Quotes about poetry (1440 quotes, page 5)

“On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

quote from 'Guerra sola igiene del mundo', in Edizione Futuriste di Poesia', Milan 1915; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 21
1910's

Death , Health , Youth , Art

“Perhaps no person can be a poet, or even enjoy poetry, without a certain unsoundness of mind.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

On Milton (1825)

Personality

“Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"The Promise of Words" in London Review of Books, Vol. 17, No. 17, p. 23

Sense

“Poetry photographs parts of life and humanity that can’t be captured visually, at least in a literal sense. It dissects the hopelessness of being alive and makes it seem to develop meaning momentarily, even if it never actually does.”

Robbie Coburn (1994) Australian writer

in 2014, Going Down Swinging

Life , Sense , Parting

“As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. w:Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that... Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Propositions, 2
also in a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903, The Gentle Art of Making Enemies' (1890)

Love , Art , Music , Sense

“I do consider my engaged poetry as a personal mission, a duty towards a society which evolves into a system of control of consciences: one even becomes a suspect for not thinking correctly!”

Jan Theuninck (1954) painter, poet

Je considère la poésie engagée comme une mission personnelle, un devoir envers une société où on évolue vers un contrôle des consciences : on devient même suspect de ne pas penser correctement !
As quoted in Letteratour (29 November 2004) http://www.letteratour.it/interviste/H02theunJ01.htm

Thinking , Personality

“The extraordinary stylistic changes of late eighteenth-century music may have provided much of the inspiration for the literature of the turn of the century, but the literary forms that resulted were deeply eccentric. It was these works—paradoxical, anticlassical, often with startlingly unbalanced proportions—which in turn influenced the music of the generation of composers that followed. The most clearly affected by literature and art were Schumann, Berlioz, and Liszt, but neither Mendelssohn nor Chopin remained untouched by literary developments, like the revival of Celtic and medieval poetry, as the overtures of Mendelssohn and the Ballades of Chopin explicitly demonstrate.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

Art , Music , Literature , Change

“In general, in poetry and literature, I am among those people who believe that too much is indispensable.”

Yevgeny Yevtushenko (1932–2017) Russian poet, film director, teacher

New York Times (2 February 1986).

People , Literature

“Everybody must have wished at some time that poetry were written by nice ordinary people instead of poets—and, in a better world, it may be; but in this world writers like Constance Carrier are the well oysters that don’t have the pearls.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Recent Poetry”, p. 225
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

People , World , Time

“The best poetry of WW2, the most truthful and penetrating, poetry which is rooted in the ground of physical experience, suspicious of the abstract and conforming to the discipline of provenly effective forms.”

Vernon Scannell (1922–2007) British boxer and poet

Not Without Glory, 1976

Truth

“We could make an epic catalog of male achievements, from paved roads, indoor plumbing, and washing machine to eyeglasses, antibiotics and disposable diapers. We enjoy safe, fresh milk and meat, and vegetables and tropical fruits heaped in snowbound cities. When I cross the George Washington Bridge or any of America’s great bridges, I think: men have done this. Construction is a sublime male poetry. When I see a giant crane passing on a flatbed truck, I pause in awe and reverence as would for a church processions.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 37

Men , Thinking

“I have been a storyteller from a very young age. Both my grandfathers took me on their laps when I was little and either recited epic poetry or told me firsthand adventure stories from their youths. It instilled in me a sense of wonder, and I’ve been wanting to pass along that same sense of wonder ever since.”

Ridley Pearson (1953) American writer

Enjoy my Interview with Ridley Pearson https://ethanjonesbooks.wordpress.com/2018/01/25/enjoy-my-interview-with-ridley-pearson/ (January 25, 2018)

Youth , Age , Sense

“In my opinion we learn nothing from history except the infinite variety of men’s behaviour. We study it, as we listen to music or read poetry, for pleasure, not for instruction”

A.J.P. Taylor (1906–1990) Historian

"The Radical Tradition: Fox, Paine, and Cobbett", p 34
The Trouble Makers: Dissent over Foreign Policy, 1792-1939 (1957)

Men , Pleasure , Music , History

“It seems to me that art is a great miracle-it is the showing forth of the Holy Spirit transubstantiation. It is to find and proclaim the poetry of life, without which there is no life.”

Jim Ede (1895–1990) art collector

Introduction,In Engrave Glass:David Peace,Cambridge 1973.

Life , Art

“Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous.”

