Quotes about style (1035 quotes, page 10)

“Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change."”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , Way , Feeling , Thinking

“He's one of the worst practice players I've played with. He rests and when the game comes, he flips the switch on. He plays a dominant physical style, so I think he just relaxes in practice and as a veteran player, I admire that.”

Alexander Ovechkin (1985) Russian ice hockey player

Jeff Friesen, interview in Canadian Press (November 1, 2006) "The great debate rages on - Ovechkin vs. Phaneuf: Which one has greater impact for their team?", The Record (Kitchner, Ontario, Canada), p. E1.
About

Game , Thinking

“I like all styles of climbing for different things. I like the focus and the solitude of solo climbing. … The best jumper is the one who never gets hurt. Find that person and try to be like him/her. … Adventure is when you aren't sure what's going to happen.”

Steph Davis (1973) American rock climber

"10 Questions With Climber and BASE Jumper Steph Davis" https://www.adventure-journal.com/2013/07/10-questions-with-climber-and-base-jumper-steph-davis/, Adventure Journal (July 22, 2013).

Solitude , Hurt , Personality

“After us they’ll fly in hot air balloons, coat styles will change, perhaps they’ll discover a sixth sense and cultivate it, but life will remain the same, a hard life full of secrets, but happy. And a thousand years from now man will still be sighing, “Oh! Life is so hard!””

Anton Chekhov (1860–1904) Russian dramatist, author and physician

and will still, like now, be afraid of death and not want to die.
Act II
The Three Sisters (1901)

Life , Death , Secret , Sense

“Just being a mediocre driver has never been my ambition. That's not my style.”

Michael Schumacher (1969) German racing driver

Schumacher (2006) cited in: " No pressure to quit insists Schumacher http://www.dailymail.co.uk/sport/othersports/article-405020/No-pressure-quit-insists-Schumacher.html" Daily Mail UK, 13 September 2006

“Comics were the source of my entertainment and interest. But they’re the kind of standard Japanese stuff that Japanese kids enjoy. When I got to university, there was a layer of culture shock that hit me. I began to learn about modern and abstract art. Until that time my drawings were more realistic in style. Then I was opened up to abstract images. I was encountering things I’ve never paid attention to or recognized before. I liked that, behind those abstract images, there was always an idea. That set me thinking about art in terms of ideas, rather than depictions. What could I make that had a clear idea behind it, looked unique, and yet wasn’t alienating? All of that led me to the aesthetic of my games.”

Fumito Ueda (1970) Japanese video game designer

Fumito Ueda: Colossus in the Shadow https://medium.com/@SimonParkin/fumito-ueda-colossus-in-the-shadow-80e200a727dd (December 13, 2016)

Art , Game , Idea , Thinking

“Henri Matisse and I were already working, before the 1900 Exhibition, as far back as 1898, in what was later to be called the Fauve style.”

Albert Marquet (1875–1947) French artist

As quoted by J. E. Müller, Le Fauvisme, Paris, Hazan, 1956, p. 18
[Marquet's quote refers to the Spring and Summer of 1898 - after the death of their common Paris' art-teacher Gustave Moreau; Marquet was then painting together with Henri Matisse ].

“Frankly, I think there is something wrong with Jawlensky's dots [in his paintings, then]. Anybody can pick up that style if they want to.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, c 1903; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 114
1910 - 1915

Thinking , Painting

“If Karl Rove is watching today, Karl, I want you to hear me loud and clear: I am going to provide tax cuts to ease the burdens for 31 million American families — and lift hundreds of thousands of children out of poverty — by raising the taxes on 0.1 percent of families — those who make more than $1,000,000 a year. You don't have to read my lips, I'm saying it. And if that makes me an 'old-style' Democrat, then I accept that label with pride and I dare you to come after me for it.”

Wesley Clark (1944) American general and former Democratic Party presidential candidate

Families First tax plan speech (5 January 2004), reported in Clark unveils tax plan" — CNN (5 January 2004) http://www.cnn.com/2004/ALLPOLITICS/01/05/elec04.prez.clark.taxes/

Children , Family , Reading

“Some people I know were telling me of a curious experience which they had recently; they put a collection of old and rejected household articles in their car and drove to a dump to dispose of them. While busy at the dump, they were accosted by a strange figure, a woman of tall and stately presence, wearing a paper crown and carrying a staff in her hand, who strode majestically through the avenues of ashes, tin cans, dishonoured wash-boilers and superannuated bathtubs, attended by a rabble of admiring children. This apparition hailed my friends in a strange, incoherent, but musical language, and her breath was richly perfumed with bay-rum, or it may have been lilac lotion; she was in fact as high as a kite and as mimsy as a borogrove. Having said her say, she strode off in queenly style, and she and her raffish crew were soon lost in the mazes of the dump… My theory is that this was Titania, the fairy queen, fallen upon evil days, but magnificent in ruin; or it may simply have been some rumdumb old bag with a sense of humour. In either case the matter is worth investigating.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

Children , People , Music , Cars

“While I had enjoyed other jobs, I loved command. I had been in a command position for ten of the previous twenty-six years. But each new position was initially daunting. As I suspect many leaders feel, I was never sure if I could command at the next level until I actually assumed the job. I remembered how Douglas Southall Freeman, in Lee's Lieutenants, had described Lee's challenges in determining which brigade commanders could actually handle the responsibilities of a division or corps. The most aggressive brigade commanders often lacked the intangible qualities required for more senior leadership. Of course I often wondered about myself. As the demands of the positions differed, I found that I had changed as a leader. I learned to ask myself two questions: First, what must the organization I command do and be? And second, how can I best command to achieve that? Experience taught me that many factors would shape my "command style," and it would be some time before I had settled into it.”

Stanley A. McChrystal (1954) American general

Source: My Share Of The Task (2013), p. 95-96

Love , Feeling , Question , Learning

“It can be sensed that there is a new religion arising in the country, still without a prophet, recognized by no one. Religions die slowly. But the artistic style that was the inalienable possession of an earlier era collapsed catastrophically in the middle of the nineteenth century [German Romanticism? ]. There has been no style since... Since then, serious art has been the work of individual artists whose art has had nothing to do with 'style' because they were not in the least connected with the style or the needs of the masses. Their works arose rather in defiance of their times. They are characteristic, fiery signs of a new era that increase daily everywhere. This book [The 'Almanak'], initiated by Franz Marc & Kandinsky ] will be their focus..”

Franz Marc (1880–1916) German painter

1911 - 1914, The 'Savages' of Germany' (1912)

Books , Religion , Art , Sense

“However useful it is for pedagogical purposes, the biological metaphor of style as a sequence of life-stages was historically misleading, for it bestowed upon the flux of events the shapes and behavior of organisms.”

George Kubler (1912–1996) American art historian

Source: The Shape of Time, 1982, p. 8 as cited in: Pamela M. Lee, " " Ultramoderne": Or, How George Kubler Stole the Time in Sixties Art. http://xenopraxis.net/readings/lee_ultramoderne.pdf" Grey Room (2001): 55.

