Quotes about play
page 31

Rufus Wainwright photo

“You broke my heart, Danny boy
Not your fault, Danny boy
I was had at the doorstep
Played, like a two to a four-set
Had, like poor Job in the bible by God.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Danny Boy
Song lyrics, Rufus Wainwright (1998)

Laurie Penny photo

“Cary Grant roles are ones I would love to have played, but I was never given any.”

Ian Carmichael (1920–2010) actor

Associated Press obituary 8 February 2010 http://www.google.com/hostednews/ap/article/ALeqM5jlzdX4EHkShqZYk3U2TEp_YHkjLgD9DO2PH01

Mahatma Gandhi photo
Kate Bush photo

“This is where the shadows come to play twixt the day
And night
Dancing and skipping
Along a chink of light”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Babe Ruth photo

“I'd play for half my salary if I could hit in this dump all the time.”

Babe Ruth (1895–1948) American baseball player

Assessment of Wrigley Field shouted during batting practice on October 1, 1932, just prior to Game 3 of the World Series, as recalled by Ruth in a February 1944 interview with Chicago Daily News sports editor John Carmichael; as reproduced in "The Sports Parade" by Braven Dryer, in The Los Angeles Times (February 23, 1944), p. A7; and in Babe Ruth's Called Shot: The Myth and Mystery of Baseball's Greatest Home Run https://books.google.com/books?id=JlOsBwAAQBAJ&pg=PA80 (2014) by Ed Sherman, p. 80

Lou Reed photo
John Rupert Firth photo
George William Russell photo

“We go on our enchanted way
And deem our hours immortal hours,
Who are but shadow kings that play
With mirrored majesties and powers.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Margaret Cho photo
Phil Brooks photo

“Punk: I'm not gonna have you sit here and belittle me. Say I've lost sight? I've lost sight of things, John? The reason I say I'm gonna take that and walk out is because I don't fit a certain mold. Because I am the underdog, and that's exactly what you've lost sight of. Earlier in this ring, you mentioned great wrestlers like Eddie Guerrero and you said they used to look at you and say that the kid couldn't hang. And now you stand here and look at me as the kid that can't hang. John, I was hanging off of your gangster car, WrestleMania 22, as it rolled down in Chicago, Illinois, and I stood there in a suit looking as ridiculous as [points to Vince McMahon] that man looks right now in his suit, holding a phony Tommy gun, and I said to myself someday, I'm not gonna be standing out there watching you in the ring; I was gonna be in the ring watching you go down to CM Punk. And now here we are in your hometown of Boston. And now next week, we'll be back there in my hometown—Chicago, Illinois. And this… this is the part where I talk 'em into the building. See, you are the one that's lost sight, and I apologize for raising my voice because I'm not that guy. But when you stand here and tell me that I've lost sight, when you, the 10-time Champion who stands for hustle, loyalty and respect; who, from Boston, Massachusetts, lives and breathes these red colors, the same colors as your beloved Red Sox, who also portray themselves as the underdog, I'm sure just like the Bruins portray themselves as the underdog. Just like the Patriots think they're the underdog! Hey, how about those Celtics? Are they the underdogs too? Here's what you've lost sight of, John, and I'm really happy that your father and your wife are sitting in the front row so they can hear it!
John Cena: That's the last time I'm gonna tell you, man, ease up.
Punk: What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees! [John immediately punches Punk, who scoots out of the ring, grabs the contract, and goes up the ramp. Points respectively to Vince and John] You're Steinbrenner, and you might as well be Jeter! Mr. 3000, I'm the underdog! [John's music plays for fourteen seconds] Turn it off! Turn the music off because I have something to say, and I'm positive that everybody here wants to hear it, and everybody sitting at home has their DVRs fired up because they wanna hear it! I'm glad you just punched me in the face, John. I'm glad it went down this way because it hit me like a bolt of lightning—exactly why I no longer wanna be here, why I wanna leave. It's because I'm tired of this. I'm tired of you. I'm just tired. So ladies and gentlemen of the WWE Universe, Vince, John, Sunday night, say goodbye to the WWE Title, say goodbye to John Cena, and say goodbye to CM Punk! [Rips up the contract] I'll go be the best in the world somewhere else.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 11, 2011
WWE Raw

Michel De Montaigne photo

“When I play with my cat, who knows whether I do not make her more sport than she makes me?”

