Quotes about quality
page 16

Jason Biggs photo

“It's funny – if you told me five years ago that Netflix was producing quality content and they have actors and filmmakers all over Hollywood super excited to be in business with them, I would've been like, what?”

Jason Biggs (1978) American actor

On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]

Myron Tribus photo
Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Brian W. Aldiss photo

“It is the deep, salty stickiness of food that intrigues me more than any other quality.”

Nigel Slater (1958) English food writer, journalist and broadcaster

The Guardian, London, Not roquette science, 2005-10-29, 2010-05-20 http://books.guardian.co.uk/reviews/houseandgarden/0,,1602953,00.html,

William Ralph Inge photo

“The old civilisation, with all the brilliant qualities which make many moderns regret its destruction, rested on too narrow a base. The woman and the slave were left out, the woman especially by the Greeks, and the slave by the Romans.”

William Ralph Inge (1860–1954) Dean of St Pauls

[St Paul, The Quarterly Review, 220, 45–68, https://babel.hathitrust.org/cgi/pt?id=mdp.39015056059549;view=1up;seq=71] January 1914, p. 61

Randy Pausch photo
David Hume photo
Jonathan Pearce photo

“Lampard……Drogba wanting it through the middle…. Brilliant pass…. Brilliant, Brilliant, Brilliant. Sheer quality, the delivery from Lampard. Drogba's rich vain in goal scoring form continues.”

Jonathan Pearce (1959) British football commentator

Didier Drogba's exquisite goal against Manchester City at Stamford Bridge in October 2007.

Charles Darwin photo

“All animals feel Wonder, and many exhibit Curiosity. They sometimes suffer from this latter quality, as when the hunter plays antics and thus attracts them.”

volume I, chapter II: "Comparison of the Mental Powers of Man and the Lower Animals", page 42 http://darwin-online.org.uk/content/frameset?pageseq=55&itemID=F937.1&viewtype=image
The Descent of Man (1871)

Giovanni della Casa photo
Robert F. Kennedy photo

“Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Speech at the University of Kansas at Lawrence http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/RFK-Speeches/Remarks-of-Robert-F-Kennedy-at-the-University-of-Kansas-March-18-1968.aspx (18 March 1968)

Flower A. Newhouse photo
Russell Brand photo

“That's what keeps me alive, perversion and star quality.”

Russell Brand (1975) British comedian, actor, and author

Radio 2 Show (2007–2008)

Zakir Hussain (politician) photo
Charles James Fox photo

“Although Fox's private character was deformed by indulgence in vicious pleasures, it was in the eyes of his contemporaries largely redeemed by the sweetness of his disposition, the buoyancy of his spirits, and the unselfishness of his conduct. As a politician he had liberal sentiments, and hated oppression and religious intolerance. He constantly opposed the influence of the crown, and, although he committed many mistakes, and had in George III an opponent of considerable knowledge of kingcraft and immense resources, the struggle between him and the king, as far as the two men were concerned, was after all a drawn game…the coalition of 1783 shows that he failed to appreciate the importance of political principles and was ignorant of political science…Although his speeches are full of common sense, he made serious mistakes on some critical occasions, such as were the struggle of 1783–4, and the dispute about the regency in 1788. The line that he took with reference to the war with France, his idea that the Treason and Sedition bills were destructive of the constitution, and his opinion in 1801 that the House of Commons would soon cease to be of any weight, are instances of his want of political insight. The violence of his language constantly stood in his way; in the earlier period of his career it gave him a character for levity; later on it made his coalition with North appear especially reprehensible, and in his latter years afforded fair cause for the bitterness of his opponents. The circumstances of his private life helped to weaken his position in public estimation. He twice brought his followers to the brink of ruin and utterly broke up the whig party. He constantly shocked the feelings of his countrymen, and ‘failed signally during a long public life in winning the confidence of the nation’ (LECKY, Hist. iii. 465 sq). With the exception of the Libel Bill of 1792, the credit of which must be shared with others, he left comparatively little mark on the history of national progress. Great as his talents were in debate, he was deficient in statesmanship and in some of the qualities most essential to a good party leader.”

