Quotes about nose
page 3

Berthe Morisot photo

“.. scumbled froth.... capable of indicating a mouth, eyes, a nose with a single stroke of the brush, the rest of the face modeled by the perfect accuracy of these indications.”

Berthe Morisot (1841–1895) painter from France

Quote of her notebooks about rendering, 1885-86; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 46
1881 - 1895

Frank Klepacki photo
Dave Barry photo
Warren Farrell photo
Harry Turtledove photo
Nathaniel Parker Willis photo

“It is the month of June,
The month of leaves and roses,
When pleasant sights salute the eyes,
And pleasant scents the noses.”

Nathaniel Parker Willis (1806–1867) American magazine writer, editor, and publisher

The Month of June.
Bartlett's Familiar Quotations (1919)

Ilana Mercer photo

“Centuries of Islam, transmitted through mother's milk, cannot be tweaked out of the Muslim DNA like some unsightly nose-hair.”

Ilana Mercer South African writer

“The Expert Idiocracy Is More dangerous Than Islam, Almost," http://townhall.com/columnists/ilanamercer/2016/07/17/the-expert-idiocracy-is-more-dangerous-than-islam-almost-n2193733 Townhall.com, July 17, 2016.
2010s, 2016

Alfred Russel Wallace photo

“On the question of the "origin of species" Mr. Haughton enlarges considerably; but his chief arguments are reduced to the setting-up of "three unwarrantable assumptions," which he imputes to the Lamarckians and Darwinians, and then, to use his own words, "brings to the ground like a child's house of cards." The first of these is "the indefinite variation of species continuously in the one direction." Now this is certainly never assumed by Mr. Darwin, whose argument is mainly grounded on the fact that variations occur in every direction. This is so obvious that it hardly needs insisting on. In every large family there is almost always one child taller, one darker, one thinner than the rest; one will have a larger nose, another a larger eye: they vary morally as well; some are more poetical, others more morose; one has a genius for numbers, another for painting. It is the same in animals: the puppies, or kittens, or rabbits of one litter differ in many ways from each other - in colour, in size, in disposition; so that, though they do not "vary continuously in one direction," they do vary continuously in many directions; and thus there is always material for natural selection to act upon in some direction that may be advantageous. […] I will only, in conclusion, quote from it a short paragraph which contains an important truth, but which may very fairly be applied in other quarters than those for which the author intended it: - "No progress in natural science is possible as long as men will take their rude guesses at truth for facts, and substitute the fancies of their imagination for the sober rules of reasoning."”

Alfred Russel Wallace (1823–1913) British naturalist, explorer, geographer, anthropologist and biologist

"Remarks on the Rev. S. Haughton's Paper on the Bee's Cell, And on the Origin of Species" (1863).

Charles Simic photo
Philip Roth photo

“…her breasts swam towards me like two pink-nosed fish and she let me hold them.”

Source: Goodbye, Columbus (1959), Chapter 2

Aldo Leopold photo

“We stand guard over works of art, but species representing the work of aeons are stolen from under our noses.”

Aldo Leopold (1887–1948) American writer and scientist

"Preface".
1930s, Game Management, 1933

Edgar Rice Burroughs photo
Thomas Hood photo

“Another tumble! That's his precious nose!”

Thomas Hood (1799–1845) British writer

Parental Ode to my infant Son; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Giuseppe Tomasi di Lampedusa photo

“When a peasant gives me his bit of cheese he's making me a bigger present than the Prince of Làscari when he invites me to dinner. That's obvious. The difficulty is that the cheese is nauseating. So all that remains is the heart's gratitude which can't be seen and the nose wrinkled in disgust which can be seen only too well.”

Un contadino che mi dà il suo pezzo di pecorino mi fa un regalo più grande di Giulio Làscari quando m’invita a pranzo. Il guaio è che il pecorino mi dà la nausea; e così non resta che la gratitudine che non si vede e il naso arricciato dal disgusto che si vede fin troppo.
Page 144
Il Gattopardo (1958)

Nikolai Gogol photo
John Mandeville photo

“And Men seye in theise Contrees, that Philosophres som tyme wenten upon theise Hilles, and helden to here Nose a Spounge moysted with Watre, for to have Eyr; for the Eyr above was so drye. And aboven, in the Dust and in the Powder of tho Hilles, thei wroot Lettres and Figures with hire Fingres: and at the zeres end thei comen azen, and founden the same Lettres and Figures, the whiche thei hadde writen the zeer before, withouten ony defaute.”