Life , Behavior

“The whole society is obsessed…. I'm not complaining — I'm just saying, "Don't be too impressed with me. Don't try to dress like me or wear your hair like mine. Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress." I only wear the expensive clothes because I get them free and I'm too lazy to go out and look for my own.”

Salma Hayek (1966) Mexican-American actress and producer

O interview (2003)
Context: The whole society is obsessed.... I'm not complaining — I'm just saying, "Don't be too impressed with me. Don't try to dress like me or wear your hair like mine. Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress." I only wear the expensive clothes because I get them free and I'm too lazy to go out and look for my own. I, a rich girl from Mexico, came here with designer clothes. And one day when I was starving in an apartment in Los Angeles, I looked at my Chanel blouses and said, "If only I could pay the rent with one of these." … In those days, the rag I used to dry my dishes was more useful. Now many who start in this business come to me for advice and ask, "How do I get started?" And I have to say, "I honestly have no idea." I think it's a bunch of accidents that happen to you and somehow you survive them and take advantage of them and something magical happens — and you have an agent.

Clothes

“It was to little purpose to excuse the matter, by saying, that the badness of the Verses was a kind of Testimony that they were made by a God, who nobly scorn'd to be tyed up to rules and to be confined to the Beauty of a Style.”

Bernard Le Bovier de Fontenelle (1657–1757) French writer, satirist and philosopher of enlightenment

The History of Oracles, and the Cheats of the Pagan Priests (1688)
Context: It was to little purpose to excuse the matter, by saying, that the badness of the Verses was a kind of Testimony that they were made by a God, who nobly scorn'd to be tyed up to rules and to be confined to the Beauty of a Style. For this made no impression upon the Philosophers; who, to turn this answer into ridicule, compared it to the Story of a Painter, who being hired to draw the Picture of a Horse tumbling on his Back upon the ground, drew one running full speed: and when he was told, that this was not such a Picture as was bespoke, he turned it upside down, and then ask'd if the Horse did not tumble upon his back now. Thus these Philosophers jeered such Persons, who by a way of arguing that would serve both ways, could equally prove that the Verses were made by a God, whether they were good or bad.<!--pp. 219-220

God , Beauty

“It was not a model style for the President of the United States to enter the capital of a conquered country, yet there was a moral in it all which had more effect than if he had come surrounded with great armies and heralded by the booming of cannon.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 296
Context: It was not a model style for the President of the United States to enter the capital of a conquered country, yet there was a moral in it all which had more effect than if he had come surrounded with great armies and heralded by the booming of cannon. He came, armed with the majesty of the law, to put his seal to the act which had been established by the bayonets of the Union soldiers the establishment of peace and goodwill between the North and the South, and liberty to all mankind who dwell upon our shores.

Country

“The Mandarin style at its best yields the richest and most complete expression of the English language.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 3: The Challenge to the Mandarins (p. 17-18)
Context: The Mandarin style at its best yields the richest and most complete expression of the English language. It is the diction of Donne, Browne, Addison, Johnson, Gibbon, de Quincey, Landor, Carlyle and Ruskin as opposed to that of Bunyan, Dryden, Locke, Defoe, Cowper, Cobbett, Hazlitt, Southey and Newman. It is characterized by long sentences with many dependent clauses, by the use of the subjunctive and conditional, by exclamations and interjections, quotations, allusions, metaphors, long images, Latin terminology, subtlety and conceits. Its cardinal assumption is that neither the writer nor the reader is in a hurry, that both are possessed of a classical education and a private income. It is Ciceronian English.

“We are in presence of the contradiction of a style of living which cultivates sincerity and is at the same time a fraud. There is truth only in an existence which feels its acts as irrevocably necessary.”

José Ortega Y Gasset book The Revolt of the Masses

Source: The Revolt of the Masses (1929), Chapter XIV: Who Rules The World?
Context: No one knows toward what center human things are going to gravitate in the near future, and hence the life of the world has become scandalously provisional. Everything that today is done in public and in private — even in one's inner conscience — is provisional, the only exception being certain portions of certain sciences. He will be a wise man who puts no trust in all that is proclaimed, upheld, essayed, and lauded at the present day. All that will disappear as quickly as it came. All of it, from the mania for physical sports (the mania, not the sports themselves) to political violence; from "new art" to sun-baths at idiotic fashionable watering-places. Nothing of all that has any roots; it is all pure invention, in the bad sense of the word, which makes it equivalent to fickle caprice. It is not a creation based on the solid substratum of life; it is not a genuine impulse or need. In a word, from the point of view of life it is false.
We are in presence of the contradiction of a style of living which cultivates sincerity and is at the same time a fraud. There is truth only in an existence which feels its acts as irrevocably necessary. There exists today no politician who feels the inevitableness of his policy, and the more extreme his attitudes, the more frivolous, the less inspired by destiny they are. The only life with its roots fixed in earth, the only autochthonous life, is that which is made of inevitable acts. All the rest, all that it is in our power to take or to leave or to exchange for something else, is mere falsification of life. Life today is the fruit of an interregnum, of an empty space between two organizations of historical rule — that which was, that which is to be. For this reason it is essentially provisional. Men do not know what institutions to serve in truth; women do not know what type of men they in truth prefer.
The European cannot live unless embarked upon some great unifying enterprise. When this is lacking, he becomes degraded, grows slack, his soul is paralyzed. We have a commencement of this before our eyes today. The groups which up to today have been known as nations arrived about a century ago at their highest point of expansion. Nothing more can be done with them except lead them to a higher evolution. They are now mere past accumulating all around Europe, weighing it down, imprisoning it. With more vital freedom than ever, we feel that we cannot breathe the air within our nations, because it is confined air. What was before a nation open to all the winds of heaven, has turned into something provincial, an enclosing space.

Truth , Feeling , Fraud , Time

“Style is not something applied. It is something that permeates.”

Wallace Stevens (1879–1955) American poet

"Two or Three Ideas" (1951); later published in Opus Posthumous (1959)
Context: Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.

“I always say you can get your tragedy of any desired length in England, from thirty seconds to a lifetime. I had one adorable one of twenty-nine minutes by the watch. At the end of that time I started for my train. Woman I'd had a glimpse of in London — walk. She sat on a style, I below her, gazing into her eyes — then, "remember this lane," "while memory holds its seat, etc." "Adieu." And I still do and ever shall remember her, and I rather think she does me a little bit. What imbecilities for an old fellow to be talking. But if one knows his place and makes way for younger men when he isn't sure, it is better perhaps not quite to abandon interest in the sports of life.”

Oliver Wendell Holmes Jr. (1841–1935) United States Supreme Court justice

Letter to Sir Frederick Pollock (23 August 1895); reported in Holmes-Pollock Letters: The Correspondence of Mr. Justice Holmes and Sir Frederick Pollock (1961) edited by Mark De Wolfe Howe, Vol. 1, p. 60; also reported in The Mind and Faith of Justice Holmes: His Speeches, Essays, Letters, and Judicial Opinions (1954), p. 437.
1890s

Life , Men , Way , Thinking

“Talent went out of style.… People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care.”

