Quotes about play
page 20

“I was taking LSD periodically, every couple of months. I was in a strange state of mind, influenced by these visions. … I was trying to draw it in my sketchbook, and that began to coalesce into these comic strips that were stylistically based on grotesque, vulgar humor comics of the thirties and forties. … All of those characters came out of that crazy visionary period that I couldn’t shut off. It was spontaneous, but I was so crazy, I was really out of my mind, it was like schizophrenia. It was like what produces art by crazy people in a madhouse. Anything could be an influence, anything I heard. I was in Chicago in early ’66 and the radio was on, there was some tune playing, it was a black station, and this announcer said, That was Mr. Natural. I just started drawing Mr. Natural, this bearded guru-type character in my sketchbook, it just came out.”

Robert Crumb (1943) American cartoonist

"R. Crumb, The Art of Comics No. 1" http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb, The Paris Review, Summer 2010, No. 193.

People, Art, Nature, Drawing

“They said I was this William Shatner character, and I figured I had to be it, pompous, takes himself seriously, hardheaded. So I played it. But I didn’t see it. That character doesn’t seem like me to me. I know the real William Shatner.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

"The Many Iterations of William Shatner" http://www.nytimes.com/2010/09/05/magazine/05Shatner-t.html?_r=0 Pat Jordan, Sept. 3, New York Times, 2010

“There were two good fellows I used to know.
--How distant it all appears!
We played together in football weather,
And messed together for years:
Now one of them's wed, and the other's dead
So long that he's hardly missed
Save by us, who messed with him years ago:
But we're all in the old School List.”

James Kenneth Stephen (1859–1892) English poet, tutor to Prince Albert Victor

The Old School List.

School, Wedding, Distant, Appearance

“Whatever became of Kurt Schwitters' novel 'Franz Müllers Drahtfrühling' [Franz Müller's Wire Spring] several chapters of which we composed together? Is it buried under the bomb ruins of his house on Waldhausenstrasse in Hannover? For hours, Schwitters and I sat together and spun dialogue, in rhapsody. He took these writings and channeled them into his novel…We sat together again, writing 'Franz Müllers Drahtfrühling':
H. A.: The nightingales have had enough of your hymnal Karagösen. Play violin on parrots, but avoid the women red hood ans snow widow.
K. Schw.: Should I pe-trify something for you? Or would you like play cry together?
H. A.: Should we wash our tears or drown them?
K. Schw.: You are a sipsnipper, Since when do your diamonds bark?
H. A.: The water is getting hard. A fruit cries out loud and gives birth to a fish.
K. Schw.: I'll p-ut it in the sea, or should I st-ab you with it?”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dialogue between Hans Arp and Kurt Schwitters, (1956) with introduction in: Franz Müllers Drahtfrühling-- Memories of Kurt Schwitters; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, 2000, pp. 139-140
1950s

Women, Spring, Birth, Fish

“When I play with my cat, who knows if I am not a pastime to her more than she is to me?”

Michel De Montaigne book Essays

Quand je me joue à ma chatte, qui sait si elle passe son temps de moi, plus que je ne fais d'elle. Book II, Ch. 12 The 1595 edition adds: “We entertain each other with reciprocal monkey tricks. If I have my time to begin or to refuse, so has she hers.” As quoted in Jacques Derrida, The Animal That Therefore I Am https://books.google.it/books?id=y8Drc-QghEIC&pg=PT21, trans. David Wills, Fordham University Press, 2008. Essais (1595), Book II

Cats

“We Scots are proud Europeans. By history Scotland is - and by our ambition Scotland will remain - a European nation, a full member of the European Union. This is the starting point of our engagement with Europe. We will always play our full part and work to advance common European interests.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Vision for Scotland in the European Union (December 12, 2007)

History, Parting

“To its very core, the mind of ressentiment man is filled with envy, the impulse to detract, malice, and secret vindictiveness. These affects have become fixed attitudes, detached from all determinate objects. Independently of his will, this man’s attention will be instinctively drawn by all events which can set these affects in motion. The ressentiment attitude even plays a role in the formation of perceptions, expectations, and memories. It automatically selects those aspects of experience which can justify the factual application of this pattern of feeling.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), p. 74

Secret, Feeling, Memory, Envy

“We're not playing some minor game in Scientology. It isn't cute or something to do for lack of something better. The whole agonized future of this planet, every Man, Woman and Child on it, and your own destiny for the next endless trillions of years depend on what you do here and now with and in Scientology.”

L. Ron Hubbard Keeping Scientology Working

"Keeping Scientology Working" (7 February 1965).
Scientology Policy Letters

Game, Future, Dependency

“Considering the part played by the sciences in the story of our Western civilization, it is hardly possible to doubt the importance which the history of science will sooner or later acquire both in its own right and as the bridge which has been so long needed in between the Arts and the Sciences.”

Herbert Butterfield (1900–1979) British historian

The Origins of Modern Science (1957) Introduction

Art, History, Science, Parting

“Regardless of the extent to which the media promote "politically correct," but scientifically wrong, resolutions from professional societies such as the American Anthropological Association, facts remain facts and require appropriate scientific, not political or ideological, explanation. None of this should be construed as meaning that environmental factors play no part in individual and group differences. But with each passing year and each new study, the evidence for the genetic contribution to these differences becomes more firmly established than ever.”

J. Philippe Rushton (1943–2012) Canadian psychology professor

Mankind Quarterly, Winter98, Vol. 39 Issue 2, p231

Study, Parting

“There were so many different characters that I have played. Radha in Sangam was a very sophisticated woman and the setting was very refined, while in Dhanno in Gunga Jumna was rustic, a village belle. Even the language was different.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Why Vyjayanthimala has 'nothing to say' about today's heroines

“Schools everywhere have always confined themselves to making students learn techniques and write essays, while proscribing treading for pleasure. It seems to be established in perpetuity, in every part of the world, that enjoyment has no part to play in the curriculum, and that knowledge can only be the fruit of suffering.”

