Quotes about panel

A collection of quotes on the topic of panel, painting, doing, paint.

Quotes about panel

“In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story….. Okay, it started out as a lazy's man's device…but we realized this was absolutely the best way to do a comic….. Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.”

Stan Lee (1922–2018) American comic book writer

The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something. On the early days of work at Marvel Comics. Interview (1975) http://www.ditko.comics.org/ditko/why/whyquote.html

Money, Books, Way, Feeling

“The true faith discovered was
When painted panel, statuary.
Glass-mosaic, window-glass,
Amended what was told awry
By some peasant gospeller.”

W.B. Yeats book The Tower

Wisdom http://poetry.poetryx.com/poems/1759/ The Tower (1928)

Faith, Painting

“I would guess that most MIT Ph. D.’s since 1980 might deem themselves not to be “Keynesians.” But they, and modern economists everywhere, do use models like those of Samuelson, Modigliani, Solow, and Tobin. Professor Martin Feldstein, my Harvard neighbor, complained at the 350th Anniversary of Harvard that Keynesians had tried to poison his sophomore mind against saving. Tobin and I on the same panel took this amiss, since both of us since 1955 had been favoring a “neoclassical synthesis,” in which full employment with an austere fiscal budget would add to capital formation in preparation for a coming demographic turnaround.”

Paul A. Samuelson (1915–2009) American economist

New millennium, An Interview with Paul A. Samuelson, 2003

“Pointless but intense excitement holds us in TV dramas. We hear threatening music. A killer with a gun steals into the bedroom of a sleeping woman. More subliminal sounds of danger, pointlessly ominous. The woman wakes and runs into the kitchen for a knife. The cops are on the case. We watch as the criminal is pursued through night streets; shots, a death; a body falls from a roof. Then time is up, another drama begins. Now we are in a church. No, we are in a lecture hall; no again — a drawer opens in a morgue. A woman is looking for her kidnapped child. Then that ends, and we are on the veld with zebras and giraffes. Then with Lenin at a mass meeting. And suddenly we flash away to a cooking school; we are shown how to stuff a turkey. Next the Berlin Wall comes down. Or flags are burning. Or a panel is worrying about the rug crisis. More and more public themes, with less and less personal consciousness. Clearly, personal consciousness is shrinking.”

Saul Bellow (1915–2005) Canadian-born American writer

"The Distracted Public" (1990), pp. 159-160
It All Adds Up (1994)

Death, School, Music, Sleep

“This forcible abduction, so roughly carried out, was accomplished with the rapidity of lightning. I shivered all over. Whom had we to deal with? No doubt some new sort of pirates, who explored the sea in their own way. Hardly had the narrow panel closed upon me, when I was enveloped in darkness.”

Jules Verne book Twenty Thousand Leagues Under the Sea

Cet enlèvement, si brutalement exécuté, s'était accompli avec la rapidité de l'éclair... Un rapide frisson me glaça l'épiderme. A qui avions-nous affaire ? Sans doute à quelques pirates d'une nouvelle espèce qui exploitaient la mer à leur façon.A peine l'étroit panneau fut-il refermé sur moi, qu'une obscurité profonde m'enveloppa.
Part I, ch. VIII: Mobilis in Mobili
Twenty Thousand Leagues Under the Sea (1870)

Way, Sea

“You can't really move forward until you look back.

[From Remaking America panel discussion at George Washington University]”

Cornel West (1953) African-American philosopher and political/civil rights activist

Universe

“Mrs. Burgoyne passed the last twenty years of her life in a large, solemn-looking house at Kensington; it is now a mad-house. How curiously do these changes in dwelling places, once cheerful and familiar, bring the mutability of our existence home! It would be an eventful chronicle, the history of even a few of the old-fashioned houses in the vicinity of London. You ascended a flight of steps, with a balustrade and two indescribable birds on either side, and a large hall, which, strange to say, was more cheerful in winter than in summer. In summer the narrow windows, the black wood with which it was panelled, seemed heavy and dull; but in winter the huge fire gave its own gladness, and had besides the association with old English hospitality which a blazing grate always brings. You passed next through two long drawing-rooms, whose white wainscoting was almost covered with family portraits. There cannot be much said for the taste of Queen Anne's time downwards — bagged, wigged, and hooped; there was not a picture of which the African's question might not have been asked, "Pray tell me, white woman, if this is all you?””

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Life, Family, Home, History

“Specks—specks all over the third panel, see?—no, that one—the second one up from the floor and I wanted to point this out to someone yesterday but a photo shoot intervened and Yaki Nakamari or whatever the hell the designer's name is—a master craftsman not—mistook me for someone else so I couldn't register the complaint, but, gentlemen—and ladies—there they are: specks, annoying, tiny specks, and they don't look accidental but like they were somehow done by a machine—so I don't want a lot of description, just the story, streamlined, no frills, the lowdown: who, what, where, when and don't leave out why, though I'm getting the distinct impression by the looks on your sorry faces that why won't get answered—now, come on, goddamnit, what's the story?”

