Quotes about place
page 46

Eli Siegel photo
Bernhard Riemann photo

“Let us imagine that from any given point the system of shortest lines going out from it is constructed; the position of an arbitrary point may then be determined by the initial direction of the geodesic in which it lies, and by its distance measured along that line from the origin. It can therefore be expressed in terms of the ratios dx0 of the quantities dx in this geodesic, and of the length s of this line. …the square of the line-element is \sum (dx)^2 for infinitesimal values of the x, but the term of next order in it is equal to a homogeneous function of the second order… an infinitesimal, therefore, of the fourth order; so that we obtain a finite quantity on dividing this by the square of the infinitesimal triangle, whose vertices are (0,0,0,…), (x1, x2, x3,…), (dx1, dx2, dx3,…). This quantity retains the same value so long as… the two geodesics from 0 to x and from 0 to dx remain in the same surface-element; it depends therefore only on place and direction. It is obviously zero when the manifold represented is flat, i. e., when the squared line-element is reducible to \sum (dx)^2, and may therefore be regarded as the measure of the deviation of the manifoldness from flatness at the given point in the given surface-direction. Multiplied by -¾ it becomes equal to the quantity which Privy Councillor Gauss has called the total curvature of a surface. …The measure-relations of a manifoldness in which the line-element is the square root of a quadric differential may be expressed in a manner wholly independent of the choice of independent variables. A method entirely similar may for this purpose be applied also to the manifoldness in which the line-element has a less simple expression, e. g., the fourth root of a quartic differential. In this case the line-element, generally speaking, is no longer reducible to the form of the square root of a sum of squares, and therefore the deviation from flatness in the squared line-element is an infinitesimal of the second order, while in those manifoldnesses it was of the fourth order. This property of the last-named continua may thus be called flatness of the smallest parts. The most important property of these continua for our present purpose, for whose sake alone they are here investigated, is that the relations of the twofold ones may be geometrically represented by surfaces, and of the morefold ones may be reduced to those of the surfaces included in them…”

Bernhard Riemann (1826–1866) German mathematician

On the Hypotheses which lie at the Bases of Geometry (1873)

Paul Cézanne photo
John Fante photo

“It should be a good story— speak about a time and place that is permanent. It should capture something wonderful with some great characters whether it's set in the past or in the future.”

Ismail Merchant (1936–2005) Indian-born film producer and director

On the making of good films. Interview with the Associated Press (2004).

Eugène Delacroix photo
Richard Dawkins photo

“To an atheist […], there is no all-seeing all-loving god to keep us free from harm. But atheism is not a recipe for despair. I think the opposite. By disclaiming the idea of the next life, we can take more excitement in this one. The here and now is not something to be endured before eternal bliss or damnation. The here and now is all we have, an inspiration to make the most of it. So atheism is life-affirming, in a way religion can never be. Look around you. Nature demands our attention, begs us to explore, to question. Religion can provide only facile, ultimately unsatisfying answers. Science, in constantly seeking real explanations, reveals the true majesty of our world in all its complexity. People sometimes say "There must be more than just this world, than just this life". But how much more do you want? We are going to die, and that makes us the lucky ones. Most people are never going to die because they’re never going to be born. The number of people who could be here, in my place, outnumber the sand grains of Sahara. If you think about all the different ways in which our genes could be permuted, you and I are quite grotesquely lucky to be here, the number of events that had to happen in order for you to exist, in order for me to exist. We are privileged to be alive and we should make the most of our time on this world.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

End of the part 2: "The Virus of Faith" https://www.youtube.com/watch?v=aMUG6qd98wc
The Root of All Evil? (January 2006)

Peter Sloterdijk photo
Samuel Butler photo
William Cowper photo

“O solitude! where are the charms
That sages have seen in thy face?
Better dwell in the midst of alarms
Than reign in this horrible place.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 5.

