range of about twenty-five yards.

Harlan Ellison photo

“Griffin stood silently, watching the waterfall, sensing more than he saw, understanding more than even his senses could tell him.”

Harlan Ellison (1934–2018) American writer

Delusion for a Dragon Slayer (1966)
Context: Griffin stood silently, watching the waterfall, sensing more than he saw, understanding more than even his senses could tell him. This was, indeed, the Heaven of his dreams, a place to spend the rest of forever, with the wind and the water and the world another place, another level of sensing, another bad dream conjured many long times before. This was reality, an only reality for a man whose existence had been not quite bad, merely insufficient, tenable but hardly enriching. For a man who had lived a life of not quite enough, this was all there ever could be of goodness and brilliance and light. Griffin moved toward the falls.
The darkness grew darker.

Amanda Palmer photo

“The dress-up freaks are coming back, and it’s wonderful to watch.”

Amanda Palmer (1976) American punk-cabaret musician

As quoted in "Amanda Palmer Freaks Out With Evelyn Evelyn" by Scott Thill in WIRED (29 March 2010) http://www.wired.com/2010/03/amanda-palmer/
Context: Rock needs theater, rock is theater. We just go through different eras of guilty admission about this. Having risen with The Dresden Dolls in the heyday of The Strokes and The White Stripes, everyone was looking at us as completely misfit theater dorks. But it’s really encouraging to see a more theater-dork wave of bands like The Scissor Sisters, Antony & The Johnsons, CocoRosie, Patrick Wolf and even Arcade Fire and Decembrists becoming popular. The dress-up freaks are coming back, and it’s wonderful to watch.

Margaret Thatcher photo

“Despite the new look of these Communist parties, despite the softness of their voices, we should be on the watch for the teeth and the appetite of the wolf.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Christian Democratic Union Conference (25 May 1976) http://www.margaretthatcher.org/document/103034
Leader of the Opposition
Context: In some European countries, we now see Communist parties dressed in democratic clothes and speaking with soft voices. Of course we hope that their oft-proclaimed change of heart is genuine. But every child in Europe knows the story of little Red Riding Hood and what happened to her in her grandmother's cottage in the forest. Despite the new look of these Communist parties, despite the softness of their voices, we should be on the watch for the teeth and the appetite of the wolf.

Paul Glover photo

“We printed our own money because we watched Federal dollars come to town, shake a few hands, then leave to buy rainforest lumber and fight wars.”

Paul Glover (1947) Community organizer in Philadelphia, Pennsylvania; American politician

http://www.wholeearth.com/issue/2092/article/33/local.currency.in.each.other.we.trust (Whole Earth Catalog), Spring 1998
Context: “We printed our own money because we watched Federal dollars come to town, shake a few hands, then leave to buy rainforest lumber and fight wars. Ithaca's HOURS, by contrast, stay in our region to help us hire each other. While dollars make us increasingly dependent on transnational corporations and bankers, HOURS reinforce community trading and expand commerce which is more accountable to our concerns for ecology and social justice.”.

Phil Ochs photo

“I watched my life fade-away in a flash
A quarter of a century dash through closets full of candles with never a room
For rapture through a kingdom had been captured.”

Phil Ochs (1940–1976) American protest singer and songwriter

Source: Pleasures of the Harbor (1967), Liner notes; part of this statement is often paraphrased "In such ugly times, the only true protest is beauty."
Context: I watched my life fade-away in a flash
A quarter of a century dash through closets full of candles with never a room
For rapture through a kingdom had been captured.
And so I turn away from my drizzling furniture and pass old ladies
Sniffling by movie stars' tombs, yes I must be home again soon.
To face the unspoken unguarded thoughts of habitual hearts
A vanguard of electricians a village full of tarts
Who say you must protest you must protest
It is your diamond duty…
Ah but in such an ugly time the true protest is beauty
And the bleeding seer crawled from the ruins of the empire
And stood bleeding, bleeding on the border
He said, passion has led to chaos and now chaos will lead to order.
Oh I have been away for a while and I hope to be back again soon.

“Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

“The real God, who may really exist, is outside all that, perhaps watching closely, perhaps merely asleep for a few trillion years while the experiment runs out.
We — thee and me as individuals — will never know that God, though after a few trillion years, the universe as a whole may come to understand that God.”

