Quotes about play
page 42

Mani Madhava Chakyar photo
Haruo Nakajima photo
Samuel Butler (poet) photo
Marc Chagall photo
Rick Santorum photo

“Play touches and stimulates vitality, awakening the whole person - mind, body, intelligence and creativity, spontaneity and intuition.”

Viola Spolin (1906–1994) American academic and acting theorist

Theater Games for the Classroom: A Teacher's Handbook (1986) Northwestern University Press, page 3

Alan Bennett photo

“To play Trivial Pursuit with a life like mine could be said to be a form of homeopathy.”

Alan Bennett (1934) English actor, author

Diary entry for June 7, 1985, p. 143.
Writing Home (1994)

Clement Attlee photo
Ross Mintzer photo

“In 7th grade, I saw the Allman Brothers play at the Beacon Theatre. I also saw the Dave Mathews Band perform at Giant’s Stadium. Those concerts changed my life. I was inspired so much. In my heart, I knew that was the only thing I wanted to do with my life.”

Ross Mintzer (1987) American musician and performer

Interview with Arts Brooksfield(16 October 2014) https://www.facebook.com/artsBrookfield/photos/a.100993377692.102500.97825917692/10152291198457693/
2014

Laurell K. Hamilton photo
Allen West (politician) photo
William Foote Whyte photo
Gary Johnson photo

“I happen to think that the world kind of looks down on Republicans for their social conservative views which include religion in government. I think that that should not play a role in any of this.”

Gary Johnson (1953) American politician, businessman, and 29th Governor of New Mexico

Statement made to representatives of the Pagan Newswire Collective (PNC)
2011-10-16
http://www.patheos.com/blogs/paganswithdisabilities/2011/10/full-transcript-of-qa-with-presidential-candidate-gary-johnson/
2012-02-24
2011

Ilya Prigogine photo
Samuel Butler photo

“We play out our days as we play out cards, taking them as they come, not knowing what they will be, hoping for a lucky card and sometimes getting one, often getting just the wrong one.”

Samuel Butler (1835–1902) novelist

The World, ii
The Note-Books of Samuel Butler (1912), Part I - Lord, What is Man?

Hugh Laurie photo

“It's as if you're playing left-handed. Or like everyone else is playing with a tennis racket and you have a salmon.(On performing with an American accent)”

Hugh Laurie (1959) British actor, comedian, writer, musician and director

Source: [2006-08-21, http://news.yahoo.com/s/ap/20060821/ap_en_tv/people_hugh_laurie, Hugh Laurie plays U.S. doctor on `House', Associated Press (via Yahoo! News), 2006-08-21]

Roberto Clemente photo
James K. Morrow photo
Miles Davis photo

“The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them…I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.”

Miles Davis (1926–1991) American jazz musician

About the new modal style. Interviewed by The Jazz Review, 1958; Quotes in Paul Maher, ‎Michael K. Dorr (2009) Miles on Miles: Interviews and Encounters with Miles Davis, p. 18.
1950s

Henry Stephens Salt photo
Ross Mintzer photo

“Playing music is something I would like to do my whole life.”

Ross Mintzer (1987) American musician and performer

From an interview before performing at the 47th Annual Grammy Music Awards in Los Angeles(9 February 2014) http://www.larchmontgazette.com/2005/articles/20050209mintzer.html
2005

Dick Cheney photo
Will Eisner photo
William Julius Mickle photo
Gloria Estefan photo
Ricou Browning photo
Jesse Ventura photo
Tom Petty photo

“I'm gonna give her all my soul.
I'm gonna play her Rock 'N' Roll.”

Tom Petty (1950–2017) American musician

Jack
Lyrics, Highway Companion (2006)

Włodzimierz Ptak photo

“My professional work joints with intellectual play, with great passion. But I like to read, I'm interested in philosophy, religion and history. And I love dogs! Now I have two friends that take me out for a walk every day.”

Włodzimierz Ptak (1928–2019) immunologist

Bętkowska, Teresa (August–September 2010). "Mistrz niszowej dyscypliny" http://www2.almamater.uj.edu.pl/126/17.pdf (PDF). Alma Mater (in Polish). Kraków: Jagiellonian University (126–127): pp. 41–46.

John Betjeman photo

“Miss J. Hunter Dunn, Miss J. Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament — you against me!”

