As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)
Quotes about play
page 42
Abhinaya and Netrābhinaya
Source: Theatre is a great lie that gets us to arrive at a great truth- Dr.Vijaya Mehta http://www.rotaryclubofbombay.org/ps121206.htm
As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)
Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 23
1920's, My life (1922)
Theater Games for the Classroom: A Teacher's Handbook (1986) Northwestern University Press, page 3
“To play Trivial Pursuit with a life like mine could be said to be a form of homeopathy.”
Diary entry for June 7, 1985, p. 143.
Writing Home (1994)
Speech in Chesterfield (13 June 1941), quoted in The Times (14 June 1941), p. 2.
1940s
Interview with Arts Brooksfield(16 October 2014) https://www.facebook.com/artsBrookfield/photos/a.100993377692.102500.97825917692/10152291198457693/
2014
Anita
Anita Blake: Vampire Hunter series, The Laughing Corpse (1994)
2010s, Folks, you’re missing the point about the NFL protests (19 October 2017)
Statement made to representatives of the Pagan Newswire Collective (PNC)
2011-10-16
http://www.patheos.com/blogs/paganswithdisabilities/2011/10/full-transcript-of-qa-with-presidential-candidate-gary-johnson/
2012-02-24
2011
Source: Time, Structure and Fluctuations (1977), p. 1; Introduction.
The World, ii
The Note-Books of Samuel Butler (1912), Part I - Lord, What is Man?
Source: [2006-08-21, http://news.yahoo.com/s/ap/20060821/ap_en_tv/people_hugh_laurie, Hugh Laurie plays U.S. doctor on `House', Associated Press (via Yahoo! News), 2006-08-21]
As quoted in ".280 Not Good Enough: Clemente's Bat Answers Boos" https://news.google.com/newspapers?id=TpcuAAAAIBAJ&sjid=kKEFAAAAIBAJ&pg=2309%2C1919830 by Ian McDonald, in The Montreal Gazette (Friday, May 21, 1971), p. 17
Baseball-related, <big><big>1970s</big></big>, <big>1971</big>
About the new modal style. Interviewed by The Jazz Review, 1958; Quotes in Paul Maher, Michael K. Dorr (2009) Miles on Miles: Interviews and Encounters with Miles Davis, p. 18.
1950s
“Playing music is something I would like to do my whole life.”
From an interview before performing at the 47th Annual Grammy Music Awards in Los Angeles(9 February 2014) http://www.larchmontgazette.com/2005/articles/20050209mintzer.html
2005
At the Ringling College Library Association Town Hall Lecture Series in Sarasota https://www.sarasotamagazine.com/articles/2017/1/23/dick-cheney-sarasota (January 2017)
2010s, 2017
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp.36-39
Book I, lines 417–430 (pp. 23–24)
The Lusiad; Or, The Discovery of India: an Epic Poem (1776)
he [London] Sunday Times (November 17, 2006)
2007, 2008
Ricou Browning performed swimmingly as movie monster http://www.nj.com/entertainment/index.ssf/2013/04/creature_from_the_black_lagoon.html (April 26, 2013)
I Ain't Got Time To Bleed (1999)
“I'm gonna give her all my soul.
I'm gonna play her Rock 'N' Roll.”
Jack
Lyrics, Highway Companion (2006)
Bętkowska, Teresa (August–September 2010). "Mistrz niszowej dyscypliny" http://www2.almamater.uj.edu.pl/126/17.pdf (PDF). Alma Mater (in Polish). Kraków: Jagiellonian University (126–127): pp. 41–46.
"A Subaltern's Love-song" line 1, from New Bats in Old Belfries (1945).
Poetry
Otherworld Cadences (1920)
What are the wild Waves saying?, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
"The Facts Of The Matter," Sports Illustrated (1959-01-19), ( online http://sportsillustrated.cnn.com/vault/article/magazine/MAG1070047/1/index.htm)
2010s, Here’s what I wish the president had said about this NFL business (24 September 2017)
Interview with Brian Tyler https://8dio.com/2012/12/05/interview-with-brian-tyler/ (December 5, 2012)
Calling the final play of Game 7 of the 2016 World Series, when the Chicago Cubs won their first World Series in 108 years, defeating the Cleveland Indians.