Daniel Pennac (1944) French author

The Rights of the Reader (2008 translation by Sarah Adams)

Pleasure, World, School, Knowledge

“My terrible fear of dying
No longer plays with me,
for now I know that I'm needed
For the symphony.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Fear

“In football, yeah, sometimes you get these multitalented individuals where that’s all they want to do: when the team’s got the ball, I’ll play but, when we haven’t got the ball, I’ll go and have a rest.”

George Graham (1944) Scottish footballer

Interview, Sport.co.uk, 14 January 2011

Football

“Every religion says war is evil, but one way or another they end up playing along.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Wine of Violence (1981), Chapter 14 (p. 164)

War, Religion, Way, Evil

“The world of Debussy is a seductive oasis, and it is hard to leave it after spending many days immersed in its atmosphere. Playing Debussy-or any other composer with a strong and idiosyncratic personality-affects not only one's cast of mind but the physical disposition as well, the way the muscles work and the fingers come into contact with the ivories.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 2 Listening to the Sound of the Piano

World, Way, Strong, Personality

“Certainly it is okay for them to play. I see no reason in the world why we shouldn't compete with colored athletes as long as they conduct themselves with politeness and gentility. Let me say also that no white man has the right to be less of a gentleman than a colored man, in my book that goes not only for baseball but in all walks of life.”

Ty Cobb (1886–1961) American baseball player

Responding to the impending integration of the Dallas Rangers, as quoted in "Between the Lines" http://www.mediafire.com/view/e8dga7hnpbb7tzk/BETWEEN_THE_LINES_THE_GREAT_T(2).jpg by Dean Gordon Hancock (ANP), in The Atlanta Daily World (February 10, 1952); reproduced in "The Knife in Ty Cobb’s Back" http://www.smithsonianmag.com/history/the-knife-in-ty-cobbs-back-65618032/ (30 August 2011), Smithsonian, by Gilbert King.

Life, Books, World, Color

“Swing and a fly ball to right, Green under it….. in foul ground.. makes the catch!…Put it in the books!.. The Mets are gonna play for the pennant!”

Howie Rose (1954) American sports announcer

Calling the 2006 NLDS clincher.
2006

Books, Flying

“Everybody uses mime and gesture in real life, though we don’t realize it. It’s very useful as a performance technique, though it can be boring to watch on its own. As for radio, I had a wonderful teacher. I was hugely lucky. I didn’t want to play a robot, but the situation was an object lesson in fate taking over.”

Anthony Daniels (1946) English actor

A Q&A with Anthony Daniels (C3PO), touring with “Star Wars: In Concert” https://www.seattletimes.com/entertainment/a-qa-with-anthony-daniels-c3po-touring-with-star-wars-in-concert/ (October 9, 2009)

Life, Fate, Teachers

“Strong, responsible unions are essential to industrial fair play. Without them the labor bargain is wholly one-sided. The parties to the labor contract must be nearly equal in strength if justice is to be worked out, and this means that the workers must be organized and that their organizations must be recognized by employers as a condition precedent to industrial peace.”

Louis Brandeis (1856–1941) American Supreme Court Justice

Reported in Osmond Kessler Fraenkel, Clarence Martin Lewis, The Curse of Bigness: Miscellaneous Papers of Louis D. Brandeis (1965), p. 43.
Extra-judicial writings

Peace, Justice, Strong

“In this way things, external objects, are assimilated to more or less ordered motor schemas, and in this continuous assimilation of objects the child's own activity is the starting point of play. Not only this, but when to pure movement are added language and imagination, the assimilation is strengthened, and wherever the mind feels no actual need for accommodating itself to reality, its natural tendency will be to distort the objects that surround it in accordance with its desires or its fantasy, in short to use them for its satisfaction. Such is the intellectual egocentrism that characterizes the earliest form of child thought.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism

Way, Feeling, Imagination, Nature

“Here comes Johnny singing oldies, goldies
Be-Bop-A-Lula, Baby What I Say
Here comes Johnny singing I Gotta Woman
Down in the tunnels, trying to make it pay.
He got the action, he got the motion
Oh yeah the boy can play.
Dedication, devotion
Turning all the night time into the day.”

Mark Knopfler (1949) English guitarist

Walk of Life
Song lyrics, Brothers in Arms (1985)

Boy, Singing, Time, Baby

“What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.”

Pauline Kael book Hooked

"Pop Mystics," review of Pale Rider (1985-08-12), p. 17.
Hooked (1989)

“The only thing that was on my mind was, 'I want to play for India one day,' and I was pretty sure and confident that one day I will.”

Sachin Tendulkar (1973) A former Indian cricketer from India and one of the greatest cricketers ever seen in the world

Tendulkar referring to his passion for cricket as a young player. http://www.cnn.com/2008/WORLD/asiapcf/05/28/ta.tendulkar/index.html#cnnSTCText

Confidence

“In Denver, Nugget Coach Dan Issel said, "As I grew up, Wilt the Stilt was the player. Just the things he was able to do. I guess one year they told him he couldn't make as much money as he wanted because he couldn't pass the ball, so he went out and led the league in assists. "Watching Wilt, you always kind of got the idea he was just playing with people. That he was on cruise control and still 10 times better than anybody else that was playing at that time."”

Wilt Chamberlain (1936–1999) basketball player

[Stewart, Larry, Giant Towered Over the Rest, The Los Angeles Times, 1999-10-13]
Scoring

Money, People, Idea, Time

“You can play lacrosse all over the world provided you know where the goalposts are.”