Book II, Ch. 12. Apology for Raimond Sebond
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)

Derren Brown photo

“I can’t drive, play football without crying, or successfully use a PS3 controller.”

Derren Brown (1971) British illusionist

TV recordings of stage shows, Svengali (2012), Svengali tour brochure

Sukarno photo
Paul Klee photo

“As time passes I become more and more afraid of my growing love of music. I don’t understand myself. I play solo sonatas by Bach: next to them, what is Böcklin? It makes me smile.”

Paul Klee (1879–1940) German Swiss painter

Quote (November 1897), # 52, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
reflecting on his youth and on the uncertainty about the future of choice to make
1895 - 1902

Haruo Nakajima photo
William Lane Craig photo
Doug McIlroy photo
Phil Brown (footballer) photo
Sören Kierkegaard photo
Aaron Judge photo

“Getting my first chance to play in front of crowds like that, situations like that, is going to be huge for us going on. We have a lot of young guys on this team, and getting as far as we did is going to be beneficial down the road for us.”

Aaron Judge (1992) American baseball player

quoted by Newsday https://www.newsday.com/sports/aaron-judge-makes-spectacular-catch-but-falls-short-at-the-plate-in-yankees-game-7-loss-1.14574441

George William Curtis photo
Arthur Wellesley, 1st Duke of Wellington photo

“The Battle of Waterloo was won on the playing fields of Eton.”

Arthur Wellesley, 1st Duke of Wellington (1769–1852) British soldier and statesman

As quoted in The New York Times (26 December 1886), and in Words on Wellington (1889) by Sir William Fraser, this is almost certainly apocryphal. The first attributions of such a remark to Wellington were in De l'Avenir politique de l'Angleterre (1856) by Charles de Montalembert, Ch. 10, where it is stated that on returning to Eton in old age he had said: "C'est ici qu'a été gagnée la bataille de Waterloo." This was afterwards quoted in Self-Help (1859) by Samuel Smiles as "It was there that the Battle of Waterloo was won!" Later in Memoirs of Eminent Etonians (2nd Edition, 1876) by Sir Edward Creasy, he is quoted as saying as he passed groups playing cricket on the playing-fields: "There grows the stuff that won Waterloo."
Elizabeth Longford in Wellington — The Years of the Sword (1969) states he "probably never said or thought anything of the kind" and Gerald Wellesley, 7th Duke of Wellington in a letter published in The Times in 1972 is quoted as stating: "During his old age Wellington is recorded to have visited Eton on two occasions only and it is unlikely that he came more often. … Wellington's career at Eton was short and inglorious and, unlike his elder brother, he had no particular affection for the place. … Quite apart from the fact that the authority for attributing the words to Wellington is of the flimsiest description, to anyone who knows his turn of phrase they ring entirely false."
Misattributed

Dmitri Bulykin photo

“Everything is tres-chique in my life now. I've adapted, set up the house, moved the family in. Sometimes my wife visits me. The only thing left is to start playing football… but this hasn't worked out so far”

Dmitri Bulykin (1979) Russian association football player

Дмитрий Булыкин: «Хочу остаться в «Андерлехте» и доказать, что я – хороший футболист» http://www.sports.ru/football/6390016.html

Tanith Lee photo
Al Gore photo
Samuel Gompers photo
Fred Astaire photo
Allen West (politician) photo
Tao Yuanming photo

“I am free from ties and can live a life of retirement.
When I rise from sleep, I play with books and harp.”

"Shady, shady the wood in front of the Hall"
Translated by Arthur Waley

“The muse lends me a lyre of myriad tunes,
her brush of myriad tints—I want to play
a wizard working wonders, magic tricks
with all the sounds and colors of the earth.”

Thế Lữ (1907–1989)

Source: An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100

Wallace Stevens photo
Thérèse of Lisieux photo
Liam Fox photo
Warren Farrell photo
George Raymond Richard Martin photo

“I've been killing characters my entire career, maybe I'm just a bloody minded bastard, I don't know, [but] when my characters are in danger, I want you to be afraid to turn the page (and to do that) you need to show right from the beginning that you're playing for keeps.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Audio Interview http://www.geekson.com/archives/archiveepisodes/2006/episode080406.htm with Geekson http://www.geekson.com in Episode 54, (4 August 2006)

Adam West photo
James Randi photo
Learned Hand photo
John Dankworth photo
Robert Mitchum photo
Neil deGrasse Tyson photo

“Halley shattered their monopoly, beating them at their own game. A game that no scientist had ever played before: Prophecy. -S01E03”

Neil deGrasse Tyson (1958) American astrophysicist and science communicator

Cosmos: A Spacetime Odyssey (2014)
Variant: 'Halley shattered their monopoly, beating them at their own game. A game that no scientist had every played before: Prophecy.