Margaret Mead photo
Anthony Burgess photo
Abby Sunderland photo
Letitia Elizabeth Landon photo
Gertrude Jekyll photo
John Vorster photo

“…the policy of separate development can be tested by any unprejudiced person against the requirements of Christianity and morality, and it will be found to meet all those requirements. … for conditions such as those in South Africa there is no other policy[, for without it] you will have chaos and ultimately bring about the downfall of all population groups here in South Africa. South Africa's problems are unique and South Africa has chosen its solution. …we, the Whites, the Coloureds, the Asians and the Bantu, will work out our own solutions here in South Africa. …we instituted the policy of separate development, not because we considered ourselves better than others, not because we considered ourselves richer or more educated than others. We instituted the policy of separate development because we said we were different from others. We prize that otherness and are not prepared to relinquish it. … We have our land and we and we alone will have author­ity over it. We have our Parliament and in that Parliament we and we alone will be represented; that is why [during] this past session it was my pleasant privilege to … abolish Coloured representation in Parliament; and it has been abolished once and for all. … but one should also put something in its place. That is why the National Party … for the first time [has given] the Coloureds in the Republic a Coloured Persons Representative Council in their own political area [where they] can exercise their political rights in their own way and by their own people. That is morality, that is policy, that is standpoint. … We said you may not attend my university, but we did not leave it at that. We said we shall give you a university of your own. We said you may not attend my school but we said we shall give you a school of your own. That is morality, that is Christianity …”

John Vorster (1915–1983) politician from South Africa and seventh Prime Minister of South Africa

John Vorster in his Heilbron speech http://www.sahistory.org.za/archive/extract-speech-made-heilbron-16-august-1968 on 16 August 1968, as quoted in sahistory.org.za

P.G. Wodehouse photo
John Bright photo
Conor McGregor photo

“It’s tradition. I remove a head, I bring it backstage, I place it on Mr. Fertitta and Mr. White’s desk. "Here you go boss. Another one done."”

Conor McGregor (1988) Irish mixed martial artist and boxer

And then we discuss big business.
UFC Fight Night: Boston post-event press conference https://www.youtube.com/watch?v=NlE8zHZBepg (January 2015) Ultimate Fighting Championship, Zuffa, LLC
2010s, 2015

Joseph Brodsky photo
Bill Cosby photo
James Madison photo

“It is an established maxim that birth is a criterion of allegiance. Birth however derives its force sometimes from place and sometimes from parentage, but in general place is the most certain criterion; it is what applies in the United States; it will therefore be unnecessary to investigate any other.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

As quoted in "Constitutional Originalism Requires Birthright Citizenship" https://www.nationalreview.com/corner/constitutional-originalism-requires-birthright-citizenship/ (9 September 2018), by Dan McLaughlin, National Review
1780s

Tsunetomo Yamamoto photo
Ann Coulter photo
Gino Severini photo

“.. ambition to surpass Impressionism, destroying the subject's unity of time and place.... [to render its relations to] things that apparently had nothing to do with it, but that in reality were linked to it in my imagination, in my memories or by feeling. In the same canvas I brought together the Arc of Triumph, the Tour Eiffel, the Alps, the head of my father, an autobus, the municipal hall of Pienza, the boulevard…”

Gino Severini (1883–1966) Italian painter

Quote from his article 'Processo e difesa di un pittore d'oggi', L'Arte 5, Rome, September – November, 1931; as cited in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 25
quote, referring to his painting 'Memories of a Voyage', Severini painted in 1910-1911.

Frederick Buechner photo

“The past is the place we view the present from as much as the other way around.”

Frederick Buechner (1926) Poet, novelist, short story writer, theologian

Now and Then: A Memoir of Vocation (1983)

Mokshagundam Visveshvaraya photo

“These facts and figures must serve as an eye-opener to the people of Mysore. I refer to them here not because I have any hopes of our reaching the levels of prosperity of the two Colonies, but because it will do us good to know what organization and human endeavour are capable of achieving under favourable conditions. / The nationality of our people rests on a religious and fatalistic basis, not on an economic basis, as in the West. There are still people among us who believe that the golden age was in the past, the world is on the down-grade and the old-word conditions might yet be reproduced some day. The Hindu ideal of life is that this world is a preparation for the next and not a place to stay in and make ourselves comfortable. We are devoted to past ideals, although, out of necessity or from prospect of personal gain, we have partly taken to Western methods of work and business. There is a yearning for the old ideals and a half-hearted acquiescence in the new and, on the whole, the genius of the people is for standing still. / If we are to follow in the wake of other countries in the pursuit of material prosperity, we must give up aimless activities and bring our ideals into line with the standards of the West, namely, to spread education in all grades, multiply occupations and increase production and wealth. All other activities should conform themselves to the economic idea.”