Peter Greenaway (1942) British film director

In an interview in Artforum, Nov. 83
Interviews

World

“Although I am not averse to wasting a few hours playing computer games, I have never tried my hand at Doom. Judging by sales figures and testimonials, playing the game has to be an infinitely preferable experience to watching this pathetic excuse for a movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=928 of Doom (2005). One-star reviews

Game

“More generally, Schumpeter seemed to be playing the role of grand seigneur, and he tended to flatter where flattery was not due, no doubt satirically. All this went along with his reputation as a casual and easy grader. We used to say that he threw the exam books up a staircase: the ones that stuck at the top got an A, the ones that fell to the bottom an A minus. I was surprised to learn that in Austrian universities he had the reputation of a stern taskmaster.”

Robert Solow (1924) American economist

"Heavy Thinker" (2007)

Books, Learning, Universe

“Driving to the studio today, I passed a big football field. I had to look twice before I realized that the stands were jammed with people…thousands of them. I looked out on the playing field, and there wasn’t a soul. And then I realized that this crowd were war prisoners. I went into the field, and there was a quiet, docile atmosphere about the place…the sort of atmosphere you get in an American football crowd between halves. Germans of every description sat quietly, chatting to their neighbors and doing nothing in particular. Bored British sentries stood around looking like ushers equipped with Tommy guns. It was that quiet.”

Bill Downs (1914–1978) American journalist

Broadcast from liberated Hamburg (1945)

War, People, Soul, Football

“It was a much bigger thrill to play on a winning team in 1960 than for me to win the batting title in 1961 when we finished sixth. When you’re with a bad team, you don’t have the incentive to keep going. Winning is such fun.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in “Clouter Clemente: Popular Buc; Rifle-Armed Flyhawk Aims At Second Bat Crown"
Baseball-related, <big><big>1960s</big></big>, <big>1964</big>

“Films make me into some cheap turn…You bet they'll never let me play a part in a film where a Negro is on top.”

Paul Robeson (1898–1976) American singer and actor

As quoted in Paul Robeson : The Whole World in His Hands (1981) by Susan Robeson, p. 92

Parting

“If your team is going to win, you need to play better than the other quarterback.”

Peyton Manning (1976) American football quarterback

ESPN The Magazine, September 2001 http://espn.go.com/talent/danpatrick/s/2001/0822/1242493.html

“Learning to play the guitar is a combination of mental and motor skill acquisition. And to develop motor skills, repetition is essensial…Whenever musicians have trouble executing a passage, they generally tend to blame themselves for not having enought talent. Actually, all that's wrong is they don't know where their fingers are supposed to go…You should learn the piece in your head before you play it. And when you do play it, play it so slow that therre's no possibility of making a mistake.”

Howard Roberts (1929–1992) American guitarist

Ralph Denyer (2002). The Guitar Handbook. p. 66.

Learning

“It was only in the evenings that I played the violin [c. 1999-1901, to earn his money for living]. During the day I was free to spend my time as I wished. With a few colours in a box, a canvas and a cheap easel under my arm, I would make my way to the Banks of the Seine... I painted to restore my peace of mind, to calm my desires and, above all, to purify myself a little... Make a career of painting. How I would have laughed if someone had talked to me about that! To be a painter is not a profession, no more than being an anarchist or a lover, a race-track rider..”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 66

Money, Peace, Way, Lovers

“This goes back to the reason why alarmists abandoned the "global warming" term in favor of climate change. They can play this bait and switch, showing changes in climate (which always exist) and then blaming them on CO2. But there is no mechanism ever proposed by anyone where CO2 can change the climate directly without going through the intermediate step of warming. If climate is changing but we are not seeing warming, then the change can't be due to CO2.”

Anthony Watts (1958) American television meteorologist

Just where are those grid killing tornadoes anyway? http://wattsupwiththat.com/2009/06/17/just-where-are-those-grid-killing-tornadoes-anyway/, wattsupwiththat.com, June 17, 2009. 2009

Change

“Punk: Wow, everybody, it's John Cena. He comes out here every Monday night, he's excitable, he throws his hat at somebody, everybody loves it. I am so impressed at how you do that. You get all these people to believe you're that friendly, smiling, everyday man, when I know the truth. And the truth, John Cena, is you're thoughtless, you're heartless, and above all else, you are dishonest. I'm sure there's millions of people worldwide, including yourself, that would love to believe this is over a spilled diet soda, but John, this goes way beyond my spilled diet soda. Yeah. John, you were fired from the WWE. You were gone. You gave a very tear-inducing speech in the middle of the ring about how you finally get to see your mom and hang out with your little brother, and you said you were gonna go away. You were gonna be a man of your way, but what happened? You came back later that night, and then you came back the next week, and then you came back the next week, showing all of these people who aren't intelligent to see through your facade what I have known all along—that your word is absolutely worthless. And then there's TLC, you have the man beaten. Wade Barrett, a very tough individual, and you have him beat in a chairs match, but that's not good enough for you. You don't take the high ground, you can't walk off into the sunset with your victory; you drag the man off to the side of the stage and you drop fifteen steel chairs on him, and I wanna know exactly why you think that's acceptable behavior. I wanna know why you think it's okay to show up the next night on Raw and humiliate the poor guy…
Cena: That is balderdash! Fifteen steel chairs? That's insane. It was 23 steel chairs. And in case you forgot, Wade Barrett and the Nexus gave me about five thousand beat-downs, made me their personal slave, and ended my career.
Punk: You wanna talk about ended careers, you hypocrite? This is exactly what I'm talking about. You ended the career of my good friend Dave Batista. John! John, look at me when I'm talking to you. This is a reoccurring pattern with you. Once again, you have the man beaten—last man standing, he verbally submits, how humiliating, the match is won. But, no, you AA him off a car through the very steel ramp that I'm sitting on, which facilitated the end of his career. Now we'll talk about Vickie Guerrero. I'm surprised the lovely Vickie Guerrero doesn't up and quit based on all the abuse you heap on her. It's not just the physical things to the Wade Barretts and the Dave Batistas, but it's the name-calling, it's the mental abuse to somebody as gorgeous and beautiful as Vickie Guerrero.
Cena: "It's the this… it's the that." Okay, CM Punk is gonna play Mr. Fingerpointer. Well…1.—Dave Batista broke my neck; 2.—He showed up on Raw the next night and quit on his own terms. And C—I didn't just single out Vickie Guerrero. In case you haven't been watching for the past… eight years, I talk about everybody. Uh… Michael Cole. Michael Cole has an anonymous fetish with Justin Bieber and has the word "The Miz" man-scaped right below his belly button. Me! Look at me. I look like the crazy sex child of the Incredible Hulk and Grimace. And then there's you.
Punk: Yeah, and then there's me, who happens to not be laughing. I don't know if you noticed that. You're not funny.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