2010s
Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 19 : The Marketplace
Quote from an interview with Sabine Schütz, 1990; as cited on collected quotes on the website of Gerhard Richter: on 'Abstract paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/abstract-paintings-7
1990's
Morarji Desai speaks about life and celibacy
Jeff Friesen, interview in Canadian Press (November 1, 2006) "The great debate rages on - Ovechkin vs. Phaneuf: Which one has greater impact for their team?", The Record (Kitchner, Ontario, Canada), p. E1.
About
From the article White on White from Rolling Stone Magazine
On 'gimmicks
The Education of Henry Adams (1907)
"The Old and the New Masters," lines 53-61
The Lost World (1965)
All Night Long.
Song lyrics, Can't Slow Down (1983)
"The secret of the web (hint: it's a virtue)," http://sethgodin.typepad.com/seths_blog/2008/08/the-secret-of-t.html Seth Godin's Blog (2008-08-10)
Cohen, Noam. (April 18, 2014). "Adrianne Wadewitz, 37, Wikipedia Editor, Dies After Rock Climbing Fall" http://www.nytimes.com/2014/04/19/business/media/adrianne-wadewitz-37-wikipedia-editor-dies-after-rock-climbing-fall.html. The New York Times.
About
My Life And Hard Times, referring to a fellow Ohio State student and football star.
From other writings
The Functions of Criticism at the Present Time (1864)
As quoted in Konitz: Conversations on the Improviser's Art https://books.google.com/books?id=pc4CsgVHLw0C&pg=PA65&dq=%22Tristano+was+too+contrived+for+me%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIrKPnnf_OxwIVBDU-Ch0dxg5F#v=onepage&q=%22Tristano%20was%20too%20contrived%20for%20me%22&f=falseLee
Rallying call to his team.
The Economist, 1st October 2011, p. 89
Source: The Complex Vision (1920), Chapter I
“Let him play,” whispered Cheeta. “Let him make believe that he’s alive again.”
Source: Titus Alone (1959), Chapter 105 (p. 1000)
"A perversely stunning Don Giovanni", Portsmouth Herald (February, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm
On David Miliband's narrow defeat to become Leader of the Labour Party http://www.journallive.co.uk/north-east-news/todays-news/2010/09/27/david-miliband-will-not-quit-his-seat-in-south-shields-61634-27347209/, September 27, 2010.
Song (How Sweet I Roamed), st. 4
1780s, Poetical Sketches (1783)
On her role in Designing Women (1957)
Private Screenings interview (2005)
Interview with Steve Alten http://www.screenwritersutopia.com/article/d14867f2 (March 11th, 2004)
"Strictly from Hunger", The Most of S. J. Perelman (1992) p. 45
Statement made to representatives of the Pagan Newswire Collective (PNC)
2011-10-16
http://www.patheos.com/blogs/paganswithdisabilities/2011/10/full-transcript-of-qa-with-presidential-candidate-gary-johnson/
2012-02-24
Economic Policy
Wesley Snipes, Snipes in 2014 An Interview with Wesley Snipes: ‘The Expendables 3’ Interview http://www.theaquarian.com/2014/08/27/an-interview-with-wesley-snipes-the-expendables-3-interview/, The Aquarian Weekly, 27 August 2014
Source: Cider with Rosie (1959), p. 52.
Tim Curry Plunges Ahead Into the Past, Part IV http://www.nytimes.com/1990/01/24/theater/tim-curry-plunges-ahead-into-the-past-part-iv.html (January 24, 1990)
Song 20: "Against Idleness and Mischief".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)
Klopp comparing his team's style of play to Arsène Wenger's Arsenal.
