Quotes about rhythm

A collection of quotes on the topic of rhythm, life, music, likeness.

Quotes about rhythm

B.K.S. Iyengar photo

“Yoga is like music: the rhythm of the body, the melody of the mind, and the harmony of the soul create the symphony of life/”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60

Joseph Goebbels photo

“If Germany stays united and marches to the rhythm of its revolutionary socialist outlook, it will be unbeatable. Our indestructible will to life, and the driving force of the Führer’s personality guarantee this.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

“The Winter Crisis is Over” speech on June 4, 1943 at the Berlin Sport Palace, “Überwundene Winterkrise, Rede im Berliner Sportpalast,” Der steile Aufstieg (Munich: Zentralverlag der NSDAP., 1944), pp. 287-306.
1940s

Chuck Berry photo

“You know, my temperature's risin'
and the jukebox blows a fuse
My heart's beatin' rhythm
and my soul keeps on singin' the blues
Roll Over Beethoven and tell Tchaikovsky the news”

Chuck Berry (1926–2017) American rock-and-roll musician

"Roll Over Beethoven" (1956) ·  Live performance https://www.youtube.com/watch?v=kT3kCVFFLNg
Song lyrics

John Cage photo
Alexis Karpouzos photo

“In our brief life,
so many roads,
so many miracles
and blessings and glories,
but also so many curses and denials,
grief and contempt,
continuous waves on the planetary seas
that come and go,
and they crawl us into the vast heavens,
n that quiet rhythm universe
listen to your heart beat.”

The film ''We are the conversation'', gathers together the most famous poems and poets from all over the world. It is a celebration of our linguistic diversity and a reminder of our commonalities and the fundamental role verbal art plays in human life around the world.
Alexis karpouzos

Anicius Manlius Severinus Boethius photo

“Music is associated not only with speculation but with morality. When rhythms and modes reach an intellect through the ear, they doubtless affect and reshape that mind according to their particular character.”

Anicius Manlius Severinus Boethius (480) philosopher of the early 6th century

Christopher Callahan (October 2000), Music in Medieval Medical Practice: Speculations and Certainties https://symposium.music.org/index.php/40/item/2168-music-in-medieval-medical-practice-speculations-and-certainties#16
De Institutione Musica

Vladimir Nabokov photo
Gustave Flaubert photo
Orison Swett Marden photo
Terry Pratchett photo
Eugene O'Neill photo
Bruce Lee photo
Vladimir Nabokov photo
Conan O'Brien photo
Virginia Woolf photo
Alfred North Whitehead photo

“The rhythm is then the life, in the sense in which it can be said to be included within nature.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

1910s, The Principles of Natural Knowledge (1919)

Paul Valéry photo

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Osamu Tezuka photo
Aldo Leopold photo
Thomas Mann photo

“I have an epic, not a dramatic nature. My disposition and my desires call for peace to spin my thread, for a steady rhythm in life and art.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Nobel Banquet Speech (10 December 1929) http://nobelprize.org/nobel_prizes/literature/laureates/1929/mann-speech.html

Gabriel Marcel photo
Yeghishe Charents photo
Gioachino Rossini photo

“Simple melody and variety in rhythm.”

Gioachino Rossini (1792–1868) Italian composer

Melodia semplice e varietà nel ritmo.
His motto for Italian music, formulated in a letter to Filippo Filippi, August 26, 1868; Luca Somigli Legitimizing the Artist (2003) p. 103.
Often misquoted as "Simple melody – clear rhythm!"

Chrissie Hynde photo
Suman Pokhrel photo

“Language is texture of images and music. We speak in images and rhythm, by taking help of words.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Viktor Schauberger photo
Regina Spektor photo

“Try it again, breathing's just a rhythm”

Regina Spektor (1980) American singer-songwriter and pianist

"One More Time With Feeling"
Far (2009)

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Friedrich Nietzsche photo
Jerry Goldsmith photo
Suman Pokhrel photo

“An uneasy rhythm of life
is more life like than an easy death.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Khorampa https://www.poemhunter.com/poem/khorampa/</span>
From Poetry

Nikos Kazantzakis photo

“I feel in my heart all commotions and all contradictions, the joys and sorrows of life. But I struggle to subdue them to a rhythm superior to that of the mind, harsher than that of my heart — to the ascending rhythm of the Universe.”

The Saviors of God (1923)
Context: I put my body through its paces like a war horse; I keep it lean, sturdy, prepared. I harden it and I pity it. I have no other steed.
I keep my brain wide awake, lucid, unmerciful. I unleash it to battle relentlessly so that, all light, it may devour the darkness of the flesh. I have no other workshop where I may transform darkness into light.
I keep my heart flaming, courageous, restless. I feel in my heart all commotions and all contradictions, the joys and sorrows of life. But I struggle to subdue them to a rhythm superior to that of the mind, harsher than that of my heart — to the ascending rhythm of the Universe.