John Betjeman (1906–1984) English poet, writer and broadcaster

"A Subaltern's Love-song" line 1, from New Bats in Old Belfries (1945).
Poetry

“What are the wild waves saying,
Sister, the whole day long,
That ever amid our playing
I hear but their low, lone song?”

Joseph Edwards Carpenter (1813–1885) British composer, songwriter and playwright

What are the wild Waves saying?, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Irene Dunne photo
Reggie Fils-Aimé photo
Theodore Hesburgh photo

“There is no academic virtue in playing mediocre football and no academic vice in winning a game that by all odds one should lose…There has indeed been a surrender at Notre Dame, but it is a surrender to excellence on all fronts, and in this we hope to rise above ourselves with the help of God.”

Theodore Hesburgh (1917–2015) Congressional Gold Medal recipient

"The Facts Of The Matter," Sports Illustrated (1959-01-19), ( online http://sportsillustrated.cnn.com/vault/article/magazine/MAG1070047/1/index.htm)

Allen West (politician) photo
Brian Tyler photo
Joe Buck photo

“Here's the 0-1. This is gonna be a tough play, Bryant. The Cubs… WIN THE WORLD SERIES! BRYANT MAKES THE PLAY! IT'S OVER, AND THE CUBS.. HAVE FINALLY WON IT ALL! 8-7 IN TEN!”

Joe Buck (1969) American sportscaster

Calling the final play of Game 7 of the 2016 World Series, when the Chicago Cubs won their first World Series in 108 years, defeating the Cleveland Indians.
2010s

Gerhard Richter photo
Morarji Desai photo
Alexander Ovechkin photo

“He's one of the worst practice players I've played with. He rests and when the game comes, he flips the switch on. He plays a dominant physical style, so I think he just relaxes in practice and as a veteran player, I admire that.”

Alexander Ovechkin (1985) Russian ice hockey player

Jeff Friesen, interview in Canadian Press (November 1, 2006) "The great debate rages on - Ovechkin vs. Phaneuf: Which one has greater impact for their team?", The Record (Kitchner, Ontario, Canada), p. E1.
About

Jack White photo
Henry Adams photo
Talib Kweli photo
Henry Van Dyke photo
Daniel Handler photo
Lionel Richie photo

“Well, my friends, the time has come
To raise the roof and have some fun.
Throw away the work to be done.
Let the music play on.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

All Night Long.
Song lyrics, Can't Slow Down (1983)

Seth Godin photo
Adrianne Wadewitz photo

“Ms. Wadewitz’s interest in rock climbing played out on Wikipedia. Her last editing was to improve an article about Steph Davis, a prominent female climber and wingsuit flier. In Ms. Wadewitz’s hands, the article became filled with personal details, spectacular photos, a highlighted quotation and 25 footnotes.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Cohen, Noam. (April 18, 2014). "Adrianne Wadewitz, 37, Wikipedia Editor, Dies After Rock Climbing Fall" http://www.nytimes.com/2014/04/19/business/media/adrianne-wadewitz-37-wikipedia-editor-dies-after-rock-climbing-fall.html. The New York Times.
About

Harriet Beecher Stowe photo
James Thurber photo

“In order to be eligible to play it was necessary for him to keep up in his studies, a very difficult matter, for while he was not dumber than an ox he was not any smarter.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

My Life And Hard Times, referring to a fellow Ohio State student and football star.
From other writings

Matthew Arnold photo

“Tristano was too contrived for me; he sounded terribly planned. Lee is very intuitive. One of my proudest achievements was when I finally got to play the saxophone well enough that I could improvise on it. I aimed to have a tone like Lee Konitz—but I don't necessarily think I got there!”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in Konitz: Conversations on the Improviser's Art https://books.google.com/books?id=pc4CsgVHLw0C&pg=PA65&dq=%22Tristano+was+too+contrived+for+me%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIrKPnnf_OxwIVBDU-Ch0dxg5F#v=onepage&q=%22Tristano%20was%20too%20contrived%20for%20me%22&f=falseLee