December 27, 2010
WWE Raw

Love, People, Truth, Smile

“Listen to me: a family man is never a real family man. An assassin is never entirely assassin. They play a role, you understand. While a dead man, he is really dead. To be or not to be, right?”

Jean Paul Sartre Dirty Hands

Hugo, Act 4, sc. 6
Dirty Hands (1948)

Family, Understanding, Dead

“I love to play bid whist as much as I love football.”

Emmitt Smith (1969) American football player and sports broadcaster

Angel Beck (October 22, 2000) "Another Game For Emmitt Smith", Syracuse Herald American, p. 27.

Love, Football

“The Greeks used to put a lot of bodily functions in their plays, and a lot of graphic sexual material, because they believed, that in performing that way it released the demons of shame from the audience, which is what I believe. Cuz I think we’re all pretty much the same, and we all have grown up with that shame-based thing that America deals with, right? And to sit there and hear someone talk about their love of having sex, whatever, makes you feel like you’re not alone, with what you think maybe are dark, twisted thoughts, cuz they’re not. We all share these thoughts. So that’s why I talk like I do, or did, before I retired tonight.”

Bill Hicks (1961–1994) American comedian

Relentless (1992)

Love, Sex, Way, Feeling

“In 1982, when he was 45 and Philadelphia 76er owner Harold Katz was hot after him, the Houston Chronicle's George White asked Elvin Hayes if Chamberlain could still play. "Some things about Wilt, you never forgot," Hayes said. "He was such an awesome physical specimen. To go up under Wilt Chamberlain, to be down there and look up at him when he's towering up over you waiting to dunk, was a terrifying picture. To see him poised up there, knowing he was about to sweep down with that big jam... that must be the most frightening sight in sports. The ball goes shooting through the net and you better have your body covered up because he could really hurt someone. I was scared. Everyone was scared when he got that look in his eye, that don't-try-to-stop-this look that he got when he really wanted it.... "I think Russell realized there was no way he could have stopped Wilt if he had been fully intent on making it a two-man game. No one who ever put on a uniform could have done it. When I played him, I kept this foremost in my mind: Above all, don't make him mad. Don't embarrass him. You wanted to keep him quiet as long as possible."”

Wilt Chamberlain (1936–1999) basketball player

[Heisler, Mark, Larger Than Life, The Los Angeles Times, 1999-10-13]
Post-NBA life

Way, Game, Thinking, Sport

“I am not the official Church Jesus who is accepted by policemen, bankers, judges, executioners, officers, church bosses, politicians and similar representatives of power. I am not your Superstar who keeps playing his part for you on the cross, and whom you hit in the face when he steps out of his role, and who therefore cannot call out to you, "I am fed up with all your pomp and all your rituals! Your incense is disgusting. It stinks of burnt human flesh. I can't bear your holy celebrations and holidays any longer. You can pray as much as you like, I'm not listening. Keep all your idiotic honours and laudations. I won't have anything to do with them. I do not want them. I am no pillar of peace and security. Security that you achieve with tear gas and with billy clubs. I am no guarantee for obedience and order either. Order and obedience at reform schools, prisons, penal institutions, insane asylums. I am the disobedient one, the restless one who does not live in any house. Nor am I a guarantee for success, savings accounts and possessions. I am the homeless one without a permanent home who stirs up trouble wherever he goes. I am the agitator, the invoker, I am the scream. I am the hippie, bum, Black Power, Jesus people. I want to free the prisoners. I want to make the blind see. I want to redeem the tortured. I want to cast love into your hearts, the love that reaches out beyond everything that exists. I want to turn you into living human beings, immortals.”

Klaus Kinski (1926–1991) German actor

Jesus Christus Erlöser (1971)

Love, People, School, Peace

“I wanted to play it with an economy of words and create this whole feeling through attitude and movement. It was just the kind of character I had envisioned for a long time, keep to the mystery and allude to what happened in the past. It came about after the frustration of doing Rawhide for so long. I felt the less he said the stronger he became and the more he grew in the imagination of the audience.”

Clint Eastwood (1930) actor and director from the United States

On playing the Man With No Name character
Source: Clint: The Life and Legend (1999), p. 133.

Feeling, Imagination, Time, Past

“Some people might think I could play Russian Roulette safely with a blank bullet. Our armourer took us outside to demonstrate the damage a blank causes at close range. (The demonstration showed the significant damage caused by firing a blank at a plastic bottle)”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Derren Brown Plays Russian Roulette Live (2003)

People, Thinking

“Cris didn't play fair. He had watched half an hour — then come out and thrown once. One perfect toss, one dead ringer.”

Philip K. Dick (1928–1982) American author

The Golden Man (1954)

Perfection, Dead

“Herman didn't interfere with me. He gave me that authority. I managed the field. Whatever went on on the field, I did it. I did every... thing. Nowadays, the manager tells everybody what to do, the manager does everything. That's why you see this [pantomiming a catcher repeatedly glancing over at the dugout]. When we played, we just looked on the field. Usually it was an infielder. The Dodgers were run by Pee Wee. Alston just sat in the dugout. Usually it was an infielder, but Herman gave me the authority.”