River Phoenix photo

“Principally I played pedants, idiots, old fathers, and drunkards. As you see, I had a narrow escape from becoming a professor.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Shakespeare over the Port (1960)

Neville Chamberlain photo
A.E. Housman photo
Jerry Springer photo

“I should get a weekend show where all I do is play country music.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

Springer On The Radio for Air America Radio, July 22nd 2005

Little Richard photo
Ray Liotta photo

“I remember watching Gene Hackman, or Robert Duvall. To just see them as actors. You think of them as these icons. But you see them mess up their lines, flub their lines, whatever, you just see the human being. But then when they're "in" it's totally about playing pretend. The game of it.”

Ray Liotta (1954) American actor

As quoted in "Tribeca Film Festival Interview: Ray Liotta Takes a Rare Comedic Turn in Snowmen" by Cynthia Ellis at Huffington Post (26 April 2010) http://www.huffingtonpost.com/cynthia-ellis/tribeca-film-festival-int_b_551768.html

Eliza Cook photo

“How cruelly sweet are the echoes that start
When memory plays an old tune on the heart!”

Eliza Cook (1818–1889) British writer

Old Dobbin, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Roger Manganelli photo
Warren Farrell photo
Nicholas Murray Butler photo

“When you remember how few Jews there are in Italy and how relatively few there are in Germany, one must wonder at the violence and the bitterness of this perse cution. The number of Jews in Italy is only a small fraction of those in the city of New York, while there are in the city of New York six times as many Jews as there were in the German Reich when the last war ended and possibly more than four times as many as there are there now. Yet the persecution, personal, physical, family, financial, goes on, openly and secretly, in a way that is perfectly appalling. To my great astonishment, this anti-Semitic persecution has been violently and publicly revived in this country within the last few weeks or months, and it is as discreditable to us that this should have happened as anything that we can imagine.'
Jews differ among themselves just as do Spaniards or Italians or Canadians or Americans. There are some who belong to one party, some who belong to another some whp hold one point of view, some who hold a point of view that is contradictory. The notion that all who belong to that race or profess that faith are of one mind in everything that relates to their public relationships is a grotesque departure from fact. But if you can play upon an excited public emotion by the use of these terms and by the insinuation that the entire Hebrew population is engaged, let us say as we have been told from the platform recently in trying to get this nation into war, such statements, although absolutely contradictory to every well-known fact, will, if repeated long enough, be believed and acted upon by a certain number of our unthinking population.
We cannot protest too vigorously and too strongly against that sort of thing. It may be the Ku Klux Klan persecuting the Catholics, it may be the anti-Semites persecuting the Jews: but persecution on racial or religious ground has absolutely no place in a nation given over to liberty and which calls itself a democracy.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

Bill Hybels photo
Bud Selig photo
Amir Taheri photo

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014).
New York Post

Camille Paglia photo
E.M. Forster photo
Narendra Modi photo

“Yes I have spoken on Gandhi ji’s Vaishnav Jan bhajan at many places. In fact, I used to deliver hour-long speeches describing why Gandhi ji loved this bhajan. If we think carefully and dwell on each word of this song, composed 500 years ago, we will find that everything said in it is still relevant, especially for our public life. He speaks against corruption and importance of personal integrity. In short, it is a manifesto for public life and morality. So, I worked around the words and would say: … "A people’s representative is one who feels the pain of others; one who removes the sorrows of others and yet does not let a trace of pride or arrogance come into his heart."
This used to be part of my worker development programmes. I used to analyse each line of this bhajan and explain why Gandhi ji promoted these values in public life; it contains all the wisdom you need for public life. It is a great misfortune for our country that this bhajan is played only on October 2 at Rajghat. It should have become an instrument of inculcating moral values. Gandhi ji liked this bhajan because Gandhi’s DNA and the elements of this geet match each other. I hold it up as a model of conduct for our party and RSS workers. In the RSS, there is an old tradition of remembering this bhajan every morning. Their pratah smaran (morning remembrance) starts with Gandhi ji’s name.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.379-380
2013

Madonna photo

“Hollywood is about playing the game, and I can't think of any successful actresses who didn't play the game. there's a lot more renegades in the music business, from Patti Smith to Janis Joplin.”

