Quotes about screening
page 3

“We had many interesting conversations and he introduced me to his young wife. He confided to me that he had married her because she was a fanatical atheist. Atheism was the main topic of their conversations. Such fervid atheism is usually a screen for repressed religion. The truly convinced atheist does not emphasize his atheism. He does not talk about it and is careful to avoid blasphemies.
The man was interested in dreams and each morning he related several of his dreams. They were full of religious symbols. I was cautious not to reveal to him the meaning of his dreams; such off-hand analyses are always dangerous…. The banker did not want to be disturbed in his supposed atheism…. His atheism was a reaction formation established upon an ineradicable religious belief.”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

American Journal of Psychotherapy Volume II (1948); this has sometimes been quoted as "Fervid atheism is usually a screen for repressed religion." Stekel repeated the anecdote http://benatlas.com/2010/06/wilhelm-stekel-on-atheism-and-telepathy in his Autobiography (1950). The man was the manager of a large New York bank. Stekel met him on the liner on which he was travelling back to Europe.

Religion, Dreams, Confidence

“I finally got tired of making movies where all I did was walk across the screen and look pretty. I got a big chance to do some real acting in The Postman Always Rings Twice, and I'm not going to slip back if I can help it. I tried to persuade the studio to give me something different. But every time I went into my argument about how bad a picture was, they'd say, 'well, it's making a fortune.”

Lana Turner (1921–1995) American actress

That licked me.
On her experience in the film industry; quoted in MacPherson, Virginia; "Imagine This, Lads; Lana Turner Asks That You Concentrate On Her Acting," Toledo Blade (October 15, 1946).
On her career

Chance, Time, Help

“One conclusion was forced upon my mind at that time, and my impression of its truth has ever since remained unshaken. It is that our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus, and at a touch they are there in all their completeness, definite types of mentality which probably somewhere have their field of application and adaptation. No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. How to regard them is the question,—for they are so discontinuous with ordinary consciousness. Yet they may determine attitudes though they cannot furnish formulas, and open a region though they fail to give a map. At any rate, they forbid a premature closing of our accounts with reality.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lectures XVI and XVII, "Mysticism"
1900s, The Varieties of Religious Experience (1902)

Life, Truth, Lie, Question

“Tinkling sounds came from outside, of hammering and chiselling, as labourers worked like bees, and seven- or eight-storeyed buildings rose in the place of ancestral mansions that had been razed cruelly to the ground, climbing up like ladders through screens of dust. An old mansion opposite the veranda had been repainted white, to its last banister and pillar, so that it looked like a set of new teeth. … In another sphere altogether, birds took off from a tree or parapet, or the roof of some rich Marwari’s house, startling and speckling the neutral sky. Not a moment was still or like another moment. In a window in a servants’ outhouse attached to a mansion – both the master’s house and the servants’ lost in a bond now anachronistic and buried – a light shone even at this time of the day, beacon of winter.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Freedom Song (1998)

Bird, Tree, Light, Bee

“The Israeli people are actually incredible. Even with world opinion beating down upon them. They’re not broken. You know, for the most part, they don’t care. You know, they need to be protected and again I’m amazed by the courage that I see in the people.
To be honest with you. I don’t think that journalists should be anywhere allowed war. I mean you guys report where our troops are at. You report what’s happening day today. You make a big deal out of it. I think its asinine. I like back in World War I and World War II when you’d go to the theatre and you’d see your troops, on a, on the screen, and everyone would be real excited and happy for them. Now everyone’s got an opinion and wants to down our, down soldiers, you know, American soldiers, Israeli soldiers; And I think media should be abolished, from ah, you know, reporting. War is hell. And if you’re going to sit there and say look at this atrocity. Well, you don’t know the full story behind it half the time. So I think the media should have no business in it.”

Joe the Plumber (1973) American conservative activist and commentator

"Joe Plumber: Media Shouldn't Report War" Associated Press report (11 January 2009) http://www.youtube.com/watch?v=SJYCxj8KXjQ&feature=related.

