Quotes about shaw

A collection of quotes on the topic of shaw, man, other, use.

Quotes about shaw

Malcolm Muggeridge photo

“I can say with truth that I have never, even in times of greatest preoccupation with carnal, worldly and egotistic pursuits, seriously doubted that our existence here is related in some mysterious way to a more comprehensive and lasting existence elsewhere; that somehow or other we belong to a larger scene than our earthly life provides, and to a wider reach of time than our earthly allotment of three score years and ten…It has never been possible for me to persuade myself that the universe could have been created, and we, homo sapiens, so-called, have, generation after generation, somehow made our appearance to sojourn briefly on our tiny earth, solely in order to mount the interminable soap opera, with the same characters and situations endlessly recurring, that we call history. It would be like building a great stadium for a display of tiddly-winks, or a vast opera house for a mouth-organ recital. There must, in other words, be another reason for our existence and that of the universe than just getting through the days of our life as best we may; some other destiny than merely using up such physical, intellectual and spiritual creativity as has been vouchsafed us. This, anyway, has been the strongly held conviction of the greatest artists, saints, philosophers and, until quite recent times, scientists, through the Christian centuries, who have all assumed that the New Testament promise of eternal life is valid, and that the great drama of the Incarnation which embodies it, is indeed the master drama of our existence. To suppose that these distinguished believers were all credulous fools whose folly and credulity in holding such beliefs has now been finally exposed, would seem to me to be untenable; and anyway I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake and Dostoevsky, than right with Voltaire, Rousseau, Darwin, the Huxleys, Herbert Spencer, H. G. Wells and Bernard Shaw.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Confessions of a Twentieth-Century Pilgrim (1988)

W.B. Yeats photo

“I agree about Shaw — he is haunted by the mystery he flouts. He is an atheist who trembles in the haunted corridor.”

W.B. Yeats (1865–1939) Irish poet and playwright

Letter to George William Russell (1 July 1921)

George Bernard Shaw photo
Malcolm Gladwell photo
J.M. Coetzee photo
Anthony Burgess photo
E.M. Forster photo
William Saroyan photo
Jef Raskin photo
Jacques Barzun photo

“Shaw said that three years as a theatre critic was the maximum before insanity set in - the implication being that anyone who lasted longer than that was too dull to be unbalanced by his nightly ordeal.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Introduction'
Essays and reviews, Glued to the Box (1983)

Jacques Barzun photo

“No one has ever used historical examples, near or remote, with the detail, precision, and directness to be found in every page of Shaw.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), IV

“After half a lifetime of poking fun at Bernard Shaw's materialism Kingsmill was not above touching the despised sage for ten quid. Even in the Australian school of literary morals, we weren't allowed to slag a man and put the bit on him simultaneously: it had to be one or the other.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Richard Ingrams at Doubting Castle'
Essays and reviews, From the Land of Shadows (1982)

“Shaw's plays are the price we pay for Shaw’s prefaces.”

James Agate (1877–1947) British diarist and critic

Ego, p. 276, March 10, 1933.

Colin Wilson photo

“F. Shaw: As prolific as you are, how long did it take you to research and write this book?
A. Axelrod: Well over a year. I do my research for one book while I write another—that way I get to read as well as write.”

Alan Axelrod (1952) American historian

Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.

Alfred Denning, Baron Denning photo
William Saroyan photo
George Bernard Shaw photo

“George Bernard Shaw is said to have told W. S. C.:
Am reserving two tickets for you for my premiere. Come and bring a friend—if you have one.
W. S. C. to G. B. S.:
Impossible to be present for the first performance. Will attend the second—if there is one.”

George Bernard Shaw (1856–1950) Irish playwright

Version given in Irrepressible Churchill: A Treasury of Winston Churchill’s Wit by Kay Halle, 1966
Apocryphal, from 1946. See discussion at Winston Churchill#Misattributed, and detailed discussion at “ Here are Two Tickets for the Opening of My Play. Bring a Friend—If You Have One http://quoteinvestigator.com/2012/03/25/two-tickets-shaw/”, Garson O’Toole, Quote Investigator http://quoteinvestigator.com/, (March 25, 2012)
Misattributed

William Saroyan photo

“Now, if Mr. Shaw and Mr. Saroyan are poles apart, no comparison between the two, one great and the other nothing, one a genius and the other a charlatan, let me repeat that if you must know which writer has influenced my writing when influences are real and for all I know enduring, then that writer has been George Bernard Shaw. I shall in my own day influence a young writer or two somewhere or other, and no one need worry about that.
Young Shaw, hello out there.”