John Leonard (1939–2008) American critic, writer, and commentator

"Books of the Times" in The New York Times (6 July 1981)
Context: The magaicians of the 19th century, enthralled by the science of optics, photography and electricity, opened the door to motion pictures and thereby rendered themselves obsolete. Any amateur with a pair of scissors can cut and edit a strip of film in order to make a woman vanish, sever a head, burn a body down to the skeleton and reverse time. Talent went out of style.… People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care. Illusion became big bigness, and the magicians were out of work.

People

“My style is intentionally natural, I will fight till the last moment of my biological existence.”

Ali Raymi (1973–2015) Boxing Knockout Artist

As quoted in "Mysterious junior flyweight Ali Raymi killed in Yemen" by Ryan Songalia, in The Ring (28 May 2015) http://ringtv.craveonline.com/news/390403-mysterious-junior-flyweight-ali-raymi-killed-in-yemen
Context: My style is intentionally natural, I will fight till the last moment of my biological existence. … I don’t like discussing my pre-boxing past as I feel it will be considered inappropriately semi-legendary.

Nature , Fight

“It is impossible for me to reconcile myself to the idea of conversion after the style that goes on in India and elsewhere today.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Harijan (30 January 1937)
1930s
Context: It is impossible for me to reconcile myself to the idea of conversion after the style that goes on in India and elsewhere today. It is an error which is perhaps the greatest impediment to the world’s progress toward peace … Why should a Christian want to convert a Hindu to Christianity? Why should he not be satisfied if the Hindu is a good or godly man? Collected Works of Mahatma Gandhi

Idea

“The "styles" are a lie.”

Le Corbusier (1887–1965) architect, designer, urbanist, and writer

Vers une architecture [Towards an Architecture] (1923)

Lie

“In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture — definite, clear, not in ambitious colors, but in full white sunliglit — of all the dialects I have ever listened to.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)
Context: In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture — definite, clear, not in ambitious colors, but in full white sunliglit — of all the dialects I have ever listened to. Nothing did I ever hear him undertake to render visible which, did not become almost ocularly so. Never shall we again hear such speech as that was. The whole district knew of it and laughed joyfully over it, not knowing how other-wise to express the feeling it gave them; emphatic I have heard him beyond all men. In anger he had no need of oaths, his words were like sharp arrows that smote into the very heart. The fault was that he exaggerated (which tendency I also inherit), yet only in description and for the sake chiefly of humorous effect.

Men , Color , Soul , Nature

“Speaking as of today, I do not consider it intellectually respectable to be a partisan in matters of religion. I see religion as I see such other basic fascinations as art and science, in which there is room for many different approaches, styles, techniques, and opinions. Thus I am not formally a committed member of any creed or sect and hold no particular religious view or doctrine as absolute. I deplore missionary zeal, and consider excessive dedication to and advocacy of any particular religion, as either the best or the only true way, an almost irreligious arrogance. Yet my work and my life are fully concerned with religion, and the mystery of being is my supreme fascination, though, as a shameless mystic, I am more interested in religion as feeling and experience than as conception and theory.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 61

Life , Religion , Art , Way

“You have to develop a style that suits you and pursue it, not just develop a bag of tricks.”

Jimmy Stewart (1908–1997) American film and stage actor

As quoted in "Innocent Revisited" in TIME magazine (29 June 1970)
Context: I've always been skeptical of people who say they lose themselves in a part. Someone once came up to Spencer Tracy and asked, "Aren't you tired of always playing Tracy?" Tracy replied, "What am I supposed to do, play Bogart?" You have to develop a style that suits you and pursue it, not just develop a bag of tricks.

“Go ahead and fail. But fail with wit, fail with grace, fail with style.”

Tom Robbins Even Cowgirls Get the Blues

Even Cowgirls Get the Blues (1976)
Context: So you think that you're a failure, do you? Well, you probably are. What's wrong with that? In the first place, if you've any sense at all you must have learned by now that we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail. But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success.

“Now that should really make Osama bin Laden tremble in his boots - that the President has Kremlin-style authority to sign economic agreements.”

Noam Chomsky (1928) american linguist, philosopher and activist

Interview by V. K. Ramachandran in Frontline, November 11, 2001 http://www.chomsky.info/interviews/20011115.htm.
Quotes 2000s, 2001
Context: Right after September 11, the U. S. Trade Representative, Robert Zoellick, said the first thing that had to be done to combat terrorism was to pass fast-track. Now that should really make Osama bin Laden tremble in his boots - that the President has Kremlin-style authority to sign economic agreements.

“The only indication of an individual vision is an individual style”

Patrick Swift (1927–1983) British artist

The Artist Speaks (1951)
Context: The only indication of an individual vision is an individual style: "What I seek above all in a picture is a man and not a picture" – Zola

“I haven't consciously tried to develop [a style]. The only thing I've consciously tried to do was put myself in a position to hear the people I wanted to hear talk talk.”

Nelson Algren (1909–1981) American novelist, short story writer

"The Art of Fiction No. 11" (1955)
Context: Well, I haven't consciously tried to develop [a style]. The only thing I've consciously tried to do was put myself in a position to hear the people I wanted to hear talk talk. I used the police lineup for I don't know how many years. [... ] I was just over on the South Side and got rolled. But they gave me a card, you know, to look for the guys in the lineup, and I used that card for something like seven years.

People

“I am not going to talk about religious beliefs, but about matters so obvious that it has gone out of style to mention them.
I believe in my neighbors.
I know their faults and I know that their virtues far outweigh their faults.”

Robert A. Heinlein (1907–1988) American science fiction author

This I Believe (1952)
Context: I am not going to talk about religious beliefs, but about matters so obvious that it has gone out of style to mention them.
I believe in my neighbors.
I know their faults and I know that their virtues far outweigh their faults. Take Father Michael down our road a piece — I'm not of his creed, but I know the goodness and charity and lovingkindness that shine in his daily actions. I believe in Father Mike; if I'm in trouble, I'll go to him. My next-door neighbor is a veterinary doctor. Doc will get out of bed after a hard day to help a stray cat. No fee — no prospect of a fee. I believe in Doc.

“The style of living is ascertained to have a powerful effect in modifying the human figure in the course of generations”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 280
Context: The style of living is ascertained to have a powerful effect in modifying the human figure in the course of generations, and this even in its osseous structure.

“You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

Writers at Work interview (1963)
Context: A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself — or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.