Sheri S. Tepper (1929–2016) American fiction writer

Strange Horizons interview (2008)
Context: I say the entities that are named as gods by Earthians are imagined into being by Earthians as personal helper-buddies, justifiers, threateners (my god can beat up your god). They don't "run on" anything any more than a mirror image "runs on" anything. They merely reflect what people want them to be. "I want to have more children than my brother does, thus proving I'm a better man than he is, so my god tells me I should have a big family." "I want to screw women, so my god is going to give me seventy virgins I can screw for all eternity." The "gods" in The Margarets who could really do anything were actually an old, highly evolved race of real people. The others were only reflections. The real God, who may really exist, is outside all that, perhaps watching closely, perhaps merely asleep for a few trillion years while the experiment runs out.
We — thee and me as individuals — will never know that God, though after a few trillion years, the universe as a whole may come to understand that God.

Robert Graves photo

“But old Death, who can't forget,
Waits his time and watches yet,
Waits and watches by the door.”

Robert Graves (1895–1985) English poet and novelist

"The Cottage".
Fairies and Fusiliers (1917)
Context: Through the window I can see
Rooks above the cherry-tree,
Sparrows in the violet bed,
Bramble-bush and bumble-bee,
And old red bracken smoulders still
Among boulders on the hill,
Far too bright to seem quite dead.
But old Death, who can't forget,
Waits his time and watches yet,
Waits and watches by the door.

Richard Wright photo
Roger Ebert photo

“This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/red-1994 of Three Colors: Red (2 December 1994)
Reviews, Four star reviews
Context: We are connected with some people and never meet others, but it could easily have happened otherwise. Looking back over a lifetime, we describe what happened as if it had a plan. To fully understand how accidental and random life is — how vast the odds are against any single event taking place — would be humbling. … This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.

Benjamin N. Cardozo photo

“Metaphors in law are to be narrowly watched, for starting as devices to liberate thought, they end often by enslaving it.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Berkey v. Third Avenue Railway, 244 N.Y. 84, 94, 155 N.E. 58, 61 (N.Y. 1926). Sometimes misquoted as referring to "figures of speech" rather than metaphors, or with other minor variations.
Judicial opinions
Context: The whole problem of the relation between parent and subsidiary corporations is one that is still enveloped in the mists of metaphor. Metaphors in law are to be narrowly watched, for starting as devices to liberate thought, they end often by enslaving it. We say at times that the corporate entity will be ignored when the parent corporation operates a business through a subsidiary which is characterized as an 'alias' or a 'dummy.'... Dominion may be so complete, interference so obtrusive, that by the general rules of agency the parent will be a principal and the subsidiary an agent.

Jiddu Krishnamurti photo

“To watch is to observe without choice, to see yourself as you are without any movement of desire to change, which is an extremely arduous thing to do; but that doesn't mean that you are going to remain in your present state. You do not know what will happen if you see yourself as you are without wishing to bring about a change in that which you see.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Response to the question: "I have listened to you for many years and I have become quite good at watching my thoughts and being aware of every thing I do, but I have never touched the deep waters or experienced the transformation of which you speak. Why?"
1950s, Freedom From the Self (1955)
Context: The questioner wants to know why, after these many years of watching, he hasn't found the deep waters. Why should he find them? Do you understand? You think that by watching your own thoughts you are going to get a reward: if you do this, you will get that. You are really not watching at all, because your mind is concerned with gaining a reward. You think that by watching, by being aware, you will be more loving, you will suffer less, be less irritable, get something beyond; so your watching is a process of buying. With this coin you are buying that, which means that your watching is a process of choice; therefore it isn't watching, it isn't attention. To watch is to observe without choice, to see yourself as you are without any movement of desire to change, which is an extremely arduous thing to do; but that doesn't mean that you are going to remain in your present state. You do not know what will happen if you see yourself as you are without wishing to bring about a change in that which you see. Do you understand?

Tomas Kalnoky photo
Tom Clancy photo

“Computers are going to be even bigger. TVs are one-way. You sit there and you watch it. Computers, you interact with.”

Tom Clancy (1947–2013) American author

1990s, Schafer interview (1995)
Context: I was one of the first generations to watch television. That's technology. TV is like any other kind of tool. TV exposes people to news, to information, to knowledge, to entertainment. How is it bad? Computers are going to be even bigger. TVs are one-way. You sit there and you watch it. Computers, you interact with.