Daniel Dennett photo

“In a Thumbnail Sketch here is [the Multiple Drafts theory of consciousness] so far:There is no single, definitive "stream of consciousness," because there is no central Headquarters, no Cartesian Theatre where "it all comes together" for the perusal of a Central Meaner. Instead of such a single stream (however wide), there are multiple channels in which specialist circuits try, in parallel pandemoniums, to do their various things, creating Multiple Drafts as they go. Most of these fragmentary drafts of "narrative" play short-lived roles in the modulation of current activity but some get promoted to further functional roles, in swift succession, by the activity of a virtual machine in the brain. The seriality of this machine (its "von Neumannesque" character) is not a "hard-wired" design feature, but rather the upshot of a succession of coalitions of these specialists.The basic specialists are part of our animal heritage. They were not developed to perform peculiarly human actions, such as reading and writing, but ducking, predator-avoiding, face-recognizing, grasping, throwing, berry-picking, and other essential tasks. They are often opportunistically enlisted in new roles, for which their talents may more or less suit them. The result is not bedlam only because the trends that are imposed on all this activity are themselves part of the design. Some of this design is innate, and is shared with other animals. But it is augmented, and sometimes even overwhelmed in importance, by microhabits of thought that are developed in the individual, partly idiosyncratic results of self-exploration and partly the predesigned gifts of culture. Thousands of memes, mostly borne by language, but also by wordless "images" and other data structures, take up residence in an individual brain, shaping its tendencies and thereby turning it into a mind.”

Source: Consciousness Explained (1991), p. 253–4.

“Look. You are not playing for Delhi, Punjab, Madras, Calcutta or Bombay; you are playing for India. You are Indian.”

Mansoor Ali Khan Pataudi (1941–2011) Indian cricket player.

Rallying call to his team.
The Economist, 1st October 2011, p. 89

John Cowper Powys photo
Gaurav Sharma (author) photo

“Let him play,” whispered Cheeta. “Let him make believe that he’s alive again.”

Source: Titus Alone (1959), Chapter 105 (p. 1000)

Vytautas Juozapaitis photo
Harriet Harman photo

“Although he is disappointed, I know he will step forward and play a really important part in Labour’s future.”

Harriet Harman (1950) British politician

On David Miliband's narrow defeat to become Leader of the Labour Party http://www.journallive.co.uk/north-east-news/todays-news/2010/09/27/david-miliband-will-not-quit-his-seat-in-south-shields-61634-27347209/, September 27, 2010.

William Blake photo

“He loves to sit and hear me sing,
Then, laughing, sports and plays with me;
Then stretches out my golden wing,
And mocks my loss of liberty.”

William Blake (1757–1827) English Romantic poet and artist

Song (How Sweet I Roamed), st. 4
1780s, Poetical Sketches (1783)

Lauren Bacall photo

“"Oh, son, I wish you hadn’t become a scenario writer!" she sniffled.
"Aw, now, Moms," I comforted her, "it’s no worse than playing the piano in a call house."”

S.J. Perelman (1904–1979) American humorist, author, and screenwriter

"Strictly from Hunger", The Most of S. J. Perelman (1992) p. 45

Gary Johnson photo

“I share in their outrage and the outrage is that we don’t have a system that has a level playing field. That the government picks winners and losers and in the case of Wall Street what absolutely outrages me is the fact that these people that made such incredibly bad decisions, and I’m believing that these decisions were not necessarily criminal or I think they would have been prosecuted, but that they were just horrible decisions. That they should have been rewarded with failure. Meaning they should have lost all of their money. But they didn’t loose all of their money did they? We bailed them out at the tune of a trillion bucks. You and I. You and I bailed them out. They continue to receive their bonuses and that is … that is the outrage and I share in that outrage… Government should be a level playing field where all of us have the same advantages and the same threats if you will. Implementing the Fair Tax for example throws out the entire Federal tax system. No income tax, no IRS, no business tax, no corporate tax and isn’t the fact that some people pay tax and others don’t isn’t it it the fact that some corporations pay tax and others don’t that has us outraged. It’s just not fair. Let’s implement something that totally fair and in fact is a system where you make the more you consume the more Fair Tax you’ll pay. In a Fair Tax environment you’ll be incentivised to save money.”

