Quotes about song
page 13

Harry Chapin photo
Felix Frankfurter photo

“In law also the emphasis makes the song.”

Felix Frankfurter (1882–1965) American judge

Bethlehem Steel Co. v. New York State Labor Relations Board 330 U.S. 767, 780 (1947).
Judicial opinions

Krist Novoselic photo

“If you hear a song you like, start dancing. That's what I do, I'll just start dancing, and that's it. That's all there is to it.”

Krist Novoselic (1965) Croatian-American rock musician

34:23–34:29
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Kate Bush photo

“The Song of Solomon
The song of everyone
Who walks the path
Of the solitary heart.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

Bradley Joseph photo
Basshunter photo

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter
Calling Time

Joyce Kilmer photo
Percy Bysshe Shelley photo
Roger Manganelli photo
Ringo Starr photo
Frederick Goddard Tuckerman photo
Ronnie Drew photo

“A song is communicating with people. Entertainment is a different area.”

Ronnie Drew (1934–2008) Irish musician

Source: Ronnie (2008, posthumous), p. 72

Sufjan Stevens photo
Kate Bush photo

“What am I singing?
A song of seeds — The food of love. Eat the music.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

Pete Seeger photo
Bob Dylan photo

“May you build a ladder to the stars and climb on every rung. May your song always be sung, May you stay forever young.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Planet Waves (1974), Forever Young

Edward VIII of the United Kingdom photo
Gene Vincent photo
Bob Dylan photo
Hayley Jensen photo
Gloria Estefan photo
Gloria Estefan photo
Cass Elliot photo
Brian Eno photo

“At the party, Rob Partridge said to me, "You gave hope to other balding men." My new epitaph: "Co-wrote a couple of decent songs and went bald shamelessly."”

Brian Eno (1948) English musician, composer, record producer and visual artist

Source: A Year With Swollen Appendices (1996), p. 285

Thomas Holley Chivers photo
Ringo Starr photo
Bono photo
Shreya Ghoshal photo
Yousef Munayyer photo
Robert Herrick photo
Fred Shero photo

“A man with a dream of pleasure can go forth and conquer a crowd and three. With a new song's measure can trample a kingdom down.”

Fred Shero (1925–1990) Former ice hockey player and coach

Message Shero wrote on the team's blackboard prior to Game 6 of the 1975 Stanley Cup Finals
Flyers Hall of Fame Profile, Flyers History, 2009-04-29 http://www.flyershistory.net/cgi-bin/hofprof.cgi?007,

Van Morrison photo
Hayley Jensen photo
Leon R. Kass photo

“I have discovered in the Hebrew Bible teachings of righteousness, humaneness, and human dignity—at the source of my parents' teachings of mentschlichkeit—undreamt of in my prior philosophizing. In the idea that human beings are equally God-like, equally created in the image of the divine, I have seen the core principle of a humanistic and democratic politics, respectful of each and every human being, and a necessary correction to the uninstructed human penchant for worshiping brute nature or venerating mighty or clever men. In the Sabbath injunction to desist regularly from work and the flux of getting and spending, I have discovered an invitation to each human being, no matter how lowly, to step outside of time, in imitatio Dei, to contemplate the beauty of the world and to feel gratitude for its—and our—existence. In the injunction to honor your father and your mother, I have seen the foundation of a dignified family life, for each of us the nursery of our humanization and the first vehicle of cultural transmission. I have satisfied myself that there is no conflict between the Bible, rightly read, and modern science, and that the account of creation in the first chapter of Genesis offers "not words of information but words of appreciation," as Abraham Joshua Heschel put it: "not a description of how the world came into being but a song about the glory of the world's having come into being"—the recognition of which glory, I would add, is ample proof of the text's claim that we human beings stand highest among the creatures. And thanks to my Biblical studies, I have been moved to new attitudes of gratitude, awe, and attention. For just as the world as created is a world summoned into existence under command, so to be a human being in that world—to be a mentsch—is to live in search of our ­summons. It is to recognize that we are here not by choice or on account of merit, but as an undeserved gift from powers not at our disposal. It is to feel the need to justify that gift, to make something out of our indebtedness for the opportunity of existence. It is to stand in the world not only in awe of its and our existence but under an obligation to answer a call to a worthy life, a life that does honor to the special powers and possibilities—the divine-likeness—with which our otherwise animal existence has been, no thanks to us, endowed.”

Leon R. Kass (1939) American academic

Looking for an Honest Man (2009)

Johannes Kepler photo
Percy Bysshe Shelley photo
David Cross photo

“It's hip to be square. Remember that shitty song by that shitty band 20 motherfuckin' years ago?”

David Cross (1964) American comedian, writer and actor

Shut Up, You Fucking Baby

Angus Young photo
Joseph McManners photo
Jack Vidgen photo

“I don't sing a song without it meaning something to me, or adding my own interpretation to them.”

Jack Vidgen (1997) Australian singer

Jack Vidgen Inspire Interview http://www.girl.com.au/jack-vidgen-inspire-interview.htm, May 2012.