Horace Smith (1779–1849) English poet and novelist

Percy Bysshe Shelley.
About

Money , Personality

“The second observation is that poetry is a universal human art. Despite post-modern theories of cultural relativism that assert there are no human universals, there exists a massive and compelling body of empirical data, collected and documented by anthropologists, linguists, and archeologists that demonstrates there is no human society, however isolated, that has not developed and employed poetry as a cultural practice. Most of this poetry, of course, has been oral poetry. Many of these cultures never developed writing. But the fact remains—and it is a demonstrable fact, not mere opinion—that every society has developed a special class of speech, shaped by apprehensible patterns of sound, namely, poetry”

Dana Gioia (1950) American writer

9-10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Art , Universe

“Human beings are divided into mind and body. The mind embraces all the nobler aspirations, like poetry and philosophy, but the body has all the fun.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Love and Death (1975)

“When I was in hospital I found I could hardly read or writ. In these circumstances I began to write poems. I found that poetry was the only kind of writing in which I could express my thoughts. One night I dreamed I was lying on the bank of a canal, under machine gun fire. The next morning I wrote it out, Carentan O Caretan, and as I wrote I realized it was not a dream, but the memory of my first time under fire”

Louis Simpson (1923–2012) Jamaican poet

The Poetry of War 1939-45 ed. Ian Hamilton, London 1965
Carentan O Carentan, 1948

Dreams , Lying , Memory , Time

“Mathematics, like music and poetry, is a creation of the mind; … the primary task of the mathematician, like that of any other artist, is to extend man's mental horizon by representation and interpretation.”

Graham Sutton (1903–1977) Welsh scientist

Mathematics in Action (1954) page 1

Music , Mathematics

“The media themselves are the avant-garde of our society. Avant-garde no longer exists in painting, music and poetry, it's the media themselves.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, A McLuhan Sourcebook (1995), p. 274

Music , Painting

“[Footnote] At the age of twelve Nero had shown a lively interest in the arts, particularly music, painting, sculpture, and poetry. Why was nothing done about this?”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Nero

Age , Art , Music , Painting

“The Second Amendment is about protecting your right to go deer hunting the same way that the First Amendment is about protecting your right to publish poetry.”

James Wesley Rawles (1960) Survivalist-fiction author and blogger

Tools For Survival (2009)

Way

“After all, though beauty be deceitful, and favour be vain, yet beauty is the most exquisite gift ever lavished by fairies around an infant cradle. Its charm is nameless; it wins us, we know not why — and lingers on our memory, we know not wherefore. Whether in the animate or the inanimate world, it is the cause of our most delicious sensations; it belongs to the imagination, for it calls up within us whatever of poetry may be lurking in the "hidden mines of thought." It is the attribute of all that is most glorious in existence — it is on the azure sky — it clothes the earth as with a garment — it rides triumphant over the purple bosom of the sea. Look within our hearts, it has originated all that is ideal in our nature. Beauty is the shadow flung from heaven on earth — it is the type of a lovelier and more spiritual existence, and the broken and transitory lights that it flings on this our sad and heavy pilgrimage, do but indicate another and a better sphere, where the beautiful will also be the everlasting. The homage involuntarily paid to its mysterious influence is but an unconscious acknowledgment of its divine origin, and its eternal future.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.8. The Black Dwarf — ISABEL VERE.
Literary Remains

World , Sadness , Beauty , Imagination

“I think cynicism is the worst thing because it kills everything. There’s no more honesty, no more poetry, no more freshness. Cynicism is the worst thing — a kind of smart person who’s got all the answers. This is death. It kills creation. There’s no love, no tenderness, nothing at all left. There’s no hatred even, nothing. Equally dangerous is the detached attitude that says, “Everything is fun!””

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Conversation. Interview with Byron Dobell (1957), p. 38

Love , Death , Thinking , Personality

“The difference between poetry and prose is not one of surface qualities, or form, or mode of expression, but of essence. The state of mind in which poetry originates must either seek poetic expression or it must not be expressed.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

“There is something in Poetry beyond Prose-reason; there are Mysteries in it not to be explained, but admired.”

Edward Young (1683–1765) English poet

Conjectures on Original Composition (1759) p. 28.

“All noblest things are religious,— not temples and martyrdoms only, but the best books, pictures, poetry, statues, and music.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 500.