“What we proclaim is The Right to Well Being: Well Being for All!”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

The Conquest of Bread (1907), p. 14 http://dwardmac.pitzer.edu/anarchist_archives/kropotkin/conquest/toc.html
Variant: All things for all men, since all men have need of them, since all men worked to produce them in the measure of their strength, and since it is not possible to evaluate everyone's part in the production of the world's wealth... All is for all!
This variant was probably produced by a combination of accidental as well as deliberate omission, rather than a separate translation.
Context: The means of production being the collective work of humanity, the product should be the collective property of the race. Individual appropriation is neither just nor serviceable. All belongs to all. All things are for all men, since all men have need of them, since all men have worked in the measure of their strength to produce them, and since it is not possible to evaluate every one's part in the production of the world's wealth.
All things are for all. Here is an immense stock of tools and implements; here are all those iron slaves which we call machines, which saw and plane, spin and weave for us, unmaking and remaking, working up raw matter to produce the marvels of our time. But nobody has the right to seize a single one of these machines and say, "This is mine; if you want to use it you must pay me a tax on each of your products," any more than the feudal lord of medieval times had the right to say to the peasant, "This hill, this meadow belong to me, and you must pay me a tax on every sheaf of corn you reap, on every rick you build."
All is for all! If the man and the woman bear their fair share of work, they have a right to their fair share of all that is produced by all, and that share is enough to secure them well-being. No more of such vague formulas as "The Right to work," or "To each the whole result of his labour." What we proclaim is The Right to Well-Being: Well-Being for All!

“The anonymous author of 'The Vestiges of Creation' published in 1844 a treatise, written in a clear and attractive style, which made the English public familiar with the leading views of Lamarck on transmutation and progression but brought no new facts or original line of argument to support those views, or to combat the principal objections which the scientific world entertained against them. No decided step in this direction was made until the publication in 1858 of two papers, one by Mr. Darwin and another by Mr. Wallace”

Charles Lyell (1797–1875) British lawyer and geologist

Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 407-409
Context: The anonymous author of 'The Vestiges of Creation' published in 1844 a treatise, written in a clear and attractive style, which made the English public familiar with the leading views of Lamarck on transmutation and progression but brought no new facts or original line of argument to support those views, or to combat the principal objections which the scientific world entertained against them. No decided step in this direction was made until the publication in 1858 of two papers, one by Mr. Darwin and another by Mr. Wallace, followed in 1859 by Mr Darwin's celebrated work on 'The Origin of Species by Means of Natural Selection; or, the Preservation of favoured Races in the Struggle for Life.'... both writers begin by applying to the animal and vegetable worlds the Malthusian doctrine of population, or its tendency to increase in a geometrical ratio, while food can only be made to augment even locally in an arithmetical one. There being, therefore, no room or means of subsistence for a large proportion of the plants and animals which are born into the world, a great number must annually perish.

World , Support

“My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around … I don't have to have too much technique for it.”

David Gilmour (1946) guitarist, singer, best known as a member of Pink Floyd

As quoted in Sounds : Guitar Heroes (May 1983)
Context: My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around … I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.

Time

“I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature.”

Jorge Luis Borges book A Universal History of Infamy

A Universal History of Iniquity, preface to the 1954 edition; tr. Andrew Hurley, Collected Fictions (1998)
Context: I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature. [... ] The baroque is the final stage in all art, when art flaunts and squanders its resources.

“Like it or not, we have placed our destiny in the hands of the experts. A politician is, after all, a kind of expert, if self-styled. Even the fact that competent experts must serve under politicians of mediocre intelligence and little foresight is a problem that we are stuck with, because the experts themselves cannot agree on any major world issue.”

Stanisław Lem (1921–2006) Polish science fiction author

One Human Minute (1986)
Context: The book does not contain “everything about the human being,” because that is impossible. The largest libraries in the world do not contain “everything.” The quantity of anthropological data discovered by scientists now exceeds any individual’s ability to assimilate it. The division of labor, including intellectual labor, begun thirty thousand years ago in the Paleolithic, has become an irreversible phenomenon, and there is nothing that can be done about it. Like it or not, we have placed our destiny in the hands of the experts. A politician is, after all, a kind of expert, if self-styled. Even the fact that competent experts must serve under politicians of mediocre intelligence and little foresight is a problem that we are stuck with, because the experts themselves cannot agree on any major world issue. A logocracy of quarreling experts might be no better than the rule of the mediocrities to which we are subject. The declining intellectual quality of political leadership is the result of the growing complexity of the world. Since no one, be he endowed with the highest wisdom, can grasp it in its entirety, it is those who are least bothered by this who strive for power.

World , Intelligence , Problem

“Gradually only can some details of it be mastered when, under divine guidance we approach the subject with a quiet mind. Having therefore invoked the divine guidance, and adapted ourselves and our style to the divine circumstances, we shall acquiesce in all the suggestions that come to us.”

Iamblichus (240–320) Syrian philosopher

Source: Life of Pythagoras, Ch. 1 : Importance of the Subject
Context: Since wise people are in the habit of invoking the divinities at the beginning of any philosophic consideration, this is all the more necessary on studying that one which is justly named after the divine Pythagoras. Inasmuch as it emanated from the divinities it could not be apprehended without their inspiration and assistance. Besides, its beauty and majesty so surpasses human capacity, that it cannot be comprehended in one glance. Gradually only can some details of it be mastered when, under divine guidance we approach the subject with a quiet mind. Having therefore invoked the divine guidance, and adapted ourselves and our style to the divine circumstances, we shall acquiesce in all the suggestions that come to us. Therefore we shall not begin with any excuses for the long neglect of this sect, nor by any explanations about its having been concealed by foreign disciplines, or mystic symbols, nor insist that it has been obscured by false and spurious writings, nor make apologies for any special hindrances to its progress. For us it is sufficient that this is the will of the Gods, which all enable us to undertake tasks even more arduous than these. Having thus acknowledged our primary submission to the divinities, our secondary devotion shall be to the prince and father of this philosophy as a leader.

“Only through experience can you become a better judge of whether a certain candidate will be the best fit for a particular job role, company culture and management style”

Nigel Cumberland (1967) British author and leadership coach

Source: Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse, Finding and Hiring Talent in a Week – Teach Yourself series (2016) https://books.google.ae/books?idyEk9CgAAQBAJ&pgPT1&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEILDAD#vonepage&qnigel%20cumberland&ffalse, p.2
Context: However recruitment is also an art and involves developing people and leadership skills that cannot be totally taught. Only through experience can you become a better judge of whether a certain candidate will be the best fit for a particular job role, company culture and management style.

“The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal.”

John Fowles book The Aristos

The Aristos (1964)
Context: The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. He feels himself mysteriously inspired or possessed. The craftsman, on the other hand, is content to use the traditional materials and techniques. The more self-possessed he is, the better craftsman he will be. What pleases him is skill of execution. He is very concerned with his contemporary success, his market value. If a certain kind of political commitment is fashionable, he may be committed; but out of fashion, not conviction. The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. <!-- no. 61

“These reasonings are unconnected: "I am richer than you, therefore I am better"; "I am more eloquent than you, therefore I am better." The connection is rather this: "I am richer than you, therefore my property is greater than yours;" "I am more eloquent than you, therefore my style is better than yours." But you, after all, are neither property nor style.”

Epictetus (50–138) philosopher from Ancient Greece

44
The Enchiridion (c. 135)

“Art is the tree of life.
Science is the Tree of Death
Art is the Tree of Life
GOD is Jesus”

William Blake (1757–1827) English Romantic poet and artist

The Laocoön

God

“Most Americans, in their sweet innocence, think that class has to do with money. But a glance at Donald Trump and Leona Helmsley will indicate that it has very little to do with money. It has to do with taste and style, and it has to do with the development of those features by acts of character.”