Gary Johnson (1953) American politician, businessman, and 29th Governor of New Mexico

Statement made to representatives of the Pagan Newswire Collective (PNC)
2011-10-16
http://www.patheos.com/blogs/paganswithdisabilities/2011/10/full-transcript-of-qa-with-presidential-candidate-gary-johnson/
2012-02-24
Economic Policy

Wesley Snipes photo

“I was fortunate enough to be trained in the theater. Coming from the theater background, you’re schooled to play diverse roles in preparation for the repertory environment, or the repertory type of lifestyle. So, to me, going back and forth from genre to genre is only keeping true to the way I was trained in the theater. And I’m really an action fan. I’m a movie fan in general, but I’m definitely an action fan, as well.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Snipes in 2014 An Interview with Wesley Snipes: ‘The Expendables 3’ Interview http://www.theaquarian.com/2014/08/27/an-interview-with-wesley-snipes-the-expendables-3-interview/, The Aquarian Weekly, 27 August 2014

Tim Curry photo

“It's much more a matter of playing the characters as they were written by the authors, because of the liberties that have been taken with pretty much all of them. They've all been distorted in one way or another, because the authors have hardly stuck to the facts.”

Tim Curry (1946) English actor, voice artist, comedian and singer

Tim Curry Plunges Ahead Into the Past, Part IV http://www.nytimes.com/1990/01/24/theater/tim-curry-plunges-ahead-into-the-past-part-iv.html (January 24, 1990)

Isaac Watts photo

“In books, or work, or healthful play,
Let my first years be past,
That I may give for every day
Some good account at last.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 20: "Against Idleness and Mischief".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Jürgen Klopp photo

“He likes having the ball, playing football, passes. It's like an orchestra. But it's a silent song. I like heavy metal.”

Jürgen Klopp (1967) German association football player and manager

Klopp comparing his team's style of play to Arsène Wenger's Arsenal.
Source: 14 of the best Jurgen Klopp quotes: Top of the Klopps http://www.espnfc.com/blog/the-toe-poke/65/post/2402760/14-of-the-best-jurgen-klopp-quotes-top-of-the-klopps

Iris DeMent photo
Paul Graham photo

“Nerds aren't losers. They're just playing a different game, and a game much closer to the one played in the real world.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"Why Nerds are Unpopular," February 2003

“[People who play RPGs are] "depressed gamers who like to sit alone in their dark rooms and play slow games."”

Hiroshi Yamauchi (1927–2013) Japanese businessman

"Top 10 Tuesday: Wildest Statements Made by Industry Veterans" ign.com http://www.ign.com/articles/2006/03/14/top-10-tuesday-wildest-statements-made-by-industry-veterans

Muammar Gaddafi photo
George W. Bush photo

“I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.”

J. G. Ballard (1930–2009) British writer

"JG Ballard: Theatre of Cruelty" interview by Jean-Paul Coillard in Disturb ezine (1998)
Context: For the sake of my children and grandchildren, I hope that the human talent for self-destruction can be successfully controlled, or at least channelled into productive forms, but I doubt it. I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.

“Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theater and learn to become 'stage-worthy.”

Viola Spolin (1906–1994) American academic and acting theorist

Improvisation for the Theater (1963), page 3
Context: Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theater and learn to become 'stage-worthy.' We learn through experience and experiencing, and no one teaches anyone anything. This is as true for the infant moving from kicking and crawling to walking as it is for the scientist with his equations. If the environment permits it, anyone can learn whatever he chooses to learn; and if the individual permits it, the environment will teach him everything it has to teach. 'Talent' or 'lack of talent' have little to do with it.

Jerry Stiller photo

“In the ancient days when gods played their own games, and had their own celebrations, tossing lightning bolts between mountaintops, hurling great boulders — Festivus came out of that.”

Jerry Stiller (1927) American comedian

Festivus: The Holiday for the Rest of Us (2005)
Context: In the ancient days when gods played their own games, and had their own celebrations, tossing lightning bolts between mountaintops, hurling great boulders — Festivus came out of that. It's a holiday that celebrates being alive at a time when it was hard to be alive.
There was no Christ yet, no Yahweh, no Buddha. There were great ruins and raw nature. But there was a kindling spark of hope among men. They celebrated that great thunderous storms hadn't enveloped them in the past year, that landslides hadn't destroyed them. They made wishes that their crops would grow in the fields, that they'd have food the next year and the wild animals wouldn't attack and eat them.
There's something pure about Festivus, something primal, raw in the hearts of humans.