War, Happiness, People, World

“Good morning everyone. This past week we've seen the best and the worst of humanity. The heinous terrorist attacks in Paris and Beirut, in Iraq and Nigeria. They showed us once again the depths of the terrorist's depravity. And at the same time we saw the world come together in solidarity. Parisians opening their doors to anyone trapped in the street, taxi drivers turning off their meters to get people home safety, people lining up to donate blood. These simple human acts are a powerful reminder that we cannot be broken and in the face of terror we stand as one. In the wake of these terrible events, I understand the anxiety that many Americans feel. I really do. I don't dismiss the fear of a terrorist bomb going off. There's nothing President Obama and I take more seriously though, than keeping the American people safe. In the past few weeks though, we've heard an awful lot of people suggest that the best way to keep America safe is to prevent any Syrian refugee from gaining asylum in the United States. So let's set the record straight how it works for a refugee to get asylum. Refugees face the most rigorous screening of anyone who comes to the United States. First they are finger printed, then they undergo a thorough background check, then they are interviewed by the Department of Homeland Security. And after that the FBI, the National Counterterrorism Center, the Department of Defense and the Department of State, they all have to sign off on access. And to address the specific terrorism concerns we are talking about now, we've instituted another layer of checks just for Syrian refugees. There is no possibility of being overwhelmed by a flood of refugees landing on our doorstep tomorrow. Right now, refugees wait 18 to 24 months while the screening process is completed. And unlike in Europe, refugees don't set foot in the United States until they are thoroughly vetted. Let's also remember who the vast majority of these refugees are: women, children, orphans, survivors of torture, people desperately in need medical help. To turn them away and say there is no way you can ever get here would play right into the terrorists' hands. We know what ISIL - we know what they hope to accomplish. They flat-out told us. Earlier this year, the top ISIL leader al-Baghdadi revealed the true goal of their attacks. Here's what he said: "Compel the crusaders to actively destroy the gray zone themselves. Muslims in the West will quickly find themselves between one and two choices. Either apostatize or emigrate to the Islamic State and thereby escape persecution." So it's clear. It's clear what ISIL wants. They want to manufacture a clash between civilizations. They want frightened people to think in terms of "us versus them."They want us to turn our backs on Muslims victimized by terrorism. But this gang of thugs peddling a warped ideology, they will never prevail. The world is united in our resolve to end their evil. And the only thing ISIL can do is spread terror in hopes that we will in turn, turn on ourselves. We will betray our ideals and take actions, actions motivated by fear that will drive more recruits into the arms of ISIL. That's how they win. We win by prioritizing our security as we've been doing. Refusing to compromise our fundamental American values: freedom, openness, tolerance. That's who we are. That's how we win. May God continue to bless the United States of America and God bless our troops.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Weekly presidential address http://www.c-span.org/video/?401096-1/weekly-presidential-address (21 November 2015). 2010s

Women, God, Children, People

“Some people in our country seem more concerned about respecting the dignity and privacy of criminals and terrorists than they are about having an airport full of people obliterated, or a completely booked hotel blown to bits. Perhaps they think, Let's not get so upset about attacks on our embassies or military bases. Maybe, they surmise, the terrorists have good reason for attacking us. We have no right to be harassing innocent people in our country. For some people, not even the grotesque images that filled our television screens after al Qaeda's blatant attacks on 9/11 seem enough to wake them out of their utopia feel-good world.”

John Ashcroft (1942) American politician

Source: Never Again: Securing America and Restoring Justice (2006), p. 259

People, Books, World, Feeling

“I find it quite difficult to watch the film once it is done, because in your head or imagination it is totally different. In the beginning it is quite hard, and I don't mean hard as in a negative or a positive. It is difficult to see the film being edited and see the real images for the first time coming out of your head and onto the screen. Sometimes you are surprised that he left something in and he took something out. The director is the creator; he's the captain of the ship when it comes to the creative journey of the film, along of course with the producer. So when you start out acting you have to find a way to understand and to deal with that. But as I say I don't mean it as a negative or a positive.”

Marwan Kenzari (1983) Dutch Tunesian actor

Fight Cub: Marwan Kenzari and Nasrdin Dchar Talk Wolf http://thequietus.com/articles/16646-wolf-kenzari-dchar-interview (November 8th, 2014)

Way, Imagination, Understanding, Time

“Thank you all very much for your hospitality. We've just had a wide-ranging discussions on the matter at hand. Like the good folks standing with me, the American people were appalled and outraged at last Tuesday's attacks. And so were Muslims all across the world. Both Americans and Muslim friends and citizens, tax-paying citizens, and Muslims in nations were just appalled and could not believe what we saw on our T. V. screens. These acts of violence against innocents violate the fundamental tenets of the Islamic faith, and it's important for my fellow Americans to understand that. The English translation is not as eloquent as the original Arabic, but let me quote from the Koran, itself. 'In the long run, evil in the extreme will be the end of those who do evil. For that they rejected the signs of Allah and held them up to ridicule.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Islam is Peace (September 2001)

People, World, Faith, Quotes

“I always loved how people like Jon Voight and Laurence Olivier shocked you every time they came on-screen. They were so different each time. That's what I hope to do with acting — be the chameleon and not get stuck in a type.”

Julia Stiles (1981) American actress

Vanity Fair, August 1998.

Love, People, Hope, Time

“The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures….
Yet the program construct, unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. [… ] The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be.”

Fred Brooks (1931) American computer scientist

Page 7.
The Mythical Man-Month: Essays on Software Engineering (1975, 1995)

Life, Imagination, Sense, Time

“There are people doing yoga in New York, dancing around, that’s the power of India. You go to a nightclub somewhere in Spain and there’s Amitabh Bachchan on the screen there, dancing around. That’s the power of India. That’s the power of Indian people.”

Rahul Gandhi (1970) Indian politician

Wall Street Journal, WSJ http://blogs.wsj.com/indiarealtime/2013/04/04/rahul-gandhi-speech-hits-some-dud-notes/

People, Dance

“I don’t believe in acting. I think that people in life act, but when you are on the stage, or in my case also on screen, you have to be true.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Spartacus Schoolnet biography http://www.spartacus.schoolnet.co.uk/USArainer.htm

Life, People, Thinking

“October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 — the night Le Sacre du Printemps was first performed — in music history. There was no riot, and no one threw anything at the screen, but I think it’s fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. […] Bertolucci and Brando have altered the face of an art form. Who was prepared for that?”

Pauline Kael (1919–2001) American film critic

From "The Current Cinema" http://www.criterion.com/current/posts/834-last-tango-in-paris. The New Yorker. October 28, 1972.

