Quotes about myth
page 2

Joseph Campbell photo
Thomas Aquinas photo
Joseph Campbell photo
Francis Escudero photo
Peter Sloterdijk photo
Frederick Buechner photo
James Wilks photo
Mark Rothko photo
Richard Rodríguez photo
Nadine Gordimer photo
Revilo P. Oliver photo

“The development of Christianity in all the sects of the Western world during the past two centuries has been the progressive elimination from all of them of the elements of our natively Aryan morality that were superimposed on the doctrine before and during the Middle Ages to make it acceptable to our race and so a religion that could not be exported as a whole to other races. With the progressive weakening of our racial instincts, all the cults have been restored to conformity with the "primitive" Christianity of the holy book, i. e., to the undiluted poison of the Jewish originals. I should, perhaps, have made it more explicit in my little book that the effective power of the alien cult is by no means confined to sects that affirm a belief in supernatural beings. As I have stressed in other writings, when the Christian myths became unbelievable, they left in the minds of even intelligent and educated men a residue, the detritus of the rejected mythology, in the form of superstitions about "all mankind," "human rights," and similar figments of the imagination that had gained currency only on the assumption that they had been decreed by an omnipotent deity, so that in practical terms we must regard as basically Christian and religious such irrational cults as Communism and the tangle of fancies that is called "Liberalism" and is the most widely accepted faith among our people today.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Kent Hovind photo
Clive Staples Lewis photo

“The heart of Christianity is a myth which is also a fact.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"Myth Became Fact" (1944)

Angus King photo
Marshall McLuhan photo

“Q: Why is America the land of the overrated child and the underrated adult? Q: How can children grow up in a world in which adults idolize youthfulness? Q: What happens when the ad makers taker over all the popular myths and poetry?”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 141

Shaun Ellis photo
Susannah Constantine photo

“It is a myth that style can't be learnt. It's all about dressing for your body shape, following the rules and wearing colours that suit your skin tone.”

Susannah Constantine (1962) British fashion designer and journalist

As quoted in "Mistresses of the makeover" by Cathrin Schaer in New Zealand Herald http://www.nzherald.co.nz/topic/story.cfm?c_id=182&objectid=10493332&pnum=2 (25 February 2008)

Clint Eastwood photo
Milton Friedman photo

“One reason why money is a mystery to so many is the role of myth or fiction or convention.”

Milton Friedman (1912–2006) American economist, statistician, and writer

Source: Money Mischief (1992), Ch. 2 The Mystery of Money

R. A. Lafferty photo
Marvin Minsky photo
Nadine Gordimer photo
Richard R. Wright Jr. photo

“There will always be differences in people, but they won't be weighted down by myths”

Richard R. Wright Jr. (1878–1967)

Wright Jr. 87 Years Behind the Black Curtain: An Autobiography. 1965

Ursula K. Le Guin photo
Michel Danino photo

“The Hindu mind works in such a way that continuity of worship is more important than physical fact. When the Harappans migrated eastward towards the Gangetic region, they carried with them their memories of the Sarasvati. The myths and sanctity were transferred to Prayag.”

Michel Danino (1956) Indian writer

Supporting the claim that the divine attributes of the Ganges were originally used for the Sarasvati river, as quoted in " A personal odyssey http://www.thehindu.com/features/magazine/a-personal-odyssey/article391403.ece, The Hindu (10 April 2010)

Grant Morrison photo
Paul Karl Feyerabend photo
Samuel R. Delany photo
Revilo P. Oliver photo

“The first Christian who can write decent Latin is Minucius Felix, whose Octavius, written in the first half (possibly the first quarter) of the Third Century must have done much to make Christianity respectable. He concentrates on ridiculing pagan myths that no educated man believed anyway and on denying that Christians (he means his kind, of course!) practice incest (a favorite recreation of many sects that had been saved by Christ from the tyranny of human laws) or cut the throats of children to obtain blood for Holy Communion (as some groups undoubtedly did). He argues for a monotheism that is indistinguishable from the Stoic except that the One God is identified as the Christian deity, from whose worship the sinful Jews are apostates, and insists that Christians have nothing to do with the Jews, whom God is going to punish. What is interesting is that Minucius has nothing to say about any specifically Christian doctrine, and that the names of Jesus or Christ do not appear in his work. There is just one allusion: the pagans say that Christianity was founded by a felon (unnamed) who was crucified. That, says Minucius, is absurd: no criminal ever deserved, nor did a man of this world have the power, to be believed to be a god (erratis, qui putatis deum credi aut meruisse noxium aut potuisse terrenum). That ambiguous reference is all that he has to say about it; he turns at once to condemning the Egyptians for worshipping a mortal man, and then he argues that the sign of the cross represents (a) the mast and yard of a ship under sail, and (b) the position of man who is worshipping God properly, i. e. standing with outstretched arms. If Minucius is not merely trying to pull the wool over the eyes of the gullible pagans, it certainly sounds as though this Christian were denying the divinity of Christ, either regarding him, as did many of the early Christians, as man who was inspired but was not to be identified with God, or claiming, as did a number of later sects, that what appeared on earth and was crucified was merely a ghost, an insubstantial apparition sent by Christ, who himself prudently stayed in his heaven above the clouds and laughed at the fools who thought they could kill a phantom. Of course, our holy men are quite sure that he was "orthodox."”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Jim Morrison photo