Charles James Fox (1749–1806) British Whig statesman

William Hunt, 'Fox, Charles James (1749–1806)', Dictionary of National Biography (1889).
About

Charles Babbage photo

“In the making both of lace and of statues, the remuneration to the artists can only be reduced by producing a larger number of them through more extended education. The expense of the raw material is small in both. The expense of labour in lacemaking is very large, and it is perhaps considerable also in sculpture. The discovery of more convenient localities yielding marble, may make some diminution in its cost; and the improved manufacture of thread may slightly reduce the price of lace. A reduction in the price of labour may to a very moderate extent reduce the cost of the raw material of both. But it is evident that any very great reduction is not to be expected.
Let us now contrast this possible reduction with the past history of some industrial art. The plain lace made at Nottingham, called patent net, will supply us with a good example. In the year 1813 that lace was sold in the piece at the rate of 218. a-yard. At the present time lace of the same kind, but of a better quality, is sold under the same circumstances at 3d. per yard. Thus, in less than forty years the price of the industrial produce has diminished to one eighty-fourth part of its original price.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 51-52

Leszek Kolakowski photo
Bruce Palmer Jr. photo

“In the late 1950s, when Taylor was the Army chief under the Eisenhower administration, I served in his office as the deputy secretary of the General Staff and made several official trips overseas with him. (The secretary of the General Staff at the time, then Major General William Westmoreland, coordinated the activities of the Army staff and in effect was chief of staff to the Army Chief.) General Taylor was an impressive figure, known as an intellectual, a soldier statesman, and a talented linguist. But it was an unhappy period for Taylor, who did not see eye-to-eye with the commander-in-chief or the other military chiefs as to the proper role of the Army. After he left the Army, Taylor laid out his deep misgivings about the national military establishment in a highly critical book, The Uncertain Trumpet, which caught the attention of many prominent people, including John F. Kennedy. Particularly intense and somewhat aloof during this period, Taylor appeared to those who did not know him as cold, humorless, and unbending. But he had another side- he could be friendly, a genial host, and a witty conversationalist with a well developed sense of humor. For many people, however, these more endearing qualities were not revealed until after he had retired from public life at the end of Johnson's presidency.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 20

Jane Roberts photo

“One of the main purposes of dreaming, therefore, is to increase man’s pleasure, which means to increase the quality of living itself.”

Jane Roberts (1929–1984) American Writer

Session 933, Page 463
Dreams, Evolution and Value Fulfillment, Volume Two (1986)

Roger Fry photo

“I fancy all distinctively poetical language ought to be banned and the poetry come out of the quality of the idea and the intensity or passion with which it is expressed.”

Roger Fry (1866–1934) English artist and art critic

Letter to R. C. Trevelyan , September 7, 1932
Other Quotes

Jean Metzinger photo
Pete Stark photo

“Aside from the wisdom of going to war as Bush wants, I am troubled by who pays for his capricious adventure into world domination. The administration admits to a cost of around $200 billion! Now, wealthy individuals won't pay. They've got big tax cuts already. Corporations won't pay. They'll cook the books and move overseas and then send their contributions to the Republicans. Rich kids won't pay. Their daddies will get them deferments as Big George did for George W. Well then, who will pay? School kids will pay. There'll be no money to keep them from being left behind -- way behind. Seniors will pay. They'll pay big time as the Republicans privatize Social Security and rob the Trust Fund to pay for the capricious war. Medicare will be curtailed and drugs will be more unaffordable. And there won't be any money for a drug benefit because Bush will spend it all on the war. Working folks will pay through loss of job security and bargaining rights. Our grandchildren will pay through the degradation of our air and water quality. And the entire nation will pay as Bush continues to destroy civil rights, women's rights and religious freedom in a rush to phony patriotism and to courting the messianic Pharisees of the religious right.”

Pete Stark (1931–2020) American politician

Statement on the floor of the U.S. House of Representatives, October 8, 2002, in opposition to the resolution authorizing military force against Iraq

Adolphe Tavernier photo
David Chalmers photo
Max Beckmann photo
Luther Burbank photo
Henri Matisse photo
Anders Nygren photo
Steven Erikson photo
Edward Carpenter photo

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

“Since I leapt into the world an empiricist, ideality was not a quality I wanted.”