William Saroyan (1908–1981) American writer

In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)

Colin Wilson photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Paul A. Samuelson photo
William James photo
Jacques Barzun photo

“Bernard Shaw remains the only model we have of what the citizen of a democracy should be: an informed participant in all things we deem important to the society and the individual.”

Jacques Barzun (1907–2012) Historian

"Bernard Shaw," in A Jacques Barzun Reader : Selections from his works (2002), p. 231

Max Beerbohm photo

“As a teacher, as a propagandist, Shaw is no good at all, even in his own generation. But as a personality, he is immortal.”

Max Beerbohm (1872–1956) English writer

Around Theatres, “A Cursory Conspectus of G.B.S” (1924)

Henry Morton Stanley photo
Margaret Mead photo

“… Her aunt is an agnostic, an ardent advocate of women's rights, an internationalist who rests all her hopes on Esperanto, is devoted to Bernard Shaw, and spends her spare time in campaigns of anti-vivisection. Her elder brother, whom she admires exceedingly, has just spent two years at Oxford. He is an Anglo-Catholic, an enthusiast concerning all things medieval, writes mystical poetry, reads Chesterton, and means to devote his life to seeking for the lost secret of medieval stained glass. Her mother's younger brother is an engineer, a strict materialist, who never recovered from reading Haeckel in his youth; he scorns art, believes that science will save the world, scoffs at everything that was said and thought before the nineteenth century, and ruins his health by experiments in the scientific elimination of sleep. Her mother is of a quietistic frame of mind, very much interested in Indian philosophy, a pacifist, a strict non-participator in life, who in spite of her daughter's devotion to her will not make any move to enlist her enthusiasms. And this may be within the girl's own household. Add to it the groups represented, defended, advocated by her friends, her teachers, and the books which she reads by accident, and the list of possible enthusiasms, of suggested allegiances, incompatible with one another, becomes appalling.”

Margaret Mead (1901–1978) American anthropologist

Source: 1920s, Coming of Age in Samoa (1928), p. 161

J.B. Priestley photo
Nigel Rees photo

“This is Cassidy Shaw, reporting to you live from the Barbur Bargain Motel in Southwest Portland.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 215

Colin Wilson photo
Colin Wilson photo
Colin Wilson photo
George Bernard Shaw photo

“I don't believe in morality. I'm a disciple of Bernard Shaw.”

George Bernard Shaw (1856–1950) Irish playwright

Act III
1910s, The Doctor's Dilemma (1911)

George Bernard Shaw photo
Jacques Barzun photo
George Bernard Shaw photo
Winston S. Churchill photo

“George Bernard Shaw is said to have told W. S. C.:
Am reserving two tickets for you for my premiere. Come and bring a friend—if you have one.
W. S. C. to G. B. S.:
Impossible to be present for the first performance. Will attend the second—if there is one.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Version given in Irrepressible Churchill: A Treasury of Winston Churchill’s Wit by Kay Halle, 1966
Apocryphal, originally featured Noël Coward and Randolph Churchill (Winston’s son); attested 1946 (columnist Walter Winchell, attributed to anonymous United Press journalist in London). Originally only featured first half about lack of friend; second half (retort about lack of second performance) attested 1948, as was replacement of personages by George Bernard Shaw and Winston Churchill. Specific plays added in later variants, ranging from Man and Superman (1903) to Saint Joan (1923), and appeared in biographies and quote collections from the 1960s.
The quote is presumably apocryphal due to earliest attestations being too different, less famous personages (easily replaced by more famous ones), the quotation becoming more elaborate in later versions, the 20+ year gap between putative utterance and first attestation, and the approximately 50 year gap between putative utterance and appearance in reference works, all as undocumented hearsay.
Detailed discussion at “ Here are Two Tickets for the Opening of My Play. Bring a Friend—If You Have One http://quoteinvestigator.com/2012/03/25/two-tickets-shaw/”, Garson O’Toole, Quote Investigator http://quoteinvestigator.com/, March 25, 2012.
Misattributed

Isadora Duncan photo
Frank Harris photo
Alexander Woollcott photo

“At 83 Shaw's mind was perhaps not quite as good as it used to be, but it was still better than anyone else's.”