Bret Easton Ellis book Glamorama

Glamorama (1998)

Photo, Hell

Josef Albers (1888–1976) German-American artist and educator

4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)

Color, Painting, Dependency

“IPCC, Intergovernmental Panel On Climate Change – Nobel-winning scientific body that informs us about what is the scientific knowledge – issued a report last week, which you can find online. Just google “IPCC 1.5 degrees C” because they were asking the question, what does it take for us to achieve the goal we set in Paris in December 2015 to keep the planet safe? And they said we’re running out of time, that there still is… By a miracle, if the politicians acted and we really focused on it and so on, we could still do it. But, basically, we’re running out of time, because in Canberra and in Washington and in other places they are not representing the common interest at all. They’re representing a few big companies, but not the people.”

Jeffrey D. Sachs (1954) American economist

Climate, Welfare..., Australian Broadcasting Corporation, 15 October, 2018 http://www.abc.net.au/tv/qanda/txt/s4892252.htm

People, Question, Knowledge, Change

“The models of management which individuals and organizations use come from a variety of sources. Sometimes the model comes from a theory. The theory may emerge from someone's thoughts about the desired characteristics of a manager, or about the characteristics of competent managers. Sometimes the model comes from a panel. A group of people, possibly in the job or at levels above the job within the organization, generates a model through discussion of what is needed to perform a management job competently.”

Richard Boyatzis (1946) American business theorist

Source: Competent manager (1982), p. 7.

People

“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.

Sueton book The Twelve Caesars

Source: The Twelve Caesars, Nero, Ch. 31

Flowers, Water, Time, Parting

“I listened to a panel of judges and I'll comment on that — I will not comment on the statements made by, um, certainly one judge — but I have to be honest that if these judges wanted to, in my opinion, help the court, in terms of respect for the court, they'd do what they should be doing. I mean it's so sad, they should be, you know, when you read something so simple, and so beautifully written, and so perfectly written — other than the one statement, of course, having to do with "he" or "she" — but when you read something so perfectly written, and so clear to anybody, and then you have lawyers and you watched, I watched last night in amazement, and I heard things that I couldn't believe, things that really had nothing to do with what I just read, and I don't ever want to call a court biased, so I won't call it biased, and we haven't had a decision yet, but courts seem to be so political, and it would be so great for our justice system if they would be able to read a statement and do what's right.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2017, February

Sadness, Justice, Decision, Reading

“The more info I read, the more the Rock & Roll hall of fame seems anti-rock. Rock was not meant to be judged by panels of old people.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell official Twitter, April 15, 2009 https://twitter.com/chriscornell/status/1523685568, Solo career Era

People, Reading

“We're thinking about building the wall as a solar wall, so it creates energy, and pays for itself. And this way Mexico will have to pay much less money, and that's good, right, is that good? You're the first group I've told that to, a solar wall, makes sense, let's see, we're working it out, we'll see, solar wall, panels, beautiful. I mean actually think of it, the higher it goes the more valuable it is, it's like… pretty good imagination [points to his own head], right, good? My idea.”

Donald J. Trump (1946) 45th President of the United States of America

President Trump Holds a Rally in Cedar Rapids, Iowa http://www.foxnews.com/politics/2017/06/21/president-trump-holds-iowa-rally-live-blog.html (21 June 2017) 2010s, 2017, June

Money, Beauty, Way, Imagination

“They even want unelected panels of bureaucrats to decide who gets what life-saving medical care and who is just too old or it’s too expensive to be worth saving.”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

at Family Research Council's Values Voters Summit, 2010-09-17
Mike
Lillis
O'Donnell revives Palin's 'death panel' claim on health reform
2010-09-18
The Hill
http://thehill.com/blogs/healthwatch/health-reform-implementation/119545-odonnell-revives-palins-death-panel-claim
2010-10-30
Kenneth
Hayes
Christine O'Donnell: health care and death panels
2010-09-18
Chicago Examiner
http://www.examiner.com/political-buzz-in-chicago/christine-o-donnell-health-care-and-death-panels
2010-10-30
2010 Delaware US Senate race

Life

“There are basically three formations of the argument by the Republicans: First, they start by making stuff up. You kind of have to wonder if any of them actually read the bill: 137 new agencies — not true; new IRS agents - not true; 'death panels' - not true; Members aren't covered — not true; no tort reform in it — not true. You know, I want to just advise people watching at home playing that now popular drinking game of you take a shot whenever the Republicans say something that's not true, please assign a designated driver. This is going to be a long afternoon.”

