Quotes about text
page 2

William Kingdon Clifford photo

“Upon Clifford's death the labour of revision and completion was entrusted to Mr. R. C. Rowe, then Professor of Pure Mathematics at University College, London. …On the sad death of Professor Rowe, in October 1884, I was requested… to take up the task of editing… For the latter half of Chapter III. and for the whole of Chapter IV. …I am alone responsible. Yet whatever there is in them of value I owe to Clifford; whatever is feeble or obscure is my own. …With Chapter V. my task has been by no means light. …Without any notice of mass or force it seemed impossible to close a discussion on motion; something I felt must be added. I have accordingly introduced a few pages on the laws of motion. I have since found that Clifford intended to write a concluding chapter on mass. How to express the laws of motion in a form of which Clifford would have approved was indeed an insoluble riddle to me, because I was unaware of his having written anything on the subject. I have accordingly expressed, although with great hesitation, my own views on the subject; these may be concisely described as a strong desire to see the terms matter and force, together with the ideas associated with them, entirely removed from scientific terminology—to reduce, in fact, all dynamic to kinematic. I should hardly have ventured to put forward these views had I not recently discovered that they have (allowing for certain minor differences) the weighty authority of Professor Mach, of Prag. But since writing these pages I have also been referred to a discourse delivered by Clifford at the Royal Institution in 1873, some account of which appeared in Nature, June 10, 1880. Therein it is stated that 'no mathematician can give any meaning to the language about matter, force, inertia used in current text-books of mechanics.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

This fragmentary account of the discourse undoubtedly proves that Clifford held on the categories of matter and force as clear and original ideas as on all subjects of which he has treated; only, alas! they have not been preserved.
Preface by Karl Pearson
The Common Sense of the Exact Sciences (1885)

N. Gregory Mankiw photo
Joseph Smith, Jr. photo
Peter Greenaway photo
Julia Kristeva photo

“The text is a practice that could be compared to political revolution: the one brings about in the subject what the other introduces into society.”

Julia Kristeva (1941) Bulgarian-French philosopher, psychoanalyst & academic

Revolution in Poetic Language (1984), p. 17

Jacques Derrida photo

“"There is no outside-text." It is usually mistranslated as "There is nothing outside the text" by his opponents to make it appear that Derrida is claiming nothing exists beyond language (see Searle–Derrida debate). In French, that mistranslated phrase would actually read "Il n'y a rien en dehors du texte."”

il n'y a pas de hors-texte
"This question is therefore not only of Rousseau's writing but also of our reading. ...the writer writes <i>in</i> a language and <i>in</i> a logic whose proper system, laws, and life his discourse by definition cannot dominate absolutely. ...reading... cannot legitimately transgress the text toward something other than it... . <i>There is nothing outside of the text </i>[there is no outside-text; <i>il n'y a pas de hors-texte</i>]."
Specters of Marx (1993), 1960s

El Lissitsky photo

“Proun is the the Step-over from the art of painting to Architecture [original text in German:] (Umsteige-station von Malerei nach Architectur).”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

quote, 1925: in 'Kunstismen' ('Artisms', art magazine published by Lissitzky and Hans Arp, 1925); as quoted in: Richtingen in de Hedendaagsche schilderkunst (Trends in the Present Day Art of Painting), Jacob Bendien; W.L & J. Brusse N.V. Rotterdam, 1935 (transl: Anne Porcelijn), p. 99
1915 - 1925

Wallace Stevens photo
Marshall McLuhan photo

“For the oral man the literal text contains all possible levels of meaning.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 126

Terry Eagleton photo
Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Joseph E. Stiglitz photo

