
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 556.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 556.
"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews
Letter to James Gillman (9 October 1825)
Letters
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 309.
“How short our happy days appear!
How long the sorrowful!”
"The Mariner's Cave", reported in Bartlett's Familiar Quotations, 10th ed. (1919).
respect.
" Notebook B http://darwin-online.org.uk/EditorialIntroductions/vanWyhe_notebooks.html" (1837-1838) page 231 http://darwin-online.org.uk/content/frameset?pageseq=233&itemID=CUL-DAR121.-&viewtype=side
quoted in [2009, Darwin's Sacred Cause: How a Hatred of Slavery Shaped Darwin's Views on Human Evolution, Adrian Desmond & James Moore, New York, Houghton Mifflin Harcourt, 9780547055268, 23042290M, 115, http://books.google.com/books?id=V9cGkBj_8iYC&pg=PA115&dq="Animals+whom+we+have+made+our+slaves"]
Other letters, notebooks, journal articles, recollected statements
In the morning of life, when its cares are unknown, st. 2
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 557.
Source: Translations, The Aeneid of Virgil (1866), Book VI, pp. 226–227
“Since knowledge is but sorrow's spy,
It is not safe to know.”
The Just Italian (licensed Oct. 2, 1629; printed 1630), Act v. Sc. 1.
Compare: "From ignorance our comfort flows", Matthew Prior, To the Hon. Charles Montague; "Where ignorance is bliss, ’T is folly to be wise", Thomas Gray, Eton College, Stanza 10.
mahāghoraśokāgninātapyamānaṃ
patantaṃ nirāsārasaṃsārasindhau ।
anāthaṃ jaḍaṃ mohapāśena baddhaṃ
prabho pāhi māṃ sevakakleśaharttaḥ ॥
[Dinkar, Dr. Vagish, श्रीभार्गवराघवीयम् मीमांसा, Investigation into Śrībhārgavarāghavīyam, Deshbharti Prakashan, Delhi, India, 2008, 9788190827669, Hindi]
“Sorrow, like a cloud on the sun, shades the soul of Clessammor.”
"Carthon"
The Poems of Ossian
translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands): Er is sedert de twee of drie dagen.. ..niets bijzonders voorgevallen, alleen de freules van Loon zijn heden morgen bij mij geweest, ik heb paar mijn studies laten zien, en verder veel over 't Velde en Vorden met hen gesproken; nu zou ik UE nog verder kunnen zeggen, hoe weinig ik mij nog te huis gevoel, hoe een zeker heimwee, of stil verdriet mij ter nederdrukt, en, hoe een onbestemd jagen, naar een nog onbestemder toekomst mijn gehele [aanschijn[?] beheerst; maar waar om zou ik UE vermoeijen; door UE mijn innerlijk leven mede te delen..
J.W. Bilders, in his letter [including a pencil-sketch of trees along a water] to Georgina van Dijk van 't Velde, from Castle Voorst in Warnsveld, 22 Oct. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751208 in the RKD-Archive, The Hague
In 1868 Bilders traveled to the North of The Netherlands, to make sketches
1860's + 1870's
Johann Fichte Letter to Johanna Rahn from Johann Gottlieb Fichte's popular works: Memoir and The Nature of the Scholar<!--pp. 14-15--> https://archive.org/stream/johanngottlieb00fichuoft#page/14/mode/1up
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 30.
Letter to Shaw Azim Shaw, see A Translation of the Memoirs of Eradut Khan a Nobleman of Hindostan https://books.google.com/books?id=99VCAAAAcAAJ&pg=PT25 Also in The Mogul Emperors of Hindustan, A.D. 1398-A.D. 1707 https://books.google.com/books?id=m3o4BfQ4nmMC&pg=PA304 p. 304. Also in Sources of Indian Traditions: Modern India, Pakistan, and Bangladesh https://books.google.com/books?id=w8qJAwAAQBAJ&pg=PA4 p. 4. Also in The Rajpoot Tribes Vol.2 by Charles Metcalfe, p. 305
Quotes from late medieval histories
No.7. Rob Roy — DIANA VERNON.