Alexander Woollcott (1887–1943) American critic

Referring to George Bernard Shaw in While Rome Burns (1934).

James Herriot photo
Colin Wilson photo
Nigel Rees photo

“An analogous process I shall call Churchillian Drift…Whereas quotations with an apothegmatic feel are normally ascribed to Shaw, those with a more grandiose or belligerent tone are, as if by osmosis, credited to Churchill. All humorous remarks obviously made by a female originated, of course, with Dorothy Parker. All quotations in translation, on the other hand, should be attributed to Goethe”

Nigel Rees (1944) British writer and broadcaster

with 'I think' obligatory
Brewer's Quotations (London: Cassell, 1994), p. x.
Adaptation of the original: "The Vagueness Is All" http://www.qunl.com/rees0001.html from Volume 2, Number 2, April 1993 issue of The “Quote... Unquote” Newsletter

Colin Wilson photo

“Language education… may achieve what George Bernard Shaw asserted is the function of art.”

Neil Postman (1931–2003) American writer and academic

Language Education in a Knowledge Context (1980)
Context: It may come as a surprise to our technocrat philosophers, but people do not read, write, speak, or listen primarily for the purpose of achieving a test score. They use language in order to conduct their lives, and to control their lives, and to understand their lives. An improvement in one's language abilities is therefore... observed in changes in one's purposes, perceptions, and evaluations. Language education... may achieve what George Bernard Shaw asserted is the function of art. "Art," he said in Quintessence of Ibsenismn, "should refine our sense of character and conduct, of justice and sympathy, greatly heightening our self knowledge, self-control, precision of action and considerateness, and making us intolerant of baseness, cruelty, injustice, and intellectual superficialty and vulgarity." …For my purposes, if you replace the word "art" with the phrase "language education," you will have a precise statement of what I have been trying to say.

Colin Wilson photo

“Nothing is further from sadism, for example, than the cheerful, optimistic mentality of a Shaw or Wells.”

Colin Wilson (1931–2013) author

Source: The Origins of the Sexual Impulse (1963), p. 158
Context: Sadism is plainly connected with the need for self-assertion. At the same time it cannot be separated from the idea of defeat. A sadist is a man, who, in some sense, has his back to the wall. Nothing is further from sadism, for example, than the cheerful, optimistic mentality of a Shaw or Wells.

Jacques Barzun photo

“Shaw knows at any moment, on any subject, what he thinks, what you will think, what others have thought, what all this thinking entails; and he takes the most elaborate pains to bring these thoughts to light in a form which is by turns abstract and familiar, conciliatory and aggressive, obvious and inferential, comic and puzzling.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), II
Context: Shaw knows at any moment, on any subject, what he thinks, what you will think, what others have thought, what all this thinking entails; and he takes the most elaborate pains to bring these thoughts to light in a form which is by turns abstract and familiar, conciliatory and aggressive, obvious and inferential, comic and puzzling. In a word, Shaw is perhaps the most consciously conscious mind that has ever thought — certainly the most conscious since Rousseau; which may be why both of them often create the same impression of insincerity amounting to charlatanism.
Yet it is by excess of honesty that Shaw himself lent color to his representation as an inconsequential buffoon bent on monopolizing the spotlight.