Books , Music

“It is clear to see that it is not them but me, who had lost my self-identity. As I hide behind these books I read, while scribbling my poetry, like art could save a wretch like me, with some ideal ideology that no one can hope to achieve. And I am never real; it is just a sketch of me. And everything I have made is trite and cheap and a waste of paint, of tape, of time”

Conor Oberst (1980) American musician

Waste of Paint
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Books , Hope , Art , Time

“Poetry is a vocal art for me, not neccessarilyperformative, it might be reading to one self or recalling some lines by memory. The speaker bringing their own experience to it, changing it with their own sensibility.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

The Art of Poetry - interview 1995 with Downing & Kunitz

Art , Memory , Change , Reading

“I enjoy French poetry as well as French prose, and I believe that this land must have some cultural connection with the European continent, and that she is best connected through her spiritual complement across the Straits of Dover.”

E.M. Forster (1879–1970) English novelist

"Some Books: A New Year's Resolution for 1944" (1943), reprinted in Jeffrey M. Heath, (ed.) The Creator as Critic and Other Writings by E.M. Forster, Dundurn, 2008.

“In previous conditions, extreme states came under the jurisdiction of the arts… People substituted writing (fiction) for what was once spiritual life, poetry (chaotic words) for actual ecstasies. Art constitutes a minor free zone outside action, paying for its freedom by giving up the real world. A heavy price!”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: On Nietzsche (1945), p. xxxii

Life , People , World , Art

“I would like my books to stand as a tool to unbind children from expectations of poetry because it should free the child to self-expression and exploration.”

Masiela Lusha (1985) Albanian actress, writer, author

On why she writes http://www.burbankleader.com/entertainment/tn-blr-masielalusha-20101027,0,7134384.story/

Children , Books

“After one has abandoned a belief in God, poetry is that essence which takes its place as life’s redemption.”

Wallace Stevens (1879–1955) American poet

Opus Posthumous (1955)

Life , God

“He has no equal in medieval German lyric poetry and perhaps not even in European lyric poetry of the Middle Ages.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Ingeborg Glier, in Boris Ford (ed.) Medieval Literature: The European Inheritance (Harmondsworth: Penguin, 1983) p. 184.
Praise

Age

“By the time I was 16, the everlasting copying of stuffed birds and withered flowers at the Strasbourg School of Applied Art not only poisoned drawing for me but destroyed my taste for all artistic activity. I took refuge in poetry.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Looking, Arp, Jean; as quoted by Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 12
1960s

School , Art , Flowers , Bird

“Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.” … “My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”… “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?”

James Tod (1782–1835) 1782-1835, English officer of the British East India Company and an Oriental scholar

[The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.”
James Tod, Annals and Antiquities of Rajasthan, Routledge and Kegan Paul (London,l829,1957), 2 vols., I quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3

People , Age , Religion , Art

“Poetry is a form of necessary speech.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

“Great abilities are not requisite for an Historian; for in historical composition, all the greatest powers of the human mind are quiescent. He has facts ready to his hand; so there is no exercise of invention. Imagination is not required in any high degree; only about as much as is used in the lower kinds of poetry.”

Samuel Johnson (1709–1784) English writer

July 6, 1763, p. 120
Life of Samuel Johnson (1791), Vol I

Exercises , Imagination

“Both in Greece and in Provence the poetry attained its highest rhythmic and metrical brilliance at times when the arts of verse and music were most closely knit together, when each thing done by the poet had some definite musical urge or necessity bound up within it.”

Ezra Pound (1885–1972) American Imagist poet and critic

"The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (Dec. 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91.

Art , Music , Time

“We find that at present the human race is divided into one wise man, nine knaves, and ninety fools out of every hundred. That is, by an optimistic observer. The nine knaves assemble themselves under the banner of the most knavish among them, and become 'politicians'; the wise man stands out, because he knows himself to be hopelessly outnumbered, and devotes himself to poetry, mathematics, or philosophy; while the ninety fools plod off under the banners of the nine villains, according to fancy, into the labyrinths of chicanery, malice and warfare. It is pleasant to have command, observes Sancho Panza, even over a flock of sheep, and that is why the politicians raise their banners. It is, moreover, the same thing for the sheep whatever the banner. If it is democracy, then the nine knaves will become members of parliament; if fascism, they will become party leaders; if communism, commissars. Nothing will be different, except the name. The fools will be still fools, the knaves still leaders, the results still exploitation. As for the wise man, his lot will be much the same under any ideology. Under democracy he will be encouraged to starve to death in a garret, under fascism he will be put in a concentration camp, under communism he will be liquidated.”

