Quotes about movie
page 6

“In the 1930s, when I started, Martha Graham was the only dancer doing anything modern, but she did it all to classical music. I couldn't see myself doing Swan Lake every night, and I wanted to develop a truly American style. The only dancer in the movies at that time with any success was Fred Astaire, but he did very small, elegant steps in a top hat, white tie, and tails.”

Gene Kelly (1912–1996) American dancer, actor, singer, director, producer and choreographer

Quoted in "Gene Kelly's Musical Memories"

Music, Time, Success, Night

“What we kids didn't understand was that we were living in a commercial, commodity culture. Everything in our environment had been bought and sold. As middle class Americans, we basically grew up on a movie set. The conscious values that are pushed are only part of the picture. The medium itself plays a much bigger part than anyone realizes: the creation of illusion. We are living surrounded by illusion, by professionally created fairy tales. We barely have contact with the real world.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 56

World, Understanding, Parting

“George Romero filmed an homage to the book, and he called it Night of the Living Dead. Homage means I can make the picture and I don't have to pay you for your book. As a teen-ager I saw the movie "Dracula," and it occurred to me that if one vampire was scary, a whole world populated by vampires would be really scary.”

Richard Matheson (1926–2013) American fiction writer

On his novel I Am Legend, and the inspiration for it.
The New York Times interview (1994)

Books, World, Night, Dead

“What has age go to do with acting? (What has) it do with the roles you play? There are just a handful of people who say this. Surely, I must be my own judge. None of them were around when I was deciding to work in my movies. Nobody told me I should work in an Anand or a Saat Hindustani. Or that I should work in Deewar. It is very easy to criticize the food once you have got it ready-made in front of you. But no one wants to be there when you're packing up the pyaaz and the bhindi and the mooli. So really, I should be my own judge.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

People, Age, Food

“The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem…. The factor had to do with the basis of movie-making: ‘Who shall be in charge of telling the story.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

Thinking

“Svenson taught me how to speak German in this film! I didn't know anything, and this guy, who used to be a Swedish ice-hockey player who went to Vietnam as a Marine, he stood there with me, coaching me things like `Bringen Sie die Gefangenen in mein Buro!' Williamson also was a very nice person. I had one wonderful scene in this movie, where I…I was outranking them, they are my prisoners, I walk in front of the prisoners, and I have to say something like, in a very contemptuous way: `Americans…Italians…Jews…Irish!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

I felt like a traitor!
Euro Trash Cinema magazine interview (March 1996)

Way, Guy, Personality, Hockey

“Initially I observed, in sweeping, panoramic vision, a perpetually metamorphosing Persian rug. A few minutes later these patterns segued into cinematic images from childhood—it was kind of like watching home movies.”

David Woodard (1964) American writer, conductor and businessman

LA Weekly (Jul. 26 - Aug. 1, 1996)

Home, Childhood

“Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=357 of Blade Runner (1982). Three-and-a-half star reviews

Science

“I gave someone a perverse argument not so long ago about why advertising is better than movies. You want to hear it? Movies operate from a really disingenuous premise, that people are heroes. I know a lot of people and have had an opportunity over the years to observe them. Are they heroes…? Let's put it this way. Advertising tries something simpler and more believable: Products as heroes. I guess the idea is: When all else fails, put your faith in conditioner.”

Errol Morris (1948) American filmmaker and writer

Source : Greasing the Ad Engine http://www.boardsmag.com/articles/magazine/20000801/errolmorris.html?page=1

People, Faith, Way, Idea

“The title of this movie should be "Here's a Fish. You're Stupid."”

Richard Jeni (1957–2007) American comedian

On Jaws 4: The Revenge
Showtime Triple Crowns of Comedy

Stupidity, Fish

“There is only one thing that can kill the Movies, and that is education.”

Will Rogers (1879–1935) American humorist and entertainer

Source: The Autobiography of Will Rogers (1949), Ch. 6

Education

“One of the biggest box-office successes in movie history — probably because for young audiences it's like getting a box of Cracker Jack that is all prizes. Written and directed by George Lucas, the film is enjoyable in its own terms, but it's exhausting, too: like taking a pack of kids to the circus. There's no breather in the picture, no lyricism; the only attempt at beauty is in the image of a double sunset. The loudness, the smash-and-grab editing, and the relentless pacing drive every idea out of your head, and even if you've been entertained, you may feel cheated of some dimension — a sense of wonder, perhaps. It's an epic without a dream.”