Aleister Crowley photo

“The salacious musical comedy goes its libidinous way rejoicing, while Ibsen and Bernard Shaw are on the black list.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: The Confessions of Aleister Crowley (1929), Ch. 7.
Context: My mother was naturally a rather sensual type of woman and there is not doubt that sexual repression had driven her as nearly as possible to the borders of insanity.
My cousin Agnes had a house in Dorset Square. My mother took me to tea there one afternoon. A copy of Dr. Pascal was in the room. The word "Zola" caught my mother's eye and she made a verbal assault of hysterical fury upon her hostess. Both women shouted and screamed at each other simultaneously, amid floods of tears. Needless to say, my mother had never read a line of Zola — the name was simply a red rag to a cow.
This inconsistency, by the way, seems universal. I have known a printer object to set up "We gave them hell and Tommy", while passing unquestioned all sorts of things to which exception could quite reasonably be taken by narrow-minden imbeciles. The censor habitually passes what I, who am no puritan, consider nauseating filth, while refusing to license Oedipus Rex, which we are compelled to assimilate at school. The country is flooded with the nasty pornography of women writers, while there is an outcry against epoch-making masterpieces of philosophy like Jurgen. The salacious musical comedy goes its libidinous way rejoicing, while Ibsen and Bernard Shaw are on the black list. The fact is, of course, that the puritan has been turned by sexual repression into a sexual pervert and degenerate, so that he is insane on the subject.

Jacques Barzun photo

“Shaw's emotional development was one with his intellectual strength.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), II
Context: Shaw's emotional development was one with his intellectual strength. His path led him into the thick of the scrimmage, where more spontaneous natures defend themselves with the usual weapons of malice, humility, bad temper or conceit. But Shaw used the death ray of imperturbability. His feelings were never hurt, his envy never aroused, his conceit was a transparent fiction, he never quarreled.

Jacques Barzun photo

“Seeing clearly within himself and always able to dodge around the ends of any position, including his own, Shaw assumed from the start the dual role of prophet and gadfly.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), II
Context: Seeing clearly within himself and always able to dodge around the ends of any position, including his own, Shaw assumed from the start the dual role of prophet and gadfly. To his contemporaries it appeared frivolous and contradictory to perform as both superman and socialist, sceptic and believer, legalist and heretic, high-brow and mob-orator. But feeling the duty to teach as well as to mirror mankind, Shaw did not accept himself as a contradictory being.

Jacques Barzun photo

“Shaw does not merely decorate a proposition, but makes his way from point to point through new and difficult territory.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), II
Context: Shaw does not merely decorate a proposition, but makes his way from point to point through new and difficult territory.
This explains why Shaw must either be taken whole or left alone. He must be disassembled and put together again with nothing left out, under pain of incomprehension; for his politics, his art, and his religion — to say nothing of the shape of his sentences — are unique expressions of this enormously enlarged and yet concentrated consciousness.

Jacques Barzun photo

“That his action has not been in vain, we can measure by how little Shaw's iconoclasm stirs our blood; we no longer remember what he destroyed that was blocking our view.”

Jacques Barzun (1907–2012) Historian

Source: Bernard Shaw in Twilight (1943), IV
Context: He never invested his whole moral capital in a man, a book, or a cause, but treasured up wisdom wherever it could be picked up, always with scrupulous acknowledgment … His eclecticism saving him from the cycle of hope-disillusion-despair, his highest effectiveness was as a skirmisher in the daily battle for light and justice, as a critic of new doctrine and a refurbisher of old, as a voice of warning and encouragement. That his action has not been in vain, we can measure by how little Shaw's iconoclasm stirs our blood; we no longer remember what he destroyed that was blocking our view.

F. Scott Fitzgerald photo
William Saroyan photo

“I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.”

William Saroyan (1908–1981) American writer

Hello Out There (1941)
Context: I have read books about the behavior of mobs — The Mob by Le Bon, if I remember rightly, was one — about the crime in children, and the genius in them, about the greatest bodies of things, and about the littlest of them. I have been fascinated by it all, grateful for it all, grateful for the sheer majesty of the existence of ideas, stories, fables, and paper and ink and print and books to hold them all together for a man to take aside and examine alone. But the man I liked most and the man who seemed to remind me of myself — of what I really was and would surely become — was George Bernard Shaw.

John Maynard Keynes photo

“Shaw and Stalin are still satisfied with Marx’s picture of the capitalist world… They look backwards to what capitalism was, not forward to what it is becoming.”

John Maynard Keynes (1883–1946) British economist

“Stalin-Wells Talk: The Verbatim Report and A Discussion”, G.B. Shaw, J.M. Keynes et al., London, The New Statesman and Nation, (1934) p. 34