Quotes about originality
page 11

Walter A. Shewhart photo

“Rule 2. Any summary of a distribution of numbers in terms of symmetric functions should not give an objective degree of belief in any one of the inferences or predictions to be made therefrom that would cause human action significantly different from what this action would be if the original distributions had been taken as evidence.”

Walter A. Shewhart (1891–1967) American statistician

[Shewhart, Walter A., Deming, William E., Statistical Method from the Viewpoint of Quality Control, The Graduate School, The Department of Agriculture, 1939, 88]
Economic Control of Quality of Manufactured Product,1931

Matilda Joslyn Gage photo
John Gray photo
Frances Bean Cobain photo

“saddened to hear the passing of a true artistic master, H. R. Giger. Ur legacy will live on through ur innovative & stimulating originality”

Frances Bean Cobain (1992) American artist

13 May 2014 https://twitter.com/alka_seltzer666/status/466293929432723456
Twitter https://twitter.com/alka_seltzer666 posts

Jon Sobrino photo
James Gleick photo
Jozef Israëls photo

“.. isn't it stupid that what you were writing in your article is still understood by so few people. Among others there was somebody - I believe in the [magazine] 'Nieuws van de Dag' -, who thought the 'Old woman in front of the hearth' [painting of Israels]….- how beautifully painted - was as sickening subject. - Furthermore, Alberd. Thijm [Dutch art-critic and very critical of Israel's' often applied 'dejection'] was also raving strongly about my pulling down of the togs of the poor people. Well-roared, lion, I thought - well understood [ironic! ] for what reason I painted it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

A. James Gregor photo
Kent Hovind photo

“In about 1998, I came to realize that God did inspire His Word in the original Hebrew and Greek and then He preserved it perfectly in the KJB for those who speak English.”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 42

Vitruvius photo
Oliver Lodge photo
Werner Heisenberg photo
Max Beckmann photo
Willem Roelofs photo

“.. at least I have the conviction of being honest and I do despise most of all those…. alienating works of art [eg. of Seurat ], the disease of our time. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..ik heb tenminste de overtuiging van opregt te zijn en heb geen grooter afschuw dan van alle.. ..vreemdsoortige kunstuitingen [oa. van ] de ziekte van onzen tijd.
In a letter, 19 Nov. 1889; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006, p. 18 - ISBN13 * 978 90 6868 432 2
1880's

Philip Schaff photo

“Luther's Qualifications. Luther had a rare combination of gifts for a Bible translator: familiarity with the original languages, perfect mastery over the vernacular, faith in the revealed word of God, enthusiasm for the gospel, unction of the Holy Spirit. A good translation must be both true and free, faithful and idiomatic, so as to read like an original work. This is the case with Luther's version. Besides, he had already acquired such fame and authority that his version at once commanded universal attention.
His knowledge of Greek and Hebrew was only moderate, but sufficient to enable him to form an independent judgment. What he lacked in scholarship was supplied by his intuitive genius and the help of Melanchthon. In the German tongue he had no rival. He created, as it were, or gave shape and form to the modern High German. He combined the official language of the government with that of the common people. He listened, as he says, to the speech of the mother at home, the children in the street, the men and women in the market, the butcher and various tradesmen in their shops, and, "looked them on the mouth," in pursuit of the most intelligible terms. His genius for poetry and music enabled him to reproduce the rhythm and melody, the parallelism and symmetry, of Hebrew poetry and prose. His crowning qualification was his intuitive insight and spiritual sympathy with the contents of the Bible.
A good translation, he says, requires "a truly devout, faithful, diligent, Christian, learned, experienced, and practiced heart."”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's competence as a Bible translator

Winston S. Churchill photo
Victor Frederick Weisskopf photo

“The question of the origin of the universe is one of the most exciting topics for a scientist to deal with. It reaches far beyond its purely scientific significance, since it is related to human existence, to mythology, and to religion. Furthermore, it deals with questions are connected with the fundamental structure of matter, with elementrary particles.”

Victor Frederick Weisskopf (1908–2002) Austrian-born American theoretical physicist

[Victor F. Weisskopf, American Scientist, The Origin of the Universe: An introduction to recent theoretical developments that are linking cosmology and particle physics, 71, 5, September-October 1983, 473–480, http://www.jstor.org/stable/27852239]

Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Viktor Schauberger photo
Aron Ra photo
Thomas Jefferson photo
François-Noël Babeuf photo

“The pretended superiority of man over woman, and the despotic authority which he arrogates to himself, have the same origin as the domination of the nobility.”

