Quotes about series
page 4

Ferdinand de Saussure photo
Charles Darwin photo

“The great break in the organic chain between man and his nearest allies, which cannot be bridged over by any extinct or living species, has often been advanced as a grave objection to the belief that man is descended from some lower form; but this objection will not appear of much weight to those who, convinced by general reasons, believe in the general principle of evolution. Breaks incessantly occur in all parts of the series, some being wide, sharp and defined, others less so in various degrees; as between the orang and its nearest allies—between the Tarsius and the other Lemuridæ—between the elephant and in a more striking manner between the Ornithorhynchus or Echidna, and other mammals. But all these breaks depend merely on the number of related forms which have become extinct. At some future period, not very distant as measured by centuries, the civilised races of man will almost certainly exterminate and replace throughout the world the savage races. At the same time the anthropomorphous apes, as Professor Schaaffhausen has remarked, will no doubt be exterminated. The break will then be rendered wider, for it will intervene between man in a more civilised state, as we may hope, than the Caucasian, and some ape as low as a baboon, instead of as at present between the negro or Australian and the gorilla.”

volume I, chapter VI: "On the Affinities and Genealogy of Man", pages 200-201 http://darwin-online.org.uk/content/frameset?pageseq=213&itemID=F937.1&viewtype=image
The sentence "At some future period … the savage races" is often quoted out of context to suggest that Darwin desired this outcome, whereas in fact Darwin simply held that it would occur.
The Descent of Man (1871)

“Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e. g., “My telling you where to find the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Gregory Bateson (1955) " A theory of play and fantasy http://sashabarab.com/syllabi/games_learning/bateson.pdf". In: Psychiatric research reports, 1955. pp. 177-178] as cited in: S.P. Arpaia (2011) " Paradoxes, circularity and learning processes http://www2.units.it/episteme/L&PS_Vol9No1/L&PS_Vol9No1_2011_18b_Arpaia.pdf". In: L&PS – Logic & Philosophy of Science, Vol. IX, No. 1, 2011, pp. 207-222

Alberto Giacometti photo

“A little after I started to do sculpture, I painted some of them, and then I destroyed them all. I've begun again several times. In 1951, I painted a whole series of sculptures. But in painting them, you see what the form lacks. And it's useless to paint over something that you don't believe in. I tried again a month ago. In painting them, the deficiencies of form came through.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti in: Paul Auster (trans.) " My life is reduced to nothing: David Sylvester talks to Alberto Giacometti about his struggle with proportion and the difficulties of making an eye https://www.theguardian.com/artanddesign/2003/jun/21/art.artsfeatures1," theguardian.com, 21 June 2003.

Gloria Estefan photo
Harold Pinter photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Boris Johnson photo

“Unlike the current occupant of the White House, he has no difficulty in orally extemporising a series of grammatical English sentences, each containing a main verb.”

Boris Johnson (1964) British politician, historian and journalist

endorsing Barack Obama, Telegraph Column, October 21, 2008
2000s, 2008

Ralph Ellison photo

“Life is as the sea, art a ship in which man conquers life's crushing formlessness, reducing it to a course, a series of swells, tides and wind currents inscribed on a chart.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Richard Wright's Blues" (1945), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 133.

Augustus De Morgan photo

“The organization of science into disciplines sets up a series of ghettos with remarkable distances of artificial social space between them.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1973) Image and Environment. p. ix
1970s

Jack Buck photo

“Sutter from the belt, to the plate…a swing and a miss! And that's a winner! That's a winner! A World Series winner for the Cardinals!”

Jack Buck (1924–2002) American sportscaster

Calling the last out of the :w:1982 World Series. Bruce Sutter struck out Gorman Thomas.
1980s

Phil Hartman photo
Lance Armstrong photo
Harry V. Jaffa photo
John le Carré photo

“Tinker, Tailor, Soldier, Spy (1979 TV series)”

John le Carré (1931) British novelist and spy

Related articles

Bernhard Riemann photo
Willem de Kooning photo
Yves Klein photo
Aaron Judge photo

“We didn’t win the World Series. How are we satisfied with that? That’s what we want. That’s why we work, that’s why we train, that’s why we do everything in the offseason, the cage work. Everything is to get an opportunity to win a World Series. We came up short.”