Isaac Watts photo
Blake Lewis photo

“The song's about coming together as one in an ideal world. And we might not be able to accomplish that, but tonight we can start by making it a better place.”

Blake Lewis (1981) American musician

Commenting on his take of Imagine by John Lennon in the Inspirational week in his pre-performance clip on April 24, 2007.
Attributed, On American Idol

Constant Lambert photo
Jack White photo

“It'll sometimes hit me in the middle of a song, like, who do I think I am standing up here…playing.”

Jack White (1975) American musician and record producer

On having a calling to stand on stage and perform to people—as a priest or as a musician
Marc Maron (June 8, 2012). " Jack White http://www.wtfpod.com/podcast/episodes/episode_289_-_jack_white". WTF With Marc Maron. Season 2. Episode 289. 21:48 minutes in.
2010

Kevin Rowland photo
Joanna Newsom photo

“While yonder, wild and blue,
the wild blue yonder looms.
'Till we are wracked with rheum,
by roads, by songs entombed.”

Joanna Newsom (1982) American musician

Swansea
The Milk-Eyed Mender (2004)

E.E. Cummings photo
John Muir photo
Cat Stevens photo

“Sing a song of love and truth
We’ll soon remember if you do
When all things were tall
And our friends were small
And the world was new”

Cat Stevens (1948) British singer-songwriter

Silent Sunlight
Song lyrics, Catch Bull at Four (1972)

Joe Satriani photo

“Song ideas have come to me in the middle of interviews, in the shower, or while I'm writing another song.”

Joe Satriani (1956) American guitar player

As quoted in Guitar Magazine (March 1990).

Sara Teasdale photo
Nas photo

“I've seen some cold nights and bloody days
They grabbed me bullets spray, they used me wrong so I sing this song 'til this day.”

Nas (1973) American rapper, record producer and entrepreneur

I Gave You Power
On Albums, It Was Written (1996)

Pete Doherty photo
Harold Macmillan photo

“So what did they do? They solemnly asked Parliament, not to approve or disapprove, but to 'take note' of our decision. Perhaps some of the older ones among you will remember that popular song: 'She didn't say "Yes", she didn't say "No". She didn't say "stay", she didn't say "go". She wanted to climb, but dreaded to fall, she bided her time and clung to the wall.'”

Harold Macmillan (1894–1986) British politician

"Mr Macmillan Denies Threat to Britain's Sovereignty", The Times, 15 October 1962, p. 6.
Speech to the Conservative Party conference, Blackpool, 13 October 1962, having some fun at the expense of the opposition Labour Party.
1960s

Anne Murray photo

“[Anne Murray] embodies the Canadian popular music industry. She's been so successful within Canada and internationally. She's really identified with Canada, even one of her songs Snowbird, that's so Canada.”

Anne Murray (1945) Canadian singer

Brock Silversides, director of University of Toronto Libraries' Media Commons
As quoted in Noreen Ahmed-Ullah, "'Canada's sweetheart' Anne Murray donates archives to U of T", 16 November 2017, University of Toronto, utoronto.ca https://www.utoronto.ca/news/canada-s-sweetheart-anne-murray-donates-archives-u-t

Mike Oldfield photo
Ian McEwan photo
Gloria Estefan photo
Neil Diamond photo
Noel Gallagher photo

“He's now trying to make social comment, this is the guy who hid who he actually was from the public for 20 years. Now, all of a sudden, he's got something to say about the way of the world. I find it laughable. That's even before you get to the song, which is diabolical.”

Noel Gallagher (1967) British musician

Noel Gallagher cited in " Gallagher attacks 'liar' Michael http://news.bbc.co.uk/1/hi/entertainment/music/2115582.stm" at news.bbc.co.uk, 8 July 2002. Remarks on George Michael's song "Shoot the Dog."
Controversy with other artists

Henry Francis Lyte photo

“A scrip on my back, and a staff in my hand,
I march on in haste through an enemy's land;
The road may be rough, but it cannot be long;
And I'll smooth it with hope, and I'll cheer it with song.”

Henry Francis Lyte (1793–1847) Anglican priest, hymn-writer and poet

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 49.

