“Our first play in 1981 was Jean Genet’s The Balcony, a prophetic choice, set in Paris in turmoil, just as London was being torched during the Brixton riots, an explosion of racial tensions that had been simmering for some time. I insisted on casting a Caribbean actress to play the lead, Irma the Madam of the Brothel.”

The South African Interview (August 8, 2011)

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South African actress and founder of Internationalist Thea…

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“The breaking of casting cliches also broke boundaries. A short, Latin-looking actress like me playing classical roles such as Miss Julie, and playing them well, made casting directors uncomfortable. It was unheard of that a short, dark-haired actress of Greek temperament could play the aristocratic Miss Julie. Not beautiful or tall enough etc. It proved one of the best productions of Miss Julie ever seen in London.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the formation of Internationalist Theatre.
The South African Interview (August 8, 2011)

“If I weren't an actress playing a socialite, I'd have lavender hair, wear crappy vintage clothes and have tattoos. I'd be some kind of crazy lawless rebel - an alternative underground riot girl.”

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“Actresses can only play women. I'm an actor, I can play anything.”

Whoopi Goldberg (1955) American actress

Speaking on The Today Show on January 13, 1986; as quoted in Whoopi Goldberg on Stage and Screen https://www.google.com/books/edition/Whoopi_Goldberg_on_Stage_and_Screen/WTH-SHM1LrkC?hl=en&gbpv=1&bsq=%22an%20actress%20can%20only%20play%20a%20woman%22 (2013) by Lisa Pertillar Brevard, p. 18.

“Writing for TV was a huge influence on this book, partly because you realize in casting what a vast gap there was between who people are and who they play. You sometimes see Shakespearan trained actors playing janitors. And at the same time, I’ve seen actresses who are really well known for playing wealthy, super cultured women come in and they are well, let’s just say the exact opposite.”

Veronica Chambers (1970) writer

On how writing for television influenced her novel The Go-Between in “Author Interview: Veronica Chambers questions Mexican immigrant stereotypes in ‘The Go-Between’” https://www.hypable.com/author-interview-veronica-chambers-the-go-between/ in Hypable (2017 May 9)

“[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job…' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.
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“My first few years as governor were during the period when people talked of long hot summers to come. We had had the Watts riots just prior to my taking office and racial tensions were very high. Without informing the press, I traveled up and down the state meeting with minority groups and leaders, sometimes in private homes, sometimes in headquarters they had in various community projects. I wanted to know firsthand what their problems were, what was on their minds, and what we could do to change things.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

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“Trey Spruance didn't want to tour for ages. And Dean Menta has always been our guitar-roadie during Angel Dust, and I remember him playing fantastically during soundchecks. During each gig, he was watching from the side of the stage, seeing Big Jim play stuff that he could play better.”

Mike Patton (1968) American singer

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“Every time I play with someone, just interacting with them points me to a different nook or a corner in my playing that I had overlooked.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

in pdf, Zakir Hussain and Master Musicians of India, 12 December 2013, UMS Youth Education Programme Organization http://ums.org/assets/zakir_FINAL.pdf, <br class="br">Quote

“I'm not an actress who can create a character. I play me.”

Mary Tyler Moore (1936–2017) American actress, television producer

As quoted in TV Guide (1970) http://books.google.com/books?id=ZokxAQAAIAAJ&q=%22I'm+not+an+actress+who+can+create+a+character.+I+play+me.%22&dq=%22I'm+not+an+actress+who+can+create+a+character.+I+play+me.%22&hl=en&sa=X&ei=vu6CUaY_1LTgA_DtgaAJ&ved=0CEkQ6AEwBA, also in Celebrity Register (1986) edited by Cleveland Amory and Earl Blackwell, p. 353

“It is not worth to play a production almost so well as it had been played once. It is worth to play such kind of it, which had not been played ever and that production will be played by you the best.”

Róbert Puzsér (1974) hungarian publicist

Quotes from him, Csillag születik (talent show between 2011-2012)

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