Aaron Judge (1992) American baseball player

quoted by Newsday https://www.newsday.com/sports/aaron-judge-makes-spectacular-catch-but-falls-short-at-the-plate-in-yankees-game-7-loss-1.14574441

Will Eisner photo

“Reporter: The “Protocols” trial is on today. I’ve been assigned to report on it for my paper.
Reporter 2: What’s your hurry Carl? The Jewish community’s lawyer is trying to show the damage done by the “Protocols of Zion” book.
Lawyer: Your honor, we have demonstrated that the “Protocols” is ‘’’smut…’’’ I would conclude by exhibiting evidence of its influence on public opinion as a fraud.
Judge: You may proceed!
Lawyer: Since its first publication in Russia by Dr. Nilus in 1905, four printings have been distributed there!
In 1919, type script copies were distributed to delegated at the Versailles peace conference by white Russians.
In England Victor Marsden translated the “protocols” into English in 1922.
In 1920, the first polish language edition was brought into the United States and South America by Polish immigrants.
In 1921, the first Arabic and the first Italian copies appeared!
In 1921, “The Times” of London published its famous expose of this false document!
And because of his fame, Henry Ford’s work deserves recounting.
Lawyer: In 1920, Henry ford the American auto magnate, bought a small newspaper, the “Dearborn Independent.” He began a series, “The International Jew,” made up of borrowings from the “Protocols of the Elders on Zion.”
Later, in 1922, it was published in sxteen language for a world-wide distribution. It sold over a ‘’’half million’’’ copies in America alone!
Reporter: Actually, Ford recanted in 1926 when he was threatened with a libel suit.

Reporter 2: Really?
Reporter 3: What did he say?
Reporter: He said in part, “…To my great regret I learn that in the ‘Dearborn Independent’ there appeared articles which induced the Jews to regard me as their enemy promoting anti-Semitism!”
HE WENT ON TO SAY, “…I am…mortified that this Journal…is giving currency to ‘The Protocols of the wise men of Zion,’ which I learn to be gross forgeries…I deem it my duty…to make amends for the wrong done to the Jews as fellow men and brothers by asking their forgiveness.
HE GOES ON BY RECITING SOME OF THE MORE “evil ingredients” in the “Protocols” AND HE REFERS TO IT AS AN “infamous forgery.”
Reporter 3: DID HIS APOLOGY CHANGE ANYTHING?? HENRY FORD WAS FAMOUS the world over…his apology must have had influence!
Reporter: Not very much. In fact publication increased all over the globe.
Reporter 3: Look! Here I have two French translations of the “Protocols of the Elders of Zion” that were published in ‘’’France,’’’ dated 1934. Later they had many printings!
Judge: …I hope to see the day when nobody will be able to understand why otherwise sane and reasonable men should torment their brains for fourteen days over the authenticity or fabrication of the “Protocols of Zion”’’’…I regard the “protocols” as ridiculous nonsense!
Reporter: Good news! …judge Meyer found against the Nazis and imposed a fine on them…

Publisher: We will publish the judge’s decision!
Reporter: This should put an end to the “Protocols” at last!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107

Augustus De Morgan photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

George Biddell Airy photo
Theodore Dalrymple photo
Roger Ebert photo
John Ruskin photo
Roy Jenkins photo
Elon Musk photo

“The heroes of the books I read, The Lord of the Rings and the Foundation series, always felt a duty to save the world.”

Elon Musk (1971) South African-born American entrepreneur

Plugged In: Can Elon Musk lead the way to an electric-car future?, New Yorker, 24 August 2009, 7 February 2015 http://www.newyorker.com/magazine/2009/08/24/plugged-in,

Rod Serling photo
Alexander Rodchenko photo

“[my goal is] to photograph not a factory but the work itself from the most effective point of view.... in order to show the grandness of a machine, one should photograph not all of it but give a series of snapshots.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote, 1930: from Rodchenko lecture at the October group's meeting; as quoted by Margarita Tupitsyn in Chapter 'Fragmentation versus Totality: The Politics of (De)framing', in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 486
the issue was not to take 'photo pictures' of the entire object but to make 'photo stills' of characteristic parts of an object

Marcel Duchamp photo
Babe Ruth photo
Rollo May photo

“I feel that the surrealists have created a series of valid external landscapes which have their direct correspondences within our own minds.”

J. G. Ballard (1930–2009) British writer

Conversation with George MacBeth on Third Programme (BBC) (1 February 1967), published in The New S.F. (1969), edited by Langdon Jones

Paul Cézanne photo
Ingmar Bergman photo
Marc Chagall photo
Alain de Botton photo

“What I try with my own stuff is to work the poem to a slow climax through a series of quiet painful dissonances.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Rothenberg and Antin interview (1958)

Augustus De Morgan photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Truman Capote photo
E. W. Hobson photo

“Animals are among the first inhabitants of the mind's eye. They are basic to the development of speech and thought. Because of their part in the growth of consciousness, they are inseparable from the series of events in each human life, indispensable to our becoming human in the fullest sense.”

Paul Shepard (1925–1996) American human ecologist

Thinking Animals: Animals and the Development of Human Intelligence (1978), University of Georgia Press, 1998, Chapter 1, p. 2 https://books.google.it/books?id=rSu9AQAAQBAJ&pg=PA2.