Art, Music, History, Thinking

“Snatch them baldheaded, slap their teeth out. Little starved faces four feet from the screen, you’d speak to them in a loud, commanding voice, get not even a twitch. Use of the preemptive splint, not everyone knows about it. The world reminds us of its power, again and again and again. Going along minding your own business, and suddenly an act of God, right there in front of you. Great falls of snow and bursting birds. Getting guilty, letting it all slide. Sown here and there like little…petunias, one planted in Old Lyme, one in Fairbanks, one in Tempe. Alleged that he slept with her while she was asleep, I can see it, under certain circumstances. You may wink, but not at another person. You may wink only at pigeons. You may pound in your tent pegs, pitch your tent, gather wood for the fire, form the hush puppies. They seek to return? Back to the nest? The warm arms? The ineffable smells? Not on your tintype. Well, I think that’s a little harsh. Think that’s a little harsh do you? Yes, harsh. Harsh. Well that’s a sketch, that is, that’s a tin-plated sketch— They write and telephone. Short of cash? Give us a call, all inquiries handled with the utmost confidentiality. They call constantly, they’re calling still, saying williwaw, williwaw”

Donald Barthelme book Sixty Stories

“Aria”.
Sixty Stories (1981)

God, World, Business, Bird

“Does screen violence provide a window or a mirror? Is it an effect or a cause, an encouragement, a facilitation? Fairly representatively, I think, I happen to like screen violence while steadily execrating its real-life counterpart. Moreover, I can tell the difference between the two. One is happening, one is not.”

Martin Amis (1949) Welsh novelist

Review of Hollywood vs. America by Michael Medved, p. 16
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Life, Thinking

“Screen credit is valuable only when it's given you. If you're in a position to give yourself credit, you don't need it.”

Irving Thalberg (1899–1936) American film producer

Quoted by Norman J. Zierold in The Moguls (New York: Coward-McCann, 1969). Also quoted as "Credit you give yourself is not worth having." Thalberg never took an onscreen credit in films he produced; MGM gave him a screen credit for The Good Earth (1937), released after his death.

“As one of the handful of girls who worked with both of those dance geniuses, I think I can give an honest comparison. In my opinion, Kelly is the more inventive choreographer of the two. Astaire, with Hermes Pan's help, creates fabulous numbers - for himself and his partner. But Kelly can create an entire number for somebody else… I think, however, that Astaire's coordination is better than Kelly's… his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you!… To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Cyd Charisse in Charisse, Cyd; Martin, Tony; Kleiner, Dick. The Two of Us, New York: Mason/Charter, 1976. ISBN 0-884-053636.

Girl, Thinking, Sense, Help

“We have to be realistic about the history of [touch-screen] technology. We have to remember that this is not new — this has been done, this has been tried before.”

Mike Lazaridis (1961) Canadian businessman

RIM's Lazaridis: Qwerty is the next big thing http://news.com/RIMs-Lazaridis-Qwerty-is-the-next-big-thing/2100-1041_3-6239705.html?tag=nefd.top in CNET (16 May 2008)

History

“Micro-motion study, presented for the first time at this meeting, is a new and accurate method of recording and transmitting skill. Based upon the principles of motion study and time study, it makes possible simultaneous measurement of both time and path of motions. It produces an entirely different result from any of the methods attempted by its predecessors, in that it shows a measured difference in the time of day on each and every cinematograph picture, even when the pictures are taken at a rate much faster than ever considered in work where positive films are printed and projected upon the screen.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: The present state of art of industrial management, 1913, p. 1225

Study, Time

“Richard Burton was Welsh; Tom Jones is Welsh, and we Welshmen like to think of ourselves as heroes - on screen and off!”

Timothy Dalton (1944) British actor of stage, film and television

On the land of his birth. [Several Interviews with Timothy Dalton on his 007 portrayal, including Introducing Timothy Dalton by Glenn Fuller in Prevue Magazine., http://www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm, http://web.archive.org/20000304095759/www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm, 2000-03-04].
Attributed

Thinking

“For too long people have forgotten what a genius there is in the ordinary people of this country…the English stock is a true stock; and our people are the same people as those who built our cathedrals and our village churches: who carved the sculptures and who carved the screens inside them.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech upon receiving the Freedom of the City of Winchester (6 July 1928), published in This Torch of Freedom (1935), p. 115.
1928

People, Country

“Hillary Clinton's catastrophic immigration plan will bring vastly more radical Islamic immigration into this country, threatening not only our society but our entire way of life. When it comes to radical Islamic terrorism, ignorance is not bliss. It's deadly — totally deadly. … Clinton's State Department was in charge of admissions and the admissions process for people applying to enter from overseas. Having learned nothing from these attacks, she now plans to massively increase admissions without a screening plan including a 500 percent increase in Syrian refugees coming into our country. Tell me, tell me – how stupid is that? This could be a better, bigger, more horrible version than the legendary Trojan Horse ever was. Altogether, under the Clinton plan, you'd be admitting hundreds of thousands of refugees from the Middle East with no system to vet them, or to prevent the radicalization of the children and their children. Not only their children, by the way, they're trying to take over our children and convince them how wonderful ISIS is and how wonderful Islam is and we don't know what's happening. The burden is on Hillary Clinton to tell us why she believes immigration from these dangerous countries should be increased without any effective system to really to screen. We're not screening people.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, June, Speech about the Orlando Shooting (June 13, 2016)