Paul Fussell (1924–2012) Recipient of the Purple Heart medal

Humanities interview (1996)
Context: Most Americans, in their sweet innocence, think that class has to do with money. But a glance at Donald Trump and Leona Helmsley will indicate that it has very little to do with money. It has to do with taste and style, and it has to do with the development of those features by acts of character. That was one of my points: to try to separate class from mercantilism or commercialism.

Money , Thinking

“The style is the man.”

Georges-Louis Leclerc, Comte de Buffon book Histoire Naturelle

Le style c'est l'homme.
Discourse on taking his seat in the French Academie (Aug. 25, 1753). Le style c'est l'homme même. Œuvres Completes (1778). Histoire Naturelle (1769). Le style est de l'homme. Discours sur Style.

“Universal education through schooling is not feasible. It would be no more feasible if it were attempted by means of alternative institutions built on the style of present schools.”

Ivan Illich book Deschooling Society

Introduction (November 1970).
Deschooling Society (1971)
Context: Universal education through schooling is not feasible. It would be no more feasible if it were attempted by means of alternative institutions built on the style of present schools. Neither new attitudes of teachers toward their pupils nor the proliferation of educational hardware or software (in classroom or bedroom), nor finally the attempt to expand the pedagogue's responsibility until it engulfs his pupils' lifetimes will deliver universal education. The current search for new educational funnels must be reversed into the search for their institutional inverse: educational webs which heighten the opportunity for each one to transform each moment of his living into one of learning, sharing, and caring. We hope to contribute concepts needed by those who conduct such counterfoil research on education — and also to those who seek alternatives to other established service industries.

Education , School , Universe

“Except in the rare cases of great dynamic thinkers whose thoughts are as turning-points in the history of our race, it is by Style that writers gain distinction, by Style they secure their immortality.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: Except in the rare cases of great dynamic thinkers whose thoughts are as turning-points in the history of our race, it is by Style that writers gain distinction, by Style they secure their immortality. In a lower sphere many are remarked as writers although they may lay no claim to distinction as thinkers, if they have the faculty of felicitously expressing the ideas of others; and many who are really remarkable as thinkers gain but slight recognition from the public, simply because in them the faculty of expression is feeble. In proportion as the work passes from the sphere of passionless intelligence to that of impassioned intelligence, from the region of demonstration to the region of emotion, the art of Style becomes more complex, its necessity more imperious.

History

“Self-plagiarism is style.”

Alfred Hitchcock (1899–1980) British filmmaker

Defending his repetition of filming techniques, in The Observer [London], (8 Aug. 1976).

“The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit.”

Robert Graves (1895–1985) English poet and novelist

Source: The Reader Over Your Shoulder (1943), Ch.4: "The Use and Abuse of Official English"
Context: The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit. The obscurity of their public announcements largely accounts for the disrepute into which Departmental activities have fallen: for the public naturally supposes that Departments are as muddled and stodgy as their announcements.
The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so. The mood is conveyed by a polite and emasculated style — polite because, when writing to a member of the public, the public servant is, in theory at least, addressing one of his collective employers; emasculated because, as a cog in the Government machine, he must make his phrases look as mechanical as possible by stripping them of all personal feeling and opinion.

Way , Learning

““That’s all right,” he said. “But when you’re through reading those books, I want you to tell me what you get out of them.” That night in my rented room, while letting the hot water run over my can of pork and beans in the sink, I opened A Book of Prefaces and began to read. I was jarred and shocked by the style, the clear, clean, sweeping sentences. Why did he write like that? And how did one write like that? I pictured the man as a raging demon, slashing with his pen, consumed with hate, denouncing everything American, extolling everything European or German, laughing at the weaknesses of people, mocking God, authority. What was this?”

Richard Wright book Black Boy

Black Boy (1945)

God , Hate , People , Books

“The songwriting style, to me, is superior… there was a certain amount of joy in it, no matter how sad the song is.”

M. Ward (1973) singer-songwriter and guitarist

On songwriting styles of the post-World War II era, in an interview with Bob Boilen on All Songs Considered (17 November 2006) http://www.npr.org/templates/story/story.php?storyId=15961159 (NPR)
Context: The songwriting style, to me, is superior... there was a certain amount of joy in it, no matter how sad the song is. You get joy in listening to these Buddy Holly or Roy Orbison sad lyrics. I'm attracted to songs that have balance between the darks and the lights and giving them all equal opportunity.

Sadness , Joy

“You are living on a Plane. What you style Flatland is the vast level surface of what I may call a fluid, on, or in, the top of which you and your countrymen move about, without rising above it or falling below it.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 16. How the Stranger Vainly Endeavoured to Reveal to Me in Words the Mysteries of Spaceland
Context: You are living on a Plane. What you style Flatland is the vast level surface of what I may call a fluid, on, or in, the top of which you and your countrymen move about, without rising above it or falling below it.I am not a plane Figure, but a Solid. You call me a Circle; but in reality I am not a Circle, but an infinite number of Circles, of size varying from a Point to a Circle of thirteen inches in diameter, one placed on the top of the other. When I cut through your plane as I am now doing, I make in your plane a section which you, very rightly, call a Circle. For even a Sphere — which is my proper name in my own country — if he manifest himself at all to an inhabitant of Flatland — must needs manifest himself as a Circle.Do you not remember — for I, who see all things, discerned last night the phantasmal vision of Lineland written upon your brain — do you not remember, I say, how, when you entered the realm of Lineland, you were compelled to manifest yourself to the King, not as a Square, but as a Line, because that Linear Realm had not Dimensions enough to represent the whole of you, but only a slice or section of you? In precisely the same way, your country of Two Dimensions is not spacious enough to represent me, a being of Three, but can only exhibit a slice or section of me, which is what you call a Circle.The diminished brightness of your eye indicates incredulity. But now prepare to receive proof positive of the truth of my assertions. You cannot indeed see more than one of my sections, or Circles, at a time; for you have no power to raise your eye out of the plane of Flatland; but you can at least see that, as I rise in Space, so my sections become smaller. See now, I will rise; and the effect upon your eye will be that my Circle will become smaller and smaller till it dwindles to a point and finally vanishes.There was no "rising" that I could see; but he diminished and finally vanished. I winked once or twice to make sure that I was not dreaming. But it was no dream. For from the depths of nowhere came forth a hollow voice — close to my heart it seemed — "Am I quite gone? Are you convinced now? Well, now I will gradually return to Flatland and you shall see my section become larger and larger."Every reader in Spaceland will easily understand that my mysterious Guest was speaking the language of truth and even of simplicity. But to me, proficient though I was in Flatland Mathematics, it was by no means a simple matter.

“Science has as many competing styles as painting or poetry. The diversity of science also finds a parallel in the diversity of religion.”

Freeman Dyson book Infinite in All Directions

Source: Infinite in All Directions (1988), Ch. 1 : In Praise of Diversity
Context: Science is not a monolithic body of doctrine. Science is a culture, constantly growing and changing. The science of today has broken out of the molds of classical nineteenth-century science, just as the paintings of Pablo Picasso and Jackson Pollock broke out of the molds of nineteenth century art. Science has as many competing styles as painting or poetry. The diversity of science also finds a parallel in the diversity of religion.