Literary Remains
[In the Company of the Holy Mother, 66-67]
1872(?), page 99
Echoing the 1816 hymn Come Ye Disconsolate http://www.hymntime.com/tch/htm/c/y/d/cydiscon.htm by Thomas Moore: "Earth has no sorrow that heaven cannot heal."
John of the Mountains, 1938
The Tragic Sense of Life (1913), II : The Starting-Point
Source: "Hideo Kojima: The Kikizo Interview 2008 (Page 3)". https://web.archive.org/web/20111009180041/http://archive.videogamesdaily.com/features/hideo-kojima-interview-2008-p3.asp Kikizo. August 24, 2008. Archived from the original on October 9, 2011. Retrieved August 7, 2009.
The Nymph's Reply to the Shepherd (1599), st. 1–2
Inspired by Christopher Marlowe's The Passionate Shepherd to his Love
Source: Response to questions from Russia's ITAR-TASS news agency (13 October 2011) http://naenara.com.kp/en/news/news_view.php?22+1477
2000s, 2002, State of the Union address (January 2002)
"Mi Retiro", st.6 - translated by Nick Joaquin.
Source: A Woman's Thoughts About Women (1858), Ch. 10
“Parking is such street sorrow.”
Byrne, Robert. The 2,548 Wittiest Things Anybody Ever Said, page 554. http://books.google.com/books?id=odz2rZirMAkC&pg=PT554 Simon and Schuster, 2012. ISBN 145164891X
Attributed
"The Grammar of Story", in Celebrating Children's Books (1981), pp. 10–11
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 92.
Queen of California
Song lyrics, Born and Raised (2012)
“Night is an ally of sorrowful people.”
quoted in Group of Authors: Velika knjiga aforizama, Prosvjeta-Globus, Vol. IV, 1984
“I see you off and sorrow—Oh, to be
your horse on land, your vessel on the stream!”
Ðưa chàng lòng dằng dặc buồn,
Bộ khôn bằng ngựa, thủy khôn bằng thuyền.
Source: Chinh phụ ngâm, Lines 27–28
The Neglected One
The Venetian Bracelet (1829)
(15th March 1823) Poetical Catalogue of Pictures. Hope, from a design by a Lady.
The London Literary Gazette, 1823
“Don't let the tide of your sorrow
Drown your nights and flood your days”
"Don't Be Shy"(with Carl Barat)
Lyrics and poetry
1840s, Past and Present (1843)
Dido and Aeneas (opera; music by Henry Purcell)
'On the Death of my First and Dearest Child, Hector Philips' (1655), as reported in The Oxford Dictionary of Quotations, ed. Elizabeth Knowles (Oxford University Press, 1999), p. 575
The Century magazine (1892)
In his pre-Republic day Speech in:p.178.
Commissions and Omissions by Indian Presidents and Their Conflicts with the Prime Ministers Under the Constitution: 1977-2001
February 16, 1802
This incident was the subject of Wordsworth's "Alice Fell" http://www.bartleby.com/145/ww190.html.
Diaries
Stanza 3.
1710s, Psalm 98 "Joy to the World!" (1719)
Source: To Jane: The Invitation (1822), l. 31
For My Legionaries: The Iron Guard (1936), Jewish Problem
“Angels’ song, comforting
as the comfort of Christ
When he spake tenderly
to his sorrowful flock.”
Noel Christmas Eve 1913.
Poetry
"A Leader to Repose", p. 101.
Poetry of the Orient, 1865 edition
“Melancholy: when we have sorrows without a name.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 600.
"The Bright Days of My Youth" (original Irish Gaelic title "Na Laetha Geal M'óige")
Song lyrics, Watermark (1988)
2000s, 2003, Columbia space shuttle disaster (February 2003)
“The flesh is sorrowful, alas! And I've read all the books.”