Life, Children, People, Stupidity

“Ah wassa born…
And Lord shakin', even then was dumpt into some icy font,
Like some great stinky unclean!
From slum-chuch to slum-church, ah spilt mah heart to some fat cunt behind a screen…”

Nick Cave (1957) Australian musician

Song lyrics, Mutiny (1993), Mutiny in Heaven

Heart

“Even in its comparatively tame, fully mathematico-scientifically respectable variants, feedback causality tends to auto-production, and thus to time-anomaly. (…) As it mechanizes, capital approximates ever more closely to an auto-productive circuit in which it appears—on the screen—as something like the 'father' of itself”

Nick Land (1962) British philosopher

M → C → M'
Templexity: Disordered Loops Through Shanghai Time (2014), §9.4

Appearance, Time

“Twin-sister of Religion, Selfishness!
Rival in crime and falsehood, aping all
The wanton horrors of her bloody play;
Yet frozen, unimpassioned, spiritless,
Shunning the light, and owning not its name,
Compelled by its deformity to screen
With flimsy veil of justice and of right
Its unattractive lineaments that scare
All save the brood of ignorance; at once
The cause and the effect of tyranny;
Unblushing, hardened, sensual and vile;
Dead to all love but of its abjectness;
With heart impassive by more noble powers
Than unshared pleasure, sordid gain, or fame;
Despising its own miserable being,
Which still it longs, yet fears, to disenthrall.”

Percy Bysshe Shelley Queen Mab

Canto V
Queen Mab (1813)

Love, Pleasure, Fear, Religion

“The computer makes it posible to create a central information centre of all human achievements; and for any individual, from the comfort of his own home, to interrogate that information. For example, you would like to see a picture of the tallest horse? Then before your last finger clicks the last button that photograph will be up on your screen, in your own home.”

Owain Owain (1929–1993) Welsh novelist, short story writer and poet

Home, Horse

“I have to say from the outset that not all prose can be transferred to the screen.”

Andrei Tarkovsky book Sculpting in Time

Sculpting in Time (1986)

“The general at the radar screen
Rubbed his hands with glee,
And grinning pressed the button
And started world war three.”

Roger McGough (1937) British writer and poet

"Icarus Allsorts", from The Mersey Sound (1967)

War, World

“AY, screen thy favourite dove, fair child,
Ay, screen it if you may,—
Yet I misdoubt thy trembling hand
Will scare the hawk away.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A Child Screening a Dove from a Hawk. By Stewartson
The Troubadour (1825)

“Yeah, I'm unique—like an actor who has only one eye in the middle of his forehead. Or the Elephant Man. I've got a patent on the type. To be an actor is to be a moveable freak. Once you have been up there on that giant screen, everybody knows you—and you know no one. It counts as a source of embarrassment.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

As quoted in "Roberto Mitchum: After all these years, still one of a kind"

“Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 136

History

“You can't blame me sure the killer was my son
but I didn't teach him to pull the trigger of the gun
It's the killing on this tv screen
you can't blame me it's those images he's seen.
Well you can't blame me says the media man
Well I wasn't the one who came up with the plan
And I just point my camera at what the people want to see
Man it's a two way mirror and you can't blame me.”

Jack Johnson (musician) (1975) American musician

Cookie Jar.
Song lyrics, On and On (2003)

People, Way

“But after a while, some higher brain-center cut in, and I began being mentally able to fit the wildly changing scenery into a coherent four-dimensional whole. The process was really no more devious than the process by which one integrates the two hundred lines of a TV screen into a single two-dimensional image... which in turn is interpreted as a three-dimensional scene. It's just a matter of processing information. Impossible? I saw.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 106

Change

“It has been said that on screen I personified the American woman.”

Joan Crawford (1904–1977) American actress

Interview, New York Times (1972)

“After one of those terrible lovers' quarrels that leave one in a state of incomprehensible despair. I came out of the theater, tears streaming, and overheard the petulant voice of a college girl complaining to her boyfriend, "Well I don't see what was so special about that movie." I walked up the street, crying blindly, no longer certain whether my tears were for the tragedy on the screen, the hopelessness I felt for myself, or the alienation I felt from those who could not experience the radiance of Shoeshine. For if people cannot feel Shoeshine, what can they feel?… Later I learned that the man with whom I had quarreled had gone the same night and had also emerged in tears. Yet our tears for each other, and for Shoeshine did not bring us together. Life, as Shoeshine demonstrates, is too complex for facile endings.”

Pauline Kael (1919–2001) American film critic

Review for Shoeshine (1946) as quoted in Sontag & Kael: Opposites Attract Me (2004) by Craig Seligman.

Life, People, Feeling, Girl

“I disgust wearing clothing. I don't have any qualms about being naked on screen. I know it's being shot by a wonderful cinematographer, so why would I fret? If it was for Playboy, I'd be worried.”

Paz de la Huerta (1984) American actress

HBO interview

Clothes

“The happiest screen collaboration of Elsa Lanchester and Charles Laughton — they're both wonderful — is in this adaptation of a Somerset Maugham story, "The Vessel of Wrath." It's set on an island in the Pacific, which Maugham calls Baru, and it's concerned with the efforts of the prim missionary (Lanchester) to reform the carnal, ribald beachcomber (Laughton). The situation is the reverse of that in Maugham's Sadie Thompson story, but with a light, comic tone. The Hepburn-Bogart "African Queen" probably took a few notions from it.”

