Quotes about pattern
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Jane Roberts photo
Learned Hand photo

“Any one may so arrange his affairs that his taxes shall be as low as possible; he is not bound to choose that pattern which will best pay the Treasury; there is not even a patriotic duty to increase one's taxes.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

Helvering v. Gregory http://law.justia.com/cases/federal/appellate-courts/F2/69/809/1562063/, 69 F.2d 809, 810-11 (2d Cir. 1934).
Judicial opinions

Ezra Pound photo
Pope Benedict XVI photo
Rollo May photo

“Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 21

“Other times I am pestered by a recurrent visual image and this image will resonate with some tone-rhythm pattern, only after that does language start to come.”

Jan Zwicky (1955) Canadian philosopher

'Perfect Fluency' interview with Scott Rosenberg, University of Wyoming Campus, Oct. 2010.
Other

Peter M. Senge photo

“There is no single cause for any disturbance of the total organism, whether this be expressed as a behavior pattern often labeled psychiatric entity, or a physical disturbance classified as a somatic disease.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Grinker and Robbins (1954) cited in: Eugene Frederick Hahn (1956) Stuttering: significant theories and therapies. p. 17

Manuel Castells photo
Richard Dawkins photo

“A pattern of basic assumptions--invented, discovered, or developed by a given group as it learns to cope with its problems of external adaptation and internal integration--that has worked well enough to be considered valid and, therefore, to be taught to new members as the correct way to perceive, think, and feel in relation to those problems.”

Edgar H. Schein (1928) Psychologist

Variant: [ Organizational culture is] a pattern of shared basic assumptions that the group learned as it solved its problems of external adaptation and internal integration, that has worked well enough to be considered valid and, therefore, to be taught to new members as the correct way to perceive, think, and fell in relation to those problems.
Source: Organizational Culture and Leadership, 1985, p. 6

Gerard Manley Hopkins photo
Saul D. Alinsky photo
Robert Jordan photo
Aldous Huxley photo
Richard Rumelt photo
Michael Moorcock photo
Marshall McLuhan photo

“All media of communications are cliches serving to enlarge man's scope of action, his patterns of associations and awareness. These media create environments that numb our powers of attention by sheer pervasiveness.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, From Cliché to Archetype (1970)

Tom McCarthy (writer) photo
Edward Bernays photo

“I think that if people look deeply enough into their trading patterns, they find that, on balance, including all their goals, they are really getting what they want, even though they may not understand it or want to admit it.”

Ed Seykota (1946) American commodities trader

Source: Schwager, Market Wizards, page 172, Read it here http://books.google.com/books?id=jNG7r-Ul7jwC&printsec=frontcover&dq=market+wizards&ei=stanR4q2LKTeiQGMxbFo&sig=8NhAQMHBUZCiBzaJjF4o2ZcOGMY#PPA172,M1

Robert M. Pirsig photo
Starhawk photo

“There was a larger pattern
we worked at: they on a big
loom, I with a small needle.”

R.S. Thomas (1913–2000) Welsh poet

"In Context", p. 13
Frequencies (1978)

Fred Polak photo
George Eliot photo
Buckminster Fuller photo
Pat Conroy photo

“Cadets are people. Behind the gray suits, beneath the Pom-pom and Shako and above the miraculously polished shoes, blood flows through veins and arteries, hearts thump in a regular pattern, stomachs digest food, and kidneys collect waste. Each cadet is unique, a functioning unit of his own, a distinct and separate integer from anyone else. Part of the irony of military schools stems from the fact that everyone in these schools is expected to act precisely the same way, register the same feelings, and respond in the same prescribed manner. The school erects a rigid structure of rules from which there can be no deviation. The path has already been carved through the forest and all the student must do is follow it, glancing neither to the right nor left, and making goddamn sure he participates in no exploration into the uncharted territory around him. A flaw exists in this system. If every person is, indeed, different from every other person, then he will respond to rules, regulations, people, situations, orders, commands, and entreaties in a way entirely depending on his own individual experiences. Te cadet who is spawned in a family that stresses discipline will probably have less difficulty in adjusting than the one who comes from a broken home, or whose father is an alcoholic, or whose home is shattered by cruel arguments between the parents. Yet no rule encompasses enough flexibility to offer a break to a boy who is the product of one of these homes.”

Source: The Boo (1970), p. 10

Rollo May photo
Jane Roberts photo
Anthony Watts photo

“I'm not sure the "remarkable Arctic warmth" is real, especially since the disappearance of arctic sea ice during that time has been linked not to warmer temperatures, but to wind patterns by other researchers at NASA.”

Anthony Watts (1958) American television meteorologist

3 of 4 global metrics show nearly flat temperature anomaly in the last decade http://wattsupwiththat.com/2008/03/08/3-of-4-global-metrics-show-nearly-flat-temperature-anomaly-in-the-last-decade/, wattsupwiththat.com, March 8 2008.
2008

Nassim Nicholas Taleb photo
Tanith Lee photo

“Anxiety grew, the fear that always comes when an established pattern falters.”