Source: 14 of the best Jurgen Klopp quotes: Top of the Klopps http://www.espnfc.com/blog/the-toe-poke/65/post/2402760/14-of-the-best-jurgen-klopp-quotes-top-of-the-klopps
"Why Nerds are Unpopular," February 2003
Source: Dream of the Red Chamber (1958), p. 272
"Top 10 Tuesday: Wildest Statements Made by Industry Veterans" ign.com http://www.ign.com/articles/2006/03/14/top-10-tuesday-wildest-statements-made-by-industry-veterans
The Pittsburgh Press (3 August 1986) "Gadhafi, the man the world loves to hate" by Marie Colvin (UPI)
"JG Ballard: Theatre of Cruelty" interview by Jean-Paul Coillard in Disturb ezine (1998)
Context: For the sake of my children and grandchildren, I hope that the human talent for self-destruction can be successfully controlled, or at least channelled into productive forms, but I doubt it. I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.
Improvisation for the Theater (1963), page 3
Context: Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theater and learn to become 'stage-worthy.' We learn through experience and experiencing, and no one teaches anyone anything. This is as true for the infant moving from kicking and crawling to walking as it is for the scientist with his equations. If the environment permits it, anyone can learn whatever he chooses to learn; and if the individual permits it, the environment will teach him everything it has to teach. 'Talent' or 'lack of talent' have little to do with it.
Festivus: The Holiday for the Rest of Us (2005)
Context: In the ancient days when gods played their own games, and had their own celebrations, tossing lightning bolts between mountaintops, hurling great boulders — Festivus came out of that. It's a holiday that celebrates being alive at a time when it was hard to be alive.
There was no Christ yet, no Yahweh, no Buddha. There were great ruins and raw nature. But there was a kindling spark of hope among men. They celebrated that great thunderous storms hadn't enveloped them in the past year, that landslides hadn't destroyed them. They made wishes that their crops would grow in the fields, that they'd have food the next year and the wild animals wouldn't attack and eat them.
There's something pure about Festivus, something primal, raw in the hearts of humans.
“No, the children must learn to play by themselves; there is no Jack the master.”
"Democracy: Its Presumptions and Realities" (1932); also in The Spirit of Liberty: Papers and Addresses (1952), p. 99 - 100.
Extra-judicial writings
Context: When I hear so much impatient and irritable complaint, so much readiness to replace what we have by guardians for us all, those supermen, evoked somewhere from the clouds, whom none have seen and none are ready to name, I lapse into a dream, as it were. I see children playing on the grass; their voices are shrill and discordant as children's are; they are restive and quarrelsome; they cannot agree to any common plan; their play annoys them; it goes poorly. And one says, let us make Jack the master; Jack knows all about it; Jack will tell us what each is to do and we shall all agree. But Jack is like all the rest; Helen is discontented with her part and Henry with his, and soon they fall again into their old state. No, the children must learn to play by themselves; there is no Jack the master. And in the end slowly and with infinite disappointment they do learn a little; they learn to forbear, to reckon with another, accept a little where they wanted much, to live and let live, to yield when they must yield; perhaps, we may hope, not to take all they can. But the condition is that they shall be willing at least to listen to one another, to get the habit of pooling their wishes. Somehow or other they must do this, if the play is to go on; maybe it will not, but there is no Jack, in or out of the box, who can come to straighten the game.
Quotes, The Assault on Reason (2007)
Context: History will surely judge America's decision to invade and occupy a fragile and unstable nation that did not attack us and posed no threat to us as a decision that was not only tragic but absurd. Saddam Hussein was a brutal dictator, to be sure, but not one who posed an imminent danger to us. It is a decision that could have been made only at a moment in time when reason was playing a sharply diminished role in our national deliberations.
Interviewedby Lee Clayton, "Welcome into Pelé's World" in Daily Mail [England] (27 May 2006)
Context: Bobby Moore — he defended like a lord. Let me tell you about this man. When I played, I would face up to a defender, I would beat him with my eyes, send him the wrong way; I would look one way and then go the other. Defenders would just kick me in frustration. They would foul me because they couldn't stop me, or because I would confuse them with my movement. I would move my eyes, my legs or my body, but not always the ball. They would follow my move, but not Bobby, not ever. He would watch the ball, he would ignore my eyes and my movement and then, when he was ready and his balance was right, he would take the ball, always hard, always fair. He was a gentleman and an incredible footballer.