Pauline Kael (1919–2001) American film critic

"The Beachcomber," p. 56.
5001 Nights at the Movies (1982)

Effort, Light

“The first documentary I saw as a child was Robert Flaherty’s Nanook of the North (1922) broadcast one Sunday afternoon. Nanook enchanted me by his courage to smile in a frozen wasteland, and by the simple fact that he wore a fur coat rather than a military uniform: this gentle hunter wasn’t a conqueror. Later, I understood how great Flaherty was: he told a timeless story without using commentary or pedagogues, and he didn’t interview Nanook like a celebrity or an aggressive talk-show host. He remained off-screen, observing and listening to create that exceptional complicity we feel in this documentary that eschews didacticism. The emotion of life found its counterpart in the emotion of art - a rare and precious achievement in a genre that is often limited to the emotion of the informational narrative.”

Damian Pettigrew Canadian filmmaker

On documentary influences, Sundance Channel Interview (July 2004)

Life, Smile, Art, Feeling

“So I do the test, and we do this scene, and it's the scene at the end where I throw dishes, and so I threw some dishes… and 'Cut!'… And I look around, and there's blood everywhere, because I broke a plate or something, and they're all checking me — 'Oh my God, she cut herself' — and couldn't find any cut, and then I look, and I realise. I see Al's hand is bleeding. And I cut Al Pacino, in my screen test. I think then he liked me. I think that was actually the turning point.”

Michelle Pfeiffer (1958) American actress

On auditioning for Scarface, from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2

God, Thinking

“Through fasting, concentration and prayer, mystics shut out the shifting world of the senses in order to reach a timeless reality. Quite often they find what they seek - but it is only a shadow play, an arabesque of their own anxieties, projected onto an inner screen. They end as they began, stuck fast in the personal time of memory and regret.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

As It Is: Turning Back (p. 198)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

World, Reality, Sense, Memory

“I personally object to episodic games where you play one screen of Space Invaders and one screen of Breakout and one screen of Galaxians and one screen of this and one of that. To me, that's not a game. It's just taking five bad games, putting them together, and calling them one good game. I'm philosophically against that.”

Eugene Jarvis (1955) American game designer and game programmer

Joystik, September 1982

Game, Personality

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

Music, Way, Game, Time

“Scientists are used to debating with one another about the finer points of new research. But increasingly, they find themselves battling their televisions and computer screens, which transmit ever-more-heated rhetoric from politicians, pundits, and other public figures who misinterpret, misrepresent, and malign scientific results.”

Lewis M. Branscomb (1926) physicist and science policy advisor

Lewis M. Branscomb and Andrew A. Rosenberg, " Science and Democracy http://the-scientist.com/2012/10/01/science-and-democracy" The Scientist, October 1, 2012.

“There isn't one role I'd like to play. There are many and there are none. I've always admitted to being a prostitute. I sell myself for money. I don't have to see myelf up on the screen as Napoleon to feel satisfied about a movie. If you pay me a lot of money, I'll be in your film.”

Klaus Kinski (1926–1991) German actor

Fangoria interview

Money, Feeling

“Love plays its lute behind the screen —
where is a lover to listen to its tune?”

Fakhruddin 'Iraqi (1213–1289) Persian philosopher

Fakhruddin Iraqi: Divine Flashes (1982)

Love, Lovers

“With each tentative tiptoe and stumble, I had to inwardly assure myself that I was a good comedian and that my life was not pointless. “I am addicted to comfort,” I thought as I tumbled into the wood chips. I have become divorced from nature; I don’t know what the names of the trees and birds are. I don’t know what berries to eat or which stars will guide me home. I don’t know how to sleep outside in a wood or skin a rabbit. We have become like living cutlets, sanitized into cellular ineptitude. They say that supermarkets have three days’ worth of food. That if there was a power cut, in three days the food would spoil. That if cash machines stopped working, if cars couldn’t be filled with fuel, if homes were denied warmth, within three days we’d be roaming the streets like pampered savages, like urban zebras with nowhere to graze. The comfort has become a prison; we’ve allowed them to turn us into waddling pipkins. What is civilization but dependency? Now, I’m not suggesting we need to become supermen; that solution has been averred before and did not end well. Prisoners of comfort, we dread the Apocalypse. What will we do without our pre-packed meals and cozy jails and soporific glowing screens rocking us comatose? The Apocalypse may not arrive in a bright white instant; it may creep into the present like a fog. All about us we may see the shipwrecked harbingers foraging in the midsts of our excess. What have we become that we can tolerate adjacent destitution? That we can amble by ragged despair at every corner? We have allowed them to sever us from God, and until we take our brothers by the hand we will find no peace.”

Russell Brand book Revolution

Revolution (2014)

Life, God, Peace, Food

“Now for Heaven’s sake go to bed. Don’t worry about how it was done just go straight to bed. Leave the washing-up and get into bed fully clothed. If any of you want to know how any of it was done, please feel free to write in to me at my home address which will come up on the screen in a moment and I will give you a full and honest explanation of anything you may ask.”