Anthony Weiner (1964) American politician

Speech http://www.youtube.com/watch?v=ijmgZGtvkxg on the floor of the House, on Republicans' statements on the Patient Protection and Affordable Care Act (January 19, 2011)

Death, People, Home, Game

“I write this sitting in my hand-built adobe-style home looking out on the Bitterroot Valley… It's a place where the "Old" West and the "New" confront one another daily in often bazarre ways. …I'm sort of a New Westerner myself. Because of relatively recent inventions like solar panels, satellites, cell phones, composting toilets, and four-wheel drive vehicles, I'm able to live where no one has since the Salish had the valley. …perhaps it all just seems new because the prism through which we're accustomed to view the history of the region has only recently been polished sufficiently to gain the deep view.”

Dan Flores (1948) American historian

The Natural West: Environmental History in the Great Plains and Rocky Mountains (2003)

Way, Home, History

“At its 10th December Conference in Geneva the Future of Human Rights Forum endorsed new structures and mechanisms to advance the realization of the Universal Declaration of Human Rights, adopted by the General Assembly 65 years ago. Among important initiatives discussed by a high level panel was the creation of a United Nations Parliamentary Assembly aimed at empowering world citizens and giving them direct participation in the political processes that affect them. Democracy lives from consultation and participation and a United Nations Parliamentary Assembly can meaningfully advance this goal.”

Alfred de Zayas (1947) American United Nations official

2013 Future of Human Rights Forum http://dezayasalfred.wordpress.com/2013/12/12/2013-future-of-human-rights-forum/. 2013

World, Democracy, Universe, Future

“"High" and "low" are completely arbitrary and artificial distinctions that some bloated assholes invented to make life more complicated. Comics are considered "low", but when Roy Lichtensein comes and picks out one panel of a comic, projects and paints it on a canvas then it's suddenly "high" art? Give me a break. The only thing that I care about in art is quality, intensity. Is a work of art capable of touching and moving me? Does it cause an emotional impact on me? Does it startle, surprise, upset, excite me? Does it make me think? Does it inspire me? Does it stimulate my imagination? Does it change the way I view the world to some degree?”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Michal Szyksznian http://www.gottfried-helnwein-interviews.com/interviews/celebritarian.html, celebritarian.pl, 2009

Life, World, Art, Way

“Climate Change Reconsidered, the 2009 report of the Nongovernmental International Panel on Climate Change (NIPCC), is the report on global warming the United Nations' climate panel should have written – but didn't.”

Anthony Watts (1958) American television meteorologist

A response to the IPCC http://wattsupwiththat.com/2009/06/03/a-response-to-the-ipcc/, wattsupwiththat.com, June 3, 2009. 2009

Change

“I went to New York in 1936 where I first worked as an assistant to Reginald Marsh as a non-relief artist since I had to await my residency requirement. This was the mural for the Customs House building in New York City. I didn't actually paint on this mural but Marsh asked me to design some lunettes between his panels. Next I went on the WPA mural division. I worked under Burgoyne Diller who was my supervisor, he was, I think, the supervisor of the New York City mural division.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

Thinking, Painting, Housing

“Immediately and definitively [after starting a painting] I determine the effect of sunlight, day and shadow, without being concerned with any detail. This enable me to see in the started painting the whole of it, which my mind already saw before I begun to work - I see it appearing on the panel or canvas rather soon and can consider in this way the harmony of the composed objects and colors.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik bepaal dadelijk en voor vast [nadat ik een schilderij begin] het effect van zonlicht, dag en schaduw, zonder mij met eenige uitvoerigheid op te houden. Hierdoor ben ik in staat gesteld, om in mijne aangelegde schilderij een geheel, dat mijn geest reeds vóór dat ik begon te arbeiden zag, binnen korten tijd op het paneel of doek te zien, en over de harmonie de zamengestelde voorwerpen en kleuren te kunnen oordelen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 99:

Color, Way, Appearance, Painting

“the possibility of dispersing colors through a given layout naturally appealed to me. The idea of putting a lot of color on the panel surfaces didn't. It would probably have been too strong an effect to live with. I wanted something more woven in. the interstices – that was suggested by I. M. Pei – suited me better because if one chose to look at them the eye would be moved along by the differences in color.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 18
Conversation with Karen Wilkin' (1986-1988)

Color, Idea, Nature, Strong

“I got those, Data’s chair and console, the side walls, and some panels from Vegas. And though I didn’t know I'd have the entire bridge someday, I knew they were an invaluable history of Trek,
I couldn't allow it to bring me down. I spent almost a year trying to convince people to help me. If worst came to worst it could go to a rich guy’s house but then no one would see it.
Once this happened, that's how this bridge got forgotten about—people changed hands, people got fired,
I didn't know if he had standing assembled walls or what,
My whole thing was: this is good, it's great to have a dream, but it’s great to have your feet on the floor too.
They said: ‘You have to do something. This can't remain in this condition.”