T. H. White book The Book of Merlyn

The Book of Merlyn (1977)

Death , Fools , Democracy , Communication

“Extreme states of being, whether individual or collective, were once purposefully motivated. Some of those purposes no longer have meaning (expiation, salvation). The well-being of communities is no longer sought through means of doubtful effectiveness, but directly, through action. Under these conditions, extreme states of being fell into the domain of the arts, and not without a certain disadvantage. Literature (fiction) took the place of what had formerly been the spiritual life; poetry (the disorder of words) that of real states of trance. Art constituted a small free domain, outside action: to gain freedom it had to renounce the real world. This is a heavy price to pay, and most writers dream of recovering a lost reality. They must then pay in another sense, by renouncing freedom.”

Georges Bataille (1897–1962) French intellectual and literary figure

The Bataille Reader (1997), p. 340

Life , World , Dreams , Art

“I adore my life: it is filled with so much true poetry, fine feelings, things many have no idea about. I despise my life, which, being rich, allowed itself to be crammed into the confines of conventions. Between these two opinions pulsates my soul always longing for beauty and good.”

Marianne von Werefkin (1860–1938) expressionist painter

1895 - 1905
Source: Lettres à un Inconnu, 1902 (Notebook I, p. 234) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 101

Life , Beauty , Feeling , Soul

“Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject. … It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause.”

Washington Allston (1779–1843) American artist

Washington Allston, as quoted in The Quotable Artist (2002) by Peggy Hadden, p. 20

Color , Birth , Nature , Sense

“Poetry is a highly visible art in Ireland; in our rapidly secularised society, it has become a kind of erzatz religion, applying the elevated ceremonial language without the divisive doctrine.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Other Quotes

Religion , Art

“Poetry's magic lies in the imagery which satifies even without interpretation.. it is accepted as easily as it was created.”

Robert Seymour Bridges (1844–1930) British writer

The Necessity of Poetry Tredegar 1917 (from Collected Essays).
Essays

“Is not every man sometimes a radical in politics? Men are conservatives when they are least vigorous, or when they are most luxurious. They are conservatives after dinner, or before taking their rest; when they are sick, or aged. In the morning, or when their intellect or their conscience has been aroused; when they hear music, or when they read poetry, they are radicals.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: Second Series (1844), New England Reformers

Men , Age , Music , Reading

“There are people who barely feel poetry, and they are generally dedicated to teaching it.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Poetry" (1977)

People , Feeling

“Logic, like lyrical poetry, is no employment for the middle-aged”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), F. P. Ramsey, p. 296
Originally published in The Economic Journal, March 1930. and The New Statesman and Nation, October 3, 1931

Age

“Only a male intellect clouded by the sexual drive could call the stunted, narrow-shouldered, broad-hipped and short-legged sex the fair sex: for it is with this drive that all its beauty is bound up. More fittingly than the fair sex, women could be called the unaesthetic sex. Neither for music, nor poetry, nor the plastic arts do they possess any real feeling or receptivity: if they affect to do so, it is merely mimicry in service of their effort to please. This comes from the fact that they are incapable of taking a purely objective interest in anything whatever, and the reason for this is, I think, as follows. Man strives in everything for a direct domination over things, either by comprehending or by subduing them. But woman is everywhere and always relegated to a merely indirect domination, which is achieved by means of man, who is consequently the only thing she has to dominate directly. Thus it lies in the nature of women to regard everything simply as a means of capturing a man, and their interest in anything else is only simulated, is no more than a detour, i. e. amounts to coquetry and mimicry.”

Arthur Schopenhauer book Parerga and Paralipomena

Vol. 2 "On Women" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims

Women , Beauty , Art , Music

“Write her a poem, spill your heart to her in sweet cadences; but I didn't know how to write poetry. It was love and dove with me, bad rhymes, blundering sentiment. Oh Christ in Heaven, I'm no writer: I can't even put down a little quatrain. I'm no good in this world. I stood at the window and waved my hands at the sky; no good at all, just a cheap fake; neither writer nor lover; neither fish nor fowl.”

John Fante book Ask the Dust

Ask the Dust (1939)

Love , World , Lovers , Fish

“Whether be written with any trend, poetry is always carrying the beauty of primordial, to the resurrection, recreate the world, forever opposed to the bad and evil.”