“1. The standard neoclassical model the formal articulation of Adam Smith's invisible hand, the contention that market economies will ensure economic efficiency provides little guidance for the choice of economic systems, since once information imperfections (and the fact that markets are incomplete) are brought into the analysis, as surely they must be, there is no presumption that markets are efficient.
2. The Lange-Lerner-Taylor theorem, asserting the equivalence of market and market socialist economies, is based on a misguided view of the market, of the central problems of resource allocation, and (not surprisingly, given the first two failures) of how the market addresses those basic problems.
3. The neoclassical paradigm, through its incorrect characterization of the market economies and the central problems of resource allocation, provides a false sense of belief in the ability of market socialism to solve those resource allocation problems. To put it another way, if the neoclassical paradigm had provided a good description of the resource allocation problem and the market mechanism, then market socialism might well have been a success. The very criticisms of market socialism are themselves, to a large extent, criticisms of the neoclassical paradigm.
4. The central economic issues go beyond the traditional three questions posed at the beginning of every introductory text: What is to be produced? How is it to be produced? And for whom is it to be produced? Among the broader set of questions are: How should these resource allocation decisions be made? Who should make these decisions? How can those who are responsible for making these decisions be induced to make the right decisions? How are they to know what and how much information to acquire before making the decisions? How can the separate decisions of the millions of actors decision makers in the economy be coordinated?
5. At the core of the success of market economies are competition, markets, and decentralization. It is possible to have these, and for the government to still play a large role in the economy; indeed it may be necessary for the government to play a large role if competition is to be preserved. There has recently been extensive confusion over to what to attribute the East Asian miracle, the amazingly rapid growth in countries of this region during the past decade or two. Countries like Korea did make use of markets; they were very export oriented. And because markets played such an important role, some observers concluded that their success was convincing evidence of the power of markets alone. Yet in almost every case, government played a major role in these economies. While Wade may have put it too strongly when he entitled his book on the Taiwan success Governing the Market, there is little doubt that government intervened in the economy through the market.
6. At the core of the failure of the socialist experiment is not just the lack of property rights. Equally important were the problems arising from lack of incentives and competition, not only in the sphere of economics but also in politics. Even more important perhaps were problems of information. Hayek was right, of course, in emphasizing that the information problems facing a central planner were overwhelming. I am not sure that Hayek fully appreciated the range of information problems. If they were limited to the kinds of information problems that are at the center of the Arrow-Debreu model consumers conveying their preferences to firms, and scarcity values being communicated both to firms and consumers then market socialism would have worked. Lange would have been correct that by using prices, the socialist economy could "solve" the information problem just as well as the market could. But problems of information are broader.”

Source: Whither Socialism? (1994), Ch. 1 : The Theory of Socialism and the Power of Economic Ideas

William Tyndale photo
Oliver Wendell Holmes photo

“One unquestioned text we read,
All doubt beyond, all fear above;
Nor crackling pile nor cursing creed
Can burn or blot it—God is love.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

What we all think; reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare Browning, Paracelsus: "God! Thou art love! I build my faith on that".

Margaret Mead photo
Kapil Dev photo
Alberto Manguel photo

“That is a complete waste of your time and the government's money. You are a native speaker of English; in ten minutes you can produce more illustrations of any point in English grammar than you will find in many millions of words of random text.”

Lees's response when informed that Nelson Francis had received a grant to produce the Brown Corpus.
Biber, D., and E. Finegan. 1991. "On the exploitation of computerized corpora in variation studies." In K. Aijmer and B. Altenberg (eds.), English corpus linguistics: Studies in honour of Jan Svartvik, 204-220. London: Longman.

Vyasa photo
Aleister Crowley photo
Alauddin Khalji photo
George Steiner photo
Will Eisner photo
Richard Stallman photo

“You can use any editor you want, but remember that vi vi vi is the text editor of the beast.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

HOPE Speech (2006) https://www.youtube.com/watch?v=S76pHIYx3ik
2000s

George Steiner photo

“When the modern scholar cites from a classic text, the quotation seems to burn a hole in his own drab page.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. IX: (p. 314).

Philip K. Dick photo
Swapan Dasgupta photo
Roland Barthes photo
Peter Greenaway photo
Jonathan Edwards photo
Kancha Ilaiah photo

“Reform your texts, reform your history. Say leather is not untouchable to God, the barber's knife is not untouchable to God. Take a Dalit priest and a Brahmin priest to celebrations. Do these symbolic things. Let them (high-caste Hindus) come and sit with Dalits in their huts and eat with them”

Kancha Ilaiah (1952) Indian scholar, activist and writer

Quoted in "War against Ignorance" at The Hindu (01 February 2010) http://www.thehindu.com/features/metroplus/society/war-against-ignorance/article98547.ece.