George William Curtis photo

“Pooh! Pooh! Nonsense!' was the reply, 'that's all very well in theory, but it doesn't work so. The returning of slaves amounts to nothing in fact. All that is obsolete. And why make all this row? Can't you hush? We've nothing to do with slavery, we tell you. We can't touch it; and if you persist in this agitation about a mere form and theory, why, you're a set of pestilent fanatics and traitors; and if you get your noisy heads broken, you get just what you deserve'. And they quoted in the faces of the abolitionists the words of Governor Edward Everett, who was not an authority with them, in that fatal inaugural address, 'The patriotism of all classes of citizens must be invited to abstain from a discussion which, by exasperating the master, can have no other effect than to render more oppressive the condition of the slave'. It was as if some kindly Pharisee had said to Christ, 'Don't try to cast out that evil spirit; it may rend the body on departing'. Was it not as if some timid citizen had said, 'Don't say hard things of intemperance lest the dram-shops, to spite us, should give away the rum'? And so the battle raged. The abolitionists dashed against slavery with passionate eloquence like a hail of hissing fire. They lashed its supporters with the scorpion whip of their invective. Ambition, reputation, ortune, ease, life itself they threw upon the consuming altar of their cause. Not since those earlier fanatics of freedom, Patrick Henry and James Otis, has the master chord of human nature, the love of liberty, been struck with such resounding power. It seemed in vain, so slowly their numbers increased, so totally were they outlawed from social and political and ecclesiastical recognition. The merchants of Boston mobbed an editor for virtually repeating the Declaration of Independence. The city of New York looked on and smiled while the present United States marshal insulted a woman as noble and womanly and humane as Florence Nightingale. In other free States men were flying for their lives; were mobbed, seized, imprisoned, maimed, murdered; but still as, in the bitter days of Puritan persecution in Scotland, the undaunted voices of the Covenanters were heard singing the solemn songs of God that echoed and re-echoed from peak to peak of the barren mountains, until the great dumb wilderness was vocal with praise — so in little towns and great cities were heard the uncompromising voices of these men sternly intoning the majestic words of the Golden Rule and the Declaration of Independence, which echoed from solitary heart to heart until the whole land rang with the litany of liberty.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Gerald Durrell photo
Andrew Sega photo
W. H. Auden photo
Eliza Acton photo
Li Bai photo

“A cup of wine, under the flowering trees;
I drink alone, for no friend is near.
Raising my cup I beckon the bright moon,
For he, with my shadow, will make three men.
The moon, alas, is no drinker of wine;
Listless, my shadow creeps about at my side.
Yet with the moon as friend and the shadow as slave
I must make merry before the Spring is spent.
To the songs I sing the moon flickers her beams;
In the dance I weave my shadow tangles and breaks.
While we were sober, three shared the fun;
Now we are drunk, each goes his way.
May we long share our odd, inanimate feast,
And meet at last on the Cloudy River of the sky.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"Drinking Alone by Moonlight" (月下獨酌), one of Li Bai's best-known poems, as translated by Arthur Waley in More Translations From the Chinese (1919)
Variant translation:
From a pot of wine among the flowers
I drank alone. There was no one with me—
Till, raising my cup, I asked the bright moon
To bring me my shadow and make us three.
Alas, the moon was unable to drink
And my shadow tagged me vacantly;
But still for a while I had these friends
To cheer me through the end of spring...
I sang. The moon encouraged me.
I danced. My shadow tumbled after.
As long as I knew, we were boon companions.
And then I was drunk, and we lost one another.
...Shall goodwill ever be secure?
I watch the long road of the River of Stars.
"Drinking Alone with the Moon" (trans. Witter Bynner and Kiang Kang-hu)

Sarah Silverman photo

“This song brings me back … I was brutally raped to this song.”

Sarah Silverman (1970) American comedian and actress

In response to the DJ playing Motley Crue's "Girls Girls Girls" as her intro. Holllywood Improv

John Steinbeck photo
Roger Manganelli photo

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

Alfred Denning, Baron Denning photo
Sara Bareilles photo

“Mean songs are still better than going postal”

Sara Bareilles (1979) American pop rock singer-songwriter and pianist

"Sweet As Whole"
Lyrics, Once Upon Another Time (2012)

Vyjayanthimala photo
Neil Diamond photo

“And here's to the songs we used to sing;
And here's to the times we used to know.
It's hard to hold them in our arms again,
But hard to let them go.”

Neil Diamond (1941) American singer-songwriter

If You Know What I Mean
Song lyrics, Beautiful Noise (1976)

Clay Aiken photo
Kate Bush photo

“I am ice and dust. I am sky.
I can see horses wading through snowdrifts.
My broken hearts, my fabulous dances.
My fleeting song, fleeting.
The world is so loud. Keep falling. I'll find you.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)

Edyta Górniak photo
Taylor Swift photo
Bradley Joseph photo
Neil Diamond photo
Elliott Smith photo

“I don't intend to write depressing songs and I'd probably rather write happy ones”

Elliott Smith (1969–2003) American singer-songwriter

in Spongey Monkey #3.

Octavio Paz photo

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

Frank Klepacki photo
Psy photo

“Song "Gangnam Style" (July 2012)”

Psy (1977) South Korean singer

Edmond Rostand photo

“And sounding in advance its victory,
My song jets forth so clear, so proud, so peremptory,
That the horizon, seized with a rosy trembling,
Obeys me.”

Et sonnant d’avance sa victoire,
Mon chant jaillit si net, si fier, si peremptoire
Que l’horizon, saisi d'un rose tremblement,
M’obéit.
Act II, Sc. 3
Chantecler (1910)

Meat Loaf photo
Andrew Sega photo
Basil of Caesarea photo
Hayley Jensen photo
Oriana Fallaci photo

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

Thomas Sowell photo