Romain Rolland photo

“And the rhythm of the fight is the supreme harmony. Such harmony is not for thy mortal ears. It is enough for thee to know that it exists. Do thy duty in peace and leave the rest to the Gods.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: "Thou art not alone, and thou dost not belong to thyself. Thou art one of My voices, thou art one of My arms. Speak and strike for Me. But if the arm be broken, or the voice be weary, then still I hold My ground: I fight with other voices, other arms than thine. Though thou art conquered, yet art thou of the army which is never vanquished. Remember that and thou wilt fight even unto death."
"Lord, I have suffered much!"
"Thinkest thou that I do not suffer also? For ages death has hunted Me and nothingness has lain in wait for Me. It is only by victory in the fight that I can make My way. The river of life is red with My blood."
"Fighting, always fighting?"
"We must always fight. God is a fighter, even He Himself. God is a conqueror. He is a devouring lion. Nothingness hems Him in and He hurls it down. And the rhythm of the fight is the supreme harmony. Such harmony is not for thy mortal ears. It is enough for thee to know that it exists. Do thy duty in peace and leave the rest to the Gods."

Françoise Sagan photo

“For me writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz.”

Françoise Sagan (1935–2004) French writer

Paris Review interview (1956)
Context: For me writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.

Romain Rolland photo

“Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

Helder Camara photo
Neal A. Maxwell photo
Cassandra Clare photo
Thomas Hardy photo

“So do flux and reflux--the rhythm of change--alternate and persist in everything under the sky.”

Thomas Hardy (1840–1928) English novelist and poet

Source: Tess of the D'Urbervilles

Jack Kerouac photo
Roland Barthes photo

“Each of us has his own rhythm of suffering.”

Roland Barthes (1915–1980) French philosopher, critic and literary theorist
Nikos Kazantzakis photo
Anaïs Nin photo

“His life rushes onward in such torrential rhythm that… only angels and devils can catch the tempo of it.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Source: Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin

Nikki Giovanni photo
Louise Erdrich photo
Sarah Dessen photo
Hazrat Inayat Khan photo
Wisława Szymborska photo
Joan Didion photo
Anne Lamott photo

“Life has its rhythm ad we have ours. They’re designed to coexist in harmony, so that when we do what is ours to do and otherwise let life be, we garner acceptance and serenity. (285)”

Victoria Moran (1950) American writer

Source: Younger by the Day: 365 Ways to Rejuvenate Your Body and Revitalize Your Spirit

Alain de Botton photo
Anna Funder photo
Umberto Eco photo

“Entering a novel is like going on a climb in the mountains: you have to learn the rhythm of respiration, acquire the pace; otherwise you stop right away.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

Source: Postscript to the Name of the Rose

Cassandra Clare photo
Wallace Stevens photo

“I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.”

"Thirteen Ways of Looking at a Blackbird"
Harmonium (1923)

“Live by your own rules Move to your rhythm, instead of dancing to the beat of someone else’s drum Decide how you want to be treated Choose what you will or will not tolerate Leave if you don’t get what you want.”

Sherry Argov (1977) American writer

Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

“If you allow your rhythm to be interrupted, you'll create a void. Then to replace what you give up, you'll start to expect and need more from your partner.”

Sherry Argov (1977) American writer

Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

Thomas Merton photo
Gail Carson Levine photo
Hunter S. Thompson photo

“It was obvious that he was a man who marched through life to the rhythms of some drum I would never hear.”

Hunter S. Thompson (1937–2005) American journalist and author

Source: Hell's Angels: A Strange and Terrible Saga

Haruki Murakami photo

“To keep on going, you have to keep up the rhythm.”

Source: What I Talk About When I Talk About Running

Alice Sebold photo
Anne Rice photo
Auguste Rodin photo
Ilana Mercer photo
Michael Longley photo
Herbert Read photo
Mahadev Govind Ranade photo

“We are but artless folk and not expert in rhythm, time, and tune, but that does not matter. He for whom we sing our hymns understands them all, and he pays no attention to our deficiencies of execution.”

Mahadev Govind Ranade (1842–1901) Indian scholar, social reformer and author

His comment to his wife On his daily prayers he would sings devotional songs out of tune and metre. Quoted in page=104

Wassily Kandinsky photo

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915

Piet Mondrian photo

“I am searching for the proper harmony of rhythm and unchanging proportion, as I wrote in the article. And I cannot tell you how difficult it is. [Mondrian is reacting on Van Doesburg criticism of the strong domination of the regular grid in Mondrian's latest paintings]”

Piet Mondrian (1872–1944) Peintre Néerlandais

In Mondrian's letter to Theo van Doesburg, Paris, 16 September 1919; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 171
1910's

Joe Strummer photo
Johnny Cash photo
Vanna Bonta photo
Howard Gardner photo
Berthe Morisot photo
Piet Mondrian photo
Manuel Castells photo
Anne Morrow Lindbergh photo
Fred Astaire photo

“He has a remarkable ear for intonation, a great sense of rhythm and what is most important, he has great style - style in my way of thinking is a matter of delivery, phrasing, pace, emphasis, and most of all presence.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Bing Crosby in Crosby, Bing. Liner notes for Attitude Dancing, United Artists Records, UAS29888, 1975. (M).

Robert Graves photo
Fred Astaire photo
Benjamin R. Barber photo
Christian Wolff photo
Chris Cornell photo