Religion , Science , Painting

“One is the struggle, and in One name —
Manhood — we battle to set men free.
"Uncurse us the Land!" burn the words of the Dead,
Written-in-red.”

Voltairine de Cleyre (1866–1912) American anarchist writer and feminist

"Written-In-Red", last lines.
Context: Bear it aloft, O roaring flame!
Skyward aloft, where all may see.
Slaves of the World! Our cause is the same;
One is the immemorial shame;
One is the struggle, and in One name —
Manhood— we battle to set men free.
"Uncurse us the Land!" burn the words of the Dead,
Written-in-red.

Men , Dead

“In our days, when we are spoilt with exceedingly complex toys, such as nuclear reactors or synchrotron sources, I particularly like to describe experiments of this Franklin style to my students.”

Pierre-Gilles de Gennes (1932–2007) French Physicist

"Soft Matter" Nobel lecture (9 December 1991) - full text in PDF format http://nobelprize.org/nobel_prizes/physics/laureates/1991/gennes-lecture.html
Context: Benjamin Franklin performed a beautiful experiment using surfactants; on a pond at Clapham Common, he poured a small amount of oleic acid, a natural surfactant which tends to form a dense film at the water-air interface. He measured the volume required to cover all the pond. Knowing the area, he then knew the height of the film, something like three nanometers in our current units. This was to my knowledge the first measurement of the size of molecules. In our days, when we are spoilt with exceedingly complex toys, such as nuclear reactors or synchrotron sources, I particularly like to describe experiments of this Franklin style to my students.
Surfactants allow us to protect a water surface, and to generate these beautiful soap bubbles, which are the delight of our children.

“The words, the style always reflects a habit of mind. And the habit of mind comes in from a different angle.”

John Leonard (1939–2008) American critic, writer, and commentator

Interview with Bill Moyers http://www.pbs.org/now/transcript/transcript_leonard.html, Now, PBS (28 November 2003)
Context: The words, the style always reflects a habit of mind. And the habit of mind comes in from a different angle. The habit of mind uses the colloquial here and uses the joke there. And then creates some discordant music and then something strange and wonderful happens.
And you see things differently. You see a different light is shed on it.

“She's a perfect example of how popular culture and street style now influence the world of fashion. Over the years, Madonna has been one of the most potent style setters of our time. She, just as much as Karl Lagerfeld, makes fashion happen.”

Madonna (1958) American singer, songwriter, and actress

О Мадонне

World , Fashion , Time , Perfection

“People think that I can teach them style. What stuff it all is! Have something to say, and say it as clearly as you can. That is the only secret of style.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

G.W.E. Russell, Collections and Recollections, ch. XIV, Harper & brothers, 1898, p. 136 https://archive.org/details/collectionsandr02russgoog/page/n152. Russell states that was said to him by Arnold himself.
Attributed

Thinking , Secret , People

“I’d never heard of Ernest Hemingway, but when I read his stories I realised there was something special about this simple style, but I couldn’t understand how he got the effect. I realised there was something underneath it, and that’s how the whole thing started to unfold for me.”

Barry Hines (1939–2016) British author

Barry Hines 1970 interview

Understanding , Reading

“Like other social media platforms, Wikipedia has evolved into an echo chamber where the user is presented with only one type of content instead of being shown a balanced narrative. This disinformation is powerful since the articles are written in an academic style and users do not see other sources that disagree with the article.... Some editors of Wikipedia are failed academics with demonic energy who wish to conquer anonymously what they were unable to do in their normal careers. And spending much of their working life editing Wikipedia articles and by the use of multiple anonymous handles they have obtained administrative status which entitles them to block opposing views. The anonymous persona of the editors and the low stakes have made Wikipedia politics much more vicious than real politics.”

Subhash Kak (1947) Indian computer scientist

Subhash Kak, April 9, 2019 Wikipedia or Trashpedia? https://medium.com/@subhashkak1/wikipedia-or-trashpedia-4198e2c78e59

Life

“A perfectly true thought, expressed in very sound terms, can satisfy the reason without giving any impression of the Beautiful; but in that case certainly there is something false in its statement. It is essential that Truth be in Glory. Splendor of style is not a luxury. It is a necessity.”

Léon Bloy (1846–1917) French writer, poet and essayist

Source: Pilgrim of the Absolute (1947), p. 88

Truth , Beauty , Falseness

“I think that there has been clearly expounded the mind of arithmeticians, who, by means of numbers and of names, suppose that they interpret life. Now I perceive that these, enjoying leisure, and being trained in calculation, have been desirous that, through the art delivered to them from childhood, they, acquiring celebrity, should be styled prophets.”

Hippolytus of Rome Refutation of all Heresies

Ante-Nicene Christian Library, Volume 6: Hippolytus, Bishop Of Rome, Volume 1 P. 86
Refutation of All Heresies

Childhood , Art , Thinking , Training

“I had given up on the Bollywood style of filmmaking. I had given up on mediocrity. I had resigned from Bollywood.”

Vivek Agnihotri (1973) director

Urban Naxals (2018)

“As history confirms, people will change their minds about almost anything, from which god they worship to how they style their hair. But when it comes to existential judgments, human beings in general have an unfalteringly good opinion of themselves and their condition in this world and are steadfastly confident they are not a collection of self-conscious nothings.”

Thomas Ligotti (1953) American horror author

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

God , Confidence , History , People

“Subjectivism, sectarianism and stereotyped Party writing are no longer the dominant styles, but merely gusts of contrary wind, ill winds from the air-raid tunnels.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

"Rectify the Party's Style of Work" (1942)
Original: (zh-CN) 主观主义、宗派主义、党八股，现在已不是占统治地位的作风了，这不过是一股逆风，一股歪风，是从防空洞里跑出来的。 note: "整顿党的作风"

“I still feel that style is important for reading pleasure, and sex is important for pleasure in life. Each appeases a different type of desire. And while I find nothing shameful in taking direct erotic pleasure from reading or writing, I don’t think they entail a necessary relation. The processes you have me describing are contingent psychological processes. Neither marks one end nor the other of any necessary or even philosophical relationship…”

Samuel R. Delany (1942) American author, professor and literary critic

On including sexual themes in his writings in “Samuel R. Delany, The Art of Fiction No. 210” https://www.theparisreview.org/interviews/6088/samuel-r-delany-the-art-of-fiction-no-210-samuel-r-delany in The Paris Review (Summer 2011)

Reading , Pleasure , Sex , Thinking

“The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[Morgan, Forrest, Shakespeare—the Man, published in the Prospective Review, July 1853, The works of Walter Bagehot, vol. 1, 1891, Hartford, Connecticut, Travelers Insurance Company, https://babel.hathitrust.org/cgi/pt?id=njp.32101064786716;view=1up;seq=373, 265–266 of 255–302]
Shakespeare—the Man (1853)

Reading , People , Books , Way

“Human beings are bigots and egoists almost to a creature. They are so because their phyletic environment has fancied this disgusting cut of consciousness. And the only possible way to attain, with anything like alacrity, any other pattern is by means of an environment with an enlightened and inextinguishable dislike for the prevailing style of things. Let this truth be distinctly and profoundly realized. It is the essential spark of the illumination. If we would bloom into beings of beauty and light, we must acquire an environment which will insist on beings of beauty and light as the mammas and papas of posterity.”