Derren Brown (1971) British illusionist

Other TV and web appearances, E4 Mind Control Night

Feeling, Home, Clothes

“All my life to pretend this world of theirs is mine
And to know such pretending is disgraceful.
But what can I do? Suppose I suddenly screamed
And started to prophesy. No one would hear me.
Their screens and microphones are not for that.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Not Mine"

Life, World

“On the bright side, however, it means I get to stay at home and stare at a computer screen all day as opposed to go to work and stare at a computer screen all day.”

Ben Croshaw (1983) English video game journalist

On being sick, 15 May 2003
Fully Ramblomatic

Home

“Well, Plato's cave is full of freaks
Demanding refunds for the things they've seen
I wish they could believe
In all the things that never made the screen”

Jack Johnson (musician) (1975) American musician

Inaudible Melodies.
Song lyrics, Brushfire Fairytales (2001)

“Cartoons drove the photo back to myth and dream screen.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Dreams, Photo

“As you watch the developments in Baghdad, it's important to understand that we will not be able to prevent every al Qaeda attack. When a terrorist is willing to kill himself to kill others, it's really hard to stop him. Yet, over time, the security operation in Baghdad is designed to shrink the areas where al Qaeda can operate, it's designed to bring out more intelligence about their presence, and designed to allow American and Iraqi forces to dismantle their network.We have a strategy to deal with al Qaeda in Iraq. But any time you say to a bunch of cold-blooded killers, success depends on no violence, all that does is hand them the opportunity to be successful. And it's hard. I know it's hard for the American people to turn on their TV screens and see the horrific violence. It speaks volumes about the American desire to protect lives of innocent people, America's deep concern about human rights and human dignity. It also speaks volumes about al Qaeda, that they're willing to take innocent life to achieve political objectives.The terrorists will continue to fight back. In other words, they understand what they're doing. And casualties are likely to stay high. Yet, day by day, block by block, we are steadfast in helping Iraqi leaders counter the terrorists, protect their people, and reclaim the capital. And if I didn't think it was necessary for the security of the country, I wouldn't put our kids in harm's way.…Either we'll succeed, or we won't succeed. And the definition of success as I described is sectarian violence down. Success is not, no violence. There are parts of our own country that have got a certain level of violence to it. But success is a level of violence where the people feel comfortable about living their daily lives. And that's what we're trying to achieve.”

George W. Bush (1946) 43rd President of the United States

President Bush Discusses War on Terror, Economy with Associated General Contractors of America http://georgewbush-whitehouse.archives.gov/news/releases/2007/05/20070502-2.html (May 2, 2007) 2000s, 2007

Life, People, Way, Feeling

“Catfights? What catfights? There is a healthy rivalry between me and other actresses but no one’s ever been bitchy. Kareena Kapoor is a cool girl. As for Preity Zinta, we share an on-screen rapport but we were never friends.”

Rani Mukerji (1978) Indian film actress

citation needed
Famous Quotes

Girl

“Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/rollerball-2002 of the 2002 film Rollerball (8 February 2002) Reviews, Half-star reviews

Color, Search, Sense

“Any opinion—even an informed opinion—expressed from behind the shelter of a screen name is rendered automatically invalid, as far as I’m concerned. Courage of one’s convictions is one of the few things that make people worth the powder to blow ’em up. And, after all, no one would be getting up in arms if I was posting as FuzyBuny and not letting anybody know who I really was. Internet cowards are among the lowest of the species. Grow some f***ing balls, you losers!”

John Byrne (1950) American author and artist of comic books

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=13024&PN=1&TPN=4
On Internet screen names

People, Courage

“It’s so satisfying, and when you see it on screen, you feel like God because you’re bringing life to clay.”

Art Clokey (1921–2010) American animator

Quoted in obituary by Patrick S. Pemberton http://www.sanluisobispo.com/news/local/story/982773.html, The Tribune (SanLuisObispo.com), 9 January 2010

Life, God, Feeling

“Bob Holmes, the script editor, did laugh and filled his pipe so that he could create a smoke screen between us while he turned the idea down.”

Tom Baker (1934) English actor

Idea

“Seventeen years after its initial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi] were able to match the narrative scope of Empire, which today remains one of the finest and most rousing science fiction tales ever committed to the screen.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw2.html of Star Wars Episode V: The Empire Strikes Back (1980). Four star reviews

War, Hope, Star, Science

“The executive power is better to be trusted when it has no screen. Sir, we have a responsibility in the person of our President; he cannot act improperly, and hide either his negligence or inattention; he cannot roll upon any other person the weight of his criminality; no appointment can take place without his nomination; and he is responsible for every nomination he makes… far from being above the laws, he is amenable to them in his private character as a citizen, and in his public character by impeachment.”

James Wilson (1742–1798) one of the Founding Fathers of the United States and a signer of the United States Declaration of Independe…

Arguing for a single executive at the Philadelphia Convention (1787).

Law, Personality

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

Love, World, Way, Idea

“Children […] had sat in those very box buildings under buzzing fluorescent lights listening to their science teachers prattle about the wonders of space travel and gene splicing and how we were all going to live to be a hundred and twenty five years old in "smart" computer-controlled houses where all we had to do was speak to bump up the heat or turn on giant home theater screens in a life of perpetual leisure and comfort. It made me sick to think about. Not because there's something necessarily wrong with leisure or comfort, but because that's where our aspirations ended. And in the face of what had actually happened to us, it seemed obscenely stupid.”