John Mandeville (1300–1372) writer

And Men say in these Countries, that Philosophers some time went upon these Hills, and held to their Noses a Sponge moisted with Water, to have Air; for the Air above was so dry. And above, in the Dust and in the Powder of those Hills, they wrote Letters and Figures with their Fingers. And at the Year's End they came again, and found the same Letters and Figures, the which they had written the Year before, without any Default.
Describing early ascents of Mounts Olympus and Athos.
Source: The Voiage and Travaile of Sir John Maundevile, Kt., Ch. 3

Miguel de Cervantes photo

“I never thrust my nose into other men's porridge. It is no bread and butter of mine; every man for himself, and God for us all.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Unplaced as yet by chapter, Ch. 11.

Stanley Holloway photo
Peter Sloterdijk photo
Eugène Fromentin photo

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

Eugène Fromentin (1820–1876) French painter

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

Tommy Farr photo

“Every time I hear the name Joe Louis, my nose starts to bleed.”

Tommy Farr (1913–1986) British boxer

Wales' greatest US bouts: Tommy Farr, Sean D - BBC Sport (U1712711), 2008-03-31, 2008-03-31, BBC Sport http://www.bbc.co.uk/dna/606/A34055534,
Sourced Quotes

Mickey Spillane photo

“When you sit at home comfortably folded up in a chair beside a fire, have you ever thought what goes on outside there? Probably not. You pick up a book and read about things and stuff, getting a vicarious kick from people and events that never happened. You're doing it now, getting ready to fill in a normal life with the details of someone else's experiences. Fun, isn't it? You read about life on the outside thinking about how maybe you'd like it to happen to you, or at least how you'd like to watch it. Even the old Romans did it, spiced their life with action when they sat in the Coliseum and watched wild animals rip a bunch of humans apart, reveling in the sight of blood and terror. They screamed for joy and slapped each other on the back when murderous claws tore into the live flesh of slaves and cheered when the kill was made. Oh, it's great to watch, all right. Life through a keyhole. But day after day goes by and nothing like that ever happens to you so you think that it's all in books and not in reality at all and that's that. Still good reading, though. Tomorrow night you'll find another book, forgetting what was in the last and live some more in your imagination. But remember this: there are things happening out there. They go on every day and night making Roman holidays look like school picnics. They go on right under your very nose and you never know about them. Oh yes, you can find them all right. All you have to do is look for them. But I wouldn't if I were you because you won't like what you'll find. Then again, I'm not you and looking for those things is my job. They aren't nice things to see because they show people up for what they are. There isn't a coliseum any more, but the city is a bigger bowl, and it seats more people. The razor-sharp claws aren't those of wild animals but man's can be just as sharp and twice as vicious. You have to be quick, and you have to be able, or you become one of the devoured, and if you can kill first, no matter how and no matter who, you can live and return to the comfortable chair and the comfortable fire. But you have to be quick. And able. Or you'll be dead.”

Mickey Spillane (1918–2006) American writer

My Gun is Quick (1950)

Bartolomé de las Casas photo
Robert Burton photo

“And hold one another's noses to the grindstone hard.”

Section 1, member 3.
The Anatomy of Melancholy (1621), Part III

Bruce Parry photo

“They loved that I put a bone through my nose. They loved that I had my penis pushed back inside me.”

Bruce Parry (1969) British documentarian

As quoted in "Do you really want to be in our tribe?" in The Telegraph (1 March 2005)

John Calvin photo
Jon Stewart photo
Khaled Hosseini photo
Antonin Artaud photo

“We're British! Bertie Ahern has nothing to do with Ulster. Bertie Ahern, keep your nose out of this wee province!”