Mokshagundam Visveshvaraya (1860–1962) Indian engineer, scholar, statesman and the Diwan of Mysore

148-149
[Speeches by Sir M. Visvesvaraya, K.C.I.E, https://archive.org/details/VisvesvarayaSpeeches, 1917, Bangalore Government Press, 148]

Richard Cobden photo
Jonah Goldberg photo
Robert G. Ingersoll photo
Edward de Bono photo

“You cannot dig a hole in a different place by digging the same hole deeper.”

Edward de Bono (1933) Maltese physician

Source: Lateral Thinking : Creativity Step by Step (1970), p. 8.

Cassandra Clare photo
Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

John Ruskin photo
Adyashanti photo
Gregory Benford photo
Enoch Powell photo
William Lenthall photo

“May it please your majesty, I have neither eyes to see, nor tongue to speak, in this place, but as the house is pleased to direct me, whose servant I am here; and I humbly ask pardon that I cannot give any other answer to what your majesty is pleased to demand of me.”

William Lenthall (1591–1662) English politician, died 1662

Response to King Charles I on being asked the whereabouts of five fugitive members of the House of Commons (4 January 1642), from the journal of Sir Simonds d'Ewes, quoted in Cobbett's Parliamentary History of England : From the Norman conquest, in 1066. To the year, 1803 (1807), p. 1010.

Arshile Gorky photo
Booker T. Washington photo

“Few things can help an individual more than to place responsibility on him, and to let him know that you trust him.”

Booker T. Washington (1856–1915) African-American educator, author, orator, and advisor

Source: 1900s, Up From Slavery (1901), Chapter XI: Making Their Beds Before They Could Lie On Them

Francis Parkman photo
Maurice Denis photo

“What amazement, followed by what a revelation! In place of windows opening on nature, like the impressionists, these were surfaces which were solidly decorative, powerfully colorful, bordered with brutal strokes, partitioned.”

Maurice Denis (1870–1943) French painter

Quote of Denis, 1909: from Bouillon 2006, pp. 17-18; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [9]
In 1889, Denis was captivated by an exposition of works of Paul Gauguin and his friends at the Cafe Volponi, on the edge of the Paris Universal Exposition, that year
1890 - 1920

Thomas Kuhn photo

“I rapidly discovered that Aristotle had known almost no mechanics at all. … How could his characteristic talents have deserted him so systematically when he turned to the study of motion and mechanics? Equally, if his talents had so deserted him, why had his writings in physics been taken so seriously for so many centuries after his death? … I was sitting at my desk with the text of Aristotle's Physics open in front of me… Suddenly the fragments in my head sorted themselves out in a new way, and fell into place together. My jaw dropped, for all at once Aristotle seemed a very good physicist indeed, but of a sort I'd never dreamed possible. Now I could understand why he had said what he'd said, and what his authority had been. Statements that had previously seemed egregious mistakes, now seemed at worst near misses within a powerful and generally successful tradition. That sort of experience -- the pieces suddenly sorting themselves out and coming together in a new way -- is the first general characteristic of revolutionary change that I shall be singling out after further consideration of examples. Though scientific revolutions leave much piecemeal mopping up to do, the central change cannot be experienced piecemenal, one step at a time. Instead, it involves some relatively sudden and unstructured transformation in which some part of the flux of experience sorts itself out differently and displays patterns that were not visible before.”

Thomas Kuhn (1922–1996) American historian, physicist and philosopher

Source: The Road Since Structure (2002), p. 16-17; from "What Are Scientific Revolutions?" (1982)

Edward Bernays photo

“For the same reason I read the National Geographic, I like to see places I will never visit.”

Edward Bernays (1891–1995) American public relations consultant, marketing pioneer

Quoted in L. Tye The Father of Spin (1998) p. 102
On why he read Playboy

Donald J. Trump photo

“We have to keep the families together, but they have to go. What if they have no place to go?”

Donald J. Trump (1946) 45th President of the United States of America

During the Iowa State Fair (2015 August 15)
2010s, 2015

Cormac McCarthy photo

“This is a terrible place to die in.
Where’s a good one?”