The Devil and Daniel Webster (1937)
Context: He started off in a low voice, though you could hear every word. They say he could call on the harps of the blessed when he chose. And this was just as simple and easy as a man could talk. But he didn't start out by condemning or reviling. He was talking about the things that make a country a country, and a man a man.
And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened. And when he talked of those enslaved, and the sorrows of slavery, his voice got like a big bell. He talked of the early days of America and the men who had made those days. It wasn't a spread-eagle speech, but he made you see it. He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors.
“Games are enactments, and the act of playing is an illusion of the illusion of the reality”
Make Your Own 3D Illusions (2014).
Context: We long for a technological world, while keeping the natural aspect of our environment; we want the progress, while maintaining the traditions; we want organization while preserving individual freedom; we produce at a large scale while looking for unique products; we want clearness in our relationships, while we like to play with the ambiguity; we wish everlasting happiness while seeking incomparable magic moments… In reality, from all these contradictions, we are looking for only one thing: ASTONISHMENT. We would life to astonish us every day! That’s why we all, human beings, love playing, because games are synonymous of risk and astonishment. Games are enactments, and the act of playing is an illusion of the illusion of the reality.
Source: Sister Carrie (1900), Ch. 8 : Intimations By Winter: An Ambassador Summoned
Context: Among the forces which sweep and play throughout the universe, untutored man is but a wisp in the wind. Our civilization is still in a middle stage, scarcely beast, in that it is no longer wholly guided by instinct; scarcely human, in that it is not yet wholly guided by reason. On the tiger no responsibility rests. We see him aligned by nature with the forces of life — he is born into their keeping and without thought he is protected. We see man far removed from the lairs of the jungles, his innate instincts dulled by too near an approach to free-will, his free-will not sufficiently developed to replace his instincts and afford him perfect guidance. He is becoming too wise to hearken always to instincts and desires; he is still too weak to always prevail against them. As a beast, the forces of life aligned him with them; as a man, he has not yet wholly learned to align himself with the forces. In this intermediate stage he wavers — neither drawn in harmony with nature by his instincts nor yet wisely putting himself into harmony by his own free-will. He is even as a wisp in the wind, moved by every breath of passion, acting now by his will and now by his instincts, erring with one, only to retrieve by the other, falling by one, only to rise by the other — a creature of incalculable variability. We have the consolation of knowing that evolution is ever in action, that the ideal is a light that cannot fail. He will not forever balance thus between good and evil. When this jangle of free-will and instinct shall have been adjusted, when perfect understanding has given the former the power to replace the latter entirely, man will no longer vary. The needle of understanding will yet point steadfast and unwavering to the distant pole of truth.
“It must be fun to be you
And play with love as you do”
"It Must Be Fun To Be You"
Mexican Hayride (1944)
Context: It must be fun to be you
And play with love as you do
To treat each new romance
As merely one more dance
Or just another book to glance through
It must be fun to acquire
Whatever heart you desire,
And when you're bored with it
To tear it in two,
It must be fun to be you.
Describing her tumultuous experiences of 1967, as quoted in Life and Lies of an Icon (1995) by Richard Witts.
Context: You could say it like was like a fairy tale at the time; Andy would be the good fairy, and Jim would play the giant, Brian would be the witch, Paul McCartney would be the frog who turns into a prince, no, it would have to be the other way round. Well, it didn't seem like a fairy tale at the time. It was a lot of hassle. But I learned a lot of things, and I began to compose my own songs.