La chair est triste, hélas! et j'ai lu tous les livres.
"Brise Marine", line 1 (1887), as translated in Mallarmé : The Poet and his Circle ([1999] 2005) by Rosemary Lloyd, p. 70.
Observations
"Nothingness" [Hư vô], as quoted in "Shattered Identities and Contested Images: Reflections of Poetry and History in 20th-Century Vietnam" by Neil Jamieson, in Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, Vol. 7, No. 2, 1992, p. 87, and in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), p. 162
"Crucifixion"
Pleasures of the Harbor (1967)
“Real genuine joy is borne of sadness and sorrow.”
Joy: Share it! p. 36.
Joy: Share it! (2017)
The Thirteenth Revelation, Chapter 32
“Keep some measure in the joy you take in luck, and the degree you
give way to sorrow.”
Fragment 67, as translated by R. Lattimore http://www.rhapsodes.fll.vt.edu/arkhilokhos67.htm
Variant translations:
Soul, my soul, don't let them break you,
all these troubles. Never yield:
though their force is overwhelming,
up! attack them shield to shield...
"Archilochos: To His Soul" : A fragment http://web.archive.org/20030629194753/geocities.com/joncpoetics/translations/Archsoul.htm as translated from the Greek by Jon Corelis http://web.archive.org/20030805055937/www.geocities.com/joncpoetics/
Take the joy and bear the sorrow,
looking past your hopes and fears:
learn to recognize the measured
dance that orders all our years.
"Archilochos: To His Soul" : A fragment, as translated from the Greek by Jon Corelis
Fragments
Context: Heart, my heart, so battered with misfortune far beyond your strength,
up, and face the men who hate us. Bare your chest to the assault
of the enemy, and fight them off. Stand fast among the beamlike spears.
Give no ground; and if you beat them, do not brag in open show,
nor, if they beat you, run home and lie down on your bed and cry.
Keep some measure in the joy you take in luck, and the degree you
give way to sorrow. All our life is up-and-down like this.
1850s, The Present Aspect of the Slavery Question (1859)
Context: Mister Douglas in his speech at Memphis expressly says, 'Whenever a territory has a climate, soil, and productions making it the interest of the inhabitants to encourage slave property, they will pass a slave-code and give it encouragement'. He adds that they have a right to do it, and in his late speech at Columbus he declares that there must be no interference with any action of any state, insisting, according to the report, amid great laughter at the exquisite humor of the witticism, 'If you go over to Virginia to steal her Negroes, I trust she will catch you and put you in jail with other thieves'. Ah, Mr. Douglas! Mr. Douglas! if the little child just born to you were stolen from your arms and sold into slavery, and you went through fire and water to rescue her, would you say so airily, so jauntily, with such pleasant humor, that if you went to steal her you trust you would be caught and put in jail with other thieves? And yet not more do you love that child hanging at this moment upon her mother's bosom, than an old slave mother whom I know in the hospital across the river loved the child who forty years ago was torn from her breast and sold, and of whose fate for forty years that silent, sorrowing Rachel has not heard?
Preface
Sackett's Land (1974)
Context: We are all of us, it has been said, the children of immigrants and foreigners — even the American Indian, although he arrived here a little earlier. What a man is and what he becomes is in part due to his heritage, and the men and women who came west did not emerge suddenly from limbo. Behind them were ancestors, families, and former lives. Yet even as the domestic cattle of Europe evolved into the wild longhorns of Texas, so the American pioneer had the characteristics of a distinctive type.
Physically and psychologically, the pioneers' need for change had begun in the old countries with their decision to migrate. In most cases their decisions were personal, ordered by no one else. Even when migration was ordered or forced, the people who survived were characterized by physical strength, the capacity to endure, and not uncommonly, a rebellious nature.
History is not made only by kings and parliaments, presidents, wars, and generals. It is the story of people, of their love, honor, faith, hope and suffering; of birth and death, of hunger, thirst and cold, of loneliness and sorrow. In writing my stories I have found myself looking back again and again to origins, to find and clearly see the ancestors of the pioneers.