François-Noël Babeuf (1760–1797) French political agitator and journalist of the French Revolutionary period

La prétendue supériorité de l'homme sur la femme et la despotique autorité qu'il s'arroge sur elle ont la même origine que la domination de la noblesse.
[in Gracchus Babeuf avec les Egaux, Jean-Marc Shiappa, Les éditions ouvrières, 1991, 44, 27082 2892-7]
On women

John Gray photo
Maimónides photo
Ben Croshaw photo
Fenella Fielding photo
Robert A. Heinlein photo
Steph Davis photo
Theo van Doesburg photo
George Holmes Howison photo
Alice Cooper photo

“He has a woman's name and wears makeup. How original.”

Alice Cooper (1948) American rock singer, songwriter and musician

On Marilyn Manson, as quoted in Celebrity Diss and Tell : Stars Talk About Each Other (2005) by Boze Hadleigh.

Emil M. Cioran photo

“Pursued by our origins…we all are.”

History and Utopia (1960)

Herbert Giles photo
Louis Agassiz photo
David Brin photo
Aron Ra photo
Otto Neurath photo
Roger Ebert photo
Roberto Mangabeira Unger photo
Vyasa photo
James Macpherson photo
George William Curtis photo

“For what do we now see in the country? We see a man who, as Senator of the United States, voted to tamper with the public mails for the benefit of slavery, sitting in the President's chair. Two days after he is seated we see a judge rising in the place of John Jay — who said, 'Slaves, though held by the laws of men, are free by the laws of God' — to declare that a seventh of the population not only have no original rights as men, but no legal rights as citizens. We see every great office of State held by ministers of slavery; our foreign ambassadors not the representatives of our distinctive principle, but the eager advocates of the bitter anomaly in our system, so that the world sneers as it listens and laughs at liberty. We see the majority of every important committee of each house of Congress carefully devoted to slavery. We see throughout the vast ramification of the Federal system every little postmaster in every little town professing loyalty to slavery or sadly holding his tongue as the price of his salary, which is taxed to propagate the faith. We see every small Custom-House officer expected to carry primary meetings in his pocket and to insult at Fourth-of-July dinners men who quote the Declaration of Independence. We see the slave-trade in fact, though not yet in law, reopened — the slave-law of Virginia contesting the freedom of the soil of New York We see slave-holders in South Carolina and Louisiana enacting laws to imprison and sell the free citizens of other States. Yes, and on the way to these results, at once symptoms and causes, we have seen the public mails robbed — the right of petition denied — the appeal to the public conscience made by the abolitionists in 1833 and onward derided and denounced, and their very name become a byword and a hissing. We have seen free speech in public and in private suppressed, and a Senator of the United States struck down in his place for defending liberty. We have heard Mr. Edward Everett, succeeding brave John Hancock and grand old Samuel Adams as governor of the freest State in history, say in his inaugural address in 1836 that all discussion of the subject which tends to excite insurrection among the slaves, as if all discussion of it would not be so construed, 'has been held by highly respectable legal authorities an offence against the peace of the commonwealth, which may be prosecuted as a misdemeanor at common law'. We have heard Daniel Webster, who had once declared that the future of the slave was 'a widespread prospect of suffering, anguish, and death', now declaring it to be 'an affair of high morals' to drive back into that doom any innocent victim appealing to God and man, and flying for life and liberty. We have heard clergymen in their pulpits preaching implicit obedience to the powers that be, whether they are of God or the Devil — insisting that God's tribute should be paid to Caesar, and, by sneering at the scruples of the private conscience, denouncing every mother of Judea who saved her child from the sword of Herod's soldiers.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Marcel Duchamp photo
Henry Miller photo
Richard Leakey photo
Colin Wilson photo
Immanuel Kant photo
Baldur von Schirach photo

“I read world literature and I read French romances in the originals. I had quite a profound knowledge - no, that sounds conceited, but I did have a profound interest in everything spiritual.”

Baldur von Schirach (1907–1974) German Nazi leader convicted of crimes against humanity in the Nuremberg trial

To Leon Goldensohn, March 10, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

Cat Stevens photo
Thomas Szasz photo
Stephen Fry photo
Gustave de Molinari photo
Matthew Bellamy photo

“To find out where the origin of symmetry is would be to find out if God exists.”