Willie Mays (1931) Baseball player

As quoted in "Say Hey, He's the One Who Called the Shots"

“We should not play like Australia or India or England — we should play like Sri Lanka.”

Mahela Jayawardene (1977) Former Sri Lankan cricketer

Quoted in Charlie Austin, " Mahela Jayawardene http://www.cricinfo.com/wisdenalmanack/content/story/287060.html," Wisden Cricketers' Almanack (2007). Quote

“It was an important moment. The old partners of the spectacle of punishment, the body and the blood, gave way. A new character came of the scene, masked. It was the end of a certain kind of tragedy; comedy began, with shadow play, faceless voices, impalpable entities. The apparatus of punitive justice must now bite into this bodiless reality.”

Michel Foucault book Discipline and Punish

Source: Discipline and Punish (1977), pp. 17

Justice, Way, Reality

“These days a passion to accumulate knowledge of any and every kind consumed him; but only as a means to an end. He must know all things, for only so might he have, when situations arose in the future, a full pack of cards to play from.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 32 “The Fir-Cones” (p. 174)

Knowledge, Passion, Future

“The impregnability of his stonewall defense rested on his ability to reach the ball, and then throw it. Now he could move less well; now he was not coming up with the ball with that "perfect technique" Eddie Brannick had once admired, his body beautifully balanced, the ball directly in front of him. Now it was a movement full of desperate lunges. Fortunately he had his great arm, so even off-balance, he was throwing out runners, and each time he'd throw—though it had happened hundreds of prior times—the fans at the Polo Grounds, or elsewhere around the league, would gasp at the low blur that streaked across the diamond, dead on target. But he had more than a powerful arm. He had courage. And on he played, in pain and out.”

Arnold Hano (1922) American writer

On Travis "Stonewall" Jackson, from "Stonewall," in Greatest Giants of Them All (1967), p. 172
Sports-related

Pain, Courage, Time, Perfection

“In her head, Elizabeth called what she did ‘The Game.’ The rules were simple: to pretend to be whatever someone else needed until they gave you whatever you needed. After that, there were no rules. The Game was fair, at least to Elizabeth’s way of thinking. Anyone could play it. In fact, she was sure most people were playing it; they just didn’t like to admit it. Sure, there were a few losers and idiots, suckers who, for whatever reason, didn’t mind getting played. And some people were so weak that they played poorly, basically inviting anyone to take advantage of them.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 41

People, Way, Game, Thinking

“Men whose only concern is other people's opinion of them are like actors who put on a poor performance to win the applause of people of poor taste; some of them would be capable of good acting in front of a good audience. A decent man plays his part to the best of his ability, regardless of the taste of the gallery.”

Nicolas Chamfort (1741–1794) French writer

Reflections

Men, People, Parting

“My ears may have been playing a trick on me, but I thought I heard the gentleman a moment ago say something quote unquote about homos in the military. Was I right in hearing that expression? Was the gentleman referring to the thousands and thousands of gay people who have put their lives on the line in countless wars defending this country? Was that the groups of people that the gentleman was referring to? You have insulted thousands of men and women who have put their lives on the line. I think they are owed an apology.”

Bernie Sanders (1941) American politician, senator for Vermont

Speaking to Representative Duke Cunningham on the floor of the House of Representatives, 11 May 1995, from Watch Bernie Sanders Demolish A Republican Over ‘Homos In The Military’ http://www.huffingtonpost.com/entry/bernie-sanders-duke-cunningham-homophobia_us_56cb75eee4b041136f17dc9f by Zach Carter, The Huffington Post (22 February 2016) 1990s

Women, Men, War, People

“Audiences and critics acknowledge that a play or concerto gains force in great rendition. A good play may overcome bad staging. A great concerto may survive a poor soloist. But it is naturally assumed that a more accomplished performance intensifies the impact of the work. The play's text or concerto's score does not change, but the right actors and musicians help realize its full potential. Among contemporary literary critics, however, one never encounters this notion in regard to books and printing. To recognize the sensual contributions of the physical elements of a book is somehow assumed to demean the spiritual purity of the text. To notice the book itself smacks of philistinism, and to make distinctions based on paper, binding, and typography brings accusations of elitism or decadence.”

Dana Gioia (1950) American writer

"Designing Literature: Creative Collaboration" http://www.danagioia.net/essays/ecreative.htm (1992) Essays

Books, Nature, Change, Help

“The images play out for us events which are not present in our senses, and… create the future—a future that… may never come to exist in that form.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Sense, Future

“Human rights and the rule of law are vital to global security and prosperity. As Truman said, “We must, once and for all, prove by our acts conclusively that Right Has Might”. That’s why this country has historically been in the vanguard of the global human rights movement. But that lead can only be maintained if America remains true to its principles, including in the struggle against terrorism. When it appears to abandon its own ideals and objectives, its friends abroad are naturally troubled and confused.
— And States need to play by the rules towards each other, as well as towards their own citizens. That can sometimes be inconvenient, but ultimately what matters is not inconvenience. It is doing the right thing. No State can make its own actions legitimate in the eyes of others. When power, especially military force, is used, the world will consider it legitimate only when convinced that it is being used for the right purpose — for broadly shared aims –- in accordance with broadly accepted norms.
— No community anywhere suffers from too much rule of law; many do suffer from too little — and the international community is among them. This we must change.”

Kofi Annan (1938–2018) 7th Secretary-General of the United Nations

Truman Library address (2006)

World, Law, Communication, Nature

“No tin-hat brigade of goose-stepping vigilantes or bibble-babbling mob of blackguarding and corporation paid scoundrels will prevent the onward march of labor, or divert its purpose to play its natural and rational part in the development of the economic, political and social life of our nation.”

