
Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60
A collection of quotes on the topic of rhythm, life, music, likeness.
Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60
“The Winter Crisis is Over” speech on June 4, 1943 at the Berlin Sport Palace, “Überwundene Winterkrise, Rede im Berliner Sportpalast,” Der steile Aufstieg (Munich: Zentralverlag der NSDAP., 1944), pp. 287-306.
1940s
"Roll Over Beethoven" (1956) · Live performance https://www.youtube.com/watch?v=kT3kCVFFLNg
Song lyrics
Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s
Christopher Callahan (October 2000), Music in Medieval Medical Practice: Speculations and Certainties https://symposium.music.org/index.php/40/item/2168-music-in-medieval-medical-practice-speculations-and-certainties#16
De Institutione Musica
Source: Ada, or Ardor: A Family Chronicle
“Happiness is not a matter of intensity but of balance, order, rhythm and harmony.”
Source: The Great God Brown and Other Plays
Source: Ada, or Ardor: A Family Chronicle
“The rhythm is then the life, in the sense in which it can be said to be included within nature.”
1910s, The Principles of Natural Knowledge (1919)
Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159
Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics
Nobel Banquet Speech (10 December 1929) http://nobelprize.org/nobel_prizes/literature/laureates/1929/mann-speech.html
Source: Man Against Mass Society (1952), p. 144
“Simple melody and variety in rhythm.”
Melodia semplice e varietà nel ritmo.
His motto for Italian music, formulated in a letter to Filippo Filippi, August 26, 1868; Luca Somigli Legitimizing the Artist (2003) p. 103.
Often misquoted as "Simple melody – clear rhythm!"
“Language is texture of images and music. We speak in images and rhythm, by taking help of words.”
<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose
Callum Coats: Water Wizard
Viktor Schauberger: Our Senseless Toil (1934)
“Try it again, breathing's just a rhythm”
"One More Time With Feeling"
Far (2009)
“An uneasy rhythm of life
is more life like than an easy death.”
<span class="plainlinks"> Khorampa https://www.poemhunter.com/poem/khorampa/</span>
From Poetry
The Saviors of God (1923)
Context: I put my body through its paces like a war horse; I keep it lean, sturdy, prepared. I harden it and I pity it. I have no other steed.
I keep my brain wide awake, lucid, unmerciful. I unleash it to battle relentlessly so that, all light, it may devour the darkness of the flesh. I have no other workshop where I may transform darkness into light.
I keep my heart flaming, courageous, restless. I feel in my heart all commotions and all contradictions, the joys and sorrows of life. But I struggle to subdue them to a rhythm superior to that of the mind, harsher than that of my heart — to the ascending rhythm of the Universe.
Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: "Thou art not alone, and thou dost not belong to thyself. Thou art one of My voices, thou art one of My arms. Speak and strike for Me. But if the arm be broken, or the voice be weary, then still I hold My ground: I fight with other voices, other arms than thine. Though thou art conquered, yet art thou of the army which is never vanquished. Remember that and thou wilt fight even unto death."
"Lord, I have suffered much!"
"Thinkest thou that I do not suffer also? For ages death has hunted Me and nothingness has lain in wait for Me. It is only by victory in the fight that I can make My way. The river of life is red with My blood."
"Fighting, always fighting?"
"We must always fight. God is a fighter, even He Himself. God is a conqueror. He is a devouring lion. Nothingness hems Him in and He hurls it down. And the rhythm of the fight is the supreme harmony. Such harmony is not for thy mortal ears. It is enough for thee to know that it exists. Do thy duty in peace and leave the rest to the Gods."
“For me writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz.”
Paris Review interview (1956)
Context: For me writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.
Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.
On writing as a kind of spiritual act in “Both Freedom and Constraint: An Interview with Randa Abdel-Fattah” https://www.wordswithoutborders.org/article/both-freedom-and-constraint-an-interview-with in Words Without Borders (May 2015)
Source: Spiral Of Violence
“So do flux and reflux--the rhythm of change--alternate and persist in everything under the sky.”
Source: Tess of the D'Urbervilles
“Each of us has his own rhythm of suffering.”
Source: Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin
“daddy says the world is
a drum tight and hard
and i told him
i’m gonna beat
out my own rhythm”
Source: Under the Tuscan Sun
Source: Bird by Bird: Some Instructions on Writing and Life
Source: Younger by the Day: 365 Ways to Rejuvenate Your Body and Revitalize Your Spirit
Source: Postscript to the Name of the Rose
Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship
Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship
“What is it about meter and cadence and rhythm that makes their makers mad?”
Source: Girl, Interrupted
Source: Saving Francesca
Source: Hell's Angels: A Strange and Terrible Saga
“To keep on going, you have to keep up the rhythm.”
Source: What I Talk About When I Talk About Running
“Everything in the universe has a rhythm, everything dances.”
Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 2-3
“Beck Breaks from the Pack,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=546 WorldNetDaily.com, April 23, 2010.
2010s, 2010
Form in Modern Poetry(1932)
His comment to his wife On his daily prayers he would sings devotional songs out of tune and metre. Quoted in page=104
2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915
In Mondrian's letter to Theo van Doesburg, Paris, 16 September 1919; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 171
1910's
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 33
1960s
Strummer on Man, God, Law and the Clash (31 January 1988)
Degrees: Thought Capsules and Micro Tales (1989)
Source: Frames of Mind: The Theory of Multiple Intelligences., 1983, p.104
note in Berthe's Journal, Jan. 1886; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, pp. 262-263
Berthe visited Degas in his studio
1881 - 1895
"A River Runs Through It", p. 2
A River Runs Through It (1976)
Source: Urban renewal and social conflict in Paris, 1972, p. 93
Bing Crosby in Crosby, Bing. Liner notes for Attitude Dancing, United Artists Records, UAS29888, 1975. (M).
"The Case for Xanthippe" in The Crane Bag (1969).
General sources
The Morality of Poetry
Primitivism and Decadence : A Study of American Experimental Poetry (1937)
Ginger Rogers in Evans, Harry. "Ginger, Leila, and Fred." Family Circle, May 8, 1936. (M).
Source: Forced to be Free (1971), p. 69, quotation is from A. J. Vidich and J. Bensman, Small Town in Mass Society (New York), p. 315
quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style