Donald Judd (1928–1994) artist

Donald Judd in Art Journal, (1981); Quoted in: David Raskin. Donald Judd. New Haven: Yale University Press, 2010.
1980

“Nature is like parting a curtain, you go into it. I want to draw a certain response like this.... that quality of response from people when they leave themselves behind, often experienced in nature, an experience of simple joy... My paintings are about merging, about formlessness... A world without objects, without interruption.”

Agnes Martin (1912–2004) American artist

Ann Wilson, from her talks in the Summer of 1972 at Agnes Martin's home in Mexico - an unpublished document; as quoted in Agnes Martin: Her Life and Art, Chapter 7 - 'Departures', Nancy Princenthal; Thames and Hudson, New York, p. 195-196
Wilson's visit to Cuba in Mexico was to work towards the publication accompanying Martin's exhibition at the Institute of Contemporary Art in Philadelphia in 1973, curated by Suzanne Delehanty
1970's

Nassim Nicholas Taleb photo

“My major hobby is teasing people who take themselves and the quality of their knowledge too seriously and those who don’t have the guts to sometimes say: I don’t know….”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Nassim Nicholas Taleb's Home Page http://www.fooledbyrandomness.com/

Matthieu Ricard photo
Rashi photo
Johannes Kepler photo

“Wherever there are qualities there are likewise quantities, but not always vice versa.”

Johannes Kepler (1571–1630) German mathematician, astronomer and astrologer

Vol. VIII, p. 47ff.
Joannis Kepleri Astronomi Opera Omnia, ed. Christian Frisch (1858)

Robert M. Pirsig photo

“To an experienced Zen Buddhist, asking if one believes in Zen or one believes in the Buddha, sounds a little ludicrous, like asking if one believes in air or water. Similarly Quality is not something you believe in, Quality is something you experience.”

Robert M. Pirsig (1928–2017) American writer and philosopher

This appears in what could be either a paraphrase, a quote, or a re-translation of Pirsig in My Mercedes Is Not for Sale : From Amsterdam to Ouagadougou : An Auto-misadventure Across the Sahara (2006) by Jeroen van Bergeijk, in a 2008 translation books.google http://books.google.de/books?id=pIOcbS2Pl8kC&pg=PA26; Dutch original: books.google http://books.google.de/books?id=4zIzAgAAQBAJ&q=geoefende.
Disputed

Dana Gioia photo
Vijay Govindarajan photo
Sri Chinmoy photo
Perry Anderson photo
Russell Brand photo
Robert Anton Wilson photo
Karl Kraus photo

“Most writers have no other quality than the reader: taste. But the latter has the better taste, because he does not write - and the best if he does not read.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Venkatraman Ramakrishnan photo

“This is an honour that reflects the quality of science supported by the Medical Research Council, in particular at the Laboratory of Molecular Biology in Cambridge. In my case, credit should go to the numerous dedicated postdocs, students, associates and colleagues who made crucial contributions to the work.”

Venkatraman Ramakrishnan (1952) Nobel prize winning American and British structural biologist

Quoted in Knighthood for Venkatraman Ramakrishnan, 31 December 2011, 19 December 2013, NDTV http://www.ndtv.com/article/india/knighthood-for-venkatraman-ramakrishnan-162464,

Zygmunt Bauman photo
W. H. Auden photo
Seyyed Hossein Nasr photo

“For Muslims the Quran is the Word of God; it is sacred scripture, not a work of "literature," a manual of law, or a text of theology, philosophy or history although it is of incomparable literary quality, contains many injunctions about a Sacred Law, is replete with verses of metaphysical, theological, and philosophical significance, and contains many accounts of sacred history. The unique structure of the Quran and the flow of its content constitute a particular challenge to most modern readers. For traditional Muslims the Quran is not a typical "read" or manual to be studied. For most of them, the most fruitful way of interacting with the Quran is not to sit down and read the Sacred Tex from cover to cover (although there are exceptions, such as completing the whole text during Ramadan). it is, rather, to recite a section with full awareness of it as the Word of God and to meditate upon it as one whose soul is being directly addressed, as the Prophet's soul was addressed during its revelation. … In this context it must be remembered that the Quran itself speaks constantly of the Origin and the Return, of all things coming from God and returning to Him, who himself has no origin or end. As the Word of god, the Quran also seems to have no beginning and no end. Certain turns of phrase and teachings about the Divine Reality, the human condition, the life of this world, and the Hereafter are often repeated, but they are not mere repetitions. Rather each iteration of a particular word, phrase, or verse opens the door of a hidden passage to other parts of the Quran. Each coda is always a prelude to an as yet undiscovered truth.”