Mai Văn Phấn (1955) Vietnamese poet

Vẻ đẹp và quyền năng của thơ ca (tiểu luận) - Mai Văn Phấn http://maivanphan.vn/MaiVanPhan/32/398/785/1135/Tieu-luan-tho/Ve-dep-va-quyen-nang-cua-tho-ca--tieu-luan----Mai-Van-Phan.aspx

World , Beauty , Evil

“As so often I have pointed out, intuition is a level of the highest range. In details, I don’t have to think or to worry about the realization of my interpretation; no, it’s something that spreads out of my artistic all-compassion. Probably I have to be sorry for it, but this is my deepest artistic conviction for the rightness of an interpretation - interpretation as a summary of something unique and whole, not of a combining of details. Intuition is a level that includes all levels of emotion, intelligence, structure, and architecture. And I’m also confronted with the question of poetry and poesy, something that is so often neglected - especially in Bach.”

Burkard Schliessmann classical pianist

Talkings on Bach

Intelligence , Question , Thinking

“I am a daughter of that land,
Where the poet’s lip and the painter’s hand
Are most divine, —where the earth and sky,
Are picture both and poetry—
I am of Florence.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Title Poem
The Improvisatrice (1824)

Daughters

“The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated.”

Samuel Butler (1835–1902) novelist

Poetry
The Note-Books of Samuel Butler (1912), Part XII - The Enfant Terrible of Literature

Music , Literature , Personality

“To anyone brought up when English literature, scripture, liturgy, poetry and hymns were still taught and learned, it is astonishing to find out how little they have in common with those who were raised and educated in the post-revolutionary culture. The pre-revolutionary survivor can finish other people's sentences, detect the rhythm in other people's speeches, recognise a score of allusions in a page of print. There is hardly a word or phrase which does not awake a richer thought, or an echo of something hauntingly similar.”

Peter Hitchens (1951) author, journalist

Source: From 'The Abolition of Britain' (1999), p.196

People , Education , Literature , Learning

“In the Renaissance there is much light, yes, and there is much in it with which Italians may share national pride. But there is much darkness. For the Renaissance is also the age of individualism, that through the splendid visions of poetry and art brought the Italian nation to the indifference, skepticism, and distracted cynicism of those who have nothing to defend, not in their family, their Fatherland, or in the world where every human personality conscious of its own value and personal dignity invest itself.”

Giovanni Gentile (1875–1944) Italian neo-Hegelian Idealist philosopher and politician

Che cosa è il fascismo: Discorsi e polemiche (“What is Fascism?”), Florence: Vallecchi, (1925) pp. 13-16

Age , World , Family , Art

“Almost alone among cognitive-aesthetic movements and strategies of interpretation, deconstruction neither champions any body of past literature or art, nor does it act as vanguard or advocate for any contemporary or incipient school. The New Criticism and T. S. Eliot strove for the revaluation of Metaphysical poetry so as to underwrite, in turn, certain tactics of modenity. Aristotle was advocate for Sophocles. Deconstruction is, intentionally, marginal (a key trope) to all histories of taste and manifestos for innovation.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), II: The Broken Contract, Ch. 7 (p. 117).

School , Art , History , Literature

“The all-inclusiveness of the RV in the realm of mythology is also observable in the sphere of poetics. There is hardly a major poetic device in the various IE branches that is not present in the RV. A significant aspect, for example, is that in early Greek poetry (epics of Homer and Hesiod, and some epigraphic material) the fairly strict syllabic meter (the hexameter with its dactylic, iambic and other variants) is preponderant with only traces of alliteration; in Germanic poetry alliteration prevails while the syllabic meter is very loose: both are present in the RV. …Early Irish poetry (6th century CE) has both meter and alliteration (and rhyme) but this hardly counts since the Irish poets knew these poetic devices “from Vergil and Ovid” and, of course, the Romans developed them from the Greek tradition. Of the Vedic poetic art Watkins writes: “The language of India from its earliest documentation in the Rigveda has raised the art of the phonetic figure to what many would consider its highest form.””

Nicholas Kazanas (1939)

"Indo-European Deities and the Rigveda," JIES 29 (2001), p. 257.

Art

“To say that a poet is justified in employing a disintegrating form in order to express a feeling of disintegration, is merely a sophistical justification for bad poetry, akin to the Whitmanian notion that one must write loose and sprawling poetry to 'express' the loose and sprawling American continent. In fact, all feeling, if one gives oneself (that is, one's form) up to it, is a way of disintegration; poetic form is by definition a means to arrest the disintegration and order the feeling; and in so far as any poetry tends toward the formless, it fails to be expressive of anything.”

