Quotes about spot
page 4

Jim Butcher photo

“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi ut faciem raptosque simul montesque locosque ex oculis circumque graves videre tenebras. ipsa quies rerum mundique silentia terrent astraque et effusis stellatus crinibus aether; ac velut ignota captus regione viarum noctivagum qui carpit iter non aure quiescit, non oculis, noctisque metus niger auget utrimque campus et occurrens umbris maioribus arbor, haud aliter trepidare viri.

Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47

Vladimir Lenin photo
Jeffrey Tucker photo
Josh Billings photo
Robert Rauschenberg photo
Sten Nadolny photo
Vin Scully photo

“And, (relief pitcher Dennis Eckersley) walked (pinch-hitter Mike Davis) … and look who's comin' up!
(36 seconds of crowd cheering)
All year long, they looked to him to light the fire, and all year long, he answered the demands, until he was physically unable to start tonight—with two bad legs: the bad left hamstring, and the swollen right knee. And, with two out, you talk about a roll of the dice … this is it. If he hits the ball on the ground, I would imagine he would be running 50 percent to first base. So, the Dodgers trying to catch lightning right now!
Fouled away.
He was, you know, complaining about the fact that, with the left knee bothering him, he can't push off. Well, now, he can't push off and he can't land. … 4-3 A's, two out, ninth inning, not a bad opening act!
Mike Davis, by the way, has stolen 7 out of 10, if you're wondering about Lasorda throwing the dice again. 0-and-1.
Fouled away again. … 0-and-2 to Gibson, the infield is back, with two out and Davis at first. Now Gibson, during the year, not necessarily in this spot, but he was a threat to bunt. No way tonight, no wheels.
No balls, two strikes, two out.
Little nubber … foul—and, it had to be an effort to run that far. Gibson was so banged up, he was not introduced; he did not come out onto the field before the game. … It's one thing to favor one leg, but you can't favor two. 0-and-2 to Gibson.
Ball one. And, a throw down to first, Davis just did get back. Good play by Ron Hassey using Gibson as a screen; he took a shot at the runner, and Mike Davis didn't see it for that split-second and that made it close.
There goes Davis, and it's fouled away! So, Mike Davis, who had stolen 7 out of 10, and carrying the tying run, was on the move.
Gibson, shaking his left leg, making it quiver, like a horse trying to get rid of a troublesome fly. 2-and-2! … Tony LaRussa is one out away from win number one. … two balls and two strikes, with two out.
There he goes! Wa-a-ay outside, he's stolen it! … So, Mike Davis, the tying run, is at second base with two out. Now, the Dodgers don't need the muscle of Gibson, as much as a base hit, and on deck is the lead-off man, Steve Sax. 3-and-2. Sax waiting on deck, but the game right now is at the plate.
High fly ball into right field, she i-i-i-is gone!!
(67 seconds of cheering and organ music)
In a year that has been so improbable … the impossible has happened!
And, now, the only question was, could he make it around the base paths unassisted?!
You know, I said it once before, a few days ago, that Kirk Gibson was not the Most Valuable Player; that the Most Valuable Player for the Dodgers was Tinkerbell. But, tonight, I think Tinkerbell backed off for Kirk Gibson. And, look at Eckersley—shocked to his toes!
They are going wild at Dodger Stadium—no one wants to leave!”

Vin Scully (1927) American sports broadcaster

Kirk Gibson's World Series-game-winning home run, October 15, 1988, transcribed from mlb.com archives <nowiki>[</nowiki>excising comments by color commentator Joe Garagiola]

Robert Delaunay photo

“I can see the black spots of the sun [remark to Sonia Delaunay, his wife and female artist].”

Robert Delaunay (1885–1941) French painter

Quote from 'Nous irons jusqu'au soleil', Delaunay; as cited in: 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 214
1915 - 1941

Susan Sarandon photo

“Every relationship starts out with a dream of what you think it's going to be, and you either have the tool kit when you get to the hard spots where you'll make it through, or you need to move on.”

Susan Sarandon (1946) American actress

As quoted in "Susan Sarandon On 'Jeff Who Lives At Home'" in The Daily Beast (16 March 2012) http://www.thedailybeast.com/articles/2012/03/16/susan-sarandon-on-jeff-who-lives-at-home-limbaugh-the-gop-tim-robbins-and-more
Quote

Christopher Moore photo

“Fancy a spot of stony bonking before vespers?”