Book Two, Part IV “War March”, Chapter 7 (p. 268)
The Birthgrave (1975)

Ralph Bunche photo
Gerald of Wales photo

“It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.”
In musicis solum instrumentis commendabilem invenio gentis istius diligentiam. In quibus, prae omni natione quam vidimus, incomparabiliter instructa est. Non enim in his, sicut in Britannicis quibus assueti sumus instrumentis, tarda et morosa est modulatio, verum velox et praeceps, suavis tamen et jocunda sonoritas. Mirum quod, in tanta tam praecipiti digitorum rapacitate, musica servatur proportio; et arte per omnia indemni inter crispatos modulos, organaque multipliciter intricata, tam suavi velocitate, tam dispari paritate, tam discordi concordia, consona redditur et completur melodia.

Gerald of Wales (1146) Medieval clergyman and historian

Topographia Hibernica (The Topography of Ireland) Part 3, chapter 11 (94); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 103.

Lupe Fiasco photo
Max Scheler photo
Alice A. Bailey photo
Lillian Smith (author) photo

“Segregation is evil; there is no pattern of life which can dehumanize men as can the way of segregation.”

Lillian Smith (author) (1897–1966) American author, social critic

Acceptance speech for the Charles S. Johnson Award at Fisk University in 1966

Jack Vance photo
Jacob Bronowski photo
Fred Polak photo

“The brain attempts to recognize this odor image by scanning and resolving it into previously stored patterns”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 469 as cited in: Donald A. Wilson, Richard J. Stevenson (2010) Learning to Smell: Olfactory Perception from Neurobiology to Behavior. p. 2

Phil Brooks photo

“Punk: Wow, everybody, it's John Cena. He comes out here every Monday night, he's excitable, he throws his hat at somebody, everybody loves it. I am so impressed at how you do that. You get all these people to believe you're that friendly, smiling, everyday man, when I know the truth. And the truth, John Cena, is you're thoughtless, you're heartless, and above all else, you are dishonest. I'm sure there's millions of people worldwide, including yourself, that would love to believe this is over a spilled diet soda, but John, this goes way beyond my spilled diet soda. Yeah. John, you were fired from the WWE. You were gone. You gave a very tear-inducing speech in the middle of the ring about how you finally get to see your mom and hang out with your little brother, and you said you were gonna go away. You were gonna be a man of your way, but what happened? You came back later that night, and then you came back the next week, and then you came back the next week, showing all of these people who aren't intelligent to see through your facade what I have known all along—that your word is absolutely worthless. And then there's TLC, you have the man beaten. Wade Barrett, a very tough individual, and you have him beat in a chairs match, but that's not good enough for you. You don't take the high ground, you can't walk off into the sunset with your victory; you drag the man off to the side of the stage and you drop fifteen steel chairs on him, and I wanna know exactly why you think that's acceptable behavior. I wanna know why you think it's okay to show up the next night on Raw and humiliate the poor guy…
Cena: That is balderdash! Fifteen steel chairs? That's insane. It was 23 steel chairs. And in case you forgot, Wade Barrett and the Nexus gave me about five thousand beat-downs, made me their personal slave, and ended my career.
Punk: You wanna talk about ended careers, you hypocrite? This is exactly what I'm talking about. You ended the career of my good friend Dave Batista. John! John, look at me when I'm talking to you. This is a reoccurring pattern with you. Once again, you have the man beaten—last man standing, he verbally submits, how humiliating, the match is won. But, no, you AA him off a car through the very steel ramp that I'm sitting on, which facilitated the end of his career. Now we'll talk about Vickie Guerrero. I'm surprised the lovely Vickie Guerrero doesn't up and quit based on all the abuse you heap on her. It's not just the physical things to the Wade Barretts and the Dave Batistas, but it's the name-calling, it's the mental abuse to somebody as gorgeous and beautiful as Vickie Guerrero.
Cena: "It's the this… it's the that." Okay, CM Punk is gonna play Mr. Fingerpointer. Well…1.—Dave Batista broke my neck; 2.—He showed up on Raw the next night and quit on his own terms. And C—I didn't just single out Vickie Guerrero. In case you haven't been watching for the past… eight years, I talk about everybody. Uh… Michael Cole. Michael Cole has an anonymous fetish with Justin Bieber and has the word "The Miz" man-scaped right below his belly button. Me! Look at me. I look like the crazy sex child of the Incredible Hulk and Grimace. And then there's you.
Punk: Yeah, and then there's me, who happens to not be laughing. I don't know if you noticed that. You're not funny.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

December 27, 2010
WWE Raw

Northrop Frye photo

“The total simultaneous pattern always extend from alpha to omega.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

21.190
"Quotes", Notebooks

Fred Hoyle photo
Ray Comfort photo
Kent Hovind photo

“If indeed adulterers were executed, very quickly society would be much more calm, and I'm not saying we should do it, but I'm just saying we should look at the biblical pattern.”

Kent Hovind (1953) American young Earth creationist

-Edited Version- Pastor Steve Anderson interviews Dr Kent Hovind (Re-upload) https://www.youtube.com/watch?v=4y4J7o62-w8, Youtube (January 22, 2015)

“We were not going to understand gender inequality or [other inequalities] unless we understood the interpersonal processes that mediated and enacted institutional structures and larger patterns of inequality.”