Blood Meridian (1985)

Robert E. Howard photo
Mukesh Ambani photo
Walt Disney photo
Richard Henry Dana Jr. photo

“Referring to a professor aboard ship: This passenger — the first and only one we had had, except to go from port to port on the coast — was no one else than a gentleman whom I had known in my smoother days, and the last person I should have expected to see on the coast of California — Professor Nuttall of Cambridge. I had left him quietly seated in the chair of the Botany and Ornithology Department at Harvard University, and the next I saw of him, he was strolling about San Diego beach, in a sailors' pea jacket, with a wide straw hat, and barefooted, with his trousers rolled up to his knees, picking up stones and shells… I was often amused to see the sailors puzzled to know what to make of him, and to hear their conjectures about him and his business… The Pilgrim's crew called Mr. Nuttall "Old Curious," from his zeal for curiosities; and some of them said that he was crazy, and that his friends let him go about and amuse himself this way. Why else would (he)… come to such a place as California to pick up shells and stones, they could not understand. One of them, however, who had seen something more of the world ashore said, "Oh, 'vast there!… I've seen them colleges and know the ropes. They keep all such things for cur'osities, and study 'em, and have men a purpose to go and get 'em… He'll carry all these things to the college, and if they are better than any that they have had before, he'll be head of the college. Then, by and by, somebody else will go after some more, and if they beat him he'll have to go again, or else give up his berth. That's the way they do it. This old covery knows the ropes. He has worked a traverse over 'em, and come 'way out here where nobody's ever been afore, and where they'll never think of coming."”

This explanation satisfied Jack; and as it raised Mr. Nuttall's credit, and was near enough to the truth for common purposes, I did not disturb it.
Source: Two Years Before the Mast (1840), p. 267

Fernando J. Corbató photo
Conrad Aiken photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Tanith Lee photo
Frank Buchman photo
E. W. Hobson photo
Maurice Glasman, Baron Glasman photo
Georg Wilhelm Friedrich Hegel photo
Charles Lyell photo
Muhammad bin Qasim photo
Alan Bennett photo
Elton John photo

“Don't wish it away,
Don't look at it like it's forever.
Between you and me I could honestly say
That things can only get better.And while I'm away,
Dust out the demons inside.
And it won't be long before you and me run
To the place in our hearts where we hide.”

Elton John (1947) English rock singer-songwriter, composer and pianist

I Guess That's Why They Call It the Blues, written by Elton John, Bernie Taupin, and Davey Johnstone
Song lyrics, Too Low for Zero (1983)

Manis Friedman photo

“I would like to clarify the answer published in my name in last month’s issue of Moment Magazine. First of all, the opinions published in my name are solely my own, and do not represent the official policy of any Jewish movement or organization. Additionally, my answer, as written, is misleading. It is obvious, I thought, that any neighbor of the Jewish people should be treated, as the Torah commands us, with respect and compassion. Fundamental to the Jewish faith is the concept that every human being was created in the image of G-d, and our sages instruct us to support the non-Jewish poor along with the poor of our own brethren. The sub-question I chose to address instead is: how should we act in time of war, when our neighbors attack us, using their women, children and religious holy places as shields. I attempted to briefly address some of the ethical issues related to forcing the military to withhold fire from certain people and places, at the unbearable cost of widespread bloodshed (on both sides!)—when one’s own family and nation is mercilessly targeted from those very people and places. Furthermore, some of the words I used in my brief comment were irresponsible, and I look forward to further clarifying them in a future issue. I apologize for any misunderstanding my words created.”

Manis Friedman (1946) American rabbi

Clarification of previous statement http://momentmagazine.wordpress.com/2009/06/03/a-statement-from-rabbi-friedman/
On the Israeli-Arab conflict

Friedrich Hayek photo
Dejan Stojanovic photo

“I visited many places, some of them quite exotic and far away, but I always returned to myself.”

Dejan Stojanovic (1959) poet, writer, and businessman

The Return http://www.poetrysoup.com/famous/poem/21408/The_Return
From the poems written in English

Sallust photo

“But when sloth has introduced itself in the place of industry, and covetousness and pride in that of moderation and equity, the condition of a state is altered together with its morals; and thus authority is always transferred from the less to the more deserving.”
Verum ubi pro labore desidia, pro continentia et aequitate libido atque superbia invasere, fortuna simul cum moribus immutatur. Ita imperium semper ad optimum quemque a minus bono transfertur. (II)

Sallust (-86–-34 BC) Roman historian, politician

Bellum Catilinae (c. 44 BC)

Patrick Matthew photo
Colin Wilson photo
Haruki Murakami photo

“The world would be a sad place without mysteries.”