Thalia, to the Bishop, after being found servicing Pocket
Fool (2009)

Adam Mickiewicz photo

“If I gaze at a comet with all the strength of my soul,
It cannot stir from the spot while my eyes are upon it.”

Kiedy spójrzę w kometę z całą mocą duszy,
Dopóki na nią patrzę, z miejsca się nie ruszy.
Part three, scene two ("The Great Improvisation"). Translated by Louise Varese.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

Thomas Arnold photo

“[In many cases] there is no doubt that the shrine of a Muslim saint marks the site of some local cult which was practised on the spot long before the introduction of Islam.”

Thomas Arnold (1795–1842) English headmaster of Rugby School

Quoted in P.M. Currie, The Shrine and Cult of Mu‘in al-Dîn Chishtî of Ajmer, OUP, 1989 p. 74-87 and quoted in Ram Swarup, Hindu View of Christianity and Islam (1992)

“Is there, friend,' he cries, 'a spot
That knows not Troy's unhappy lot?”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book I, p. 23

Jack Benny photo

“Rochester: Yes, that's the spot all right. You almost had a heart attack when they laughed at Bob Hope.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Anthony Crosland photo

“To say that we must attend meticulously to the environmental case does not mean that we must go to the other extreme and wholly neglect the economic case. Here we must beware of some of our friends. For parts of the conservationist lobby would do precisely this. Their approach is hostile to growth in principle and indifferent to the needs of ordinary people. It has a manifest class bias, and reflects a set of middle and upper class value judgements. Its champions are often kindly and dedicated people. But they are affluent and fundamentally, though of course not consciously, they want to kick the ladder down behind them. They are highly selective in their concern, being militant mainly about threats to rural peace and wildlife and well loved beauty spots: they are little concerned with the far more desperate problem of the urban environment in which 80 per cent of our fellow citizens live…As I wrote many years ago, those enjoying an above average standard of living should be chary of admonishing those less fortunate on the perils of material riches. Since we have many less fortunate citizens, we cannot accept a view of the environment which is essentially elitist, protectionist and anti-growth. We must make our own value judgement based on socialist objectives: and that judgement must…be that growth is vital, and that its benefits far outweigh its costs.”

Anthony Crosland (1918–1977) British politician

'Class hypocrisy of the conservationists', The Times (8 January 1971), p. 10
An extract from the Fabian pamphlet A Social Democratic Britain.

“There is not a single spot between Christianity and atheism, upon which a man can firmly fix his foot.”

Nathaniel Emmons (1745–1840) American clergy

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 348.

Thaddeus Stevens photo
Valerie Jarrett photo

“Michelle was so mature beyond her years, so thoughtful and perceptive. She really prodded me about what the job would be like because she had lots of choices. I offered it to her on the spot, which was totally inappropriate because I should have talked to the mayor first. But I just knew she was really special.
Barack never grills. That's part of what is so effective about him: He puts you completely at ease, and the next thing you know he's asking more and more probing questions and gets you to open up and reflect a little bit. That night we talked about his childhood compared to my childhood and realized we both had rather…unusual childhoods.
Married in 1983, separated in 1987, and divorced in 1988. Enough said. He was a physician. He passed away. I want to say in about 1991.
We grew up together. We were friends since childhood. In a sense, he was the boy next door. I married without really appreciating how hard divorce would be.
I have to tell you: My daughter is in seventh heaven about me being in Vogue. Nothing else I have done has fazed her at all. But this! She's like, 'Oh, Mom. You don't understand. This is really big.'
I have never heard him yell, Ever. Not once in seventeen years. He's not a yeller.
Because my dad worked at the university, he could swing by and take Laura to school and pick her up from her first day of nursery school until the day she graduated from high school. They would often have breakfast and have these wonderful conversations.”

Valerie Jarrett (1956) Chicago lawyer, businesswoman, civic leader; senior advisor to U.S. Senator Barack Obama

September 2008 interview with Vogue https://web.archive.org/web/20080930190831/http://www.style.com/vogue/feature/2008_Oct_Valerie_Jarrett//

Vladimir Lenin photo

“We can’t expect to get anywhere unless we resort to terrorism: speculators must be shot on the spot. Moreover, bandits must be dealt with just as resolutely: they must be shot on the spot.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

As quoted in Meeting of the Presidium of the Petrograd Soviet With Delegates From the Food Supply Organisations, Collected Works, Vol. 26, page 501.
Attributions

Lee Child photo
Roger Raveel photo

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

A.A. Milne photo
Amir Taheri photo

“The French Riviera is the one spot in Europe that comes closest to the image of an earthly paradise. At its heart is the Franco-Italian city of Nice, now France’s No. 2 tourist attraction after Paris… To a committed Islamist, Nice was the very symbol of a sinful “deviation from the Right Path.””