Baba Hari Dass photo

“Without watching ourselves we can't be aware of the tricks the mind plays. So a yogi should be alert all the time.”

Baba Hari Dass (1923–2018) master yogi, author, builder, commentator of Indian spiritual tradition

Source: Silence Speaks, from the chalkboard of Baba Hari Dass, 1977, p.11

Avner Strauss photo
George Müller photo
Alan Watts photo
Lou Reed photo

“Just watch me now.”

Lou Reed (1942–2013) American musician

Sweet Jane
Lyrics

“Keep clean, be as fruit, earn life, and watch
Till the white-wing’d reapers come!”

Henry Vaughan (1621–1695) Welsh author, physician and metaphysical poet

"The Seed Growing Secretly".
Silex Scintillans (1655)
Context: Then bless thy secret growth, nor catch
At noise, but thrive unseen and dumb;
Keep clean, be as fruit, earn life, and watch
Till the white-wing’d reapers come!

Hilaire Belloc photo

“But as we laugh we are watched by large and awful faces from beyond: and on these faces there is no smile.”

Hilaire Belloc (1870–1953) writer

Source: This and That and the Other (1912), Ch. XXXII : The Barbarians , p. 282
Context: In a word, the Barbarian is discoverable everywhere in this that he cannot make; that he can befog or destroy, but that he cannot sustain; and of every Barbarian in the decline or peril of every civilisation exactly that has been true.
We sit by and watch the Barbarian, we tolerate him; in the long stretches of peace we are not afraid.
We are tickled by his irreverence, his comic inversion of our old certitudes and our fixed creeds refreshes us: we laugh. But as we laugh we are watched by large and awful faces from beyond: and on these faces there is no smile.

William H. Seward photo

“The slave system is one of constant danger, distrust, suspicion, and watchfulness.”

William H. Seward (1801–1872) American lawyer and politician

On the Irrepressible Conflict (1858)
Context: As a general truth, communities prosper and flourish, or droop and decline, in just the degree that they practise or neglect to practise the primary duties of justice and humanity. The free-labor system conforms to the divine law of equality, which is written in the hearts and consciences of man, and therefore is always and everywhere beneficent.
The slave system is one of constant danger, distrust, suspicion, and watchfulness. It debases those whose toil alone can produce wealth and resources for defence, to the lowest degree of which human nature is capable, to guard against mutiny and insurrection, and thus wastes energies which otherwise might be employed in national development and aggrandizement. The free-labor system educates all alike, and by opening all the fields of industrial employment and all the departments of authority, to the unchecked and equal rivalry of all classes of men, at once secures universal contentment, and brings into the highest possible activity all the physical, moral, and social energies of the whole state.

John D. Barrow photo
Jonathan Haidt photo
John Keats photo
William Godwin photo

“A common mortal periodically selected by his fellow-citizens to watch over their own interests, can never be supposed to possess this stupendous virtue.”

William Godwin (1756–1836) English journalist, political philosopher and novelist

Book III, Chapter 9
Enquiry Concerning Political Justice (1793)

William Godwin photo
Raheem Kassam photo
Aga Khan III photo

“It is for the Indian patriot to recognise that Persia, Afghanistan and possibly Arabia must sooner or later come within the orbit of some Continental Power — such as Germany, or what may grow out of the break up of Russia — or must throw in their lot with that of the Indian Empire, with which they have so much more genuine affinity. The world forces that move small States into closer contact with powerful neighbours, though so far most visible in Europe, will inevitably make themselves felt in Asia. Unless she is willing to accept the prospect of having powerful and possibly inimical neighbours to watch, and the heavy military burdens thereby entailed, India cannot afford to neglect to draw her Mahomedan neighbour States to herself by the ties of mutual interest and goodwill … In a word, the path of beneficent and growing union must be based on a federal India, with every member exercising her individual rights, her historic peculiarities and natural interests, yet protected by a common defensive system and customs union from external danger and economic exploitation by stronger forces. Such a federal India would promptly bring Ceylon to the bosom of her natural mother, and the further developments we have indicated would follow. We can build a great South Asiatic Federation by now laying the foundations wide and deep on justice, on liberty, and on recognition for every race, every religion, and every historical entity … A sincere policy of assisting both Persia and Afghanistan in the onward march which modem conditions demand, will raise two natural ramparts for India in the north-west that neither German nor Slav, Turk nor Mongol, can ever hope to destroy. They will be drawn of their own accord towards the Power which provides the object lesson of a healthy form of federalism in India, with real autonomy for each province, with the internal freedom of principalities assured, with a revived and liberalised kingdom of Hyderabad, including the Berars, under the Nizam. They would see in India freedom and order, autonomy and yet Imperial union, and would appreciate for themselves the advantages of a confederation assuring the continuance of internal self-government buttressed by goodwill, the immense and unlimited strength of that great Empire on which the sun never sets. The British position of Mesopotamia and Arabia also, whatever its nominal form may be, would be infinitely strengthened by the policy I have advocated.”