Source: Drenai series, The King Beyond the Gate, Ch. 2

“Professionalism has no place in art, and hacking is art. Software Engineering might be science; but that's not what I do. I'm a hacker, not an engineer.”

Jamie Zawinski (1968) American programmer

http://phd.pp.ru/Texts/fun/signatures.txt
PP
RU
Texts
Signatures.

Immortal Technique photo
Corneliu Zelea Codreanu photo
Hugh Thompson, Jr. photo

“Thompson landed again. Glenn and I got out of the aircraft, took out the guns. Hugh walked over to this lieutenant [Brooks], and I could tell they were in a shouting match. I thought they were going to get in a fist fight. He told me later what they said. Thompson: 'Let's get these people out of this bunker and get 'em out of here.' Brooks: 'We'll get 'em out with hand grenades.' Thompson: 'I can do better than that. Keep your people in place. My guns are on you.”

Hugh Thompson, Jr. (1943–2006) United States helicopter pilot during the Vietnam War

Hugh was outranked, so this was not good to do, but that's how committed he was to stopping it.
Thompson's gunner, Spec. Lawrence Colburn http://seattletimes.nwsource.com/pacificnw/2002/0310/cover.html
Quotes of others about Thompson

Amir Taheri photo
Roberto Mangabeira Unger photo
James David Forbes photo
Amir Taheri photo
Quentin Crisp photo
Hugh Blair photo
Asger Jorn photo

“It is one of the great ironies of our modern 'civilized' era that in most of the places where you don't feel the need to carry a firearm for self defense you can legally do so if you choose. But in most of places where you do indeed justifiably feel the immediate need to carry a gun, they are banned.”

James Wesley Rawles (1960) Survivalist-fiction author and blogger

http://www.survivalblog.com/2006/10/the_memsahibs_quote_of_the_day_4.html
How to Survive the End of the World as We Know It, Plume, New York (2009)

William Sharp (writer) photo

“I hear the little children of the wind
Crying solitary in lonely places.”

William Sharp (writer) (1855–1905) Scottish writer

Little Children of the Wind, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Andreas Schelfhout photo

“.. when the terrible storm and high flood of water raged most fearfully, I went to Schevelinge…. sea and sky seemed to be one [undivided] element; at the height where I stood - because the sea had already washed away dunes and stood up to the village – the view was horrible; the wailing of the inhabitants awful. - when arriving home, I immediately put a sketch of all this on paper - but that sketch represented so little of what I had seen on the spot itself…. [where] no part turned up itself of which I could make a sketch…. [so it] will be necessary for me to return to Scheveningen again and to outline those places where the water has raged most violently.. (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) ..toen den verschrikkelijke storm en hogen watervloed allerverschrikkelijkst woede, begaf ik mij naar Schevelinge [=Scheveningen].. ..zee en lucht scheene een element te zijn; op de hoogte waar ik stond, want de zee had reeds duinen weggespoeld en stond tot aan het dorp, was het gezigt verschrikkelijk; het gejammer der bewoners akelig. - bij mijne thuiskomst heb ik echter dadelijk een schets daarvan op papier gebragt - doch die schets voldoet zo weinig, aan het geen men terplaatse zelve zag.. ..[waar] geen partij zig op deed waar van eigenlijk een tekening te maken was.. ..[dus] zal het nodig zijn dat ik [mij] nog een andere maal naar Scheveningen begeeft en die punten waar het water het meest gewoeld heeft afteschetsen..
Quote of Schelfhout in his letter to , 10 Feb. 1825; the original letter is in the collection of the Koninklijke Bibliotheek, Den Haag, inv. Nr: 133 C12, nr. 4

Jared Polis photo
Irving Kristol photo
Cloris Leachman photo
Steven Pinker photo
Dave Barry photo
Djuna Barnes photo

“Well, isn’t Bohemia a place where everyone is as good as everyone else — and must not a waiter be a little less than a waiter to be a good Bohemian?”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

Becoming Intimate with the Bohemians, New York Morning Telegraph Sunday Magazine (19 November 1916)