“Joy is deeper than sorrow, for all joy seeks eternity.”
Academy of Achievement interview (2006)
Context: In our culture, we think that happy and color is trivial, that black and darkness is deeper. But Nietzsche said — which is a line that I firmly believe — "Joy is deeper than sorrow, for all joy seeks eternity." And if you see Grendel, you'll see, as he's on the edge of the abyss, ready to leap to his death, he sings, "Is it joy I feel? Is it joy I feel?" And it's so, so moving. You can have a lot of different explanations for the ending of that opera, but there is something so palpable that you will feel when he sings those lines.
Philip: And When He Died All Mankind Died
Jesus, The Son of Man (1928)
Context: I too died. But in the depth of my oblivion I heard Him speak and say, "Father forgive them, for they know not what they do."
And His voice sought my drowned spirit and I was brought back to the shore.
And I opened my eyes and I saw His white body hanging against the cloud, and His words that I had heard took the shape within me and became a new man. And I sorrowed no more.
Who would sorrow for a sea that is unveiling its face, or for a mountain that laughs in the sun?
Was it ever in the heart of man, when that heart was pierced, to say such words?
What other judge of men has released His judges? And did ever love challenge hate with power more certain of itself?
Was ever such a trumpet heard 'twixt heaven and earth?
Was it known before that the murdered had compassion on his murderers? Or that the meteor stayed his footsteps for the mole?
The seasons shall tire and the years grow old, ere they exhaust these words: "Father forgive them, for they know not what they do."
Letters from New York https://play.google.com/store/books/details?id=dcYDAAAAQAAJ&rdid=book-dcYDAAAAQAAJ&rdot=1 (1841-1843), p. 206, Letter XXVIII, 29 Sep 1842
1840s, Letters from New York (1843)
Context: The cure for all the ills and wrongs, the cares, the sorrows, and crimes of humanity, all lie in that one word LOVE. It is the divine vitality that produces and restores life. To each and every one of us it gives the power of working miracles, if we will.
The Sixteenth Revelation, Chapter 77
Variant: Accuse not thyself overmuch, deeming that thy tribulation and thy woe is all thy fault...
The Network of Thought (1982) http://www.jkrishnamurti.org/krishnamurti-teachings/view-text.php?tid=8&chid=56898 J.Krishnamurti Online. Serial No. 332. , p. 96
1980s
Context: The understanding of relationship, fear, pleasure and sorrow is to bring order in our house. Without order you cannot possibly meditate. Now the speaker puts meditation at the end of the talks because there is no possibility of right meditation if you have not put your house, your psychological house, in order. If the psychological house is in disorder, if what you are is in disorder, what is the point of meditating? It is just an escape. It leads to all kinds of illusions.
“Not in the time of pleasure
Hope doth set her bow;
But in the sky of sorrow,
Over the vale of woe.”
The Century Vol. 44, Issue 4 (August 1892)
Tears (1892)
Context: Not in the time of pleasure
Hope doth set her bow;
But in the sky of sorrow,
Over the vale of woe. Through gloom and shadow look we
On beyond the years!
The soul would have no rainbow
Had the eyes no tears.
Pegasus, St. 3 & 4, p. 181
The New Book of Days (1961)
Context: He could not be captured,
He could not be bought,
His running was rhythm,
His standing was thought;
With one eye on sorrow
And one eye on mirth,
He galloped in heaven
And gambolled on earth. And only the poet
With wings to his brain
Can mount him and ride him
Without any rein,
The stallion of heaven,
The steed of the skies,
The horse of the singer
Who sings as he flies.
The Second Revelation, Chapter 10
Context: It is God’s will that we have three things in our seeking: — The first is that we seek earnestly and diligently, without sloth, and, as it may be through His grace, without unreasonable heaviness and vain sorrow. The second is, that we abide Him steadfastly for His love, without murmuring and striving against Him, to our life’s end: for it shall last but awhile. The third is that we trust in Him mightily of full assured faith. For it is His will that we know that He shall appear suddenly and blissfully to all that love Him.