“Let's reinvent the gods, all the myths of the ages
Celebrate symbols from deep elder forests”

Jim Morrison (1943–1971) lead singer of The Doors

An American Prayer (1978)

B. W. Powe photo

“Prostitution myths justify the existence of prostitution, promote misinformation about prostitution, and contribute to a social climate that exploits and harms not only prostituted women but all women.”

Melissa Farley (1942) American psychologist

"Attitudes toward Prostitution and Acceptance of Rape Myths" in Journal of Applied Social Psychology Vol. 32, issue 9 (2002), p. 1790 - 1796; co-written with A. Cotton, and R. Baron

John Fante photo
Richard Powers photo
Piero Manzoni photo

“A good work of art reveals something that is in reality. A new metaphor, a new myth, a new type of character, all these reveal a feature of reality for which we previously had no name.”

Michael Roberts (writer) (1902–1948) English schoolteacher and man of letters

Hulme and Modrern Poetry' in ' T E Hulme ',Carcanet Press,Manchester, 1982

Mary Midgley photo
Jean Cocteau photo

“Man seeks to escape himself in myth, and does so by any means at his disposal… unnable to withdraw into himself, he disguises himself.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988), On Invisibility
Context: Man seeks to escape himself in myth, and does so by any means at his disposal... unnable to withdraw into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort, the trifling feeling of escape experienced at a masked ball. He distances himself from that which he feels and sees. He invents. He transfigures. He mythifies. He creates. He fancies himself an artist. He imitates, in his small way, the painters he claims are mad.

P. W. Botha photo

“I am tired of constantly hearing how guilty the Afrikaner and the National Party are and the time has come that this myth be crushed.”

P. W. Botha (1916–2006) South African prime minister

As state president, at the annual conference of the Afrikaner Studentebond, Stellenbosch, 15 April 1985, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 32

Asger Jorn photo
Amit Chaudhuri photo
Antonin Scalia photo

“The body of scientific evidence supporting creation science is as strong as that supporting evolution. In fact, it may be stronger…. The evidence for evolution is far less compelling than we have been led to believe. Evolution is not a scientific "fact," since it cannot actually be observed in a laboratory. Rather, evolution is merely a scientific theory or "guess."… It is a very bad guess at that. The scientific problems with evolution are so serious that it could accurately be termed a "myth."”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Edwards v. Aguillard, 482 U.S. 578 (1987) (dissenting) http://www.belcherfoundation.org/edwards_v_aguillard_dissent.htm
Has been misleadingly quoted without Scalia's statements attributing the assertions to witness testimony paragraphs earlier, "Before summarizing the testimony of Senator Keith and his supporters, I wish to make clear that I by no means intend to endorse its accuracy... Senator Keith and his witnesses testified essentially as set forth in the following numbered paragraphs:", as in Michael Stone, " Scalia Commencement Speech Supports Young Earth Creationism http://www.patheos.com/blogs/progressivesecularhumanist/2015/06/scalia-commencement-speech-supports-young-earth-creationism/" (), Progressive Secular Humanist, Patheos.
Misattributed

Tim Flannery photo

“In times of violence, personal predilections for niceties of colour and form seem irrelevant. All primitive expression (like the myths) reveals the constant awareness of powerful forces, the immediate presence of terror and fear.”

Adolph Gottlieb (1903–1974) American artist

Radio broadcast with Mark Rothko, 1943, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990.
1940s

Walter Wink photo
E.L. Doctorow photo
Aron Ra photo

“Yes, it is absurd [to say that without God, murder is permissible], because even according to your sacred fables Moses murdered an Egyptian and then looked around to make sure no one saw him before trying to conceal the body, and the same goes for the myth of Cain and Abel, where Cain lied about killing his brother. Both of these characters obviously already knew that murder was wrong a long time before the story of the Ten Commandments, and this might be because Hammurabi had already established the code of law many centuries earlier than these myths found their way into the Bible, or it might be that, like most social animals, even superstitious savages understood that you shouldn't kill or maim other members of your own society (unless your religion commands it). One minute, God supposedly says "thou shalt not kill", and the next minute He orders His own people to kill every man and his brother, except of course for Moses's brother who really should have been the only one who was killed in that story. But somehow he was spared and promoted to priest instead; saved by nepotism. Then God told them all to kill all their neighbors, every man, woman and child, including the infants and the unborn. But the fact is that murder is still wrong, regardless of what God has to say about it, and there is still no justification when God allegedly commands His prophets to plunder communities and commit genocide.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, The Damn Commandments https://www.youtube.com/watch?v=8u3z69YpLx0 (January 7, 2015)