Paul Berry (1976) North Ireland politician

Reeling in the Years, 1998 http://www.youtube.com/watch?v=cZFtZuweDq4,

Mark Steyn photo
Alex Jones photo

“Bernie wants us to live under the heavenly socialist–communist system like China. We never hear the left criticize that Mao Tse-Tung killed over 80 million people—the Chinese government admits—biggest mass murder in history. That's why there's so many liberal trendy places in Austin, in Denver, in New York, in LA, and San Francisco named after Mao. And people go and love play on their iPhones and the free market and their Chinese slave goods, and they drink beer and expensive wine and giggle about how fun it is to wear red stars. You couldn't put more bad luck on you, you couldn't trash your mojo better. Wearing swastika armbands, you stupid snot-nosed crud! That live off the backs of everybody that fought Nazism and Communism. You need to have your jaws broken! Don't you worry, reality is gonna crash in on you, trash! Who lowered our defenses and brought the Republic down; oh, we're already gone! And you celebrate it like you've joined the globalists mounting America's head on the wall, your great victory! A mass rape of women across Europe. The national draft coming in for women! The families falling apart! Women degraded into nothing but sexual objects! ALL in the name of Gloria Steinem and the Central Intelligence Agency program! And a Bernie Sanders with his fake Einstein hair, and his 'I'm a man of the people!' We go out and talk to Bernie Sanders' supporters, they can hardly talk—they're like him—'Free! Free! I want free stuff!' As if the New World Order is gonna give you anything free! Oh, it's free like a piece of cheese. And a little mouse comes out and it smells it and goes to bite it and, WA BAM! Breaks your neck. But your stupider than the little mouse. You can see all the countries and all the people caught in the mouse traps, caught in the big bear traps. You know what you do? You go into a trendy shop. On some capitalist strip. And you go in and you snuggle in with that credit card that daddy put money in for the trust fund. And you put on that little fur-rimmed coat and you're all sexy with your hammer and sickle on, and your Che Guevara and, you know, shirt from Rage Against the Machine, and the whole capitalist record company system selling it to you, and you go out on the street and you walk into McDonald's and you have yourself a double latte, oh yeah. Pathetic! Scum! Oh, how you'll burn in the camps, later. Wishing you had done something; I mean, you are the ultimate chumps, the ultimate buffoons, the ultimate schmucks!… But the public had so much freedom! They were so wealthy, even our poorest, they had no idea that what they were replacing it with was abject slavery.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

"Sanders Supporters are Pathetic Scum" https://www.youtube.com/watch?v=ooNxJnf_UAI, February 2016

Paul Cézanne photo

“Don't you think your Corot [to Guilemet the painter] is a little short on temperament? I'm painting a portrait of Vallabreque; the highlight on the nose is pure vermilion”

Paul Cézanne (1839–1906) French painter

remark of Cezanne ca. 1860
Quote in: Cézanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 28
Quotes of Paul Cezanne, 1860s - 1870s

Bawa Muhaiyaddeen photo
P.G. Wodehouse photo
Roger Ebert photo
Cyril Connolly photo
Charlie Chaplin photo
Emo Philips photo

“I like walking in the park… plucking out nose hairs. Those sleeping winos hate that.”

Emo Philips (1956) American comedian

Dr. Katz, Professional Therapist (Episode 303)

John Aubrey photo
John Fante photo
Aldo Leopold photo

“Hunts differ in flavor, but the reasons are subtle. The sweetest hunts are stolen. To steal a hunt, either go far into the wilderness where no one has been, or else find some undiscovered place under everybody’s nose.”

“October: Smoky Gold”, p. 55.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"

Gottfried Helnwein photo
Robert Burton photo

“As clear and as manifest as the nose in a man's face.”

Section 3, member 4, subsection 1.
The Anatomy of Melancholy (1621), Part III

Henry George Liddell photo

“She was extremely fond of snuff, and blew her nose with a trumpet-like sound on a vast indian silk handkerchief, which she carefully arranged before use with a sort of cushion.”

Henry George Liddell (1811–1898) Headmaster, lexicographer, classical scholar, and dean

Of his Aunt Anna; p. 34.
Colin Gordon, Beyond the Looking Glass (1982)

Heidi Klum photo

“I am not that person who walks in a room with my nose in the sky. I smile at people when I meet them, and I like photos of me when I'm smiling because they show my personality. I am always trying to have fun.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Interview by Kate Sullivan for Allure, April 2010

Georgia O'Keeffe photo

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Phil Brooks photo
Firuz Shah Tughlaq photo
Ilana Mercer photo
Thomas Gainsborough photo
Morrissey photo

“Now I know how Joan of Arc felt,
As the flames rose to her Roman nose
And her Walkman started to melt…”

Morrissey (1959) English singer

From the song "Bigmouth Strikes Again"
From songs

Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Andy Partridge photo
Andrew Tobias photo
Tré Cool photo

“Tré Cool plays the drums in Green Day, and he snorts [he sniffs] donut sprinkles, and [wipes his nose]... oh, that's a sweet drain.”

Tré Cool (1972) Drummer, punk rock musician

Bullet in a Bible (2005) (in an interview).