Learned Hand photo

“No, the children must learn to play by themselves; there is no Jack the master.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

"Democracy: Its Presumptions and Realities" (1932); also in The Spirit of Liberty: Papers and Addresses (1952), p. 99 - 100.
Extra-judicial writings
Context: When I hear so much impatient and irritable complaint, so much readiness to replace what we have by guardians for us all, those supermen, evoked somewhere from the clouds, whom none have seen and none are ready to name, I lapse into a dream, as it were. I see children playing on the grass; their voices are shrill and discordant as children's are; they are restive and quarrelsome; they cannot agree to any common plan; their play annoys them; it goes poorly. And one says, let us make Jack the master; Jack knows all about it; Jack will tell us what each is to do and we shall all agree. But Jack is like all the rest; Helen is discontented with her part and Henry with his, and soon they fall again into their old state. No, the children must learn to play by themselves; there is no Jack the master. And in the end slowly and with infinite disappointment they do learn a little; they learn to forbear, to reckon with another, accept a little where they wanted much, to live and let live, to yield when they must yield; perhaps, we may hope, not to take all they can. But the condition is that they shall be willing at least to listen to one another, to get the habit of pooling their wishes. Somehow or other they must do this, if the play is to go on; maybe it will not, but there is no Jack, in or out of the box, who can come to straighten the game.

Al Gore photo

“It is a decision that could have been made only at a moment in time when reason was playing a sharply diminished role in our national deliberations.”

Al Gore (1948) 45th Vice President of the United States

Quotes, The Assault on Reason (2007)
Context: History will surely judge America's decision to invade and occupy a fragile and unstable nation that did not attack us and posed no threat to us as a decision that was not only tragic but absurd. Saddam Hussein was a brutal dictator, to be sure, but not one who posed an imminent danger to us. It is a decision that could have been made only at a moment in time when reason was playing a sharply diminished role in our national deliberations.

Pelé photo

“When I played, I would face up to a defender, I would beat him with my eyes, send him the wrong way; I would look one way and then go the other.”

Pelé (1940–2022) Brazilian association football player

Interviewedby Lee Clayton, "Welcome into Pelé's World" in Daily Mail [England] (27 May 2006)
Context: Bobby Moore — he defended like a lord. Let me tell you about this man. When I played, I would face up to a defender, I would beat him with my eyes, send him the wrong way; I would look one way and then go the other. Defenders would just kick me in frustration. They would foul me because they couldn't stop me, or because I would confuse them with my movement. I would move my eyes, my legs or my body, but not always the ball. They would follow my move, but not Bobby, not ever. He would watch the ball, he would ignore my eyes and my movement and then, when he was ready and his balance was right, he would take the ball, always hard, always fair. He was a gentleman and an incredible footballer.

Stephen Vincent Benét photo

“He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors.”

The Devil and Daniel Webster (1937)
Context: He started off in a low voice, though you could hear every word. They say he could call on the harps of the blessed when he chose. And this was just as simple and easy as a man could talk. But he didn't start out by condemning or reviling. He was talking about the things that make a country a country, and a man a man.
And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened. And when he talked of those enslaved, and the sorrows of slavery, his voice got like a big bell. He talked of the early days of America and the men who had made those days. It wasn't a spread-eagle speech, but he made you see it. He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors.

Gianni Sarcone photo

“Games are enactments, and the act of playing is an illusion of the illusion of the reality”

Gianni Sarcone (1962) Italian author, artist, designer, and researcher in visual perception and cognitive psychology

Make Your Own 3D Illusions (2014).
Context: We long for a technological world, while keeping the natural aspect of our environment; we want the progress, while maintaining the traditions; we want organization while preserving individual freedom; we produce at a large scale while looking for unique products; we want clearness in our relationships, while we like to play with the ambiguity; we wish everlasting happiness while seeking incomparable magic moments… In reality, from all these contradictions, we are looking for only one thing: ASTONISHMENT. We would life to astonish us every day! That’s why we all, human beings, love playing, because games are synonymous of risk and astonishment. Games are enactments, and the act of playing is an illusion of the illusion of the reality.

Theodore Dreiser photo

“Among the forces which sweep and play throughout the universe, untutored man is but a wisp in the wind. Our civilization is still in a middle stage, scarcely beast, in that it is no longer wholly guided by instinct; scarcely human, in that it is not yet wholly guided by reason.”