John L. Lewis (1880–1969) American labor leader

Labor and the Nation speech (September 3, 1937)

Life, Nature, Parting

“Do you wanna play with fire, scarecrow?”

Dan Patrick (1956) American sportscaster

Catch Phrases

“At any rate we may be sure that the political instinct of our bourgeois opponents, as soon as their class interests come into play, will lead them to take a position hostile to us. A classical example is furnished by Belgium, where, as already remarked, a compromise was concluded under the most favorable circumstances conceivable, between the socialists and the liberals. Our party was in undisputed possession of the leadership and was therefore in no danger of being cheated out of the fruits of the common victory. The end sought was universal, equal and direct suffrage. But the clerical party knows its boys, knows its Pappenheimers. It knows that the bourgeoisie has no class interest in giving the laborers, who, in modern industrial states, constitute a majority of the population, the universal suffrage and thereby the prospect of winning a majority and getting political supremacy. It made a counter demand for proportional representation with plural voting, that is, giving more votes to the rich, and thereby granting to the radical bourgeoisie a share in the government, if it would assist in defeating universal and direct suffrage. And behold, without a minute’s hesitation the gentlemen of the radical bourgeoisie broke their agreement with the socialists and joined the clericals in their fight against universal suffrage and the social democracy. Whoever is not convinced by this example that the emancipation struggle of the proletariat is a class struggle is one on whom further arguments would be wasted.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Hostility, Democracy, Boy, Universe

“During my early years as an actor, Bond was never a desire, but when Cassie was playing in For Your Eyes Only, then, of course, it became a joke. I would do my own impersonations of James Bond. Just for fun. Just driving her home from work, or going out, or talking about her experience on it. But even so, it was not an ambition to play James Bond. I had my sights set on other aspects of the work.”

Pierce Brosnan (1953) Irish-American actor, film producer, and environmentalist

Brosnan. Pierce Brosnan. http://www.cigaraficionado.com/webfeatures/show/id/Brosnan-Pierce-Brosnan_6003/p/2 (November 1997)

Home

“Celebrity is everything in this country. And if these guys don't learn how to play the media the way that Barack Obama played the media last election cycle and the way that Donald Trump is playing the election cycle, we're going to probably get a celebrity candidate.”

Andrew Breitbart (1969–2012) American writer and publisher

Interview with Bill O'Reilly, April 22nd, 2011 http://www.businessinsider.com/bill-orielly-andrew-breitbart-donald-trump-video-2011-4 (Video) http://www.mediaite.com/tv/andrew-breitbart-in-2011-donald-trump-is-not-a-conservative/

Way, Guy, Learning, Country

“There's been a tremendous amount of growth. An actress is not expected to continue to play her ingenue roles, you know, I've written myself roles to grow into gracefully, but there is no growing into gracefully in the pop world. Basically the reason I'm so unruly in this business is because I never wanted to be a human jukebox.”

Joni Mitchell (1943) Canadian musician

Woman of Heart and Mind: A Life Story (2003)

World, Business

“Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it’s the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Art, Music, Way, Time

““I am playing a game called Futility,” she said. Are you familiar with it?
“How does one win?”
“You don’t. You can only postpone losing. I’ve managed to keep this particular game going for years.””

Michael Swanwick book Stations of the Tide

Source: Stations of the Tide (1991), Chapter 3, “The Dance of the Inheritors” (p. 46)

Game

“Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.”

Paul Simon (1941) American musician, songwriter and producer

Homeward Bound
Song lyrics, Parsley (1966)

Love, Music, Home, Waiting

“It is apparently very congenial for some people who are professionally concerned with fictional texts to be told that all texts are really fictional anyway, and that claims that fiction differs significantly from science and philosophy can be deconstructed as a logocentric prejudice, and it seems positively exhilarating to be told that what we call "reality" is just more textuality. Furthermore, the lives of such people are made much easier than they had previously supposed, because now they don't have to worry about an author's intentions, about precisely what a text means, or about distinctions within a text between the metaphorical and the literal, or about the distinction between texts and the world because everything is just a free play of signifiers. The upper limit, and I believe the reductio ad absurdum, of this "sense of mastery" conveyed by deconstruction, is in Geoffrey Hartman's claim that the prime creative task has now passed from the literary artist to the critic.”

John Rogers Searle (1932) American philosopher

"The Word Turned Upside Down", The New York Review of Books, Volume 30, Number 16, October 27, 1983.

People, World, Reality, Sense

“We made music seated on the grass of Brasilia's super-squares, at home, at college. It was a creative time, more ingenuous, when the people amused more themselves, played more.”

Kátya Chamma (1961) Brazilian singer and writer

Source: Interview at Recanto das Letras http://recantodasletras.com.br/entrevistas/625556, 2007.

People, Music, Home, Grass

“There is more in a common bubble than those who have only played with them generally imagine.”

C. V. Boys (1855–1944) British physicist

[Charles Vernon Boys, Soap-bubbles and the forces which mould them: Being a course of three lectures delivered in the theatre of the London institution on the afternoons of Dec. 30, 1889, Jan. 1 and 3, 1890, before a juvenile audience, Society for promoting Christian knowledge, 1896, 10]

Imagination

“I wasn't motivated to do it [re-record Bach's Goldberg Variations] until rather recently, when it occurred to me, on one of my rare relistenings to that early recording, that it was very nice, but that it was perhaps a little bit like thirty very interesting but somewhat independent-minded pieces, going their own way, and all making a comment on the ground bass on which they are all formed and to which they all conform. And I suddenly felt, not having played it in, well, since I stopped playing concerts, about 20 years, having not played it in all that time, that maybe I wasn't savaged by any over-exposure to it, and that if I looked at it again, I could find a way of making some sort of almost arithmetical correspondence between the theme and the subsequent variations, so that there would be some sort of temporal relationship, I don't want to say just exactly 2, 4, 8, 16, 32, that kind of correspondence, but, you know what I mean, there would be a sense in which, substituting for the fact that Bach had absolutely no melodic design that is continuous but rather a base harmonic design that is continuous, there would be at least a rhythmic design that is continuous, and the sense of pulse that went through it. And that seemed to me sufficient justification […] to do it all over again.”