Yvor Winters (1900–1968) American poet and literary critic

The Influence of Meter on Poetic Convention, Section V : The Heroic Couplet and its Recent Rivals
Primitivism and Decadence : A Study of American Experimental Poetry (1937)

Way , Feeling

“Inspiration is inbreathing, indwelling, poetry can never be entirely willed. It may be true a poet is given only a single line but that line is a gift from the unconscious, intution, a perception.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

“To some degree every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.”

W. H. Auden book The Dyer's Hand

"American Poetry", p. 367
The Dyer's Hand, and Other Essays (1962)

Feeling

“What Miss Moore’s best poetry does, I can say best in her words: it “comes into and steadies the soul,” so that the reader feels himself “a life prisoner, but reconciled.””

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Her Shield”, p. 187
Poetry and the Age (1953)

Life , Feeling , Soul

“In art, origin and value cannot be treated as independent. Those who enjoy poetry and painting must be at least dimly aware of a poet beyond the poem and a painter beyond the picture. If by some unimaginable process works of beauty could be produced by machinery, as a symmetrical colour pattern is produced by a kaleidoscope, we might think them beautiful till we knew their origin, after which we should be rather disposed to describe them as ingenious. And this is not, I think, because we are unable to estimate works of art as they are in themselves, not because we must needs buttress up our opinions by extraneous and irrevelant considerations; but rather because a work of art requires an artist. not merely in the order of natural causation, but as a matter of a-sthetie necessity. It conveys a message which is valueless to the recipient, unless it be understood by the sender. It must be expressive.”

Arthur James Balfour (1848–1930) British Conservative politician and statesman

Theism and humanism

Beauty , Art , Nature , Thinking

“Right now, at my institute in the US we are working on gene-caused failures in brain development that frequently lead to autism and schizophrenia. We may also find that differences in these respective brain development genes also lead to differences in our abilities to carry out different mental tasks.
In some cases, how these genes function may help us to understand variations in IQ, or why some people excel at poetry but are terrible at mathematics. All too often people with high mathematical abilities have autistic traits. The same gene that gives some people such great mathematical abilities may also lead to autistic behaviour. This is why, in studying autism and schizophrenia, we believe that we shall come very close to a better understanding of intelligence and, therefore, of the differences in intelligence.”

James D. Watson (1928) American molecular biologist, geneticist, and zoologist.

To question genetic intelligence is not racism (2007)

People , Intelligence , Mathematics , Failure

“The building blocks of poetry itself are elements if fiction -fable, 'image', metaphor-all the material if the nonliteral.”

John Hollander (1929–2013) American poet

'Rhymes's Reason':a guide to English Verse Yale University Press, 1981

“Trying to make a living from poetry is like putting chains on butterfly wings.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)

“In response to Lady Mary Montague's line 'And we meet, with champagne and a chicken at last' (from Montague's poem 'The Lover: A Ballad'):
"What say you to such a supper with such a woman? … Is not her 'champagne and chicken' worth a forest or two? Is it not poetry?"”

Mary Wortley Montagu (1689–1762) writer and poet from England

Lovers

“When I used [in his speech] the word silent myths it was for a personal reason. I mean that the relations of pictorial art to the formation of myths has to be silent, consequently not illustrative. In this part of Jutland where the life of the myth has grown strongest and is kept deepest for millenniums, here where I come from and where I have known the richness of the narrative imagination of the people, here I wanted to place a monument to the anonymous strength of the word, not to a single myth, nor to a single cycle of myths, because the myths of the Edda, of the heroic poetry, yes perhaps particularly the myths of the Kalevala, have inspired me like the myth which is to be created today in the people who are glad to tell, racy and fertile.”

Asger Jorn (1914–1973) Danish artist

Quote from Jorn's speech at the library of Silkeborg, September l0th 1953 (translated from an unpublished Danish manuscript by Guy Atkins) ; as quoted on the website of the Jorn Museum Articles by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255
1949 - 1958, Various sources

Life , People , Art , Imagination

“A teacher (of poetry) has to know and feel what poetry is, and be able - and this is crucial- to read it aloud effectively.”

John Hollander (1929–2013) American poet

'A Conversation with John Hollander' (by email) by Paul Devlin vol 1 St. John's University Humanities Review April 2003

Feeling , Teachers , Reading

“Poetry demands a different material than prose. It uses another facet of the same fact … the spontaneous conformation of language as it is heard.”