The Study Quran: A New Translation and Commentary https://books.google.com/books?id=GVSzBgAAQBAJ&printsec=frontcover (2015)

Salman Rushdie photo
W. Edwards Deming photo
Aldo Leopold photo
Tom Robbins photo
Gene Roddenberry photo
Frederick Douglass photo
Théophile de Donder photo

“Mathematical physics represents the purest image that the view of nature may generate in the human mind; this image presents all the character of the product of art; it begets some unity, it is true and has the quality of sublimity; this image is to physical nature what music is to the thousand noises of which the air is full…”

Théophile de Donder (1872–1957) Belgian physicist

as quoted by Ilya Prigogine in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html given at the occasion of Prigogine's 1977 Nobel Prize in Chemistry.

Max Horkheimer photo
Jack Valenti photo
Corneliu Zelea Codreanu photo
Francis Escudero photo
Zygmunt Bauman photo
Calvin Coolidge photo
Edith Hamilton photo
Nicomachus photo
Henry Moore photo
Jayant Narlikar photo

“We have seven colours — violet, indigo, blue, green, yellow, orange and red (Roy G. Biv). Our atmosphere has a number of particles and when light falls on them, it gets scattered. With blue colour having less wavelength and more scattering qualities, it scatters and makes the sky blue. While red colour has opposite qualities than blue so traffic lights are of this colour.”

Jayant Narlikar (1938) Indian physicist

His observations on the "strange events in our solar system" and as to why the sky looked blue and red colour was used in traffic lights to signal to vehicles to stop.
When Prof Jayant Narlikar saw the sun rise in the west

Thomas Szasz photo
A. P. J. Abdul Kalam photo
Alex Salmond photo

“I believe it is through independence that we can do most to help our nation to flourish, to improve our quality of life.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Citizens Advice Bureaux (August 15, 2007)

Vitruvius photo
Joseph Beuys photo
Thanissaro Bhikkhu photo
Graham Greene photo
Joseph M. Juran photo
Li Hongzhi photo
George Bernard Shaw photo
David Bohm photo

“The field of the finite is all that we can see, hear, touch, remember, and describe. This field is basically that which is manifest, or tangible. The essential quality of the infinite, by contrast, is its subtlety, its intangibility. This quality is conveyed in the word spirit, whose root meaning is "wind, or breath." This suggests an invisible but pervasive energy, to which the manifest world of the finite responds. This energy, or spirit, infuses all living beings, and without it any organism must fall apart into its constituent elements. That which is truly alive in the living being is this energy of spirit, and this is never born and never dies.”

David Bohm (1917–1992) American theoretical physicist

As quoted in Infinite Potential: The Life and Times of David Bohm by F. David Peat https://books.google.com/books?id=pobZMUmZbAEC&pg=PA322&dq=The+field+of+the+finite+is+all+that+we+can+see,+hear,+touch,+remember,+and+describe.+This+field+is+basically+that+which+is+manifest,+or+tangible.+The+essential+quality+of+the+infinite,+by+contrast,+is+its+subtlety,+its+intangibility.+This+quality+is+conveyed+in+the+word+spirit,+whose+root+meaning+is+%22wind,+or+breath.%22+This+suggests+an+invisible+but+pervasive+energy,+to+which+the+manifest+world+of+the+finite+responds.+This+energy,+or+spirit,+infuses+all+living+beings,+and+without+it+any+organism+must+fall+apart+into+its+constituent+elements.+That+which+is+truly+alive+in+the+living+being+is+this+energy+of+spirit,+and+this+is+never+born+and+never+dies&hl=en&sa=X&ved=0ahUKEwjotZe8m6_TAhWs5oMKHbA4CkMQ6AEIIzAA#v=onepage&q=The%20field%20of%20the%20finite%20is%20all%20that%20we%20can%20see%2C%20hear%2C%20touch%2C%20remember%2C%20and%20describe.%20This%20field%20is%20basically%20that%20which%20is%20manifest%2C%20or%20tangible.%20The%20essential%20quality%20of%20the%20infinite%2C%20by%20contrast%2C%20is%20its%20subtlety%2C%20its%20intangibility.%20This%20quality%20is%20conveyed%20in%20the%20word%20spirit%2C%20whose%20root%20meaning%20is%20%22wind%2C%20or%20breath.%22%20This%20suggests%20an%20invisible%20but%20pervasive%20energy%2C%20to%20which%20the%20manifest%20world%20of%20the%20finite%20responds.%20This%20energy%2C%20or%20spirit%2C%20infuses%20all%20living%20beings%2C%20and%20without%20it%20any%20organism%20must%20fall%20apart%20into%20its%20constituent%20elements.%20That%20which%20is%20truly%20alive%20in%20the%20living%20being%20is%20this%20energy%20of%20spirit%2C%20and%20this%20is%20never%20born%20and%20never%20dies&f=false (1997) page 322, .