“... if scientists could get rid of the mental block which prevents them investigating a vast subject right under their noses, they could soon learn a great deal more than my wife and I are capable of doing.”

Thomas Charles Lethbridge (1901–1971) British explorer and archaeologist

The Legend of the Sons of God (1972) as quoted by William Shepherd, "The World of T.C.Lethbridge" (July, 2009)

P. L. Travers photo

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

William S. Burroughs photo
Kodo Sawaki photo
Bob Dylan photo
John Updike photo
Nas photo

“So analyze me, surprise me, but can't magmatize me
Scannin' while you're plannin' ways to sabotage me
I leave 'em froze like her-on in your nose
Nas'll rock well, It ain't hard to tell”

Nas (1973) American rapper, record producer and entrepreneur

It Ain't Hard to Tell
On Albums, Illmatic (1994)

Boris Johnson photo
George Grosz photo
Tucker Max photo
Indra Nooyi photo

“Each of us in the US - the long middle finger - must be careful that we extend our arm in either a business or political sense, we take pains to assure that we are giving a hand, not the finger. Unfortunately, I think this is how the reset of the world looks at the US right now. Not as part of the hand-giving strength and purpose to the rest of the fingers –but instead scratching our nose and sending a signal.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

When she drew compassion with the five most populated of the seven continents of the world in a lectuere which created a furore necessitating an apology from her. Quoted in [. Branson, Douglas M ., The Last Male Bastion: Gender and the CEO Suite in America s Public Companies, http://books.google.com/books?id=wTFSa2qouSwC&pg=PA98, 15 December 2009, Routledge, 978-0-203-86566-8, 98–]

Franz Halder photo

“Bad weather has grounded the Luftwaffe and now we must stand by and watch countless thousands of the enemy getting away to England under our noses.”

Franz Halder (1884–1972) German general

May 30, 1940 diary entry, quoted in "The Struggle for Europe" - Page 20 - by Chester Wilmot - History - 1972.
Sourced Encyclopedia of the Third Reich Louis L. Snyder

Nikolai Krylenko photo

“In the absence of a criminal code, a court might give a reprimand for a punch in the nose in Ryazan, while the sentence in Tula might be shooting.”

Nikolai Krylenko (1885–1938) Russian revolutionary, politician and chess organiser

Krylenko on the importance of having a universal criminal code, quoted in Yuri Feofanov & ‎Donald D. Barry, Politics and Justice in Russia: Major Trials of the Post-Stalin Era

Bob Dylan photo
Dio Chrysostom photo
Colin Wilson photo
Ze Frank photo
Anthony Burgess photo

“…the Malay word chium meant to plough the beloved’s face with one’s nose”

Anthony Burgess (1917–1993) English writer

Fiction, Beds in the East (1959)

“Wouldn't you like a nose like his full of quarters?”

Radio From Hell (November 7, 2006)

Hans Arp photo
John Heywood photo

“And also I shall to reueng former hurtis,
Hold their noses to grinstone, and syt on theyr skurtis.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

And also I shall to revenge former hurts,
Hold their noses to grindstone, and sit on their skirts.
Part I, chapter 5.
Proverbs (1546)

Gregory Scott Paul photo
Rich Mullins photo
Wassily Kandinsky photo
James Russell Lowell photo
Lee Child photo
Cameron Richardson photo
Ferdinand Hodler photo

“This beautiful head [of Valentine Godé-Darel], this whole body, like a Byzantine empress on the mosaics of Ravenna - and this nose, this mouth - and the eyes, they too, those wonderful eyes - all these the worms will eat. And nothing will remain, absolutely nothing!”

Ferdinand Hodler (1853–1918) Swiss artist

Quote from Hodler's letter to de:Hans Mühlestein, c. late 1914; as cited by Anya Silver in: 'Valentine Godé-Darel (1873–1915): Five Paintings by Ferdinand Hodler' https://thegeorgiareview.com/spring-2013/valentine-gode-darel-1873-1915-five-paintings-by-ferdinand-hodler/, April 2013
In 1908, Hodler met Valentine Godé-Darel who became his mistress. She was diagnosed with cancer in 1913 and died in January 1915; Hodler painted five oils the day after her death

“The scope of an intellect is not to be measured with a tape-string, or a character deciphered from the shape or length of a nose.”

Christian Nestell Bovee (1820–1904) American writer

Source: Intuitions and Summaries of Thought (1862), Volume II, p. 82.

Whittaker Chambers photo
Ted Hughes photo
Khushwant Singh photo