Hindu View of Christianity and Islam (1992)
Quotes about spot
page 4
“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47
Source: An Approach to Cybernetics (1961), p. 11. Partly cited in: A.M.E. Salazar, A. Espinosa, J. Walker (2011) A Complexity Approach to Sustainability: Theory and Application. p. 11.

“Meeting of the Presidium of the Petrograd Soviet With Delegates From the Food Supply Organisations" (27 January 1918) http://www.marx2mao.com/Lenin/MPPS18.html Collected Works, Vol. 26, p. 501.
1910s

Source: Spooks and Speech Controls, archive.lewrockwell.com, 2016-05-22 http://archive.lewrockwell.com/orig/tucker4.html,
Philosophy in a New Key (1942)

1960's, I never thought of it as much of an ability,' (1968)
Mitch All Together (2003)

Kirk Gibson's World Series-game-winning home run, October 15, 1988, transcribed from mlb.com archives <nowiki>[</nowiki>excising comments by color commentator Joe Garagiola]

“I can see the black spots of the sun [remark to Sonia Delaunay, his wife and female artist].”
Quote from 'Nous irons jusqu'au soleil', Delaunay; as cited in: 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 214
1915 - 1941
Source: The Legacy of Muslim Rule in India (1992), Chapter 3

As quoted in "Susan Sarandon On 'Jeff Who Lives At Home'" in The Daily Beast (16 March 2012) http://www.thedailybeast.com/articles/2012/03/16/susan-sarandon-on-jeff-who-lives-at-home-limbaugh-the-gop-tim-robbins-and-more
Quote
Knowing Yourself: The True in the False (1996)

“Fancy a spot of stony bonking before vespers?”
Thalia, to the Bishop, after being found servicing Pocket
Fool (2009)

Kiedy spójrzę w kometę z całą mocą duszy,
Dopóki na nią patrzę, z miejsca się nie ruszy.
Part three, scene two ("The Great Improvisation"). Translated by Louise Varese.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm
Source: Full House (1996), p. 230

Quoted in P.M. Currie, The Shrine and Cult of Mu‘in al-Dîn Chishtî of Ajmer, OUP, 1989 p. 74-87 and quoted in Ram Swarup, Hindu View of Christianity and Islam (1992)
“Is there, friend,' he cries, 'a spot
That knows not Troy's unhappy lot?”
Source: Translations, The Aeneid of Virgil (1866), Book I, p. 23

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

'Class hypocrisy of the conservationists', The Times (8 January 1971), p. 10
An extract from the Fabian pamphlet A Social Democratic Britain.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 348.

Epitaph on his grave in Lancaster, Pensylvania
1860s

September 2008 interview with Vogue https://web.archive.org/web/20080930190831/http://www.style.com/vogue/feature/2008_Oct_Valerie_Jarrett//

As quoted in Meeting of the Presidium of the Petrograd Soviet With Delegates From the Food Supply Organisations, Collected Works, Vol. 26, page 501.
Attributions

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

"A cry from France: After Nice, can we finally face the truth about this war?" http://nypost.com/2016/07/15/a-cry-from-france-after-nice-can-we-finally-face-the-truth-about-this-war/ New York Post (July 15, 2016)
New York Post

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

"Keep Moving from this Mountain" http://www5.spelman.edu/about_us/news/pdf/70622_messenger.pdf – Founders Day Address at the Sisters Chapel, Spelman College (11 April 1960)
1960s

In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914

Former boxing great Gene Tunneyhttp://coxscorner.tripod.com/greb.html
In Lugalbanda in the Mountain Cave, Ur III Period (21st century BCE). http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.8.2.1#
Four Minute Essays Vol. 5 (1919), The Human Heart

So they put him in jail. But I want to remind you: that you can lock up a mouse or a man but you can't lock up an idea!
http://www.cbc.ca/player/Digital+Archives/Politics/Parties+and+Leaders/Tommy+Douglas/ID/1409090169/?sort=MostPopular

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 538
"Misery"
Albums, And I Love H.E.R. (2008)

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 38.

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!
Richard Armour (1958) Nights with Armour: Lighthearted Light Verse. p. 97

“Alas! alas! how plague-spot like will sin
Spread over the wrung heart it enters in!”
Title poem, section VIII.
The Venetian Bracelet (1829)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 12

Section 126
The Passionate State Of Mind, and Other Aphorisms (1955)

Remarks at Chicago's O'Hare Airport (September 21, 2001) http://georgewbush-whitehouse.archives.gov/news/releases/2001/09/20010927-1.html
2000s, 2001
'Wini und Wolf'
Essays and reviews, The Crystal Bucket (1982)

“Them heavy people hit me in a soft spot.
Them heavy people help me.”
Song lyrics, The Kick Inside (1978)

Source: The Commercial Power of Great Britain, 1925, p. xi

Speeches, Moscow Address

"The 6th Sense" (Track 9)
Albums, Like Water for Chocolate (2000)

As quoted in The New Hollywood : American Movies in the '70s (1975) by Axel Madsen