James Howard Kunstler book World Made By Hand

Source: World Made By Hand (2008), Chapter 6, p. 33–34

Life, Children, Stupidity, Travel

“Pictures of politicians preen across our TV screens, pretensions plaques and posters fill our minds and magazines. Promises a burning match, igniting dreams of straw…”

Dawud Wharnsby (1972) Canadian musician

"The War/La Ilaha Il Allah"
Out Seeing The Fields (2007)

Dreams

“People who get eyeball arthritis see only what they're supposed to see, like that TV screen.”

Gene Wolfe book Starwater Strains

"Hunter Lake", The Magazine of Fantasy & Science Fiction, October/November 2003, Reprinted in Gene Wolfe, Starwater Strains (2005)
Fiction

People

“When I was 5 or 6, I already was telling people, I want to be a movie star. I was already a movie fan, though at the time I thought the actors were actually behind the screen. As a boy, my dream was just to be a movie star; later, I wanted to be an actor.”

Earl Holliman (1928) American actor

"Earl Holliman: actor with desire for variety" (1973)

People, Dreams, Star, Boy

“I saw The Lonely Guy all by myself. It was one of those Saturday afternoons where the snow is coming down gray and mean, and you can't even get a decent recorded message on the answering machines of strangers … "Good luck," an usher told me. "You're going to need it." He was right … The Lonely Guy is the kind of movie that seems to have been made to play in empty theaters on overcast January afternoons … [It] is the kind of movie that inspires you to distract yourself by counting the commercial products visible on the screen, and speculating about whether their manufacturers paid fees to have them worked into the movie. I counted two Diet 7-Ups, two Tabs, and Steve Martin.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-lonely-guy-1984 of The Lonely Guy (1 January 1984) Reviews, One-and-a-half star reviews

Guy

“I think a lot more decisions are made on serendipity than people think. Things come across their radar screens and they jump at them.”

Jay W. Lorsch (1932) American organizational theorist

Jay W. Lorsch, quoted in: Peter Barge (2006), The Little Book of Big Decisions, p. 12

People, Thinking, Decision

“While it is becoming increasingly obvious that the fundamental architecture of a system has a profound Influence on the quality of its human factors, the vast majority of human factors studies concern the surface of hardware (keyboards, screens) or the very surface of the software”

Lewis M. Branscomb (1926) physicist and science policy advisor

command names, menu formats
L.M. Branscomb, J.C. Thomas (1984) "Ease of use: a system design challenge". in: IBM Systems Journal. Vol 23.3, Sept 1984. Pages 224-235

Study

“She followed him around where he played his guitar
Till he got so popular they made him a star
Then she could only see him on a TV screen
And hoped someday that he'd come back to New Orleans
Everybody liked her and was knocking on wood
But soon there came a baby for Lady B. Goode”

Chuck Berry (1926–2017) American rock-and-roll musician

"Lady B. Goode" (2017)
Song lyrics

Hope, Star, Baby

“But what has struck me most looking at my own constituency in-box as well as the thousands of emails that I’m receiving from the general public here is that it isn’t just the Muslim community that’s reacting to this. It’s a broad swathe of British public opinion that feels deeply disturbed by what it is seeing on its television screens coming out of Gaza.”

Philip Hammond (1955) British Conservative politician

Telegraph article (2014)

Feeling, Communication, Box

“See the fear and terror as black men run. White is right in the white man’s world, on the big white screen.”

Robert Banks (1966) American filmmaker

MPG: Motion Picture Genocide

Men, World, Fear

“Roger: Well no I think it goes a long way with people who are actually fans of the band. I understand that people who do buy the records are stoked when it’s something that has some value and some thought and actually looks cool. Hopefully slowly that will start to get people motivated to buy vinyl again. Not only does it sound better but you get more of an experience with the artwork and stuff and the lyric sheet in your hand rather than on your computer screen. There’s something more intimate about that. I think slowly but surely vinyl will continue to kind of hold steady even with people not buying CDs anymore.”

Roger Manganelli (1973) American musician

People, Way, Motivation, Understanding

“Hold on. I realize — can, just, just — I realize something's happening in Ferguson, but we're talking about something important here, so can you at least split-screen the video? I realize — look, the protesters and the police are clashing again, alright? They’re clashing again. But we're talking about the dead— the death of an American”

Megyn Kelly (1970) American reporter

of an American who was beheaded, and Pete deserves his say.
After footage of Ferguson, Missouri police chasing protesters over the shooting of Michael Brown was aired while contributor Pete Hegseth spoke to her about ISIS beheading journalist James Foley.
2014-08-19
The Kelly File
Fox News, quoted in * 2014-08-21
Megyn Kelly Scolds Producers for Interrupting ISIS Discussion with Ferguson Video
Andrew Kirell
Media Matters for America
http://www.mediaite.com/tv/megyn-kelly-scolds-producers-for-interrupting-isis-discussion-with-ferguson-video/
2014-08-27

Death, Dead

“Through all these researches into an art that would lead to immaterialisation, Werner Ruhnau [German architect] and I came together in the architecture of the air. He was hindered by the last obstacle that even a w:Mies van der Rohe [also a German architect, famous for his reflecting glass skyscrapers in the U. S. ] hadn’t been able to overcome: the roof, the screen that separates us from the sky, from the blue sky. And I was hindered by the screen that the tangible blue on the canvas constitutes, which deprives man of a constant vision of the horizon.”