Poppin (1969)
Context: We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place. We won't see the day when the public accepts what we wanna project, even though they are accepting a lot now. By the time they're accepting it, maybe they'll be too old.... If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play. A total silence trip is the ultimate.... We do antagonize them psychologically. People look at us and react. They either go "Wow! Hey-hey-hey, baby!" and we say that's great. They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react — do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
Source: Success! (1977), p. 145
Context: Your chances of success are directly proportional to the degree of pleasure you derive from what you do. If you are in a job you hate, face the fact squarely and get out. You may earn a good living, you may have a safe career, but you will never be a success. Find out what you enjoy doing, and your chances of succeeding will be dramatically better. We play the game every day, sometimes without even recognizing that we're doing it. We compete with other people, or other teams, or other companies, not only because it is essential to business survival, but because we frankly enjoy competition. It's fun to be in the game, and it's even more fun to win.
Editorial in TheAmerican Mercury (May 1924), p. 26
1920s
Context: The strange American ardor for passing laws, the insane belief in regulation and punishment, plays into the hands of the reformers, most of them quacks themselves. Their efforts, even when honest, seldom accomplish any appreciable good. The Harrison Act, despite its cruel provisions, has not diminished drug addiction in the slightest. The Mormons, after years of persecution, are still Mormons, and one of them is now a power in the Senate. Socialism in the United States was not laid by the Espionage Act; it was laid by the fact that the socialists, during the war, got their fair share of the loot. Nor was the stately progress of osteopathy and chiropractic halted by the early efforts to put them down. Oppressive laws do not destroy minorities; they simply make bootleggers.
Vulture interview (2014)
Context: I was on the set of Tree of Life. He was with me, and he asked me [if I] would play Eleanor Rigby in his film. And I said, “Yes, but it’s so much the male perspective,” [whispers] like the majority of films that are made. I said, “I’d like to know more about the woman. I’d like to know her perspective as well.” So he went and he wrote Her. And it was very collaborative because every day as he’d write, I’d be working, and I’d come back and he’d ask me questions about sisters or whatnot and how women talk with each other, and I found that to be really exciting. … he was the full writer. I was his bounce board. Not story things, because that’s the main part of the film, but just things like, you know, cutting the hair. You know, because girls, we all tell each other, “Don’t cut your hair when you’re pregnant, don’t cut your hair when you have a breakup or when a tragedy happens.” It’s something that we like to do when we’re in an emotional place for some reason. Right? But that’s something that a man may not know, that’s inherently female. And so it was my idea, I wanted Eleanor to cut her hair off, because then it connects to then her disappearing herself as well.
The World's Last Night (1952)
Context: Christian Apocalyptic offers us no such hope. It does not even foretell, (which would be more tolerable to our habits of thought) a gradual decay. It foretells a sudden, violent end imposed from without; an extinguisher popped onto the candle, a brick flung at the gramophone, a curtain rung down on the play — "Halt!"
Science - The Endless Frontier (1945)
Context: Scientific progress on a broad front results from the free play of free intellects, working on subjects of their own choice, in the manner dictated by their curiosity for exploration of the unknown. Freedom of inquiry must be preserved under any plan for Government support of science...
As quoted in Contemporary Authors New Revision Series: A Bio-Bibliographical Guide to Current Writers in Fiction, General Non-Fiction, Poetry, Journalism, Drama, Motion Pictures, Television, & Other Fields (1982) by Ann Evory
Context: I talk about the things people have always talked about in stories: pain, hate, truth, courage, destiny, friendship, responsibility, growing old, growing up, falling in love, all of these things. What I try to write about are the darkest things in the soul, the mortal dreads. I try to go into those places in me that contain the cauldrous. I want to dip up the fire, and I want to put it on paper. The closer I get to the burning core of my being, the things which are most painful to me, the better is my work. … It is a love/hate relationship I have with the human race. I am an elitist, and I feel that my responsibility is to drag the human race along with me — that I will never pander to, or speak down to, or play the safe game. Because my immortal soul will be lost.
Source: The Master of Go (1951), Ch. 38, p. 164.
Context: That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.
The Principle of Reason (1955–1956) as translated by Reginald Lilly (1991) <!-- Bloomington: Indiana UP -->
Context: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.