Huston Huddleston

December 2012 https://arstechnica.com/information-technology/2012/12/captain-i-saved-the-bridge-boldly-going-where-no-tv-set-has-gone-before/

People, Dreams, Guy, History

“Ansara was sprinting up the tunnel, increasing the gap, but Moore was beginning to slow as he heard the thundering boots of men coming down the staircase behind them. He stopped, spun around, and dropped onto his belly as, lit by the flickering light from the tunnel entrance, a figure rushed forward, arm extended. For just a heartbeat Moore glimpsed his assailant's face: the cartel truck's driver.
Propped up on his elbows now, Moore fired once into the figure's chest, the round booting him sideways into the panels before he fell onto his back.
From behind him came two more men, the rest of the weapons-transfer crew, their Belgian-made cop-killer pistols flashing, the shots booming through the tunnel as one 5.7x28-millimeter round struck the pipe near Moore's elbow.”

Tom Clancy book Against All Enemies

With Peter Telep, Against All Enemies (2011), chapter 34
2010s

Men, Light

“Sometimes I think dent-resistant side panels are a waste of money, but then I remember ladies be always throwing themselves at my car, and titties can wreak havoc on a paint job.”

Joey Comeau book Overqualified

Letter to Credico, pg 45.
Overqualified

Money, Cars, Thinking, Painting

“If the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be…. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer, and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Cocker was born, and died; Walkinghame, of the Tutor's Assistant, and well versed in figures, was also born, and died; a multitude of accountants, book-keepers and actuaries, were born, and died. Still official routine inclined to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called "tallies." In the reign of George III an inquiry was made by some revolutionary spirit, whether pens, ink, and paper, slates and pencils, being in existence, this obstinate adherence to an obsolete custom ought to be continued, and whether a change ought not to be effected.
All the red tape in the country grew redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1834 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten, rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and despatch-boxing on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any intelligent person that nothing could be easier than to allow them to be carried away for fire-wood by the miserable people who live in that neighbourhood. However, they never had been useful, and official routine required that they never should be, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build others; we are now in the second million of the cost thereof, the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn't got home to-night…. The great, broad, and true cause that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the sun, moon, and stars.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

"Administrative Reform" (June 27, 1855) Theatre Royal, Drury Lane Speeches Literary and Social by Charles Dickens https://books.google.com/books?id=bT5WAAAAcAAJ (1870) pp. 133-134

Wisdom, People, Books, Age

“When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man’s passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted— as easily as his mood. Dorothea’s entrance was the freshness of morning.”

George Eliot book Middlemarch

Middlemarch (1871)

World, Soul, Imagination, Mountain

“Gilt-tooled on yard-square panels of green leather—imitation, of course—the zodiacal signs looked down from the walls of the executive lunch-room. The air was full of the chatter of voices and the clink of ice-cubes. Waiting to be attacked when the president of the company joined them (he had promised to show at one sharp) was a table laden with expensive food: hard-boiled eggs, shells intact so that it could be seen they were brown, free-range, rich in carotene; lettuces whose outer leaves had been rasped by slugs; apples and pears wearing their maggot-marks like dueling scars, in this case presumably genuine ones though it had been known for fruit growers to fake them with red-hot wires in areas where insects were no longer found; whole hams, very lean, proud of their immunity from antibiotics and copper sulphate; scrawny chickens; bread as coarse as sandstone, dark as mud and nubbled with wheat grains...”

John Brunner book The Sheep Look Up

December “HOUSE TO HOUSE”
The Sheep Look Up (1972)

Food, Waiting

“No, what was sad in his case was that he, who didn’t care for carved oak, should have his drawing-room panelled with it, while people who do care for it have to pay enormous prices to get it. It seems to be the rule of this world. Each person has what he doesn’t want, and other people have what he does want.”

Jerome K. Jerome book Three Men in a Boat

Source: Three Men in a Boat (1889), Ch. 6.

People, World, Sadness, Drawing

“It is doubtful whether the artist [unknown] altogether knew what he depicted here in this panel, and even more doubtful whether he could have expressed it in words. That which we praise here as well thought-out and cleverly arranged may, in fact, have been achieved by him unconsciously; for the artist was transformed by pure harmoniousness while executing this picture, and his feeling become his law. Only his disposition, his spiritual exaltation, could have brought forth such a fruit as this picture. Just as the pious man prays without speaking a word and the Almighty hearkens unto him, so the artist with true feeling paints and the sensitive man understands and recognizes it; while even the less sensitive gain some inkling of it.”

Caspar David Friedrich (1774–1840) Swedish painter

cited in: Vaughan, William-Börsch-Supan, Helmut- Neidhardt, Hans Joachim, Caspar David Friedrich. 1774-1840. Romantic Landscape Painting in Dresden, London, The Tate gallery, 1972, p. 104
undated

Law, Feeling, Understanding, Painting

“I wanted that work to carry the most important message … that a person mustn't sell himself. I made a chocolate bar that can't be bought, using a giant panel of concrete.”