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 63

Source: Sex, Art and American Culture : New Essays (1992), p. 304
(review of 'The Lights Outside the Windows' by James White (collected in "Deadly Litter") https://jamesdavisnicoll.com/review/the-universe-is-antagonist-enough, 2014
2010s

Political Register (21 December 1816), quoted in Karl W. Schweizer and John W. Osborne, Cobbett and His Times (Leicester: Leicester University Press, 1990), p. 31.
With Lord Ellenborough, C.J., 2 Chit. Bep. 134.
Trial of Hunt and others (King v. Hunt) (1820)

“3890. Point not at other's Spots with a foul Finger.”
Compare Poor Richard's Almanack (1750) : Clean your Finger, before you point at my Spots.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
“Flash Teacher: How to spot: He'll be the only member of staff who drives a customized Lada.”
Coping With series, Coping With Teachers (1991)

The New York Times (14 March 1982)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 5-7

Quote in a letter to 'The World', London 22 Mai, 1878; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903

Audio lectures, Decadence and the New Age (March 10, 1989)
"George Orwell, Artist" (1972), p. 46
The Good Word & Other Words (1978)

"It's Time For A New Narrative; It's Time For 'Big History'", in 13.7: Cosmos & Culture (10 February 2011) http://www.npr.org/blogs/13.7/2011/02/10/133652898/its-time-for-a-new-narrative-its-time-for-big-history

“Friends, ofteuer than you think, upon the spot
Where gleams the spangle, you will find the blot.”
Vol. III., 7. — "Les Taches et les Paillettes".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 7.
Fables (1802)

R.Gomatam’s response http://www.bvinst.edu/gomatam/pub-2006-01%20original.htm to Nobel Laureate Steven Weinberg's article "Einstein's Mistakes" published in Physics Today, Volume 59, Issue 4, Letters http://www.physicstoday.org/resource/1/phtoad/v59/i4/p10_s1?bypassSSO=1, October, 2005.
Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE
Cassandra in A Trojan Ending (London: Constable, 1937)

June 1890, page 299
John of the Mountains, 1938
Source: Reflections (1999), p. 109
Carousels.
Catch For Us The Foxes (2004)

“The best spot painting you can have by me is one painted by Rachel.”
On the Way to Work, p. 82, Faber and Faber, 2001.
Most of Hirst's "spot paintings" are executed by assistants.

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

As quoted in The Annual Review and History of Literature http://books.google.com.mx/books?id=hx0ZAAAAYAAJ&printsec=frontcover&hl=es#v=onepage&q=%22The%20Lord%20himself%20hath%20led%20him%20with%20his%20own%20Almighty%20hand%22&f=false (1806), by Arthur Aikin, T. N. Longman and O. Rees, p. 472.
Also found in Life of Linnaeus https://archive.org/stream/lifeoflinnaeus00brigiala#page/176/mode/2up/search/endeavoured (1858), by J. Van Voorst & Cecilia Lucy Brightwell, London. pp. 176-177.
Linnaeus Diary

'..stripes and spots with the knife', as he learned then also Gabriele Münter - they frequently painted together in open air
Source: 1916 -1920, Autobiography', 1918, p. 31

p. 345 http://books.google.com/books?id=zAhJAAAAMAAJ&pg=PA345, as cited in Ruffin (1852, p. 85).
The Principles of Agriculture, 1844, Section III: Agronomy

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: O, wat dat betreft, dan moet ge maar eens goed opletten, hoe in ieder gewest van ons land het plattegrond er geheel anders uitziet; niet alleen het weiland heeft een andere tint, maar de koeien zijn anders, ja de menschen hebben als 't ware het karakter aangenomen van den grond zij zijn geboren en getogen. Dat is zoo sterk, dat toen ik met Roelofs nog in Brussel woonde [vroege 1860's] en wij in 't mooie gedeelte van het seizoen naar Holland plachten te gaan om studies te maken, Roelofs wanneer hij thuis kwam, mij niet behoefde te zeggen waar hij geweest was. Ik zag het aan zijn werk en één voor één noemde ik hem de plekjes van ons vaderland, waar hij op studietocht van het land en de bewoners schetsen had gemaakt.
Quote of Gabriël, in a talk to W. C. Nakken, c. 1880; published in Elsevier's geïllustreerd maandschrift: verzameling van Nederlandsche letterkundige kunstwerken geïllustreerd door Nederlandsche kunstenaars, W. C. Nakken, June/July 1898; taken from the excerpt https://rkd.nl/explore/excerpts/365 in the Collection RKD Letters, Manuscripts and small Archives], The Hague
1880's + 1890's

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 87.

The Golden Violet - The Child of the Sea
The Golden Violet (1827)
Muslim Separatism – Causes and Consequences (1987)
Interview in the June, 1996, issue of Antaios, http://web.archive.org/web/20080407092807/https://www.hinduismtoday.com/archives/1999/7/1999-7-07.shtml

December 4th
The Black Album (2003)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 567.

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 88