J. Doyne Farmer photo
Fred Astaire photo

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Victor Klemperer photo
Jordan Peterson photo
Michael Badnarik photo
Arthur C. Clarke photo
Tim Berners-Lee photo

“I don't believe in the sort of eureka moment idea. I think it's a myth. I'm very suspicious that actually Archimedes had been thinking about that problem for a long time. And it wasn't that suddenly it came to him.”

Tim Berners-Lee (1955) British computer scientist, inventor of the World Wide Web

developerWorks Interviews: Tim Berners-Lee (podcast/audio plus transcript) http://www.ibm.com/developerworks/podcast/dwi/cm-int082206txt.html

Clarence Thomas photo
Camille Paglia photo
John Gray photo
Isaac Asimov photo

“He is a dreamer of ancient times, or rather, of the myths of what ancient times used to be. Such men are harmless in themselves, but their queer lack of realism makes them fools for others.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Foundation series (1951–1993), Foundation and Empire (1952), Chapter 4 “The Emperor; in part I, “The General” originally published as “Dead Hand” in Astounding (April 1945)

“Police brutality: A myth built on a mountain of cracked skulls.”

Edward S. Herman (1925–2017) American journalist

Source: Beyond Hypocrisy, 1992, Doublespeak Dictionary (within Beyond Hypocrisy), p. 164.

Norman Thomas photo

“The struggle against demagoguery scarcely fits the St George-against-the-dragon myth. Our democratic St George goes out rather reluctantly with armor awry. The struggle is confused; our knight wins by no clean thrust of lance or sword, but the dragon somehow poops out, and decent democracy is victor.”

Norman Thomas (1884–1968) American Presbyterian minister and socialist

Attributed without source http://books.google.com/books?id=h04T6e77NsMC&pg=PA270&dq=norman+thomas+democratic+St+George&hl=en&ei=XjaiTNC5M4mdnAe5nNWIBA&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDUQ6AEwAg#v=onepage&q=norman%20thomas%20democratic%20St%20George&f=false in Senator Joe McCarthy, by Richard Halworth Rovere (p. 270)
Attributed

Gangubai Hangal photo
Asger Jorn photo

“It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it.”

Asger Jorn (1914–1973) Danish artist

Quote of Jorn, from: Tecken för liv, tecken till liv [Signs of life, the characters to life], interview by Marita Lindgren-Fridell, in Konstrevy (1963)
1959 - 1973, Various sources

Edward R. Murrow photo
Robert M. Price photo

“Yes
You have come upon the fabled lands where myths
Go when they die,
But some, especially the Brummagem capitalist
Juju, have arrived prematurely.”

James Fenton (1949) poet

"The Pitt-Rivers Museum, Oxford", line 41, from The Memory of War (1982).

Carl Sagan photo

“As the ancient myth makers knew we're children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage, propensities for aggression and ritual, submission to leaders, hostility to outsiders, all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children, a desire to learn from history and experience and a great soaring passionate intelligence, the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the Cosmos an inescapable perspective awaits.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

6 min 10 sec
Cosmos: A Personal Voyage (1990 Update), Who Speaks for Earth? [Episode 13]
Context: Unlike the La Pérouse expedition the Conquistadors sought not knowledge but Gold. They used their superior weapons to loot and murder, in their madness they obliterated a civilisation. In the name of piety, in a mockery of their religion, the Spaniards utterly destroyed a society with an Art, Astronomy and Architecture the equal of anything in Europe. We revile the Conquistadors for their cruelty and shortsightedness, for choosing death. We admire La Pérouse and the Tlingit for their courage and wisdom, for choosing life. The choice is with us still, but the civilisation now in jeopardy is all humanity. As the ancient myth makers knew we're children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage, propensities for aggression and ritual, submission to leaders, hostility to outsiders, all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children, a desire to learn from history and experience and a great soaring passionate intelligence, the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the Cosmos an inescapable perspective awaits. National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national identifications are a little difficult to support when we see our Earth as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and the citadel of the stars. There are not yet obvious signs of extraterrestrial intelligence and this makes us wonder whether civilisations like ours rush inevitably headlong into self-destruction.

Bill Gates photo
Patrick Rothfuss photo

“So you went looking for a myth and found a man.”