Yves Klein (1928–1962) French artist

In 1958; p. 45
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

Art

“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

John Roecker (1966) American film director

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
About

Sex

“I always preferred those movies I would have a large role in. If I had to choose between a small movie with a big role and a big movie with a small role, I'd take the one with more screen time. It's not very satisfying for an actor to get work and then ending up on the cutting room floor.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Time

“As collage technique replaced oil paint, the cathode ray tube will replace the canvas. Someday artists will work with capacitors, resistors, and semiconductors as they work today with brushes, violins and junk. There are 4,000,000 dots per second on one television screen, just think of the variety of images you can get. It's so cool. It's like going to the moon.”

Nam June Paik (1932–2006) American video art pioneer

Manifesto, New York, October 1965, as cited in Jasia Reichardt (1971). The computer in art. p. 95
1960s

Thinking, Painting

“At eighty, a man has experienced everything: love, and its ending; ambition, and its emptiness; several foolish beliefs, and their rectification. Fear of death is not very great; affections and interest concern people who have died and events of the past. In a cinema theatre when the show is continuous the spectator has the right to retain his seat as long as he wishes to do so, but actually, when the scenes he has already witnessed reappear on the screen, he leaves the theatre. Life is a continuous show. The same events take place every thirty years, and they become boring. One after another the spectators take their departure.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Love, Life, Death, People

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

Life, Pain, Penalty, Way

“To see me as a person on screen would be one of the dullest experiences you could ever wish to experience.”

Peter Sellers (1925–1980) British film actor, comedian and singer

As quoted in The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous, and Always Compelling Excesses of America's Film and TV Idols (2007) by James Robert Parish, p. 93

Personality

“The two of us haven't seen each other for a year now, and when we saw each other we bowed in front of each other. This very idea of bowing — you don't bow in front of a screen. It's made impossible, or very difficult, for people who constantly see non-persons on the screen.”

Ivan Illich (1926–2002) austrian philosopher and theologist

We the People interview (1996)

People, Idea, Personality

“The Obie-Bunting showdown was only a screen for Archie's real purpose- searching for the traitor. He suspected that the traitor was a member of The Vigils. More than suspected. Few kids outside The Vigils knew that the day off from school was to have coincided with the Bishop's visit. And the letter to Leon had focused on the visit. Thus, the meeting was a place to begin his pursuit of the traitor, and instinct- instinct that had never failed him- dictated that he would find his betrayer there.”

Robert Cormier book Beyond the Chocolate War

Source: Beyond the Chocolate War (1985), p. 95

School, Search, Betrayal

“Do you have the poems of Han-shan in your house?
They're better for you than sutra reading!
Write them out and paste them on a screen
Where you can glance over them from time to time”

Han-shan Chinese monk and poet

Cold Mountain: 100 Poems by the T'ang Poet Han-shan

Time, Reading, Past, Housing

“It's useless to advise people not to see Independence Day, so I'll issue a warning instead: curb your enthusiasm and don't expect much. With suitably low expectations, you're likely not to be too disappointed, unless you make the mistake of actually thinking about what's taking place on-screen while it's going on. The last half hour is built on a series of contrivances and implausibilities that even a six-year old could find serious flaw with, so be prepared to use the "brain off" switch. But Independence Day isn't about logic and intelligence. It's about space battles, mass destruction, and a laughably "rousing" speech by the President. This is a spectacle, pure and simple. Unfortunately, because the filmmakers mistakenly tried to inject a load of weak dramatic elements, Independence Day turns out to be overlong, overblown, and overdone. For alien invasions this summer, give me The Arrival instead.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/i/id4.html of Independence Day (1996). Two star reviews

People, Disappointment, Intelligence, Thinking

“Each day a few more lies eat into the seed with which we are born, little institutional lies from the print of newspapers, the shock waves of television, and the sentimental cheats of the movie screen.”

Norman Mailer book Advertisements for Myself

"First Advertisement for Myself"
Advertisements for Myself (1959)

Cheating

“I hate the help screen, I hate the options, I hate the card graphics, I hate the default window size, everything. I HATE SOLITAIRE.”

Maddox (1978) American internet writer

I hate Solitaire http://maddox.xmission.com/solitaire.html. The Best Page in the Universe

Hate, Help

“Be very careful of what you allow to infiltrate your consciousness and subconsciousness. When you watch too much television, you'll start to feel inferior from all the commercials hard selling the idea that you're not complete unless you buy their product […] The ad agencies appeal to your fear of not being wanted or loved. It's the same with the local news. They get you to stay tuned with a constant stream of fear tactics […] It's as if our culture is addicted to fear and the flat screen is our drug dealer. Don't allow that crap into your head!”

RuPaul (1960) Actriz de Televisa, dueña y señora de los ejidos cacaoahuateros

Source: Veronica Well You Better Werk! 10 Life Lessons From RuPaul In (Mostly) Gif Form http://madamenoire.com/288751/you-better-werk-10-life-lessons-from-rupaul-in-mostly-gif-form/7/, MadameNoire, 30 July 2013

Love, Fear, Feeling, Idea