Aga Khan III (1877–1957) 48th Imam of the Nizari Ismaili community

India in Transition (1918)

Natalie Wynn photo
Brian W. Aldiss photo
Raquel Welch photo

“Whatever my film work was, it was a departure from the sex symbol previously, who was blonde and more docile than the characters I portrayed as a sex symbol…I think it was a different role for women. Women watch other women, and they are affected by that.”

Raquel Welch (1940–2023) American actress

On how she felt that her early roles were a form of liberation in “Body of Work: Screen Siren Raquel Welch Gets Her Lincoln Center Retrospective” https://observer.com/2012/02/body-of-work-screen-siren-raquel-welch-gets-her-lincoln-center-retrospective/ in The Observer (2012 Feb 7)

Antonio Fresco photo

“I enjoy DJing and watching people having fun, but now, I am throwing my music in the mix, and to watch people enjoy themselves and let go to something you created, is an out of this world feeling.”

Antonio Fresco (1983) American DJ, music producer, and radio personality

Company Rules Interview https://companyrules.home.blog/2019/05/27/welcome-guest-dj-antonio-fresco/ (2019)

Robert Sheckley photo
Robert Sheckley photo

“Linguistic accommodation as well. Are they speaking my language or am I speaking theirs? I can never know: the transaction cannot watch itself being transacted.”

Robert Sheckley (1928–2005) American writer

Slaves of Time (p. 16)
Short fiction, The Robot Who Looked Like Me (1978)

Newton Lee photo
Chris Rock photo

“Everybody want to know what the kids was listening to, what kind of music they was listening to, or what kind of movies they was watching. Who gives a fuck what they was watching? Whatever happened to CRAZY?”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Bigger and Blacker (Album Version, 1999)

Algis Budrys photo
Viet Thanh Nguyen photo
Kirstin Valdez Quade photo
Gustave de Molinari photo

“If the roused and insurgent consumers secure the means of production of the salt industry, in all probability they will confiscate this industry for their own profit, and their first thought will be, not to relegate it to free competition, but rather to exploit it, in common, for their own account. They will then name a director or a directive committee to operate the saltworks, to whom they will allocate the funds necessary to defray the costs of salt production. Then, since the experience of the past will have made them suspicious and distrustful, since they will be afraid that the director named by them will seize production for his own benefit, and simply reconstitute by open or hidden means the old monopoly for his own profit, they will elect delegates, representatives entrusted with appropriating the funds necessary for production, with watching over their use, and with making sure that the salt produced is equally distributed to those entitled to it. The production of salt will be organized in this manner.This form of the organization of production has been named communism.When this organization is applied to a single commodity, the communism is said to be partial.When it is applied to all commodities, the communism is said to be complete.But whether communism is partial or complete, political economy is no more tolerant of it than it is of monopoly, of which it is merely an extension.”

Gustave de Molinari (1819–1912) Belgian political economist and classical liberal theorist

Source: The Production of Security (1849), p. 31

Koenraad Elst photo
Koenraad Elst photo

“In a sociological sense, I am still part of the Catholic community,… Nevertheless, I am no longer a Roman Catholic. I am a secular humanist with an active interest in religions, particularly Taoism and Hinduism, and keeping a close watch on the variegated Pagan revival in Europe.”