Source: Sister Carrie (1900), Ch. 8 : Intimations By Winter: An Ambassador Summoned
Context: Among the forces which sweep and play throughout the universe, untutored man is but a wisp in the wind. Our civilization is still in a middle stage, scarcely beast, in that it is no longer wholly guided by instinct; scarcely human, in that it is not yet wholly guided by reason. On the tiger no responsibility rests. We see him aligned by nature with the forces of life — he is born into their keeping and without thought he is protected. We see man far removed from the lairs of the jungles, his innate instincts dulled by too near an approach to free-will, his free-will not sufficiently developed to replace his instincts and afford him perfect guidance. He is becoming too wise to hearken always to instincts and desires; he is still too weak to always prevail against them. As a beast, the forces of life aligned him with them; as a man, he has not yet wholly learned to align himself with the forces. In this intermediate stage he wavers — neither drawn in harmony with nature by his instincts nor yet wisely putting himself into harmony by his own free-will. He is even as a wisp in the wind, moved by every breath of passion, acting now by his will and now by his instincts, erring with one, only to retrieve by the other, falling by one, only to rise by the other — a creature of incalculable variability. We have the consolation of knowing that evolution is ever in action, that the ideal is a light that cannot fail. He will not forever balance thus between good and evil. When this jangle of free-will and instinct shall have been adjusted, when perfect understanding has given the former the power to replace the latter entirely, man will no longer vary. The needle of understanding will yet point steadfast and unwavering to the distant pole of truth.

Cole Porter photo

“It must be fun to be you
And play with love as you do”

Cole Porter (1891–1964) American composer and songwriter

"It Must Be Fun To Be You"
Mexican Hayride (1944)
Context: It must be fun to be you
And play with love as you do
To treat each new romance
As merely one more dance
Or just another book to glance through
It must be fun to acquire
Whatever heart you desire,
And when you're bored with it
To tear it in two,
It must be fun to be you.

Nico photo

“You could say it like was like a fairy tale at the time; Andy would be the good fairy, and Jim would play the giant, Brian would be the witch, Paul McCartney would be the frog who turns into a prince, no, it would have to be the other way round.”

Nico (1938–1988) German musician, model and actress, one of Warhol's superstars

Describing her tumultuous experiences of 1967, as quoted in Life and Lies of an Icon (1995) by Richard Witts.
Context: You could say it like was like a fairy tale at the time; Andy would be the good fairy, and Jim would play the giant, Brian would be the witch, Paul McCartney would be the frog who turns into a prince, no, it would have to be the other way round. Well, it didn't seem like a fairy tale at the time. It was a lot of hassle. But I learned a lot of things, and I began to compose my own songs.

Alice Cooper photo

“If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play.”

Alice Cooper (1948) American rock singer, songwriter and musician

Poppin (1969)
Context: We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place. We won't see the day when the public accepts what we wanna project, even though they are accepting a lot now. By the time they're accepting it, maybe they'll be too old.... If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play. A total silence trip is the ultimate.... We do antagonize them psychologically. People look at us and react. They either go "Wow! Hey-hey-hey, baby!" and we say that's great. They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react — do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.

“Find out what you enjoy doing, and your chances of succeeding will be dramatically better. We play the game every day, sometimes without even recognizing that we're doing it.”

Michael Korda (1933) British writer

Source: Success! (1977), p. 145
Context: Your chances of success are directly proportional to the degree of pleasure you derive from what you do. If you are in a job you hate, face the fact squarely and get out. You may earn a good living, you may have a safe career, but you will never be a success. Find out what you enjoy doing, and your chances of succeeding will be dramatically better. We play the game every day, sometimes without even recognizing that we're doing it. We compete with other people, or other teams, or other companies, not only because it is essential to business survival, but because we frankly enjoy competition. It's fun to be in the game, and it's even more fun to win.

H.L. Mencken photo

“The strange American ardor for passing laws, the insane belief in regulation and punishment, plays into the hands of the reformers, most of them quacks themselves. Their efforts, even when honest, seldom accomplish any appreciable good.”