Madonna (1958) American singer, songwriter, and actress

Aperture Magazine 1999 http://allaboutmadonna.com/madonna-interviews-articles/aperture-magazine-summer-1999

Natalie Portman photo

“It was wonderful playing a young queen with so much power. I think it will be good for young women to see a strong woman of action who is also smart and a leader.”

Natalie Portman (1981) Israeli-American actress

Natalie Portman, quoted in The Phantom Menace "Production Notes". I wear a diaper in lucy in the sky

Earl Holliman photo
Ray Liotta photo
Noam Cohen photo

“Playing the government off newspapers, and newspapers against each other, still does not compare with the power of the World Wide Web.”

Noam Cohen (1999) American journalist

[Noam, Cohen, The New York Times, April 18, 2010, What Would Daniel Ellsberg Do With the Pentagon Papers Today?, http://www.nytimes.com/2010/04/19/business/media/19link.html, October 30, 2014]

Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

Charles Darwin photo
Dashiell Hammett photo

“Spade pulled his hand out of hers. He no longer either smiled or grimaced. His wet yellow face was set hard and deeply lined. His eyes burned madly. He said: "Listen. This isn't a damned bit of good. You'll never understand me, but I'll try once more and then we'll give it up. Listen. When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around – bad for that one organization, bad for every detective everywhere. Third, I'm a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go. It can be done, all right, and sometimes it is done, but it's not the natural thing. The only way I could have let you go was by letting Gutman and Cairo and the kid go. … Fourth, no matter what I wanted to do now it would be absolutely impossible for me to let you go without having myself dragged to the gallows with the others. Next, I've no reason in God's world to think I can trust you and if I did this and got away with it you'd have something on me that you could use whenever you happened to want to. That's five of them. The sixth would be that, since I've got something on you, I couldn't be sure you wouldn't decide to shoot a hole in *me* some day. Seventh, I don't even like the idea of thinking that there might be one chance in a hundred that you'd played me for a sucker. And eighth – but that's enough. All those on one side. Maybe some of them are unimportant. I won't argue about that. But look at the number of them. Now on the other side we've got what? All we've got is the fact that maybe you love me and maybe I love you." … "But suppose I do? What of it? Maybe next month I won't. I've been through it before – when it lasted that long. Then what? Then I'll think I played the sap. And if I did it and got sent over then I'd be sure I was the sap. Well, if I send you over I'll be sorry as hell – I'll have some rotten nights – but that'll pass. Listen." He took her by the shoulders and bent her back, leaning over her. "If that doesn't mean anything to you forget it and we'll make it this: I won't because all of me wants to – wants to say to hell with the consequences and do it -- and because – God damn you – you've counted on that with me the same as you counted on that with the others. … Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business – bringing in high-priced jobs and making it easier to deal with the enemy. … Well, a lot of money would have been at least one more item on the other side of the scales."”

… Spade set the edges of his teeth together and said through them: "I won't play the sap for you."
Chap. 20, "If They Hang You"
spoken by the character "Sam Spade" to "Brigid O'Shaughnessy."
The Maltese Falcon (1930)

Piet Mondrian photo

“[.. but he had] a record with the music of the dwarfes on it, and quite often play it.”

Piet Mondrian (1872–1944) Peintre Néerlandais

short quotes, from post-cards to his brother Carel, from London autumn, 1938; as quoted in 'Artist Piet Mondrian in London: the forgotten years', Thomasine, Sweden; The Guardian International https://www.theguardian.com/artanddesign/2010/jun/25/artist-piet-mondrian-london-years
Mondrian's short quotes are referring to the Disney animation-movie 'Snow White and the Seven Dwarfs (1937 film), which he visited early 1938 with his brother Carel. His brother he named in the postcards "Sneezy".
1930's

Cass Elliot photo

“One could say my life itself has been one long soundtrack. Music was my life, music brought me to life, and music is how I will be remembered long after I leave this life. When I die there will be a final waltz playing in my head that only I can hear.”