Antonin Scalia photo

“Now the Senate is looking for 'moderate' judges, 'mainstream' judges. What in the world is a moderate interpretation of a constitutional text? Halfway between what it says and what we'd like it to say?”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Address to Chapman University students http://www.cnn.com/2005/LAW/08/30/scalia.re.enactment.ap/index.html (2005).
2000s

Neal Stephenson photo
Han-shan photo
Rajiv Malhotra photo

“It is important for Pollock that Muslims not be blamed for the decline of Sanskrit. He writes that any theory 'can be dismissed at once' if it 'traces the decline of Sanskrit culture to the coming of Muslim power'… Trying to prove the timing of Sanskrit's decline prior to the Turkish invasions enables him to absolve these invasions of any blame… I get the impression that Pollock does not want to dwell on whether Muslim invasions had debilitated the Hindu political and intellectual institutions in the first place… Throughout Pollock's analysis, hardly any Muslim ruler gets blamed for the destruction of Indian culture. He simply avoids discussing the issue of Muslim invasions and their destructive influence on Hindu institutions… The impact of various invasions in Kashmir was so enormous that it cannot be ignored in any historical analysis… The contradiction between his two accounts, published separately, is serious: Muslim invasions created a traumatic enough shockwave to cause Hindu kings to mobilize the 'cult of Rama' and therefore the Hindus funded the production of extensive Ramayana texts for this agenda. And yet, the death of Sanskrit taking place at the same time had little relation to the arrival of Muslims. When Hindus are to be blamed for their alleged hatred towards Muslims, the Muslims are shown to have an important presence; but when Muslims are to be protected from being assigned any responsibility for destruction, they are mysteriously made to disappear from the scene.”

The Battle for Sanskrit (2016)

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Sören Kierkegaard photo
Charles Pratt, 1st Earl Camden photo

“The great end, for which men entered into society, was to secure their property. That right is preserved sacred and incommunicable in all instances, where it has not been taken away or abridged by some public law for the good of the whole. The cases where this right of property is set aside by private law, are various. Distresses, executions, forfeitures, taxes etc are all of this description; wherein every man by common consent gives up that right, for the sake of justice and the general good. By the laws of England, every invasion of private property, be it ever so minute, is a trespass. No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.”

Charles Pratt, 1st Earl Camden (1714–1794) English lawyer, judge and Whig politician

Entick v. Carrington, 19 Howell’s State Trials 1029 (1765), Constitution Society, United States, 2008-11-13 http://www.constitution.org/trials/entick/entick_v_carrington.htm,

Donald A. Norman photo
Hector Berlioz photo

“A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.”

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare.
À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Ken Ham photo
Louise Burfitt-Dons photo
Robert Chambers (publisher, born 1802) photo
Gore Vidal photo
Géza Vermès photo
Eric Frein photo

“Set up shelter and cleaned up… to let them know I’m still alive. Got text saying I’m a suspect. Saw patrol. Not spotted. They stuck to the trails. Listened to radio. News media calling me a ‘survivalist.’ Ha! Catchy phrase I guess. Shelter-in-place (ordered) by spooked cops.”

Eric Frein (1983) American fugitive

Diary entry (17 September 2014), as quoted in "‘Literally hunting humans’: Eric Frein, sniper who killed Pa. trooper, sentenced to death" https://www.washingtonpost.com/news/morning-mix/wp/2017/04/27/murder-in-his-heart-eric-frein-sniper-killer-of-pa-trooper-sentenced-to-death/?utm_term=.1fa45b04fbf7 (27 April 2017), by Fred Barbash, The Washington Post
Diary (September 2014)

John Ralston Saul photo
Camille Paglia photo

“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.””

Camille Paglia (1947) American writer

This he got from Spenser, not Marlowe.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 195

Khushwant Singh photo
Marcel Duchamp photo
Ali Al-Wardi photo
Lesslie Newbigin photo
Susan Neiman photo
Guru Govind Singh photo
Simon Newcomb photo
Wendy Doniger photo
Alan Rusbridger photo
Peter Greenaway photo
Sinclair Lewis photo
Yves Klein photo

“A bill for 20 grams of Pure Gold, for one painted area of sensibilized immaterial. [about 1958, text on a bill for selling 'air']”

Yves Klein (1928–1962) French artist

De Tweede Helft, Ad de Visser, SUN, Nijmegen 1998, p. 106
from posthumous publications

Ellsworth Kelly photo

“This book [full of linoleum prints] will be an alphabet of pictorial elements without text, which shall aim at establishing a larger scale of painting, a closer contact between the artist and the wall, and a new spirit of art accompanying architecture.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In the introduction, (written in 1951) of his not published book: "Line Form and Color"; as quoted in "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim museum, New York 1997, p. 22
1950 - 1968