Enoch Powell photo

“The relevant fact about the history of the British Isles and above all of England is its separateness in a political sense from the history of continental Europe. The English have never belonged to it and have always known that they did not belong. The assertion contains no element of paradox. The Angevin Empire contradicts it as little as the English claim to the throne of France; neither the possession of Gascony nor the inheritance of Hanover made Edward I or George III anything but English sovereigns. When Henry VIII declared that 'this realm of England is an empire (imperium) of itself', he was making not a new claim but a very old one; but he was making it at a very significant point of time. He meant—as Edward I had meant, when he said the same over two hundred years before—that there is an imperium on the continent, but that England is another imperium outside its orbit and is endowed with the plenitude of its own sovereignty. The moment at which Henry VIII repeated this assertion was that of what is misleadingly called 'the reformation'—misleadingly, because it was, and is, essentially a political and not a religious event. The whole subsequent history of Britain and the political character of the British people have taken their colour and trace their unique quality from that moment and that assertion. It was the final decision that no authority, no law, no court outside the realm would be recognised within the realm. When Cardinal Wolsey fell, the last attempt had failed to bring or keep the English nation within the ambit of any external jurisdiction or political power: since then no law has been made for England outside England, and no taxation has been levied in England by or for an authority outside England—or not at least until the proposition that Britain should accede to the Common Market.”

Enoch Powell (1912–1998) British politician

Speech to The Lions' Club, Brussels (24 January 1972), from The Common Market: Renegotiate or Come Out (Elliot Right Way Books, 1973), pp. 49-50
1970s

Frank Herbert photo

“That is one of the Law's purposes, of course: to test the qualities of those who choose to employ it.”

Frank Herbert (1920–1986) American writer

Gowachin Aritch to Jorj X. McKie; p. 68
The Bureau of Sabotage series, The Dosadi Experiment (1977)

Frederick Douglass photo

“The world knows that last Monday a meeting assembled to discuss the question: "How Shall Slavery Be Abolished?" The world also knows that that meeting was invaded, insulted, captured by a mob of gentlemen, and thereafter broken up and dispersed by the order of the mayor, who refused to protect it, though called upon to do so. If this had been a mere outbreak of passion and prejudice among the baser sort, maddened by rum and hounded on by some wily politician to serve some immediate purpose, - a mere exceptional affair, - it might be allowed to rest with what has already been said. But the leaders of the mob were gentlemen. They were men who pride themselves upon their respect for law and order. These gentlemen brought their respect for the law with them and proclaimed it loudly while in the very act of breaking the law. Theirs was the law of slavery. The law of free speech and the law for the protection of public meetings they trampled under foot, while they greatly magnified the law of slavery. The scene was an instructive one. Men seldom see such a blending of the gentleman with the rowdy, as was shown on that occasion. It proved that human nature is very much the same, whether in tarpaulin or broadcloth. Nevertheless, when gentlemen approach us in the character of lawless and abandoned loafers, - assuming for the moment their manners and tempers, - they have themselves to blame if they are estimated below their quality.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, Plea for Free Speech in Boston (1880)

Stanley A. McChrystal photo

“Quality is free, but only to those who are willing to pay heavily for it.”

Tom DeMarco (1940) American software engineer, author, and consultant

Source: Peopleware: Productive Projects and Teams (1987), p. 23.

Michelle Obama photo
Edsger W. Dijkstra photo
Jean de La Bruyère photo