Douglas Adams (1952–2001) English writer and humorist
Triumph of the Nerds: The Rise of Accidental Empires TV program (1996) http://www.pbs.org/nerds/part1.html
an address given on April 9, 1953, quoted in The Kingston Daily Freeman (p. 1), April 10, 1953; and in The Tacoma News Tribune, April 11, 1953
Douglas Adams (1952–2001) English writer and humorist
Triumph of the Nerds: The Rise of Accidental Empires TV program (1996) http://www.pbs.org/nerds/part1.html
Jasper Johns (1930) American artist
interview with Johns conducted in 1975 at Johns’ studio by Yoshiaki Tono, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 89
1970s
Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)
2022, May 2022, Remarks By President Biden on the Affordable Connectivity Program
Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project
2000s, Thus Spake Stallman (2000)
Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher
Vol. XI, p. 62
Posthumous publications, The Collected Works
Context: I think we must see this very clearly right at the beginning — that if one would solve the everyday problems of existence, whatever they may be, one must first see the wider issues and then come to the detail. After all, the great painter, the great poet is one who sees the whole — who sees all the heavens, the blue skies, the radiant sunset, the tree, the fleeting bird — all at one glance; with one sweep he sees the whole thing. With the artist, the poet, there is an immediate, a direct communion with this whole marvellous world of beauty. Then he begins to paint, to write, to sculpt; he works it out in detail. If you and I could do the same, then we should be able to approach our problems — however contradictory, however conflicting, however disturbing — much more liberally, more wisely, with greater depth and colour, feeling. This is not mere romantic verbalization but actually it is so, and that is what I would like to talk about now and every time we get together. We must capture the whole and not be carried away by the detail, however pressing, immediate, anxious it may be. I think that is where the revolution begins.