Koenraad Elst (1959) orientalist, writer

The Problem of Christian Missionaries , 7 June 1999. https://web.archive.org/web/20190311003524/http://koenraadelst.bharatvani.org/articles/chr/missionaries.html
1990s

Toni Morrison photo
Manmohan Singh photo
Jeanine Áñez photo
David Foster Wallace photo
Don Cherry photo

“The Flames and Canucks, this one was the toughest series of all folks. No prisoners were taken in this one. Whoa! Are they hittin’? And they’re hittin’ to hurt, I’ll tell ya. Watch these beauty hits. You better keep your head up in this series I’ll tell ya!”

Don Cherry (1934) ice hockey coach, television commentator

In the "Flames-Canucks" segment (profiling the 1994 Western Conference Quarterfinal Series between the Calgary Flames and the Vancouver Canucks) of the <i>Rock'Em Sock'Em Six</i> hockey highlights video.

Don Cherry photo

“Watch John Blue give Rob Pearson a cross-check like you can’t believe. Watch this. He gets up, Pearson goes back, WHAM! Well what can you expect from a guy named Blue?”

Don Cherry (1934) ice hockey coach, television commentator

In the "Crease Crashers" segment of the <i>Rock'Em Sock'Em Six</i> hockey highlights video.

Don Cherry photo

“Andrei Kovalenko runs over Patrick Roy, and Patrick slugs him! Watch him use his blocker here. Don’t fool with Patrick!”

Don Cherry (1934) ice hockey coach, television commentator

In the "Crease Crashers" segment of the <i>Rock'Em Sock'Em Six</i> hockey highlights video.

Karl Kautsky photo
J. Howard Moore photo
George Carlin photo
Assata Shakur photo
Assata Shakur photo
Ramsay MacDonald photo
Frantz Fanon photo
Annie Proulx photo
Charles Webster Leadbeater photo
Enoch Powell photo
Alexandria Ocasio-Cortez photo
Jack Youngblood photo
William Logan (author) photo
Seneca the Younger photo
Frank W. Abagnale photo

“He understood whatever those hidden mechanisms are that convince people to trust you. I kind of watched him and absorbed what I could from him.”

Frank W. Abagnale (1948) American security consultant, former confidence trickster, check forger, impostor, and escape artist

Leonardo DiCaprio on the set of Catch Me if You Can
Leonardo DiCaprio Catch Me if You Can Interview, 2008-10-12, Alec Cawthorne, 2003-01-16, BBC http://www.bbc.co.uk/films/2003/01/16/leonardo_dicaprio_catch_me_if_you_can_interview.shtml,

“They say big brother is watching you. But maybe big brother is watching dutch girly videos on the next screen along.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Banging Your Head Against a Brick Wall (2001)

Nicolas Chamfort photo

“An honest fellow stripped of all his illusions is the ideal man. Though he may have little wit, his society is always pleasant. As nothing matters to him, he cannot be pedantic; yet is he tolerant, remembering that he too has had the illusions which still beguile his neighbor. He is trustworthy in his dealings, because of his indifference; he avoids all quarreling and scandal in his own person, and either forgets or passes over such gossip or bickering as may be directed against himself. He is more entertaining than other people because he is in a constant state of epigram against his neighbor. He dwells in truth, and smiles at the stumbling of others who grope in falsehood. He watches from a lighted place the ludicrous antics of those who walk in a dim room at random. Laughing, he breaks the false weight and measure of men and things.”

Nicolas Chamfort (1741–1794) French writer

L'honnête homme, détrompé de toutes les illusions, est l'homme par excellence. Pour peu qu'il ait d'esprit, sa société est très aimable. Il ne saurait être pédant, ne mettant d'importance à rien. Il est indulgent, parce qu'il se souvient qu'il a eu des illusions, comme ceux qui en sont encore occupés. C'est un effet de son insouciance d'être sûr dans le commerce, de ne se permettre ni redites, ni tracasseries. Si on se les permet à son égard, il les oublie ou les dédaigne. Il doit être plus gai qu'un autre, parce qu'il est constamment en état d'épigramme contre son prochain. Il est dans le vrai et rit des faux pas de ceux qui marchent à tâtons dans le faux. C'est un homme qui, d'un endroit éclairé, voit dans une chambre obscure les gestes ridicules de ceux qui s'y promènent au hasard. Il brise, en riant, les faux poids et les fausses mesures qu'on applique aux hommes et aux choses.
Maximes et Pensées, #339
Maxims and Considerations, #339

Rohit Sharma photo
Rohit Sharma photo

“Nothing is easy in cricket. Maybe when you watch it on TV, it looks easy. But it is not. You have to use your brain and time the ball.”