Amir Taheri (1942) Iranian journalist

"A cry from France: After Nice, can we finally face the truth about this war?" http://nypost.com/2016/07/15/a-cry-from-france-after-nice-can-we-finally-face-the-truth-about-this-war/ New York Post (July 15, 2016)
New York Post

Frank Wilczek photo
Martin Luther King, Jr. photo
William S. Burroughs photo
Franz Marc photo

“A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..”

Franz Marc (1880–1916) German painter

In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914

Harry Greb photo
Kenneth Grahame photo
Tommy Douglas photo

“It's the story of a place called Mouseland. Mouseland was a place where all the little mice lived and played, were born and died. And they lived much the same as you and I do. They even had a Parliament. And every four years they had an election. Used to walk to the polls and cast their ballots. Some of them even got a ride to the polls. And got a ride for the next four years afterwards too. Just like you and me. And every time on election day all the little mice used to go to the ballot box and they used to elect a government. A government made up of big, fat, black cats. Now if you think it strange that mice should elect a government made up of cats, you just look at the history of Canada for last 90 years and maybe you'll see that they weren't any stupider than we are. Now I'm not saying anything against the cats. They were nice fellows. They conducted their government with dignity. They passed good laws--that is, laws that were good for cats. But the laws that were good for cats weren't very good for mice. One of the laws said that mouseholes had to be big enough so a cat could get his paw in. Another law said that mice could only travel at certain speeds--so that a cat could get his breakfast without too much physical effort. All the laws were good laws. For cats. But, oh, they were hard on the mice. And life was getting harder and harder. And when the mice couldn't put up with it any more, they decided something had to be done about it. So they went en masse to the polls. They voted the black cats out. They put in the white cats. Now the white cats had put up a terrific campaign. They said: "All that Mouseland needs is more vision." They said:"The trouble with Mouseland is those round mouseholes we got. If you put us in we'll establish square mouseholes." And they did. And the square mouseholes were twice as big as the round mouseholes, and now the cat could get both his paws in. And life was tougher than ever. And when they couldn't take that anymore, they voted the white cats out and put the black ones in again. Then they went back to the white cats. Then to the black cats. They even tried half black cats and half white cats. And they called that coalition. They even got one government made up of cats with spots on them: they were cats that tried to make a noise like a mouse but ate like a cat. You see, my friends, the trouble wasn't with the colour of the cat. The trouble was that they were cats. And because they were cats, they naturally looked after cats instead of mice. Presently there came along one little mouse who had an idea. My friends, watch out for the little fellow with an idea. And he said to the other mice, "Look fellows, why do we keep on electing a government made up of cats? Why don't we elect a government made up of mice?" "Oh," they said, "he's a Bolshevik. Lock him up!"”

Tommy Douglas (1904–1986) Scottish-born Canadian politician

So they put him in jail. But I want to remind you: that you can lock up a mouse or a man but you can't lock up an idea!
http://www.cbc.ca/player/Digital+Archives/Politics/Parties+and+Leaders/Tommy+Douglas/ID/1409090169/?sort=MostPopular

Peter Sloterdijk photo
Robert Louis Stevenson photo

“What is the Black Spot, Captain?" "That's a summons, mate.”

Source: Treasure Island (1883), Ch. 3.

Coventry Patmore photo
Antoni Tàpies photo
Robert T. Kiyosaki photo
Andy Partridge photo
Robert Jordan photo

“Good sportsmanship we hail, we sing,
It's always pleasant when you spot it,
There's only one unhappy thing:
You have to lose to prove you've got it.”

Richard Armour (1906–1989) American writer

Richard Armour (1958) Nights with Armour: Lighthearted Light Verse. p. 97

Letitia Elizabeth Landon photo

“Alas! alas! how plague-spot like will sin
Spread over the wrung heart it enters in!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Title poem, section VIII.
The Venetian Bracelet (1829)

Vitruvius photo
Eric Hoffer photo
George W. Bush photo

“[O]ne of the great goals of this nation's war is to restore public confidence in the airline industry. It's to tell the traveling public: Get on board. Do your business around the country. Fly and enjoy America's great destination spots. Get down to Disney World in Florida.”