J. Howard Moore (1862–1916)

Source: Better-World Philosophy: A Sociological Synthesis (1899), Race Culture, pp. 209–210

Way , Truth , Beauty , Light

“Each of us is descended from poetry ancestors. It’s the same for any art, any occupation. There is a lineage of style, knowledge and culture passed from generation to generation, one artist to another. Ultimately all poetry is related in the family tree of poetry…”

Joy Harjo (1951) American writer

On her poetic lineage in “An Interview with Joy Harjo, U.S. Poet Laureate” https://poets.org/text/interview-joy-harjo-us-poet-laureate?gclid=EAIaIQobChMIiJP5naHW5QIV0Rx9Ch0tGgkkEAAYASAAEgIJD_D_BwE in Poets.org (2019 Mar 31)

Family , Tree , Art , Knowledge

“The new regime was headed by Ernst Niekisch, a left-wing Social Democrat and teacher from Augsburg in Swabia. His ascendancy to power in Bavaria signaled a clear move away from a process of democratization compatible with Western-style parliamentary democracy. He was a supporter of National Bolshevism, a political movement that rejected the internationalism of Bolshevism but, other than that, believed in Bolshevism.”

Thomas Weber (historian) (1974) German historian

Source: Becoming Hitler: The Making of a Nazi (2017), p. 38

Democracy , Support , Teachers

“What good is the race of man? Monkeys, he thought, monkeys with a spot of poetry in them, cluttering and wasting a second-string planet near a third-string star. But sometimes they finish in style.”

Robert A. Heinlein book The Year of the Jackpot

The Year of the Jackpot (p. 644)
Short fiction, Off the Main Sequence (2005)

Star

“During my travels, I find a general belief that to turn a Christian is to turn European; to become self-willed, and give up self-restraint, use only foreign cloth, dress oneself in European style and start taking meat and brandy. But I think the fact is, if a person discards his country, his customs and his old connections and manners when he changes his religion, he becomes all the more unfit to gain a knowledge of God. For, a change of religion means really a conversion of the heart. When there is a real conversion, a man’s heart grows. But in this country one finds that conversion brings about deep disdain for one’s old religion and its followers, i. e., one’s old friends and relatives. The next change that takes place is that of dress and manners and behaviour. All that does great harm to the country.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Mahatma Gandhi in Mahadev Desai, Day-to-Day with Gandhi,Volume 7, Varanasi, 1969, as quoted in Goel, S.R. History of Hindu-Christian Encounters (1996)
Posthumous publications (1950s and later)

God , Clothes , Religion , Country

“I am mimetic. If I write a book set in the seventeenth century, I write in a Baroque style. If I’m writing a book set in a newspaper office, I write in Journalese.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

quoted in Marco Belpoliti, " Umberto Eco: How I Wrote my Books http://en.doppiozero.com/materiali/interviste/umberto-eco-how-I-wrote-my-books" (2015)

Books

“He’s one of the greatest artists and songwriters of all time, not only in my small town, but worldwide, and that always made me really proud. He set an example of how to do shit and set an example of what not to do, and I respected that, too. Chris had a part in steering a direction there; you don’t need this shit, you don’t need miscellaneous bullshit – you need the music. He was a very deep and emotional writer, and I feel like I have an affinity with writers like Chris. He didn’t pull any fucking punches at all and that’s never been my style, either.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Jerry Cantrell quoted in ** Interview with Metal Hammer, July 19, 2018 https://www.pressreader.com/uk/metal-hammer-uk/20180719/283978948146853,

Music , Time , Feeling , Parting

“Hip-hop kind of absorbed rock, in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn’t their parents’. I think hip-hop became the musical style that embraces that mentality.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell Flashback Q&A: 'We Have to Be Aware That Life Is So Short', Yahoo!, May 19, 2017 https://www.yahoo.com/entertainment/chris-cornell-flashback-qa-aware-life-short-023857577.html,
Solo career Era

Music , Thinking , People , Parent

“Sir, it is very easy to complain of party Government, and there may be persons capable of forming an opinion on this subject who may entertain a deep objection to that Government, and know to what that objection leads. But there are others who shrug their shoulders, and talk in a slipshod style on this head, who, perhaps, are not exactly aware of what the objections lead to. These persons should understand, that if they object to party Government, they do, in fact, object to nothing more nor less than Parliamentary Government. A popular assembly without parties—500 isolated individuals—cannot stand five years against a Minister with an organized Government without becoming a servile Senate.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Speech http://hansard.millbanksystems.com/commons/1845/apr/11/maynooth-college in the House of Commons (11 April 1845).

Personality , Understanding

“From this point we glance back to the alleged atheism of Spinoza. The charge will be seen to be unfounded if we remember that his system, instead of denying God, rather recognises that he alone really is. Nor can it be maintained that the God of Spinoza, although he is described as alone true, is not the true God, and therefore as good as no God. If that were a just charge, it would only prove that all other systems, where speculation has not gone beyond a subordinate stage of the idea — that the Jews and Mohammedans who know God only as the Lord — and that even the many Christians for whom God is merely the most high, unknowable, and transcendent being, are as much atheists as Spinoza. The so-called atheism of Spinoza is merely an exaggeration of the fact that he defrauds the principle of difference or finitude of its due. Hence his system, as it holds that there is properly speaking no world, at any rate that the world has no positive being, should rather be styled Acosmism. These considerations will also show what is to be said of the charge of Pantheism. If Pantheism means, as it often does, the doctrine which takes finite things in their finitude and in the complex of them to be God, we must acquit the system of Spinoza of the crime of Pantheism. For in that system, finite things and the world as a whole are denied all truth. On the other hand, the philosophy which is Acosmism is for that reason certainly pantheistic.”

Baruch Spinoza (1632–1677) Dutch philosopher

Georg Wilhelm Friedrich Hegel, Encyclopedia of Philosophical Sciences: The Logic
G - L, Georg Wilhelm Friedrich Hegel

World , Truth , God , Idea

“Behind all the Great-Society-style housing/anti-poverty/education programs lurked all the old stereotypes: blacks as animalistic, criminal, sexual, violent, and above all, as time went on, as pathological. The white power structures are always diagnosing the dysfunctions and prescribing a cure for the black family: high-rise housing projects, compulsory education and standardized testing, wars on poverty or drugs, self-esteem seminars. A good portion of the African-American population was simply institutionalized or interned, in public housing complexes, in urban schools, and in one of the biggest prison systems the world has ever known. It all amounts to a sprawling race gulag in which people are both dependent and hedged about with restrictions.”