Howard S. Becker photo
George W. Bush photo
Bernie Sanders photo
Fritjof Capra photo

“Prior to his introduction to combat, the average flier possesses a series of intellectual and emotional attitudes regarding his relation to the war. The intellectual attitudes comprise his opinon concerning the necessity of the war and the merits of our cause. Here the American soldier is in a peculiarly disadvantageous position compared with his enemies and most of his Allies. Although attitudes vary from strong conviction to profound cynicism, the most usual reaction is one of passive acceptance of our part in the conflict. Behind this acceptance there is little real conviction. The political, economic or even military justifications for our involvement in the war are not apprehended except in a vague way. The men feel that, if our leaders, the “big-shots,” could not keep us out, then there is no help for it; we have to fight. There is much danger for the future in this attitude, since the responsibility is not personally accepted but is displaced to the leaders. If these should lose face or the men find themselves in economic difficulties in the postwar world, the attitude can easily shift to one of blame of the leaders. The the cry will rise: “We were betrayed—the politicians got us in for their own gain. The militarists made us suffer for it.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 38-39 cited in: The Clare Spark Blog (2009) Strategic Regression in “the greatest generation” http://clarespark.com/2009/12/09/strategic-regression-in-the-greatest-generation/ December 9, 2009

Sonia Sotomayor photo
Jack Buck photo

“The Twins are gonna win the World Series! The Twins have won it! It's a base hit! It's a 1–0, ten inning victory!”

Jack Buck (1924–2002) American sportscaster

Calling Gene Larkin's game-winning hit in Game 7 of the 1991 World Series.
1990s

“In the universe there is room for an infinite series of beginnings.”

Celia Green (1935) British philosopher

Advice to Clever Children (1981)

Francis Heylighen photo
Henri Fayol photo
Babe Ruth photo
George Pólya photo
Brian Keith photo
Madonna photo
Shashi Tharoor photo
George Peacock photo
Jean Baudrillard photo

“A series of accidents creates a positively lighthearted state.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

Source: 1980s, Cool Memories (1987, trans. 1990), Chapter 4

Henry Adams photo
Gillian Anderson photo

“When I finished the series, I wasn't going to do television again. I never wanted to do television to begin with, and I was so exhausted by the process that I was wary of being in front of the camera again.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

On finishing her work in the series The X-Files — reported in Steve Hedgpeth (January 22, 2006) "Gillian Anderson : TV or not TV", The Star-Ledger, p. 3.
2000s

David Eugene Smith photo

“Every evening after dinner, a new life began. There was no hurry. Some walked in the garden. Others smoked. About nine o’clock we made our way alone or in twos and threes to the Study House. Outdoor shoes came off and soft shoes or moccasins were put on. We sat quietly, each on his or her own cushion, round the floor in the centre. Men sat on the right, women on the left; never together.

Some went straight on to the stage and began to practice the rhythmic exercises. On our first arrival, each of us had the right to choose his own teacher for the movements. I had chosen Vasili Ferapontoff, a young Russian, tall, with a sad studious face. He wore pince-nez, and looked the picture of the perpetual student, Trofimov, in The Cherry Orchard. He was a conscientious instructor, though not a brilliant performer. I came to value his friendship, which continued until his premature death ten years later. He told me in one of our first conversations that he expected to die young.

The exercises were much the same as those I had seen in Constantinople three years before. The new pupils, such as myself, began with the series called Six Obligatory Exercises. I found them immensely exciting, and worked hard to master them quickly so that I could join in the work of the general class.”

John G. Bennett (1897–1974) British mathematician and author

Source: Witness: the Story of a Search (1962), p. 90–91 cited in: "Gurdjieff’s Temple Dances by John G. Bennett", Gurdjieff International Review, on gurdjieff.org; About Fontainebleau 1923

David Eugene Smith photo
Leonid Kantorovich photo

“Once some engineers from the veneer trust laboratory came to me for consultation with a quite skilful presentation of their problems. Different productivity is obtained for veneer-cutting machines for different types of materials; linked to this the output of production of this group of machines depended, it would seem, on the chance factor of which group of raw materials to which machine was assigned. How could this fact be used rationally?
This question interested me, but nevertheless appeared to be quite particular and elementary, so I did not begin to study it by giving up everything else. I put this question for discussion at a meeting of the mathematics department, where there were such great specialists as Gyunter, Smirnov himself, Kuz’min, and Tartakovskii. Everyone listened but no one proposed a solution; they had already turned to someone earlier in individual order, apparently to Kuz’min. However, this question nevertheless kept me in suspense. This was the year of my marriage, so I was also distracted by this. In the summer or after the vacation concrete, to some extent similar, economic, engineering, and managerial situations started to come into my head, that also required the solving of a maximization problem in the presence of a series of linear constraints.
In the simplest case of one or two variables such problems are easily solved—by going through all the possible extreme points and choosing the best. But, let us say in the veneer trust problem for five machines and eight types of materials such a search would already have required solving about a billion systems of linear equations and it was evident that this was not a realistic method. I constructed particular devices and was probably the first to report on this problem in 1938 at the October scientific session of the Herzen Institute, where in the main a number of problems were posed with some ideas for their solution.
The universality of this class of problems, in conjunction with their difficulty, made me study them seriously and bring in my mathematical knowledge, in particular, some ideas from functional analysis.
What became clear was both the solubility of these problems and the fact that they were widespread, so representatives of industry were invited to a discussion of my report at the university.”