George W. Bush (1946) 43rd President of the United States

Remarks at Chicago's O'Hare Airport (September 21, 2001) http://georgewbush-whitehouse.archives.gov/news/releases/2001/09/20010927-1.html
2000s, 2001

Kate Bush photo

“Them heavy people hit me in a soft spot.
Them heavy people help me.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Leigh Hunt photo
Charles Dupin photo
Enver Hoxha photo
Common (rapper) photo
Billy Wilder photo

“Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.”

Billy Wilder (1906–2002) American filmmaker

As quoted in The New Hollywood : American Movies in the '70s (1975) by Axel Madsen

Derren Brown photo

“In Victorian criminology there was an enthusiasm for spotting criminal tendencies in a person’s features.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Marshall McLuhan photo

“Marx shared with economists then and since the inability to make his concepts include innovational processes. It is one thing to spot a new product but quite another to observe the invisible new environments generated by the action of the product on a variety of pre-existing social grounds.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 63

Camille Paglia photo

“(James) White seems from all reports to have been a very pleasant fellow but he did have one huge blind spot, which is that he was as sexist as a giant ball of sexists wrapped in a dense layer of yet more sexists.”

James Nicoll (1961) Canadian fiction reviewer

(review of 'The Lights Outside the Windows' by James White (collected in "Deadly Litter") https://jamesdavisnicoll.com/review/the-universe-is-antagonist-enough, 2014
2010s

William Cobbett photo
Emily Brontë photo
Thomas Fuller (writer) photo

“3890. Point not at other's Spots with a foul Finger.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1750) : Clean your Finger, before you point at my Spots.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Neal Stephenson photo

“Flash Teacher: How to spot: He'll be the only member of staff who drives a customized Lada.”

Peter Corey (1946) British writer

Coping With series, Coping With Teachers (1991)

Julie Andrews photo
Letitia Elizabeth Landon photo
Vitruvius photo
Ben Croshaw photo
James McNeill Whistler photo
Rousas John Rushdoony photo

“What he feared most was the blind spot between us and the future, the space between identities where we could get lost forever.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"George Orwell, Artist" (1972), p. 46
The Good Word & Other Words (1978)

Ursula Goodenough photo
Antoine-Vincent Arnault photo

“Friends, ofteuer than you think, upon the spot
Where gleams the spangle, you will find the blot.”

Antoine-Vincent Arnault (1766–1834) French dramatist

Vol. III., 7. — "Les Taches et les Paillettes".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 7.
Fables (1802)

Ravi Gomatam photo
Nigel Cumberland photo

“Knowing when you don’t know the answer and being honest about it is one of the greatest skills you can have. If you aim to be perfect, you’ll only end up disappointed. When you admit your blind spots, people will flock to support you.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Josh Billings photo
John Muir photo
Damien Hirst photo

“The best spot painting you can have by me is one painted by Rachel.”

Damien Hirst (1965) artist

On the Way to Work, p. 82, Faber and Faber, 2001.
Most of Hirst's "spot paintings" are executed by assistants.

Johannes Bosboom photo

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

Carl Linnaeus photo

“The Lord himself hath led him with his own Almighty hand.
He hath caused him to spring from a trunk without root, and planted him again in a distant and more delightful spot, and caused him to rise up to a considerable tree.
Inspired him with an inclination for science so passionate as to become the most gratifying of all others.
Given him all the means he could either wish for, or enjoy, of attaining the objects he had in view.
Favoured him in such a manner that even the not obtaining of what he wished for, ultimately turned out to his great advantage.
Caused him to be received into favour by the "Mœcenates Scientiarum"; by the greatest men in the kingdom; and by the Royal Family.
Given him an advantageous and honourable post, the very one that, above all others in the world, he had wished for.
Given him the wife for whom he most wished, and who managed his household affairs whilst he was engaged in laborious studies.
Given him children who have turned out good and virtuous.
Given him a son for his successor in office.
Given him the largest collection of plants that ever existed in the world, and his greatest delight.
Given him lands and other property, so that though there has been nothing superfluous, nothing has he wanted.
Honoured him with the titles of Archiater, Knight, Nobleman, and with Distinction in the learned world.
Protected him from fire.
Preserved his life above 60 years.
Permitted him to visit his secret council-chambers.
Permitted him to see more of the creation than any mortal before him. Given him greater knowledge of natural history than any one had hitherto acquired.
The Lord hath been with him whithersoever he hath walked, and hath cut off all his enemies from before him, and hath made him a name, like the name of the great men that are in the earth. 1 Chron. xvn. 8.”