Pavel 183 (1983–2013) Russian street artist

as reported by Vladimir Isachenkov "P183 Dead: Street Artist Known As 'Russian Banksy' Dies At 29 Years Old" at The Huffington Post (3 April 2013) http://www.huffingtonpost.com/2013/04/03/p183-dead-street-artist-russian-banksy-dies_n_3006544.html

Personality

“There can be no too many investigations into the Mamasapano carnage if the end goal is to learn the truth. The entire nation is digging for answers in the dark. Only those with reason to fear justice and truth, will find facing the investigations and having the probes unsettling. Any probe panel which is there to do the intended job is always welcome. We must find balance in seeking for justice and learning the truth. We are all players and partners in building and strengthening the peace and in upholding justice.”

Francis Escudero (1969) Filipino politician

Escudero, F. [Francis]. (2015, February 4). Retrieved from Official Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153048401875610/ 2015, Facebook

Truth, Fear, Peace, Justice

“I have to say that everybody from David Cameron to half this panel say, "Wouldn't it be terrible if we were like Norway and Switzerland?" Really? They're rich. They're happy. They're self governing.”

Nigel Farage (1964) British politician and former commodity broker

Speaking on BBC Question Time in Lincoln https://www.youtube.com/watch?v=CTDByiSRerk, 17 January 2013. 2013

Happiness

“Soon after completing the 'La Combe' series [circa 1950] I had a dream in which I was assisted by many children on a scaffold, painting a huge mural made up of square panels fitted together. Each panel was being painted by a child very quickly in long black strokes with huge brushes. The work was done in seconds. Upon waking I immediately made a reminder sketch of the mural. Later I made a drawing of many ink strokes, which I cut up into twenty squares and placed at random in a four-by-five grid..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

as quoted in "Ellsworth Kelly", John Coplands; Harry N. Abrams, New York, 1971
1969 - 1980

Children, Dreams, Drawing, Painting

“Fortunately however, is that [painting] school where Mother Nature is placed in the foreground, and where only she is consulted to representate 'truth' on the canvas or panel. Only he knows the secrets of the manifold diversity of nature. His painting is a faithful copy of nature - which is the highest praise for a painter..”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Gelukkig echter de [schilder]school, waar moeder Natuur op den voorgrond staat, en zij alleen geraadpleegd wordt om 'waarheid' op het doek of paneel voor te stellen. – Hij kent de geheimen van de veelvuldige schakeringen der natuur, zijne schilderij is ene getrouwe kopij der natuur, ziedaar den hoogsten lof, die een schilder kan toegezwaaid worden..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 27-28

Truth, Secret, School, Faith

“There is a standalone goal, which is goal number two, on the empowerment of girls and women and achieving gender equality. With regards to violence against women, the panel addresses it at length and in an inclusive way … We’re hoping that this goal and set of targets will put an end into violence and discrimination against women, empower women, and achieve gender equality and justice and for the better development of our world.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2000s, Youth Q&A on the U.N. High-Level Panel on the Post-2015 Agenda Report (2009)

Women, World, Justice, Hope

“The panel put targets, for example, on nutrition, education, ending preventable child deaths, encouraging birth registration, putting an end to violence against girls, and child marriage — all of which, if enacted, will improve the lives of billions of children throughout the world.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2000s, Youth Q&A on the U.N. High-Level Panel on the Post-2015 Agenda Report (2009)

Death, Marriage, Children, World

“"And here's some legislation: Thank the good lord that this passed before the break for vaycay. No cloning! No cloning! Urgent! Big red rubber stamper! Let's get this out of the way! Let's deal with this! The no cloning issue. Uhm, I wasn't really worried about it. I don't know about anybody else, but it really wasn't keeping me up nights. I think I'll worry about it when we finally get our jetpacks and our food pills for five course meals. I think then we'll deal with that because I think during Roddenberry times we were promised those two things and I haven't seen them, but just in case that wasn't enough for you, for Congress to get involved, the Vatican had something to say about it. The Vatican Counsel met, and I took this out of the New York Times, here's what they said after a big meeting, " 'Human cloning would not lead to identical souls because only God can create a soul,' a panel set up by Pope John Paul has concluded." Right on! They also took care of a couple other things that were burning issues. Apparently Trix are indeed for kids, and one other thing. After much deliberation it has been decided that no you cannot tackle the kid after he releases the ball in Smear The Queer. Can't do it. So we got that out of the way."”