Glenn Gould (1932–1982) Canadian pianist

transcribed from The Glenn Gould Collection vol 13 (Sony laserdisc).

Way, Motivation, Sense, Time

“I sank Atlantis," he said, "personally. It was about three years ago. And God! it was lovely! It was all ivory towers and golden minarets and silver balconies. There were bridges of opal, and crimson pennants and a milk-white river flowing between lemon-colored banks. There were jade steeples, and trees as old as the world tickling the bellies of clouds, and ships in the great sea-harbor of Xanadu, as delicately constructed as musical instruments, all swaying with the tides. The twelve princes of the realm held court in the dozen-pillared Coliseum of the Zodiac, to listen to a Greek tenor sax play at sunset.”

Roger Zelazny book He Who Shapes

He Who Shapes (1965)

Love, God, World, Music

“Even more so than when we are awake, we are ourselves when we are asleep. We play all the parts.”

Adolfo Bioy Casares (1914–1999) Argentine novelist

"Más exclusivamente que en la vigilia, en el sueño somos nosotros. Contribuimos con todo el reparto."
Descanso de caminantes, 2001.

Parting

“I went to the Garden of Love,
And saw what I never had seen:
A chapel was built in the midst,
Where I used to play on the green.

And the gates of this chapel were shut,
And ‘Thou shalt not’ writ over the door,
So I turned to the Garden of Love,
That so many sweet flowers bore,

And I saw it was filled with graves,
And tomb-stones where flowers should be:
And priests in black gowns were walking their rounds,
And binding with briars my joys and desires.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.

Love, Flowers, Joy

“Got my ticket at the airport
Well I guess I've been marking time
I've been living in another country
That operates along entirely different lines
Keep me away from porter or whiskey
Don't play anything sentimental it'll make me cry
I've got to go back my friend
Is there really any need to ask why?”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Got to Go Back
Song lyrics, No Guru (1986)

Time, Cry, Country

“[playing golf with his friends]”

Bill Engvall (1957) American comedian and actor

Here's Your Sign (1996)

“The game has a cleanness. If you do a good job, the numbers say so. You don't have to ask anyone or play politics. You don't have to wait for the reviews.”

Sandy Koufax (1935) American baseball player

As quoted in "Koufax" https://www.washingtonpost.com/archive/politics/1979/03/21/koufax/3139f66f-996a-485f-8cce-8f7671152136/?utm_term=.174cfc71ede2) by Thomas Boswell, in The Washington Post (March 21, 1979)

Game, Waiting

“Everyone thinks they can write a play; you just write down what happened to you. But the art of it is drawing from all the moments of your life.”

Neil Simon (1927–2018) playwright, writer, academic

New York Times, March 24, 1985

Life, Art, Thinking, Drawing

“I’ve never, ever, in my entire life, been upset at a casting choice. I started taping my dad’s auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn’t just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you’re not right, you’re not right, but that’s okay.”

Bryce Dallas Howard (1981) American actress

Bryce Dallas Howard https://www.interviewmagazine.com/film/bryce-dallas-howard (February 10, 2017)

Life, People, Personality

“You know, I go to the theatre to be entertained… I don’t want to see plays about rape, sodomy and drug addiction… I can get all that at home.”

Peter Cook (1937–1995) British architect

Caption to a cartoon drawn by Roger Law, published in The Observer (8 July 1962)

Home

“There's been nothing proven that violence in video games has an impact. As a parent though, and I'm a parent for a 20-year-old, for a 16-year-old and for a 10-year-old, and so, you know, I make choices everyday for my kids as to what games I think is appropriate for them to play. And, you know, in the end it's up to the parents, it's up to the gamers themselves working with their parents, if they're under 21, to make the smartest choice for the games they play.”

Reggie Fils-Aimé (1961) American businessman

On violence in video games Source: YouTube http://youtube.com/watch?v=J1PXHesXopE

Game, Thinking, Parent

“Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me. On his preference for Yamaha's 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT457&dq=%22because+of+the+limited+keyboard%22&hl=en&sa=X&ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&q&f=false (1992, 2006, 2014)

World, Art, Feeling, Thinking

“The fact is that we have realized that in labour disputes the use of violence plays into the hands of the ruling classes justifying the reaction of the military and discrediting the forces from below. Besides the refusal to use violence achieves the possibility of establishing even international solidarities of a very wide range.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Hymn

“These children need to feel the same things as other children. To play, to laugh and cry, to make friends, to enjoy the ordinary experiences of childhood. To feel loved and nurtured and included by the world they live in, without the stigma that AIDS continues to attract.”

Diana, Princess of Wales (1961–1997) First wife of Charles, Prince of Wales

The Princess of Wales during a speech about women and children with Aids (8 September 1993) http://www.settelen.com/diana_women_and_children_with_aids.htm

Love, Children, World, Feeling

“Although the drama of games of strategy is strongly linked with the psychological aspects of the conflict, game theory is not concerned with these aspects. Game theory, so to speak, plays the board. It is concerned only with the logical aspects of strategy.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 110

Game

“People, give thanks to the gods! Your most redoubtable enemy has fallen beneath the scythe of Fate. Riquetti [Mirabeau] is no more; he dies victim of his numerous treasons, victim of his too tardy scruples, victim of the barbarous foresight of his atrocious accomplices. Adroit rogues who are to be found in all circles have sought to play upon your pity, and already duped by their false discourse, you mourn this traitor as the most zealous of your defenders; they have represented his death as a public calamity, and you bewail him as a hero, as the saviour of your country, who has sacrificed himself for you. Will you always be deaf to the voice of prudence; will you always sacrifice public affairs to your blindness?”