For His working is privy, and He willeth to be perceived; and His appearing shall be swiftly sudden; and He willeth to be trusted. For He is full gracious and homely: Blessed may He be!
"Already" in Drift-Weed (1878), p. 103.
Context: O brief, bright smile of summer!
O days divine and dear
The voices of winter's sorrow
Already we can hear.And we know that the frosts will find us,
And the smiling skies grow rude,
While we look in the face of Beauty,
And worship her every mood.
Edicts of Ashoka (c. 257 BC)
Context: The people of the unconquered territories beyond the borders might think: "What is the king's intentions towards us?" My only intention is that they live without fear of me, that they may trust me and that I may give them happiness, not sorrow. Furthermore, they should understand that the king will forgive those who can be forgiven, and that he wishes to encourage them to practice Dhamma so that they may attain happiness in this world and the next. I am telling you this so that I may discharge the debts I owe, and that in instructing you, that you may know that my vow and my promise will not be broken. Therefore acting in this way, you should perform your duties and assure them (the people beyond the borders) that: "The king is like a father. He feels towards us as he feels towards himself. We are to him like his own children."
St. III
Ode on the Death of the Duke of Wellington (1852)
Suffocating Rubber Clown Suit, p. 8
Catching the Big Fish (2006)
Context: When I started meditating, I was filled with anxieties and fears. I felt a sense of depression and anger.
I often took out this anger on my first wife. After I had been meditating for about two weeks, she came to me and said, "What's going on?" I was quiet for a moment. But finally I said, "What do you mean?" And she said, "This anger, where did it go?" And I hadn't even realized that it had lifted.
I call that depression and anger the Suffocating Rubber Clown Suit of Negativity. It's suffocating, and that rubber stinks. But once you start meditating and diving within, the clown suit starts to dissolve. You finally realize how putrid was the stink when it starts to go. Then, when it dissolves, you have freedom.
Anger and depression and sorrow are beautiful things in a story, but they are like poison to the filmmaker or artist. They are like a vise grip on creativity. If you're in that grip, you can hardly get out of bed, much less experience the flow of creativity and ideas. You must have clarity to create. You have to be able to catch ideas.
Source: The Revolt of the Angels (1914), Ch. XXXV
Context: The following day, on the ethereal plain, Satan commanded the black standards to be distributed to the troops, and the winged soldiers covered them with kisses and bedewed them with tears.
And Satan had himself crowned God. Thronging round the glittering walls of Heavenly Jerusalem, apostles, pontiffs, virgins, martyrs, confessors, the whole company of the elect, who during the fierce battle had enjoyed delightful tranquillity, tasted infinite joy in the spectacle of the coronation.
The elect saw with ravishment the Most High precipitated into Hell, and Satan seated on the throne of the Lord. In conformity with the will of God which had cut them off from sorrow they sang in the ancient fashion the praises of their new Master.
Is Divorce Wrong? (1889)
Context: To me, the tenderest word in our language, the most pathetic fact within our knowledge, is maternity. Around this sacred word cluster the joys and sorrows, the agonies and ecstasies, of the human race. The mother walks in the shadow of death that she may give another life. Upon the altar of love she puts her own life in pawn. When the world is civilized, no wife will become a mother against her will.
Preface to Collected Poems (1913)
Context: When I first discovered for myself how near was the King in His beauty I thought I would be the singer of the happiest songs. Forgive me, Spirit of my spirit, for this, that I have found it easier to read the mystery told in tears and understood Thee better in sorrow than in joy; that, though I would not, I have made the way seem thorny, and have wandered in too many byways, imagining myself into moods which held Thee not. I should have parted the true from the false, but I have not yet passed away from myself who am in the words of this book. Time is a swift winnower, and that he will do quickly for me.