William Carlos Williams (1883–1963) American poet

Detail & Prosody for the Poem Patterson given to James Laughlin (1939), now at Houghton Library
General sources

“It was my sensual excessiveness that jarred him [ Jasper Johns. ] He was always an intellectual. He read a lot, he wrote poetry – he would read Hart Crane's poems to me, which I loved but didn't have the patience to read myself – and he was often critical of things like my grammar. But you don't let a thing like that bother you if you have only two or three real friends.”

Robert Rauschenberg (1925–2008) American artist

Source: 1980's, Off the Wall: Robert Rauschenberg and the Art world of Our Time, 1980, p. 119

Love , Reading , Patience

“Too great this largess from thy hand I know
Yet ask that some few drops of it may light
And listened to thy voice, and in it found
The very Spring and Soul of Poetry”

George Gilfillan (1813–1878) Scottish writer

From Proem 3 Night: A Poem by George Filfillan, Jackson, Walford & Hodder 1867
Other Quotes

Soul , Spring , Light

“He who improvises can never make a perfect line of poetry.”

Titian (1488–1576) Italian painter

As quoted in A Dictionary of Art and Artists (1959) by Peter Murray and Linda Murray, p. 321.
undated quotes

Perfection

“That’s physicists for you. Not exactly brimming over with poetry.”

John Scalzi book The Ghost Brigades

Source: The Ghost Brigades (2006), Chapter 12 (p. 271)

“Oh dear, oh dear, how stupid men are when they get an idea into their heads! I tell you he's a good dragon, and a friend of mine, and tells me the most beautiful stories you ever heard, all about old times and when he was little. And he's been so kind to mother, and mother'd do anything for him. And father likes him too, though father doesn't hold with art and poetry much, and always falls asleep when the dragon starts talking about style. But the fact is, nobody can help liking him when once they know him. He's so engaging and so trustful, and as simple as a child!”

Kenneth Grahame book The Reluctant Dragon

The Boy to St. George
Dream Days (1898), The Reluctant Dragon

Men , Stupidity , Beauty , Art

“There can be no society without poetry, but society can never be realized as poetry, it is never poetic. Sometimes the two terms seek to break apart. They cannot.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

"Signs in Rotation" (1967) in The Bow and the Lyre : The Poem, The Poetic Revelation, Poetry and History (1973) as translated by Ruth L.C. Simms, p. 249

“Poetry is the record of the best and happiest moments of the happiest and best minds.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

“Poetry is this screaming madwoman.”

Giannina Braschi (1953) Puerto Rican writer

Empire of Dreams (prose poetry, 1988)

“One crosses the brink of literalness into poetry by desiring, noticing, fixing on something and wondering what to make of it.”

John Hollander (1929–2013) American poet

Review of 'Stanley Cavell and the Claim to Reason' Critical Inquiry, vol 6, no 4 Summer 1980 U of C P

“Poetry, like Art, is the oneness of the permanent opposites in reality as seen by an individual.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Definition 18 (c) Definition Press, (New York: Definition Press, 1964)

Art , Reality

“Poetry will never win the war on terror
But neither will error abetted by error We girly men are not afraid
Of uncertainty or reason or interdependence
We think before we fight, then think some more
Proclaim our faith in listening, in art, in compromise So be a girly man
& sing this gurly song
Sissies & proud
That we would never lie our way to war”

Charles Bernstein (1950) American writer

"The Ballad of the Girlie Man" http://www.milkmag.org/CHBERNSTEIN6.html, Milk Magazine, no. 6, 2005. Anthologized in Girlie Man (2006), ISBN 0226044068.

Men , War , Lie , Faith

“Poetry is the universal art of the spirit which has become free in itself and which is not tied down for its realization to external sensuous material; instead, it launches out exclusively in the inner space and the inner time of ideas and feelings.”

Georg Wilhelm Friedrich Hegel book Lectures on Aesthetics

As quoted in the Introduction to Aesthetics (1842), translated by T. M. Knox, (1979), p. 89
Lectures on Aesthetics (1835)

Art , Feeling , Idea , Universe

“Major poetry not only 'employs' metaphor, irony and other tropes (and is of them) but always and explicitly or implicitly considers the nature of the trope itself.”