“Against this view, it is still possible to identify some cultural continuities. Kitromilides himself alludes to some of them, when he mentions “inherited forms of cultural expression, such as those associated with the Orthodox liturgical cycle and the images of emperors, the commemoration of Christian kings, the evocation of the Orthodox kingdom and its earthly seat, Constantinople, which is so powerfully communicated in texts such as the Akathist Hymn, sung every year during Lent and forming such an intimate component of Orthodox worship...“ (Kitromilides 1998, 31). There are other lines of Greek continuity. Despite the adoption of a new religion, Christianity, certain traditions, such as a dedication to competitive values, have remained fairly constant, as have the basic forms of the Greek language and the contours of the Greek homeland (though its centre of gravity was subject to change). And John Armstrong has pointed to the “precocious nationalism” that took hold of the Greek population of the Byzantine Empire under the last Palaeologan emperors and that was directed as much against the Catholic Latins as against the Muslim Turks—an expression of medieval Greek national sentiment as well as a harbinger of later Greek nationalism. But again, we may ask: was this Byzantine sentiment a case of purely confessional loyalty or of ethnoreligious nationalism?”

Anthony D. Smith (1939–2016) British academic

See Armstrong 1982, I74—8I cf. Baynes and Moss 1969, 119—27, and Carras 1983.
Source: The Nation in History (2000), p. 42-43.

Angela Davis photo
Colin Meloy photo
Albert Finney photo
Northrop Frye photo

“All texts are incarnational, and the climax of the entire Christian Bible, "the Word was made flesh, and dwelt among us," is the most logocentric sentence ever written.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

1:154
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

Jacques Derrida photo
Fernand Léger photo
Shankar Dayal Sharma photo

“The Rigveda stated that the earth was a …globe suspended freely in space. The Vedic texts disclosed that the Sun held the earth and heavenly bodies in its orbit. The Shatapatha Brahmana, a treatise of untold antiquity, recognized and explained the fact that the earth was spherical.. Aryabhata explained the daily rising and setting of planets and stars in terms of the earth’s constant revolutionary motion. The Surya Siddhantha said that the earth, owing to its gravitational force draw all things to itself. In physics, the thinker Kanada, explained light and heat as different aspects of the same element, thus anticipating Clarke Maxwell's Electro-magnetic Theory, which unified different forms of radiant energy. Sankaracharya, in his Advaita thought expanded the concept of unity of matter and energy. Vacaspati recognized light as composed of minute particles emitted by substances, anticipating Newton’s Corpuscular Theory of Light and the later discovery of the Photon. In Botany, Sankara Mishra and Kanada have discussed the circulation of sap in the Plant and the Santiparva of Mahabharata has clearly stated that the plants develop on the strength of nutrients made through interaction of sunlight and materials obtained from the air and ground. Bhaskarcharya's concept of Differential Calculus preceded Newton by many centuries. His study of time identified Truti: The 3400th part of a second as the unit of time.”

Shankar Dayal Sharma (1918–1999) Indian politician

He has rightly brought out the rationality and application of Sanskrit literature in diverse fields
Source: Aruna Goel Good Governance and Ancient Sanskrit Literature http://books.google.co.in/books?id=El_VADF13pUC&pg=PA16, Deep and Deep Publications, 1 January 2003, p. 16-17

Gore Vidal photo
Susan Sontag photo
Bart D. Ehrman photo
Daniel Buren photo
Dana Gioia photo
Peter Guthrie Tait photo

“[Examiners] spend their lives in discovering which pages of a text-book a man ought to read and which will not be likely to 'pay.”

Peter Guthrie Tait (1831–1901) British mathematician

in an address to the University of Edinburgh graduates, as quoted by [Cargill Gilston Knott, Life and scientific work of Peter Guthrie Tait, Cambridge University Press, 1911, 11]

Lewis H. Lapham photo
John Rogers Searle photo
Joseph Kosuth photo
Koenraad Elst photo
Burkard Schliessmann photo
Mark Satin photo

“Not long after Miles and Eric hitch to St. Louis, Graham turns to me and says, "Let's hitch to Chicago!" "Right now?" I ask, peering up from my American government text. "Why not?" says Graham. "You've got to learn to do things when you want to; otherwise you'll be just like one of the plastic people, the dead people."”

Mark Satin (1946) American political theorist, author, and newsletter publisher

So by one A.M. we are on the road. ...
Page 40. It's the fall of 1964. Satin is a freshman at the University of Illinois at Urbana–Champaign. "Plastic" became one of his favorite adjectives.
Confessions of a Young Exile (1976)