Source: The Name of the Wind (2007), Chapter 6, “The Price of Remembering” (p. 50)

Richard Rodríguez photo
Koenraad Elst photo
John Ralston Saul photo
Anthony Burgess photo

“I had felt sick before and had been saved by Sekt. Now I was beginning to feel sick of the Sekt. I would, I knew, shortly have to vomit…. I started gently to move towards one of the open windows. The aims of the artistic policy enunciated by the National Chamber of Film might, said Goebbels, be expressed under seven headings. Oh Christ. First, the articulation of the sense of racial pride, which might, without reprehensible arrogance, be construed as a just sense of racial superiority. Just, I thought, moving towards the breath of the autumn dark, like the Jews, just like the. This signified, Goebbels went on, not narrow German chauvinism but a pride in being of the great original Aryan race, once master of the heartland and to be so again. The Aryan destiny was enshrined in the immemorial Aryan myths, preserved without doubt in their purest form in the ancient tongue of the heartland. Second. But at this point I had made the open window. With relief the Sekt that seethed within me bore itself mouthward on waves of reverse peristalsis. Below me a great flag with a swastika on flapped gently in the night breeze of autumn. It did not now lift my heart; it was not my heart that was lifting. I gave it, with gargoyling mouth, a litre or so of undigested Sekt. And then some strings of spittle. It was not, perhaps, as good as pissing on the flag, but, in retrospect, it takes on a mild quality of emblematic defiance…”

Anthony Burgess (1917–1993) English writer

Fiction, Earthly Powers (1980)

Mircea Eliade photo
Ossip Zadkine photo

“It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage. This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 30: About Ethnic Change, Dissolution and Survival

Walter Benjamin photo

“Where the presence of truth should be possible, it can be possible solely under the condition of the recognition of myth—that is, the recognition of its crushing indifference to truth.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Source: Goethe's Elective Affinities (1924), p. 326

“Though Latin long held sway in Court and bureaucratic circles, the cultural cement of the empire’s core populations was Greek and its education was in the Greek classics and tongue. Imperial tradition, Christian Orthodoxy and Greek culture became even more the bases of Byzantium and her Hellenic community, after she had lost most of her western and Asiatic possessions in the seventh century — to Visigoths and then Arabs m Spain and North Africa, to the Lombards in much of Italy, to the Slavs in the Balkans and to Muslim armies in Egypt and the Near East. Political circumstances, and the resilience of Greek culture and Greek education, made her predominantly Greek in speech and character. After the sack of Constantinople in 1204 and the establishment of a Latin empire under Venetian auspices, the rivalry of the Greek empires based on Nicaea, Epirus and Trebizond to realize the patriotic Hellenic dream of recapturing the former capital further stimulated Greek ethnic sentiment against Latin usurpation. W1cn in the face of Turkith threats, the fifteenth-century Byzantine emperor, Michael Palaeologus, tried to place the Orthodox Church under the Papacy and hence Western protection; an inflamed Greek sentiment vigorously opposed his policy. The city’s populace in the fourteenth and fifteenth centuries, their Hellenic sentiments fanned by monks, priests and the Orthodox party against the Latin policies of the government, actually preferred the Turkish turban to the Latin mitre and attacked the urban wealthy classes. But the Turkish conquest and the demise of Byzantium did not spell the end of the Orthodox Greek community and its ethnic sentiment. tinder its Church and Patriarch, and organized as a recognized milliet of the Ottoman empire, the Greek community flourished in exile, the upper classes of its Diaspora assuming privileged economic and bureaucratic positions in the empire. So Byzantine bureaucratic incorporation had paradoxical effects: as in Egypt, it helped to sunder the mass of the Greek community from the state and its Court and bureaucratic imperial myths and culture in favour of a more demotic Greek Orthodoxy; but, unlike Egypt, the demise of the state served to strengthen that Orthodoxy and reattach to it the old dynastic Messianic symbolism of a restored Byzantine empire in opposition to Turkish oppression.”

Anthony D. Smith (1939–2016) British academic

The Ethnic Origins of Nations (1987)

Bill Pearl photo
Alfred Rosenberg photo
François-Bernard Mâche photo

“Myth therefore seems to choose history, rather than be chosen by it.”

François-Bernard Mâche (1935) French composer

Music, Myth and Nature, p. 21

Ishirō Honda photo

“Ghidrah was merely meant to be a modern interpretation of the eight-headed snake of Japanese myth.”

Ishirō Honda (1911–1993) Japanese film director

As quoted by David Milner, "Ishiro Honda Interview" http://www.davmil.org/www.kaijuconversations.com/honda.htm, Kaiju Conversations (December 1992)

Carole Morin photo
Alan M. Dershowitz photo
Enoch Powell photo
Ursula K. Le Guin photo