Cecilia L. Ridgeway (1947) American sociologist

Ridgeway (2013) Meet the 2013 ASA President: Cecilia Ridgeway http://www.asanet.org/cecilia-ridgeway. 2013

Bill Thompson photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

W. Brian Arthur photo

“Patient, dramatic, serious, genial,
From over to over the game goes on,
Weaving a pattern of hardy perennial,
Civilisation under the sun.”

Gerald Bullett (1893–1958) British writer

Village Cricket in News from the Village (1952)

Jiddu Krishnamurti photo
Isaiah Berlin photo

“All forms of tampering with human beings, getting at them, shaping them against their will to your own pattern, all thought control and conditioning is, therefore, a denial of that in men which makes them men and their values ultimate.”

Isaiah Berlin (1909–1997) Russo-British Jewish social and political theorist, philosopher and historian of ideas

Five Essays on Liberty (2002), Two Concepts of Liberty (1958)

Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Emily St. John Mandel photo
Elia M. Ramollah photo
James Jeans photo
David Woodard photo
Marshall McLuhan photo
Theodore Dalrymple photo

“14:06> …Of course I made it quite clear to the women that I thought that that the way that they had been abused was terrible and completely unjustifiable. However, I thought that it was very important that they should understand their own complicity in it; so that, for example, they understood that the way they chose men, and their refusal to see signs (which they were capable of seeing) resulted in their misery… <14:40> To give you a concrete example, I would say to them, ‘This man of yours, who’s very nasty to you, and drags you across the floor, and puts your head through the window, and sometimes even hangs you out of the window by your ankles: How long do you think it would take me to realise he was no good, as he came through the door? Would it take me a second, or half a second, or an eighth of a second, or would I not notice that there was anything wrong with him at all?’ And they’d say, ‘Oh, an eighth of a second, you’d know immediately.’ And I would say to them, ‘Well, if you know that I would know immediately, then you knew immediately as well.’ It’s a logical consequence, really. And they would accept that. ‘And yet, you chose to associate with him, knowing full well that he was no good; and I tell you this, because it’s very necessary you should understand your own part in the predicament you now find yourself in, because if you don’t understand it, or don’t think about it, you’re just going to repeat it.’ which is of course, a very, very common pattern.”

Theodore Dalrymple (1949) English doctor and writer

Daniels http://en.wikipedia.org/wiki/Anthony_Daniels_(psychiatrist) on helping victims of abuse understand how they can help to break the cycle.
CBC Ideas Interview (podcast) (September 25, 2006)

William Burges photo

“Decidedly the best application of art to industry is when a great many copies are made from an exceedingly good pattern.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 1

Richard Stallman photo
Jane Roberts photo
Ervin László photo
Clay Shirky photo
Richard Leakey photo
Tony Buzan photo
Boyd K. Packer photo
Johannes Kepler photo
Marshall McLuhan photo

“The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 23

E.M. Forster photo

“Axiom: Novel must have either one living character or a perfect pattern: fails otherwise.”

E.M. Forster (1879–1970) English novelist

Source: Commonplace Book (1985), p. 6

Anita Sarkeesian photo

“Not a coincidence it’s always men and boys committing mass shootings. The pattern is connected to ideas of toxic masculinity in our culture.”

Anita Sarkeesian (1983) American blogger

@femfreq (Oct 24, 2014) https://web.archive.org/web/20141228102607/https://twitter.com/femfreq/status/525793436025118721
Twitter

Richard K. Morgan photo

“Theorems… record more complex patterns of thinking that once shown to be valid need not be repeated every time they are needed.”

Richard Hamming (1915–1998) American mathematician and information theorist

Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)

Eric R. Kandel photo
Charlton Heston photo

“Tragedy has been and will always be with us. Somewhere right now, evil people are planning evil things. All of us will do everything meaningful, everything we can do to prevent it, but each horrible act can’t become an axe for opportunists to cleave the very Bill of Rights that binds us. America must stop this predictable pattern of reaction. When an isolated terrible event occurs, our phones ring demanding that the NRA explain the inexplicable. Why us? Because their story needs a villain. … That is not our role in American society and we will not be forced to play it. … Now, if you disagree that’s your right, I respect that, but we will not relinquish it, or be silenced about it, or be told ‘do not come here, you are unwelcome in your own land.”

Charlton Heston (1923–2008) American actor

NRA annual meeting closing remarks http://www.nrawinningteam.com/meeting99/hestsp2.html, Denver, Colorado, 1999-05-01; referring to the complaints that some had that the NRA should not proceed to have its scheduled convention in Denver out of sensitivity to the fact that the Columbine shootings had occurred near the convention site; used on The Daily Show with Jon Stewart (Aug. 19, 2010) http://www.thedailyshow.com/watch/thu-august-19-2010/extremist-makeover---homeland-edition as reasoning why a proposed mosque near the site of the September 11th terrorist attacks must be allowed to be built.

Lloyd deMause photo
A. James Gregor photo