Pauline Kael (1919–2001) American film critic

"Star Wars," p. 714.
5001 Nights at the Movies (1982)

Beauty, Dreams, Feeling, History

“If Bharatanatyam helped my movies, I cannot say the same about films helping my Bharatanatyam.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala".

Help

“…this is not the only time that I have stuck out my neck for a Greek film director. With Nikos Nikolaides I introduced him to Mr Constantini as well, and undertook to send his XXX-rated movie "Singapore Sling" to two of the top film agents in the UK, Jenny Cassarotto and PDF who have now changed their name on account of a merger. Ms Cassarotto was indulgent, but the other agent was so shocked that he treated me as if I was peddling porn. The things I've done for Greece!”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On helping Greek film directors find funding
Interview on Helenism .net (September 2011)

Change, Time

“In a movie, one can always pull back and condemn the character or the artist when they cross certain social boundaries. But in playing a game, we choose what happens to the characters. In the right circumstances, we can be encouraged to examine our own values by seeing how we behave within virtual space.”

Will Wright (1960) American video game designer and entrepreneur

Attributed

Game

“Puppetry's a lot harder than people realize, and it's particularly difficult doing a movie. You have this scene with all these puppets, and when something goes wrong, you've got to set the whole thing up to do it again. With people, you ask an actor to walk across the room a second or third time, and he does it. That's it.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1984)

People, Time

“I was once — and only once — asked if I could have had a writing career without the movies. That stopped me, and I was very happy to have to think about it, and decide I knew the answer. Yes; not this career, but a career. Without movie money, either from writing screenplays or selling rights to novels, I could still have enough of a career that I could support myself and not have to work at some other job, but it would be, shall we say, a less lavish lifestyle.”

Donald E. Westlake (1933–2008) American novelist

Blogcritics interview (2007)

Money, Support, Thinking, Happiness

“The movie delights me with its cocky confidence that the audience can keep up. Primer is a film for nerds, geeks, brainiacs, Academic Decathlon winners, programmers, philosophers and the kinds of people who have made it this far into the review. It will surely be hated by those who 'go to the movies to be entertained', and embraced and debated by others, who will find it entertains the parts the others do not reach.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/primer-2004 of Primer (29 October 2004) Reviews, Three-and-a-half star reviews

Hate, People, Confidence, Parting

“I arrive at the end of this review having done my duty as a critic. I have described the movie accurately and you have a good idea what you are in for if you go to see it. Most of you will not. I cannot argue with you. Some of you will — the brave and the curious. You embody the spirit of the man who first wondered what it would taste like to eat an oyster.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/gerry-2003 of Gerry (28 February 2003) Reviews, Three star reviews

Idea

“The fact is that I like thrillers and action movies. But what really fulfills me is getting out of my comfort zone, taking chances.”

Halle Berry (1966) American actress

Terry Lawson (April 8, 2007) "Reporter, Temp, Online Seductress - Berry Revels In Film's Layered Role", Detroit Free Press, p. 1F.

Chance

“No, movies and TV shows are not racist.”

Lauren Southern (1995) Canadian libertarian commentator

2:06-2:08
2017 New Year's Resolutions for Millennials

“Advertisers are the interpreters of our dreams — Joseph interpreting for Pharaoh. Like the movies, they infect the routine futility of our days with purposeful adventure. Their weapons are our weaknesses: fear, ambition, illness, pride, selfishness, desire, ignorance. And these weapons must be kept as bright as a sword.”

E. B. White (1899–1985) American writer

"Truth in Advertising," The New Yorker (11 July 1936)

Fear, Dreams, Selfishness

“It's mournful and troubling in a way that goes beyond ordinary movie manipulation. It burns clean.”

Stephanie Zacharek (1963) American film critic

Review http://salon.com/ent/movies/review/2000/12/22/cast_away/index.html of Cast Away (2000)

Way

“I always have been [a fan of the Universal horror movies]. Nowadays you tell someone to watch one of the movies and they haven't seen them, or haven't since they were a kid. To me, it's like, most of the acting if great, given the crazy situations. Frankenstein's in a block of ice and the Wolf Man is in another country and he's alive and it's Lon Chaney. I mean, it gets crazy, but I still love it because I'm a sucker for it.”