Janeane Garofalo (1964) comedian, actress, political activist, writer

self-titled TV comedy special, 1997
Standup routines

God, Food, Way, Soul

“I had a lot of growing pains adjusting to the comic book writing format. The whole writing process just didn’t make sense to me. I had to somehow construct each panel just by describing it? But how many panels to a page? How much dialogue should be in each panel? How much time should pass between each panel? All these sorts of things were mind-boggling to me. By the end of writing the script, I sort of figured out some of my mistakes.”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

EXCLUSIVE: Patrick McHale Talks Bringing Over The Garden Wall to Cartoon Network and BOOM! Studious http://nerdist.com/exclusive-patrick-mchale-talks-bringing-over-the-garden-wall-to-cartoon-network-and-boom-studios/ (October 13, 2014)

Pain, Books, Sense, Time

“Here we were at Davos, moderating a discussion on value innovation, and yet only one European, Hasso Plattner [the founder and CEO of SAP AG], was on the panel. This raised the question, ‘Why aren’t there more European CEOs and companies worth listening to on this subject?’ What is the problem in Europe? The answer that kept coming back is this: Europe is strong in science and technology, but weak in connecting innovation and commerce.”

Renée Mauborgne American economist

Renée Mauborgne in: Stuart Crainer, " W. Chan Kim and Renée Mauborgne: The Thought Leader Interview http://www.strategy-business.com/article/11695?gko=d33f3," strategy+business, January 12, 2002. First Quarter 2002. Issue 26 (originally published by Booz & Company)

Age, Question, Problem, Strong

“I asked the panel to list the companies that would certainly be around in the future — and those that wouldn't be. … There was some disagreement about Oracle. Microsoft and Oracle said that Oracle would survive; Apache said it wouldn't. I also asked which companies would be dead. The panel agreed that it would be Apple, Sun and Novell.”

Rob Enderle (1954) American financial analyst

The Future of Transparent Computing: A Comdex Wrap-Up http://technewsworld.com/story/32239.html in Tech News World (24 November 2003)

Sun, Future, Dead

“Clerks spoke with the sure, clear voice of an original filmmaker. In Mallrats the voice is muffled, and we sense instead advice from the tired, the establishment, the timid and other familiar Hollywood executive types. The year that Clerks played at the Cannes Film Festival, I was the chairman of a panel discussion of independent filmmakers. Most of them talked about their battles to stay free from Hollywood's playsafe strategies. But Kevin Smith cheerfully said he'd be happy to do whatever the studios wanted, if they'd pay for his films. At the time, I thought he was joking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mallrats-1995 of Mallrats (20 October 1995) Reviews, One-and-a-half star reviews

Sense, Time, Happiness

“I haven't done enough. I don't have solar panels on my house yet. I haven't sorted out the heating, my car's not a Prius, I f---ing fly all the time for my job and I hate it but at the moment I haven't really got a choice, you know, and all these things. The job I'm in is a job that wastes energy left, right and centre. It's madness.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.smh.com.au/news/music/thom-out-of-tune/2006/08/13/1155407659754.html

Hate, Cars, Time, Housing

“Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 10 : Notes from 1969

Freedom, Painting

“So the stimulus didn't just waste your money; it planted the seeds from which the poisonous tree of death panels will grow.”

Mike Huckabee (1955) Arkansas politician

Death, Money, Tree

“Our demise may instead result from the habitat destruction that ensues when the AI begins massive global construction projects using nanotech factories and assemblers—construction projects which quickly, perhaps within days or weeks, tile all of the Earth’s surface with solar panels, nuclear reactors, supercomputing facilities with protruding cooling towers, space rocket launchers, or other installations whereby the AI intends to maximize the long-term cumulative realization of its values. Human brains, if they contain information relevant to the AI’s goals, could be disassembled and scanned, and the extracted data transferred to some more efficient and secure storage format.”

Nick Bostrom book Superintelligence: Paths, Dangers, Strategies

Source: Superintelligence: Paths, Dangers, Strategies (2014), Ch. 6

“Our point of view is, lets not be so elitist that we can't honor good, hard, dignified, ennobling work: people working with their hands, building things, putting up solar panels, weatherizing homes, working on organic agriculture, building wind farms. We don't have robots in society, so somebody has to do that work. Lets make sure that the people who can use that work get a chance to do it. I see that as a first step toward bigger and better things.”

Van Jones (1968) American environmental advocate and civil rights activist

"Interview: Van Jones" in The Green Options (29 May 2007) http://ryanthibodaux.greenoptions.com/2007/05/29/the-green-options-interview-van-jones/

People, Home, Chance, Weather

“The America I know and love is not one in which my parents or my baby with Down Syndrome will have to stand in front of Obama’s "death panel" so his bureaucrats can decide, based on a subjective judgment of their "level of productivity in society," whether they are worthy of health care.”