H.L. Mencken (1880–1956) American journalist and writer

Editorial in TheAmerican Mercury (May 1924), p. 26
1920s
Context: The strange American ardor for passing laws, the insane belief in regulation and punishment, plays into the hands of the reformers, most of them quacks themselves. Their efforts, even when honest, seldom accomplish any appreciable good. The Harrison Act, despite its cruel provisions, has not diminished drug addiction in the slightest. The Mormons, after years of persecution, are still Mormons, and one of them is now a power in the Senate. Socialism in the United States was not laid by the Espionage Act; it was laid by the fact that the socialists, during the war, got their fair share of the loot. Nor was the stately progress of osteopathy and chiropractic halted by the early efforts to put them down. Oppressive laws do not destroy minorities; they simply make bootleggers.

Jessica Chastain photo

“I was on the set of Tree of Life. He was with me, and he asked me [if I] would play Eleanor Rigby in his film.”

Jessica Chastain (1977) American actress

Vulture interview (2014)
Context: I was on the set of Tree of Life. He was with me, and he asked me [if I] would play Eleanor Rigby in his film. And I said, “Yes, but it’s so much the male perspective,” [whispers] like the majority of films that are made. I said, “I’d like to know more about the woman. I’d like to know her perspective as well.” So he went and he wrote Her. And it was very collaborative because every day as he’d write, I’d be working, and I’d come back and he’d ask me questions about sisters or whatnot and how women talk with each other, and I found that to be really exciting. … he was the full writer. I was his bounce board. Not story things, because that’s the main part of the film, but just things like, you know, cutting the hair. You know, because girls, we all tell each other, “Don’t cut your hair when you’re pregnant, don’t cut your hair when you have a breakup or when a tragedy happens.” It’s something that we like to do when we’re in an emotional place for some reason. Right? But that’s something that a man may not know, that’s inherently female. And so it was my idea, I wanted Eleanor to cut her hair off, because then it connects to then her disappearing herself as well.

Clive Staples Lewis photo

“It foretells a sudden, violent end imposed from without; an extinguisher popped onto the candle, a brick flung at the gramophone, a curtain rung down on the play — "Halt!"”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The World's Last Night (1952)
Context: Christian Apocalyptic offers us no such hope. It does not even foretell, (which would be more tolerable to our habits of thought) a gradual decay. It foretells a sudden, violent end imposed from without; an extinguisher popped onto the candle, a brick flung at the gramophone, a curtain rung down on the play — "Halt!"

Vannevar Bush photo

“Scientific progress on a broad front results from the free play of free intellects, working on subjects of their own choice, in the manner dictated by their curiosity for exploration of the unknown.”

Vannevar Bush (1890–1974) American electrical engineer and science administrator

Science - The Endless Frontier (1945)
Context: Scientific progress on a broad front results from the free play of free intellects, working on subjects of their own choice, in the manner dictated by their curiosity for exploration of the unknown. Freedom of inquiry must be preserved under any plan for Government support of science...

Harlan Ellison photo

“I feel that my responsibility is to drag the human race along with me — that I will never pander to, or speak down to, or play the safe game. Because my immortal soul will be lost.”

Harlan Ellison (1934–2018) American writer

As quoted in Contemporary Authors New Revision Series: A Bio-Bibliographical Guide to Current Writers in Fiction, General Non-Fiction, Poetry, Journalism, Drama, Motion Pictures, Television, & Other Fields (1982) by Ann Evory
Context: I talk about the things people have always talked about in stories: pain, hate, truth, courage, destiny, friendship, responsibility, growing old, growing up, falling in love, all of these things. What I try to write about are the darkest things in the soul, the mortal dreads. I try to go into those places in me that contain the cauldrous. I want to dip up the fire, and I want to put it on paper. The closer I get to the burning core of my being, the things which are most painful to me, the better is my work. … It is a love/hate relationship I have with the human race. I am an elitist, and I feel that my responsibility is to drag the human race along with me — that I will never pander to, or speak down to, or play the safe game. Because my immortal soul will be lost.

Yasunari Kawabata photo

“That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music.”

Source: The Master of Go (1951), Ch. 38, p. 164.
Context: That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.

Martin Heidegger photo

“The Geschick of being: a child that plays… Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why."”

Martin Heidegger (1889–1976) German philosopher

The Principle of Reason (1955–1956) as translated by Reginald Lilly (1991) <!-- Bloomington: Indiana UP -->
Context: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.