Kevin J. O'Connor (actor) (1963) American actor

The Van Helsing Interviews: Igor https://web.archive.org/web/20040409181916/horror.com/php/article-434-1.html (March 28, 2004)

Love, Universe, Wolf, Country

“The leading cause of carbon emissions in the world is animal agriculture and no one is talking about it. This is the real issue that is driving climate change. … As a vegan I save 1,100 gallons of water a day. … If we are talking about a sustainability message, you cannot leave out the animal message – absolutely impossible. … We are looking at a world that is facing ultimate destruction if we don’t make better, smarter choices, and that starts with you. Every dollar you spend goes to feed a corporation that is either responsible or not responsible. … There are three things I want to make movies about: environmental problems, animals and human rights. Those are the three things I look out for all the time.”

Maggie Q (1979) American actress

“Hollywood actress Maggie Q on how becoming vegan can help save the planet,” interview with City Weekend (21 October 2017) http://www.scmp.com/news/hong-kong/health-environment/article/2116303/hollywood-actress-maggie-q-how-becoming-vegan-can.

World, Problem, Water, Change

“Earlier generations went to see what was forbidden in life and developed a real excitement about the movies. Today’s rating system keeps kids out of the good ones. I wouldn’t want them to see movies like Natural Born Killers, but my tendency is you’re better off seeing things than not. That glazed indifference kids develop can be worse than over-excitement.”

Pauline Kael (1919–2001) American film critic

Interview with Susan Goodman, Modern Maturity (March/April 1998).
Interviews

Life, Nature, Indifference

“On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002). Four star reviews

Money, Intelligence, Lovers, Fashion

“I work on a TV show I love, I have the opportunity to do movies with actors I respect, and I’m in love with the man I want to spend the rest of my life with, who pushes me and excites me…There’s this fighter in me that kind of needs to be put to rest a little bit. I don’t need to be so tough to protect myself.”

Ali Larter (1976) American actress

[Fahner, Molly, Fun Fearless Female of the Year: Ali Larter, Cosmopolitan, 2007, http://www.cosmopolitan.com/celebrity/exclusive/ali-larter-cover-interview, 2010-06-27]

Love, Life

“When I did TV shows and movies, the studios did demographic research. They were shocked to find that my audience isn't just men who are too drunk to turn off the TV after football. It's women, too. I don't know exactly why, other than that I've tried to remain true to myself for all these years. I have gone through a lot, and I've been open about it. Maybe they look at me and can see how you can grow up, have children, continue to be sexy, get married and divorced and, though you grew up poor, live the American dream. I'm very blessed. I'm happy for it all.”

Pamela Anderson (1967) Canadian-American model, producer, author, former showgirl

Playboy, May 2004.

Women, Men, Children, Dreams

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

Way, Game, Time, Parting

“A lot of the old movie stars couldn't act their way out of a box of wet tissue paper, but they were successful because they had distinctive personalities. They were predictable brands of breakfast cereal: on Wednesdays we had Quaker Oats and Gary Cooper; on Fridays we had Wheaties and Clark Gable. They were off-the-shelf products you expected always to be the same, actors and actresses with likable personalities who played themselves more or less the same role the same way every time out.”

Marlon Brando (1924–2004) American screen and stage actor

Way, Star, Time, Success

“Male Message 1 is subconsciously experienced by the boy like this: ‘Some girls in my class already look like movie stars. If they wanted me as much as I want them, then I’d know I was okay. They are genetic celebrities. I am a genetic groupie.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 111.

Girl, Star, Boy

“The best shot in this film is the first one. Not a good sign… After the screening was over and the lights went up, I observed a couple of my colleagues in deep and earnest conversation, trying to resolve twists in the plot. They were applying more thought to the movie than the makers did. A critic's mind is a terrible thing to waste.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-know-what-you-did-last-summer-1997 of I Know What You Did Last Summer (17 October 1997) Reviews, One-star reviews

Light

“I do like movies that take a toll on the audience. I want to work the subconscious. I want to involve you in ways in which you might not necessarily want to get involved. I want to play off those things that you're expecting to get when the lights go down and the 20th Century Fox logo comes up. There's an audience expectation and I'm interested in how movies play with--and off--that expectation. That's what I'm interested in.”

David Fincher (1962) American film director

Fightin Words (1999)

Way, Light

“Every time I watch it, I still see something new, and I’ve seen it a lot as you can imagine. When fans only talk about the scares, they’re not really learning anything, which is a shame because Billy really put a lot of thematic elements in this movie that are supposed to make you think. It wasn’t just about scaring people; it was a family drama that had horrific elements.”