Sarah Palin (1964) American politician

" Statement on the Current Health Care Debate https://www.facebook.com/note.php?note_id=113851103434&ref=mf", Facebook, , quoted in * 2009-08-10 Sarah Palin falsely claims Barack Obama runs a 'death panel' Politifact http://www.politifact.com/truth-o-meter/statements/2009/aug/10/sarah-palin/sarah-palin-barack-obama-death-panel/ In response to the proposed Patient Protection and Affordable Care Act. 2014

Love, Death, Health, Parent

“Think of lab rats racing through a maze, when you watch the sub-intelligent, dual-panel 'dialogue' … Each rat runs with a designated, neatly bifurcated (Republican or Democratic) political orthodoxy. Each is a 'maze-bright' rat, and not the possessor and giver of any truth.”

Ilana Mercer South African writer

"'Left' and 'Right' Bamboozling You on Benghazi" http://www.americandailyherald.com/pundits/ilana-mercer/item/left-and-right-bamboozling-you-on-benghazi, American Daily Herald, January 13, 2014. 2010s, 2014

Truth, Intelligence, Thinking

“[Nature] only give it you, when you carefully consider its majesty and greatness. Does it not present beautiful scenes in front of your eyes that impossibly could be described to you by somebody else?…. [scenes], which you can try to realize afterwards in your room on the canvas or panel.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

translation from original Dutch: Fons Heijnsbroek (original Dutch, citaat van B.C. Koekkoek:) [de natuur] alleen schenkt u die bij eene aandachtige beschouwing harer majesteit en grootheid.. .Spreidt zij geene prachttaferelen voor uw oog ten toon, die onmogelijk een ander u zou kunnen beschrijven?. ..die gij naderhand op uwe kamer op het doek of paneel kunt trachten te verwezenlijken. Quote of Koekkoek, 1841: in: Herinneringen aan en Mededeelingen van eenen Landschapschilder, as cited in 'Andreas Schelfhout Onsterfelijk schoon', p. 35 https://www.simonis-buunk.nl/wp-content/uploads/2016/06/catalogus_schelfhout.pdf

Beauty, Nature

“This study compares the agency theory of the firm with interorganizational theory in examining the factors associated with the adoption of the poison pill-a takeover defense issued by a firm's board of directors that can dramatically increase the cost that a hostile buyer would have to pay to acquire the firm-by a panel of Fortune 500 firms between July 1984 and August 1989. The pill's rapid spread is traced to a combination of ownership structure and other firm-level factors and an interlock network diffusion process. The results support a social structural perspective on the market for corporate control in which the interlock network provides a social context favoring continued managerial dominance. The findings are also more consistent with models of cohesion rather than structural equivalence as the social structural mechanism responsible for diffusion.”

Gerald F. Davis (1961) American sociologist

Source: "Agents without principles?" 1991, p. 538 ; Abstract

Hostility, Support, Study

“No interviews. No panels. No speeches. No comments," he [Wasserman] ordered his agents. "Stay out of the spotlight. It fades your suit.”

Lew Wasserman (1913–2002) American studio executive and talent agent

Quoted by Kathleen Sharp, Mr. & Mrs. Hollywood: Edie and Lew Wasserman and Their Entertainment Empire, New York: Carroll & Graf, 2003, ISBN 0-7867-1220-1

“Beforehand I don't make any drawing of the object or objects which I want to paint on the canvas or panel.... but I start directly to situate the designed plan on the canvas - After having thoroughly sketched and thought over my composition, especially the arrangement of light and dark, I start to paint it broadly with oil-paint and try as much as possible to achieve the hue or the colouring, in which I want to see my landscape.... when it is definitely completed.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik maak vooraf geene tekeningen van het voorwerp of de voorwerpen, die ik op het doek of paneel wil schilderen.. ..maar begin dadelijk het ontworpen plan op het doek te plaatsen – Na mijne compositie eerst behoorlijk geschetst en beredeneerd te hebben, voornamelijk de schikking van licht en donker, begin ik dezelve met olieverw breed te schilderen, zoveel trachtende de tint of het coloriet er in te brengen, in welke ik mijn landschap.. ..wil gezien hebben.. ..als het geheel afgeschilderd is.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 98-99

Light, Drawing, Painting

“Well, maybe not death panels, exactly, but unless we start allocating health-care resources more prudently – rationing, by its proper name – the exploding cost of Medicare will swamp the federal budget.”

Steve Rattner (1952) American private equity and venture capital investor

Steve Rattner http://www.nytimes.com/2012/09/17/opinion/health-care-reform-beyond-obamacare.html, The New York Times, op-ed, 16 September 2012.

Death, Health

“In short, once the RPF controlled the Rwandan state, it immediately turned its prodigious killing machine towards Zaire’s natural resources. This it may have done under cover of chasing the Hutu genocidaires, but the pillage of Zaire-the DRC worked out so well for the RPF that by the late 1990s it had “built up a self-financing war economy centered on mineral exploitation,” in the words of the UN Panel, with the pillage of resources so complete that it not only finances the RPF’s aggression, but generates annual surpluses back in Kigali as well. As the historian René Lemarchand sums up this system of blood and money: “It is difficult to avoid the conclusion that by turning a blind eye to the profits drawn from the looting of the Congo’s wealth, the international community... is tacitly encouraging a colonial enterprise in the best tradition of European imperialism.””