Rohit Sharma (1987) Indian cricketer

[No formula to it: Rohit Sharma, https://www.thehindu.com/sport/cricket/no-formula-to-it-rohit-sharma/article21615720.ece, The Hindu, 13 December 2017]

Wilson Chandler photo

“I was pretty health-conscious even before going vegan. The transition came after I watched Food, Inc. and a documentary called GMO OMG.”

Wilson Chandler (1987) American basketball player

After that I went pescatarian for a while, but I went deeper and deeper with research. … Part of why I stopped eating meat is because the more acid is in your body, the harder it is for muscles to recover.
"The Real-Life Diet of Wilson Chandler, Nuggets Forward and Vegan" https://www.gq.com/story/wilson-chandler-real-life-vegan-diet, interview with GQ (December 6, 2016).

Jenna Talackova photo

“I read a few books like Skinny Bitch, a bunch of books on vegan lifestyles and my mother always brought me to vegetarian restaurants, so I was really into diets and studying health. And I just thought it would be the best step, so I went vegetarian. … I watched a lot of PETA videos on YouTube, and it was heartbreaking.”

Jenna Talackova (1988) Canadian model

Unveiling her PETA ad on Davie Street; as quoted in "Jenna Talackova unveils racy PETA ad and promotes vegan diet" https://www.vancouverobserver.com/city/jenna-talackova-unveils-racy-peta-ad-and-promotes-vegan-diet, The Vancouver Observer (24 January 2014).

“The Void Which Binds is touched by all of us who have wept with happiness, bidden a lover good-bye, been exalted with orgasm, stood over the grave of a loved one, or watched our baby open his or her eyes for the first time.”

Aenea is looking at me as she speaks, and I feel the gooseflesh rise along my arms.
“The Void Which Binds is always under and above the surface of our thoughts and senses,” she continues, invisible but as present as the breathing of our beloved next to us in the night. Its actual but unaccessible presence in our universe is one of the prime causes for our species elaborating myth and religion, for our stubborn, blind belief in extrasensory powers, in telepathy and precognition, in demons and demigods and resurrection and reincarnation and ghosts and messiahs and so many other categories of almost-but-not-quite satisfying bullshit.”
Source: The Rise of Endymion (1997), Chapter 20 (p. 400)

Hannah Teter photo

“I went vegetarian after watching Earthlings.”

Hannah Teter (1987) snowboarder

I had no idea how intense and how horrible factory farms are. I have such a love for animals that I can’t justify having their heads cut off for me. And the slavery of the dairy industry motivates me to go more vegan. I can’t justify animal slavery for my enjoyment. … I feel stronger than I’ve ever been, mentally, physically, and emotionally. My plant-based diet has opened up more doors to being an athlete. It’s a whole other level that I’m elevating to. I stopped eating animals about a year ago, and it’s a new life. I feel like a new person, a new athlete.
"Hannah Teter, Gold-Medal Snowboarder, Carves a Meaningful Life", interview with the HuffPost (21 April 2010) http://www.huffingtonpost.com/avital-binshtock/hannah-teter-gold-medal-s_b_468137.html.

Sania Mirza photo

“A couple of weeks ago, the 21-year-old was photographed with her feet up while watching a colleague playing in an international exhibition match in Perth, and the proximity of her toes to a nearby Indian flag raised temperatures in her home state to vindaloo levels.”

Sania Mirza (1986) Indian tennis player

Martin Johnson in: Sania Mirza is failing to fly the flag for India http://www.telegraph.co.uk/sport/tennis/australianopen/2289112/Sania-Mirza-is-failing-to-fly-the-flag-for-India.html, The Telegraph, 16 January 2008

Thiago Silva photo

“He is the best defender in the world. Before moving to Europe, I watched a lot of matches of Thiago Silva at Milan, and I am inspired by him.”

Thiago Silva (1984) Brazilian footballer

Lucas Mendes, 2014 http://www.goal.com/fr/news/1729/france/2014/02/20/4634680/om-lucas-mendes-sinspire-de-thiago-silva
From former and current footballers

Krishna Raja Wadiyar IV photo