Leonid Kantorovich (1912–1986) Russian mathematician

L.V. Kantorovich (1996) Descriptive Theory of Sets and Functions. p. 39; As cited in: K. Aardal, ‎George L. Nemhauser, ‎R. Weismantel (2005) Handbooks in Operations Research and Management Science, p. 15-26

Fred Trueman photo

“He is possibly the only bowler to have played in a Test series as an automatic choice without taking a wicket.”

Fred Trueman (1931–2006) English cricketer

Of John Emburey) The Spinner's Web (1988

John Dalberg-Acton, 1st Baron Acton photo
Ellsworth Kelly photo
Benoît Mandelbrot photo

“My life seemed to be a series of events and accidents. Yet when I look back I see a pattern.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

New Scientist interview (2004)

Joe Jackson photo
Denis Healey photo

“I think the Services can be rightly very upset at the continuous series of defence reviews which the Government has been forced by economic circumstances—and maybe economic mistakes too—to carry out…”

Denis Healey (1917–2015) British Labour Party politician and Life peer

On BBC Television's Panorama programme (22 January, 1968).
1960s

Frederick William Robertson photo
Thomas Henry Huxley photo
Henry Adams photo
Carl Sagan photo
Susannah Constantine photo

“This series is more campaigning. It is more journalistic, but still hugely entertaining. It's a show we feel more proud of than anything we've done to date.”

Susannah Constantine (1962) British fashion designer and journalist

Regarding Trinny & Susannah Undress the Nation, as quoted in "Patronising posh girls or candid style advisers?" by Hannah Pool in The Guardian http://lifeandhealth.guardian.co.uk/fashion/story/0,,2207145,00.html (8 November 2007)

Robert M. Pirsig photo
Max Ernst photo

“The study of contemporary species does not establish the existence of evolution; it provides facts which support it, but which do not fully demonstrate its existence. This is understandable, since at present we cannot show the series of successive stages which make up evolution, but only a fleeting picture of evolution.”

Pierre-Paul Grassé (1895–1985) French zoologist

Grassé, Pierre Paul (1977); Evolution of living organisms: evidence for a new theory of transformation. Academic Press, p. 3
Evolution of living organisms: evidence for a new theory of transformation (1977)

Enoch Powell photo

“…the power to control the supply of money, which is one of the fundamental aspects of sovereignty, has passed from government into other hands; and therefore new institutions must be set up which will in effect exercise some of the major functions of government. They would set the level of public expenditure, and settle fiscal policy, the exercise of taxing and borrowing powers of the state, since these are indisputedly the mechanism by which the money supply is determined. But they would do more than this. They would be supreme over the economic ends and the social structure of society: for by fixing prices and incomes they would have to replace the entire automatic system of the market and supply and demand—be that good or evil—and put in its place a series of value judgments, economic or social, which they themselves would have to make…There is a specific term for this sort of polity. It is, of course, totalitarian, because it must deliberately and consciously determine the totality of the actions and activities of the members of the community; but it is a particular kind of totalitarian regime, one, namely, in which authority is exercised and the decisions are taken by a hierarchy of unions or corporations—to which, indeed, on this theory the effective power has already passed. For this particular kind of totalitarianism the Twentieth Century has a name. That name is "fascist."”

Enoch Powell (1912–1998) British politician

Speech in Leamington (18 September 1972), quoted in The Times (19 September 1972), p. 12
1970s

Camille Pissarro photo
Robert A. Heinlein photo
Homér photo

“Here let us feast, and to the feast be joined
Discourse, the sweeter banquet of the mind;
Review the series of our lives, and taste
The melancholy joy of evils passed:
For he who much has suffered, much will know,
And pleased remembrance builds delight on woe.”

XV. 398–401 (tr. Alexander Pope).
E. V. Rieu's translation:
: Meanwhile let us two, here in the hut, over our food and wine, regale ourselves with the unhappy memories that each can recall. For a man who has been through bitter experiences and travelled far can enjoy even his sufferings after a time.
Odyssey (c. 725 BC)

Robert S. Kaplan photo
Charles Sanders Peirce photo