Carl Linnaeus (1707–1778) Swedish botanist, physician, and zoologist

As quoted in The Annual Review and History of Literature http://books.google.com.mx/books?id=hx0ZAAAAYAAJ&printsec=frontcover&hl=es#v=onepage&q=%22The%20Lord%20himself%20hath%20led%20him%20with%20his%20own%20Almighty%20hand%22&f=false (1806), by Arthur Aikin, T. N. Longman and O. Rees, p. 472.
Also found in Life of Linnaeus https://archive.org/stream/lifeoflinnaeus00brigiala#page/176/mode/2up/search/endeavoured (1858), by J. Van Voorst & Cecilia Lucy Brightwell, London. pp. 176-177.
Linnaeus Diary

Wassily Kandinsky photo
Albrecht Thaer photo
Paul Gabriël photo

“Oh, for that matter you must look carefully how in every region of our country the map looks completely different. Not only the pastures have different shades, but the cows are different, yes even the people have, as it were, adopted the character of the soil [where] they were born and raised. That is so evident, that when I still stayed with Roelofs in Brussels [early 1860's] and we used to go to Holland to make our studies in the beautiful part of the season, coming home Roelofs didn't have to tell me where he had been. I recognized it in his work and one by one I called him the spots of our homeland [The Netherlands], where he had made sketches of the countryside and its residents during his study trip.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: O, wat dat betreft, dan moet ge maar eens goed opletten, hoe in ieder gewest van ons land het plattegrond er geheel anders uitziet; niet alleen het weiland heeft een andere tint, maar de koeien zijn anders, ja de menschen hebben als 't ware het karakter aangenomen van den grond zij zijn geboren en getogen. Dat is zoo sterk, dat toen ik met Roelofs nog in Brussel woonde [vroege 1860's] en wij in 't mooie gedeelte van het seizoen naar Holland plachten te gaan om studies te maken, Roelofs wanneer hij thuis kwam, mij niet behoefde te zeggen waar hij geweest was. Ik zag het aan zijn werk en één voor één noemde ik hem de plekjes van ons vaderland, waar hij op studietocht van het land en de bewoners schetsen had gemaakt.
Quote of Gabriël, in a talk to W. C. Nakken, c. 1880; published in Elsevier's geïllustreerd maandschrift: verzameling van Nederlandsche letterkundige kunstwerken geïllustreerd door Nederlandsche kunstenaars, W. C. Nakken, June/July 1898; taken from the excerpt https://rkd.nl/explore/excerpts/365 in the Collection RKD Letters, Manuscripts and small Archives], The Hague
1880's + 1890's

Frederick William Robertson photo
Letitia Elizabeth Landon photo
Poul Anderson photo

“Yeah. ‘Environment’ was very big for a while. Ecology Now stickers on the windshields of cars belonging to hairy young men—cars which dripped oil wherever they parked and took off in clouds of smoke thicker than your pipe can produce…Before long, the fashionable cause was something else, I forget what. Anyhow, that whole phase—the wave after wave of causes—passed away. People completely stopped caring…
I feel a moral certainty that a large part of the disaster grew from this particular country, the world’s most powerful, the vanguard country for things both good and ill…never really trying to meet the responsibilities of power.
We’ll make halfhearted attempts to stop some enemies in Asia, and because the attempts are halfhearted we’ll piss away human lives—on both sides—and treasure—to no purpose. Hoping to placate the implacable, we’ll estrange our last few friends. Men elected to national office will solemnly identify inflation with rising prices, which is like identifying red spots with the measles virus, and slap on wage and price controls, which is like papering the cracks in a house whose foundations are sliding away. So economic collapse brings international impotence…As for our foolish little attempts to balance what we drain from the environment against what we put back—well, I mentioned that car carrying the ecology sticker.
At first Americans will go on an orgy of guilt. Later they’ll feel inadequate. Finally they’ll turn apathetic. After all, they’ll be able to buy any anodyne, any pseudo-existence they want.”

Source: There Will Be Time (1972), Chapter 5 (pp. 53-54)

Jay-Z photo
Frederick William Faber photo
Alfred Horsley Hinton photo