John Hollander (1929–2013) American poet

Nature

“Poetry and the arts can’t exist in America. Mere exposure to the arts does nothing for a mentality which is incorrigibly dialectical. The vital tensions and nutritive action of ideogram remain inaccessible to this state of mind.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Ezra Pound (21 December 1948)
1940s

Art

“Prose is private drama; poetry is corporate drama.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 275

“He thought he was a good poet but he was not. He thought books could tell him how to live but they couldn't. He was a serious but dazed reader. He read Dante and Shakespeare and Nietzsche and Freud. He read modern poetry and books on psychiatry. He had taken a degree in English, couldn't, decided to farm, bought a goat farm, managed a Confederate museum in a cave on his property, wrote poetry, went broke, became a golf pro.”

Walker Percy book The Second Coming

The Second Coming (1980)

Books , Reading

“I want to write poetry, I'm bored, disgusted by my habits
If I stop thinking and put my hands down perhaps I will have much to say
I'm scurrying to the attic like a solitary bug
Before you become old and ugly, I must kiss you on the nose”

Ataol Behramoğlu (1942) Turkish writer

"How Awful When Poetry Ages As It Is Read"
I've Learned Some Things (2008)

Kiss , Thinking

“Until quite recently poetry was taught badly—at least according to current academic standards. Poetry was used to teach grammar, elocution, and rhetoric. It was employed to convey history, both secular and sacred, often to instill patriotic sentiment and religious morality. Poetry was chanted in chorus at female academies. It was copied to teach cursive handwriting and calligraphy. It was memorized by wayward schoolboys as punishment. It was recited by children at public events and family gatherings. Being able to write verse was considered a social grace in both domestic and public life. Going to school meant becoming well versed.”

Dana Gioia (1950) American writer

24
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Life , Children , School , Family

“Poetry, perhaps the finest of fine arts, certainly the shynest and most elusive?, poetry which must have listeners, which cannot sing into a void.”

Harriet Monroe (1860–1936) American poet and editor

'A Poets life, Seventy Years in changing world' Macmillan, New York 1938
A Poet 's Life (1938)

Art , Singing

“Ther poetry of the second World War conveys the true feeling of those desolate and desperate days with an urgency and sense of truth that no other means of recording could emulate.”

Vernon Scannell (1922–2007) British boxer and poet

Not Without Glory, 1976

War , Truth , World , Feeling

“That Homeric epic and the earliest Hebrew poetry were the results of long and rich developments should have been apparent to anyone who realizes that artistic perfection is never created ex nihilo.”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
Adventures in the Nearest East (1957)

Perfection

“Imagism was a reductio ad absurdum of one or two tendencies of romanticism, such a beautifully and finally absurd one that it is hard to believe it existed as anything but a logical construction; and what imagist found it possible to go on writing imagist poetry? A number of poets have stopped writing entirely; others, like recurring decimals, repeat the novelties they commeced with, each time less valuably than before. And there are surrealist poetry, and political poetry, and all the othe refuges of the indigent.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“A Note on Poetry”, p. 50
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Time

“All that is worth remembering in life, is the poetry of it.”

William Hazlitt (1778–1830) English writer

Lectures on the English Poets http://www.gutenberg.org/files/16209/16209.txt (1818), Lecture I, "On Poetry in General"

Life

“I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc….. but the beauty of verse does not consist of exactitude in obeying rules... It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 19 September 1847; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 229
1831 - 1863

Secret , Beauty , Art , Color

“Poetry is nothing less than an aspiration to absolute truth.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Interview wiyh Kieran Owens ' The Event Guide' December 2002
Other Quotes

Truth

“The word qur’an means “recitation.” It was not designed for private perusal, but like most scriptures, it was meant to be read aloud, and the sound was an essential part of the sense. Poetry was important in Arabia. The poet was the spokesman, social historian, and cultural authority of his tribe, and over the years the Arabs had learned how to listen to a recitation and had developed a highly sophisticated critical ear.”

Karen Armstrong (1944) author and comparative religion scholar from Great Britain

Muhammad: A Prophet of Our Times
Muhammad: A Biography of The Prophet (2001)

Sense , Learning , Reading , Parting

“He was the best troubadour of those who lived before him or came after him, and for that reason was called the master of the troubadours, a title which is still applied to him in the opinion of those who know something about poetry and love.”

Giraut de Bornelh (1138–1220) French writer

Anonymous 13th century Provençal biographer of Guiraut de Bornelh, cited from H. J. Chaytor The Troubadours of Dante (1902) pp. 29-30; translation from The Catholic Encyclopedia (1909) vol. 6. http://www.newadvent.org/cathen/06570b.htm
Criticism

Love