Jean-Paul Marat (1743–1793) politician and journalist during the French Revolution

L'Ami du peuple, vol. 5 (1791-04-04), pp. 2649-50

Death, God, Fate, People

“Society is eliminating the prerogatives and privileges of feudal. aristocratic culture together with its content. The fact that the transcending truths of the fine arts, the aesthetics of life and thought, were accessible only to the few wealthy and educated was the fault of a repressive society. But this fault is not corrected by paperbacks, general education, long-playing records, and the abolition of formal dress in the theater and concert hall. The cultural privileges expressed the injustice of freedom, the contradiction between ideology and reality, the separation of intellectual from material productivity; but they also provided a protected realm in which the tabooed truths could survive in abstract integrity—remote from the society which suppressed them.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 64-65

Life, Truth, Education, Art

“How do we create only games that we actually feel like playing, because we can opt out at any time? In the economic field, at least, the answer is obvious. All of the gratuitous sadism of workplace politics depends on one’s inability to say “I quit” and feel no economic consequences.”

David Graeber book Bullshit Jobs

Bullshit Jobs: A Theory (2018)

Feeling, Game, Time, Dependency

“You poor suckers [mammals]: you've got all this horrible stuff to get through somehow so obviously there's got to be an incentive, or at least some kind of fix for you to get addicted to. That's love: possibly the sneakiest trick ever played on any variety of life form by a notoriously conniving Universe. You do all these dismal, soul-destroying things because you get attached to each other.”

Tom Holt (1961) British writer

the spokesclone, p. 322
Falling Sideways (2002)

Love, Life, Soul, Universe

“He had never acted in his life, and couldn't play the pin in Pinafore.”

P.G. Wodehouse book The Luck of the Bodkins

The Luck of the Bodkins (1935)

Life

“To occupy my imagination, which has been depressed by dwelling on my misfortunes, and to compensate at least in part for some of the considerable expenses I have incurred, I set myself to painting a series of cabinet pictures.... they depict themes that cannot usually be dealt with in commissioned works, where 'capricho' [whim] and invention do not have much of a role to play. I thought of sending them to the academy..”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Bernardo de Iriarte, deputy of the Royal Academy of San Fernando in Madrid, Jan. 1794; as quoted in 'Goya and Iriarte', in Goya his Life and Work, P. Gassier and J. Wilson, 1971, p. 382
cabinet paintings were small portable paintings, which did not need a lot of wall-space and could be moved around at the owner's whim. Goya's famous series 'Caprichos' really begin after physical and probably mental breakdown in 1792. He was 46, and thereafter deaf until his death in 1828
1790s

Imagination, Parting, Painting

“When we study the habits of animals in a truly sympathetic way and become thoroughly acquainted with them and with the work that each one is performing, we shall see that each one has its place in the economy of God's world, that each has its part to play, and that even so far as the animal world is concerned we are all related and inter-related. If we destroy or permit to be destroyed that marvellous balance which the Divine Power has instituted in the Universe, we do it at our own peril. Instead, then, of being the enemies of the animal world, instead of being its persecutors and its destroyers, we should be its friends and helpers.”

Ralph Waldo Trine (1866–1958) American author

Source: Every Living Creature (1899), p. 64

God, World, Way, Study

“You know, when I first went into the movies Lionel Barrymore played my grandfather. Later he played my father, and finally he played my husband. If he had lived I'm sure I would have played his mother. That's the way it is in Hollywood. The men get younger and the women get older.”

Lillian Gish (1893–1993) American actress

As quoted in An Uncommon Scold (1989) by Abby Adams

Women, Men, Way

“Of course, Pupkin would never have thought of considering himself on an intellectual par with Mallory Tompkins. That would have been ridiculous. Mallory Tompkins had read all sorts of things and had half a mind to write a novel himself—either that or a play. All he needed, he said, was to have a chance to get away somewhere by himself and think. Every time he went away to the city Pupkin expected that he might return with the novel all finished; but though he often came back with his eyes red from thinking, the novel as yet remained incomplete.”

Stephen Leacock book Sunshine Sketches of a Little Town

Sunshine Sketches of a Little Town (1912)

Thinking, Chance, Time, Reading

“Idiots are not responsible for what they do. The real guilt falls on rational people who sit on their hands while the morons run wild. You can opt out if you want to. Play it safe. But if you do, don’t complain when the roof comes down.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 6 (p. 48)

People

“I have always been interested in the occult, but during the filming of The Mummy I had to keep such things private, especially in those days. I used the occult auto-suggestively…I mean, before I would play a scene I would get into the spirit, so to speak, with certain prayers. As a child my father gave me an Ouija board and soon I started to get messages, then I moved towards the Tarot. By the time I was in Basil Sidney’s company I was asked to read cards all the time for the other players, and Basil himself depended on what I saw in those cards.”

Zita Johann (1904–1993) actress

Camp David: Zita Johann http://filmsinreview.com/2007/02/01/camp-david-february-2007-zita-johann/3/ (1981)

Time, Reading, Dependency

“The idea that a game is anything more than a game… You know, there are people who are basically unbalanced who are going to misuse a game and have bad results. If a golfer who insists on playing during a lightning storm gets hit by a stroke of lightning and is killed nobody says, 'There's golfers dying by the droves being hit by lightning!' You can overdo what you really like, and if you're unbalanced you go overboard.”

Gary Gygax (1938–2008) American writer and game designer

GameSpy interview, Pt. 1 (15 August 2004)

People, Game, Idea

“You know how a play in dialect is. At the first act, you think, “How quaint!”; at the second act, you wish they would either stop using dialect or keep quiet; and at the third act, you wish you hadn’t come. And Tillie, may I mention in passing, has four acts. p. 64”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919

Thinking