Edward S. Herman (1925–2017) American journalist

Of course, what is true of the “international community,” is true of academics as well. Peterson and Herman, “Adam Jones on Rwanda and Genocide: A Reply” https://mronline.org/2010/08/14/adam-jones-on-rwanda-and-genocide-a-reply/, MR Online, August 14, 2010. 2010s

Money, War, Communication, Nature

“The President put the interest of the PNP as an organization first before his personal friendship and preferences. I commend him for that. However, he still did not name a permanent PNP Chief in order to provide STABILITY and DIRECTION in the PNP, at this difficult time. I urge him to appoint at the soonest. Further, I would have wanted him TO SEND A CLEARER AND TOUGHER MESSAGE to the MILF and to have given DEFINITE instructions to the OPAPP, the GRP panel, and the DOJ insofar as ensuring that justice is exacted from those who brutally and mercilessly massacred the 44 SAF members.”

Francis Escudero (1969) Filipino politician

Escudero, F. [Francis]. (2015, February 6). Retrieved from Official Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153052428415610/ 2015, Facebook

Friendship, Justice, Time, Personality

“When I want to do a painting with one colour overlapping another, it has to be a real overlap, not a depicted overlap. I didn't want to paint an overlap, meaning that it would be a deception or illusion. I no longer wanted to depict space, but to make a work that existed in literal space. Thus, my recent works are one canvas as a relief over another canvas. Another important example of a panel painting that explores the idea of the mural was Red Yellow Blue White 1952. It's the only one I ever did using actual dyed fabric of ready-made colours, which moves the painting into the realm of real objects.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

1981 - 2008
Source: 'Colour Chart I', interview with Christoph Grunenberg, 1 May 2009; 'Sixty years at full intensity', Tate 2009

Idea, Painting

“Sometimes I look at the battered exteriors of apartment buildings in New York and think how these sorry shells have housed such a long procession of styles. The money! The effort! One tenant mirrors everything, the next panels the walls, the third lines them with mylar, the fourth turns to toile de Jouy, the fifth to pegboard or handblocked rice paper. The expensive if often shoddy interiors installed only to be dismantled, the exterior left untouched as it turns yet another shade sootier — this transience seems a fitting emblem for the way we stay up-to-date without ever changing.”

Edmund White (1940) American novelist and LGBT essayist

New York City (p. 260).
States of Desire: Travels in Gay America (1980)

Money, Way, Thinking, Effort

“The panic over public health care is funny and sad, since America has had death panels and sinister bureaucrats for years. They're called Aetna, Humana, and Wellpoint, they make a killing, figuratively and literally.”

Laura Penny (1975) Canadian journalist

Source: More Money than Brains (2010), Chapter Five, Bully vs. Nerd, p. 139

Death, Health, Sadness

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 · Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor Gustave Moreau (1972)

Life, Death, Pain, Youth

“A recent United Nations High-Level Panel identified five categories of threats that we face:”

Mohamed ElBaradei (1942) Egyptian law scholar and diplomat, former Director General of the International Atomic Energy Agency, and Nobel …

Nobel lecture (2005)
Context: A recent United Nations High-Level Panel identified five categories of threats that we face:
1. Poverty, Infectious Disease, and Environmental Degradation;
2. Armed Conflict — both within and among states;
3. Organized Crime;
4. Terrorism; and
5. Weapons of Mass Destruction.
These are all 'threats without borders' — where traditional notions of national security have become obsolete. We cannot respond to these threats by building more walls, developing bigger weapons, or dispatching more troops. Quite to the contrary. By their very nature, these security threats require primarily multinational cooperation.

“I realized I was thinking about fiction two-dimensionally. When I’m writing comics, I’m also visualizing how the story will look on the page—not even always art-wise, but panel-wise, like how a moment will be enhanced dramatically by simply turning a page and getting a reveal. It requires thinking about story in a way I never had to consider when I was writing prose.”

Marjorie M. Liu (1979) American writer

Source: On writing a comic versus a novel in “Marjorie Liu on the Road to Making Monstress” https://www.theatlantic.com/entertainment/archive/2017/09/marjorie-liu-monstress-interview/539394/ in The Atlantic (2017 Sep 14)

Way, Thinking, Art

“A [stand-up] bit is a bar of gold. A talk-show panel story is something that's too good to throw out but not good enough to use.”

Jerry Seinfeld (1954) American comedian and actor

Comedians in Cars Getting Coffee (2012 — Present), Season 3 (2014)