Linda Blair (1959) actress, producer, animal rights activist

Exclusive: Linda Blair Reflects on 40 Years with The Exorcist for FEARnet’s February 17th Five-Film Marathon http://www.dreadcentral.com/news/41504/exclusive-linda-blair-reflects-on-40-years-with-the-exorcist-for-fearnet-s-february-17th-five-film-marathon/ (February 16, 2013)

People, Family, Imagination, Thinking

“Once again, Apple has seized the early lead, launching a revolutionary product that is taking the world by storm. … In its short life, Google's Android operating system has captivated developers and stolen mindshare from Apple… [Apple] is coming under increasing scrutiny for being a domineering control freak hell-bent on secretly undermining its competitors … the movie is starting the same way. And so far, at least, Apple is showing no signs of doing anything differently.”

Henry Blodget (1966) American equity research analyst

Hey, Apple, Wake Up — It's Happening Again http://www.businessinsider.com/henry-blodget-hey-apple-wake-up-it-2010-1 in Business Insider (5 January 2010)

Life, World, Way, Hell

“I never want to be away from you again, except at work, in the restroom or when one of us is at a movie the other does not want to see.”

Daniel Handler book The Beatrice Letters

The Beatrice Letters (2006)

“I could never imagine a movie being made from the way I had structured the book, it still feels miraculous that we made it this way without compromising the story, but everything has felt miraculous since I got that first phone call saying Martin Scorsese wants to make a movie out of 'Hugo.”

Brian Selznick (1966) American children's illustrator and writer

I recognize how lucky I am. Brian Selznick: The author who inspired Martin Scorsese and Todd Haynes to make family films http://www.latimes.com/entertainment/movies/moviesneaks/la-ca-mn-0903-sneaks-brian-selznick-wonderstruck-20170903-story.html (September 1, 2017)

Books, Way, Feeling, Imagination

“More and more film scores are being recorded the way television scores are recorded. The performers are not shown any footage. I personally don't like working that way because if you do not allow the members of the orchestra to see footage on a big screen, they will tend to perform as if they are in a concert hall. They will try not to stand out. They will try to perform as members of an orchestra. What is needed when scoring a movie such as GODZILLA VS. MECHAGODZILLA is playing that is much more aggressive. No matter how much you explain the character of Godzilla to the performers and urge them to play aggressively, they still will play as if they are in a concert hall. However, if you show the performers footage of Godzilla, their playing will dramatically change. That is why I insisted on being allowed to show footage to the performers before I agreed to score GODZILLA VS. GHIDRAH.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Way, Change, Personality

“Friedan: I thought it was absolutely outrageous that the Silence of the Lambs won four Oscars. […] I'm not saying that the movie shouldn't have been shows. I'm not denying the movie was an artistic triumph, but it was about the evisceration, the skinning alive of women. That is what I find offensive. Not the Playboy centerfold.”

Betty Friedan (1921–2006) American activist

The Playboy Interview (1992)

Women, Silence

“To minimize my guilt at going to the pictures — to call this wanton pursuit of an effete pleasure by another name — I needed movie companions as drunkards need drinking partners. If I entered a cinema alone, God might plunge his arm through the roof of the auditorium booming in a stereophonic voice, "And you, Crisp, what are you doing here?" I would never have dared reply, "I’m just enjoying myself, Lord." I remembered too well what happened to Mr and Mrs Adam. A commissionaire with a flaming sword came and asked them to leave.”

Quentin Crisp book The Naked Civil Servant

Source: The Naked Civil Servant (1968), Ch. 27

God, Pleasure, Drink

“I have never had great expectations of my performance or of a film. I try not to think about the outcome. If you look that far ahead, it sort of taints your choices as an actor. I try as hard as I can to believe that no one is ever going to see it and that it's not even a movie. Then you can allow yourself to bare more. Then, once a project is done, I tend to forget about it until it comes out.”

Heath Ledger (1979–2008) Australian actor

Interview remarks quoted by Honie Stevens, "Squaring the Ledger" https://archive.is/20121206021747/www.news.com.au/dailytelegraph/story/0,22049,22763328-5006011,00.html, The Daily Telegraph, November 18, 2007.