Maurice Jarre (1924–2009) French composer

This quote was actually crafted by University College Dublin student Shane Fitzgerald. Shortly after Jarre's death, Fitzgerald uploaded https://en.wikipedia.org/w/index.php?title=Maurice_Jarre&type=revision&diff=280558491&oldid=280527998 the false quote to Wikipedia to test "how our globalised, increasingly internet-dependent media was upholding accuracy and accountability in an age of instant news," according to the Associated Press. "The sociology major's made-up quote…flew straight on to dozens of US blogs and newspaper websites in Britain, Australia and India. They used the fabricated material, Fitzgerald said, even though administrators at the free online encyclopedia quickly caught the quote's lack of attribution and removed it, but not quickly enough to keep some journalists from cutting and pasting it first. A full month went by and nobody noticed the editorial fraud. So Fitzgerald told several media outlets in an email and the corrections began." The Guardian and The Herald "are among the only publications to make a public mea culpa," the Associated Press continues. See " Student hoaxes world's media with fake Wiki quote http://www.smh.com.au/news/technology/web/student-hoaxes-worlds-media-with-fake-wiki-quote/2009/05/12/1241893953955.html," The Sydney Morning Herald (12 May 2009).
Misattributed

Václav Havel photo
Robert P. George photo
George Washington Plunkitt photo

“I want to add that no matter how well you learn to play the political game, you won’t make a lastin’ success of it if you're a drinkin’ man. p. 77”

George Washington Plunkitt (1842–1924) New York State Senator

Plunkitt of Tammany Hall, Chapter 19, The Successful Politician Does Not Drink

Joanna MacGregor photo
Mir-Hossein Mousavi photo
Steve Shutt photo

“When you're playing, you don't worry about being in the Hall of Fame. When they come up and say, 'Hey, you've been inducted,' it was a thrill for everybody. You're being acknowledged by your peers and the people within the industry, and that's impressive because they're the hardest ones to convince. That, more than anything, gave me the greatest satisfaction.”

Steve Shutt (1952) ice hockey player

Quoted in Kevin Shea, "One on One with Steve Shutt," http://www.legendsofhockey.net/html/spot_oneononep199303.htm Legends of Hockey.net (2004-01-10)
Shutt comments about being elected to the Hockey Hall of Fame.

“I'm about as Nordic and Germanic looking as they come. It doesn't matter whther I'm skinny or fat. I'm just that way. So, there have been dates: for instance, the date that I first met Alex Acuna, Luis Conte, Alfredo Rey, Sr., Alfredo Rey, Jr., Cachao, the Cuban bass player. I mean, all of these people. The night I met them, on a recording date, I was there with a bunch of Cubans and I walked in, and at first, before we recorded the music, they were all standing around, hanging out. And of course I wanted to join, so I went over and started joining in. Now my Spanish certainly is not street Spanish, it's book-learned Spanish. And Cubans speak a patois all their own, and I could tell, when I first was speaking there, you know, they kept saying, "Well, he's speaking our language, but he certainly doesn't sound like us; he's still an outsider. Maybe not as much an outsider as he was before." And yet, what really happens is that, by the time we start playing, then I felt like somebody gives my visa a stamp. You know, on the passport. Because at that point, suddenly I start getting smiles from people, and different things, and that's an experience which happens over and over and over.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22there's+no+way+you+can+cut+it+any+different%22&source=bl&ots=vkOwylF67i&sig=RdKDS4QiEbLIoTYKWEL4j103DPM&hl=en&sa=X&ved=0ahUKEwizzcm_38bRAhXF4yYKHWktCS8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Clement Attlee photo
Donald J. Trump photo
George F. Kennan photo
Thomas Carlyle photo
Victor Villaseñor photo

“A good many inconveniences attend playgoing in any large city, but the greatest of them is usually the play itself.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Article in the New York Herald Tribune (17 February 1957)

“.. play Beethovens Fifth Symphony if the user clicks the control that contains 'Da-da-da-dum”

Paul DiLascia (1959–2008) American software developer

1994/4
Misc

Ruhollah Khomeini photo

“There is no room for play in Islam … It is deadly serious about everything.”

Ruhollah Khomeini (1902–1989) Religious leader, politician

Speech in Qum, as quoted in Portrait of an Ascetic Despot, Time, January 7, 1980, 2007-02-02 http://www.time.com/time/magazine/article/0,9171,923857,00.html,
Attributed

Frida Kahlo photo
Michael Chabon photo
Michael Lewis photo
Tré Cool photo

“Tré Cool plays the drums in Green Day, and he snorts [he sniffs] donut sprinkles, and [wipes his nose]... oh, that's a sweet drain.”

Tré Cool (1972) Drummer, punk rock musician

Bullet in a Bible (2005) (in an interview).

Peter F. Drucker photo
Miss Shangay Lily photo