Matthew Bellamy (1978) English singer-songwriter

Rock Sound Spain magazine, 2001-07-31

“What agents would choose in certain well- defined conditions of ignorance (in the “original position”) is, for Rawls, an important criterion for determining which conception of “justice” is normatively acceptable. Why should we agree that choice under conditions of ignorance is a good criterion for deciding what kind of society we would wish to have? William Morris in the late nineteenth century claimed to prefer a society of more or less equal grinding poverty for all (e. g., the society he directly experienced in Iceland) to Britain with its extreme discrepancies of wealth and welfare, even though the least well-off in Britain were in absolute terms better off than the peasants and fishermen of Iceland.” This choice seems to have been based not on any absolute preference for equality (or on a commitment to any conception of fairness), but on a belief about the specific social (and other) evils that flowed from the ways in which extreme wealth could be used in an industrial capitalist society.” Would no one in the original position entertain views like these? Is Morris’s vote simply to be discounted? On what grounds? The “veil of ignorance” is artificially defined so as to allow certain bits of knowledge “in” and to exclude other bits. No doubt it would be possible to rig the veil of ignorance so that it blanks out knowledge of the particular experiences Morris had and the theories he developed, and renders them inaccessible in the original position, but one would then have to be convinced that this was not simply a case of modifying the conditions of the thought experiment and the procedure until one got the result one antecedently wanted.”

Source: Philosophy and Real Politics (2008), pp. 87-88.

Luca Pacioli photo

“The quest for our origin is the sweet fruit's juice which maintains satisfaction in the minds of the philosophers.”

Luca Pacioli (1445–1517) Italian father of accounting

As quoted in The Golden Ratio by Mario Livio, p. 124

Gerard Manley Hopkins photo
Albert Jay Nock photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Richard Dedekind photo
Michel Foucault photo
Jozef Israëls photo

“Isaac [his son, also a painter] and Liebermann had a lot of hassle with horses at the beach during the summer [in Katwijk ] and I also got a wipe of it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): hadden van de zomer veel gedoe met paarden aan het strand [van Katwijk] en ik heb er ook een veeg van mee gekregen..
Quote from Jozef Israëls' letter to Jan Veth, 12 Nov. 1900; from RPK - collection, letters of Jozef Israëls, nr. 29
Quotes of Jozef Israels, 1871 - 1900

Edith Wharton photo

“True originality consists not in a new manner but in a new vision.”

Edith Wharton (1862–1937) American novelist, short story writer, designer

The Writing of Fiction (1925), ch. I

François Bernier photo
Walter Bagehot photo
Alfred Kinsey photo

“The misleading character of the accident theory is evident from the fact that even now the “error” involved from the standpoint of U. S. policy-makers and American leaders generally is neither one of purpose nor method – it is strictly a case of unexpectedly large expense. For the U. S. leadership, in other words, Vietnam is simply another, painfully large “cost over-run.” In terms of basic U. S. objectives and methods employed, in the Third World – essentially establishment of reliable client states, increasingly managed by military elites, with generous financial and military support (arms, advisors, Green Berets, and more extensive military intervention when junta control is threatened, as in Santo Domingo) – Vietnam is a facet of a completely rational policy. The policy may be vicious and catastrophic, from the perspective of the Vietnamese; and it may be a sordid and disruptive waste of human and material resources from the standpoint of the real interests of the ordinary American; but to the Rostows, Westmorelands and Nixons, the Vietnam War is a noble endeavor (“one of our finest moments”) that we cannot afford to abandon without achieving our original ends. The evidence is compelling that this leadership is entirely capable of destroying every village in Vietnam (and in the process, every Vietnamese) if this is required to attain the original political objectives.”

Edward S. Herman (1925–2017) American journalist

Source: Atrocities in Vietnam: Myths and Realities, 1970, pp. 87-88.

Michael Crichton photo
Nicolás Gómez Dávila photo

“The modernist thirst for originality makes the mediocre artist believe that the secret of originality consists simply in being different.”

Nicolás Gómez Dávila (1913–1994) Colombian writer and philosopher

Sucesivos Escolios a un Texto Implícito (1992)

Georg Christoph Lichtenberg photo
David C. McClelland photo
Charles Fort photo
Alfred North Whitehead photo
Ron Paul photo
George Holmes Howison photo
Will Rogers photo
William Stubbs photo
Vincent Gallo photo

“Joey Ramone was clearly one of the most original singers of all time. And he was the sweetest guy. And his death is very sad.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

SOMA Interview

Roger Penrose photo
George Steiner photo
Warren Farrell photo

“In the past we believed both sexes were born with original sin. Today, we have come to unconsciously believe in the original sin of boys, but the original innocence of girls.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

page 103.
Father and Child Reunion (2001)

Bernhard Riemann photo
F. J. Duarte photo

“The Dirac notation, though originally applied to the propagation of single particles, also applies to describing the propagation of ensembles of coherent, or indistinguishable, photons.”

F. J. Duarte (1954) Chilean-American physicist

in Dirac Optics, [F. J. Duarte, Tunable Laser Optics, Elsevier Academic, 2003, 0-12-222696-8, 25]

Sören Kierkegaard photo