Crispin Sartwell (1958) American philosopher

White Liberals: We’re Not Racist (August 29, 2016)

School , Family , Time , Housing

“It is on this step that depends the fact that one can call upon the subject to re-enter himself in the unconscious—for, after all, it is important to know who one is calling. It is not the soul, either mortal or immortal, which has been with us for so long, nor some shade, some double, some phantom, nor even some supposed psycho-spherical shell, the locus of the defences and other such simplified notions. It is the subject who is called— there is only he, therefore, who can be chosen. There may be, as in the parable, many called and few chosen, but there will certainly not be any others except those who are called. In order to understand the Freudian concepts, one must set out on the basis that it is the subject who is called—the subject of Cartesian origin. This basis gives its true function to what, in analysis, is called recollection or remembering. Recollection is not Platonic reminiscence —it is not the return of a form, an imprint, a eidos of beauty and good, a supreme truth, coming to us from the beyond. It is something that comes to us from the structural necessities, something humble, born at the level of the lowest encounters and of all the talking crowd that precedes us, at the level of the structure of the signifier, of the languages spoken in a stuttering, stumbling way, but which cannot elude constraints whose echoes, model, style can be found, curiously enough, in contemporary mathematics.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

Of the Network of Signifiers
The Four Fundamental Concepts of Psycho Analysis (1978)

Soul , Understanding , Dependency , Beauty

“There was an apparent disorder in his personal life style…resented any restriction on his freedom…for him freedom meant a constant movement of the intellect and imagination…He moved in different directions at the same time that he could only look forward and beyond.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

Dr. Mujeeb, in p. 75.
About Zakir Hussain, Quest for Truth (1999)

Time , Imagination , Freedom , Personality

“During his student days (In Aligarh University), he and Rashid Ahmad Siddiqi used to write interesting articles about the college life and activities; under the pen names of Rip and Bohemian respectively…He distinguished himself by his style both in English and Urdu, a fact acknowledged even by his teachers. Mr James Bottham, the Vice-Chancellor of the Aligarh Muslim University was also one of his admirers.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

In p. 39.
About Zakir Hussain, Quest for Truth (1999)

Universe , Life , Teachers

“He was known for his flawless oratory and a matter-of-fact style in which he held no punches. He would be hard-hitting in his criticism when occasion demanded.”

Chandra Shekhar (1927–2007) Indian politician

PM Chandrashekhar - A firebrand idealist

“Durand likes my paintings, but not the style of execution. His son, the one who went to New York with him, saw them but has not said a word to me.”

Camille Pissarro (1830–1903) French painter

Durand prefers the old execution, however he grants that my recent paintings have more light - in short, he isn't very keen. My 'Grey Weather' https://upload.wikimedia.org/wikipedia/commons/7/72/Pissarro_-_the-roofs-of-old-rouen-grey-weather-1896.jpg doesn't please him; his son and Caseburne [Durand's cashier] also dislike it.. .It appears that the subject is unpopular. They object to the red roof and backyard just what gave character to the painting which has the stamp of a modern primitive, and they dislike the brick houses, precisely what inspired me..
Quote in a letter, Paris, 27 July 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 80
1880's

Painting

“Under Swati Tirunal’s rule, the forms of music and dance peculiar to Travancore, including - the sapna sangitam (literally: step music) sung on the steps of temples and the dance form of Mohiniattam – were significantly altered, brought closer to the forms of music and dance practiced at Tanjavur. Swapna Sangitam known for its slow renditions and limited improvisation, was altered not only by the influx of new style of composing and singing represented by Vadivelu and other Tanjavur Musicians but also by the very structure of music that Swati Tirunal’s court suggested.”

Swathi Thirunal Rama Varma (1813–1846) Maharajah of Travencore

K.M Panikkar quoted in pp.63-64
About Swathi Thirunal, Singing the Classical, Voicing the Modern: The Postcolonial Politics of ...

Music , Singing , Dance

“The thirteenth century, in particular, was Burges’s chosen field, and he modelled his style of draughtsmanship on the famous sketchbook of Villard de Honnecourt in the Bibliothèque Nationale, Paris.”

William Burges (1827–1881) English architect

J. Mordaunt Crook, " Burges, William (1827–1881) http://www.oxforddnb.com/templates/article.jsp?articleid=3972&back=&version=2004-09", Oxford Dictionary of National Biography, Oxford University Press, 2004

“As someone who has always aspired to build a company committed to its people and to the world, I admire her determination to achieve sustainability at an established company like Pepsi Co. And I believe that all socially responsible companies could learn from Indra Nooyi’s style of leadership.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

Herbart Schultz, President and CEO, Starbucks quoted in "Together with Business Studies XI" in page=135.

World , People , Learning

“Commended, multi-talented and innovative Rahman for bringing East and West closer through music and for making the world look at Indian film music more seriously. Diversity of his styles and themes was appealing to different sections of the society.”

A. R. Rahman (1966) Indian singer and composer

Rajan Zed in “Hollywood calling Rehman”.

World , Making love , Music

“Saturday night’s programme at the Wembley Conference Centre combined traditional solo pieces in the pure Lucnowi style, of which Birju Maharaj is the truest representative by both birth and achievement, and genuinely innovative balletsing such as Roopmati-Baz Bahadur.”

Birju Maharaj (1938) Indian dancer

India's Kathak Dance, Past Present, Future

Birth , Night

“Art in India was never the same after her comet like appearance. There are only a few moments in the history of art which pinpoint a new departure, a new direction. Such a moment in the history of modern Indian art was the appearance in the mid-thirties of Amrita Sher-Gil with whose paintings contemporary paintnig in India took shape and demonstrated the possibility of a contemporary style and expression that were, at the same time, of the soil and in direct continuation of the great national past.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Ruby Von Leiden in amrita Sher-Gil (1913-1941), 7 December 2013, Learnpunjabi.org http://www.learnpunjabi.org/eos/AMRITA%20SHER-GIL%20%281913-1941%29.html,

Time , Painting , History , Past

“Rekha, a photogenic girl with seductive eyes, languished in insubstantial roles. The audience was floored when there was a swift change in her screen personality, as well as her style of acting. She paid painstaking attention to her make-up and acting technique. She improved her dress sense and recorded albums to promote physical fitness. What Jane Fonda did for aerobics in America, Rekha did for yoga in India.”

Rekha (1954) Indian film actress

Quoted in Love, anger, the works!, 7 December 2013, Filmfare http://downloads.movies.indiatimes.com/site/june2002/flashback.html,

Girl , Personality , Sense , Making love

“He was a genius who could not only transcend all theoretical boundaries of a technique, but verily transport any category of listener to a sublime realm. No wonder, he had among his fans as many votaries of Hindustani style as its Carnatic counterpart.”

Bhimsen Joshi (1922–2011) Indian vocalist

Critique

“In these letters to Ridley, Hunters Gonzo style began to rear its head. One of the characteristics of the style Hunter developed was his preoccupation of getting the story.”

William McKeen (1954) American academic

In fact, getting the story became the story. His writing could be classified as metajournalism, journalism about the process of journalism.
Source: Outlaw Journalist (2008), Chapter 5, Observer, p. 73