Alan Axelrod (1952) American historian
Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.
Source: Again the Magic
Alan Axelrod (1952) American historian
Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.
“Shaw's plays are the price we pay for Shaw’s prefaces.”
James Agate (1877–1947) British diarist and critic
Ego, p. 276, March 10, 1933.
Basil Bunting (1900–1985) Poet
What The Chairman Told Tom, from Odes II:6 (1965)
William Saroyan (1908–1981) American writer
In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)
Carl Andre (1935) American artist
Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015
Geoffrey Hill (1932–2016) English poet and professor
A matter of timing: The Guardian, Saturday 21 September 2002 http://www.guardian.co.uk/books/2002/sep/21/featuresreviews.guardianreview28/print
“He lives the poetry that he cannot write. The others write the poetry that they dare not realize”
Oscar Wilde (1854–1900) Irish writer and poet
“It takes a spasm of love to write a poem.”
Erica Jong (1942) Novelist, poet, memoirist, critic
How to Save Your Own Life (1977)
“We are all writing God's poem.”
Anne Sexton (1928–1974) poet from the United States
As quoted by Erica Jong, in "Into the lion's den" in The Guardian (26 October 2000) http://www.guardian.co.uk/theguardian/2000/oct/26/features11.g2