Thinking, Forgetting

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995) Reviews, Half-star reviews

War, Children, Color, Way

“Life is a b movie.
It's stupid and it's strange,
A directionless story,
And the dialogue is lame.
But in the he said, she said,
Sometimes there's some poetry,
If you turn your back long enough,
And let it happen naturally.”

Ani DiFranco (1970) musician and activist

Hell, Yeah
Song lyrics

Life, Stupidity, Nature

“The recurrence of certain themes in movies suggests that each generation wants romance restated in slightly new terms, and of course it’s one of the pleasures of movies as a popular art that they can answer this need. And yet, and yet — one doesn’t expect an educated generation to be so soft on itself, much softer than the factory workers of the past who didn’t go back over and over to the same movies, mooning away in fixation on themselves and thinking this fixation meant movies had suddenly become an art, and their art.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Pleasure, Education, Art, Thinking

“I just like the themes it's exploring. In the way my character says, "I want us to become brothers again, like we used to be." I really like that line, and it means a lot to me. I just find there's a lot of things like that in this movie that have that feeling. There's stuff that feels exhilarating.”

Owen Wilson (1968) American actor and screenwriter

On working on The Darjeeling Limited (2007), in a Artist on Artist interview on MySpace (26 October 2007).

Way, Feeling

“There is a word for this movie, and that word is: Ick.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/good-luck-chuck-2007 of Good Luck Chuck (21 September 2007) Reviews, One-star reviews

“Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive, and way too conventional to use all of those people standing around in the background wearing leather and chains and waiting hopefully for their cues. This is a movie made for nobody, about nothing.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/boat-trip-2003 of Boat Trip (21 March 2003) Reviews, Half-star reviews

People, Way, Chance, Waiting

“I truly wanted to be a character actor. People ask me, ‘When are you going to get the lead?’ and I say, ‘I don’t want the lead.’ I always use John Carradine – I don’t know why – but John Carradine to me was more of the classic character actor who would literally show up and do three lines in a big Hollywood movie and then have a bigger part in the sequel to The Invisible Man. That career is so great. That is part of my… I don’t know if it’s a set plan, but I always seem to follow that course.”

Kevin J. O'Connor (actor) (1963) American actor

Exclusive Interview: Kevin J O'Connor http://www.chud.com/14305/exclusive-interview-kevin-j-oconnor-there-will-be-blood-dvd/ (April 8, 2008)

People, Parting

“I thought some day I'd run into June and find my tongue and we'd go to a movie together. I'd choose something foreign with subtitles to show how sophisticated I was and she'd admire me and let me kiss her in the dark, missing a dozen subtitles and the thread of the story. That wouldn't matter because we'd have plenty to talk about in a cozy Italian restaurant where candles flickered and her red hair twinkled back and who knows what that would lead to because that was as far as my dreams would go.”

Frank McCourt book Teacher Man

Teacher Man (2005)

Dreams, Kiss

“I liked movies so much that they became an obsession. I am still trying to kick the habit.”

Christoffer Boe (1974) Danish filmmaker

Quoted in Christoffer Boe: "I liked movies so much that they became an obsession. I am still trying to kick the habit," http://www.indiewire.com/article/park_city_06_christoffer_boe_i_liked_movies_so_much_that_they_became_an_obs/ interview with indieWIRE (January 11, 2006)

“This is like winning an Oscar!… As if I would know! Speaking of acting, one of my movies was called True Lies. And that’s what the Democrats should have called their convention.”

Arnold Schwarzenegger (1947) actor, businessman and politician of Austrian-American heritage

2000s, Speech at the Republican National Convention (31 August 2004)

“I don't know much about the score for GODZILLA 1985. However, my impression of GODZILLA VS. BIOLLANTE is a negative one, both in terms of the direction and the music. For example, the music that is heard while the scenes that take place in Saradia are shown is just ridiculous. The composer used European music instead of some modern Arabic music. By the way, during the production of GODZILLA VS. BIOLLANTE, Toho asked for permission to use some of my music in the film. I said that I would allow its use as long as it was not turned into popular music. Toho agreed to that, but just before GODZILLA VS. BIOLLANTE was completed, a Toho representative came to me and said, "Well, your music was turned into popular music." By that time, it was too late to do anything about the situation. After GODZILLA VS. BIOLLANTE was released, my daughter came to me and said, "No matter how much you try to escape from Godzilla movies, Toho always uses your name and your melodies, so why don't you just score the next Godzilla film yourself?"”

Akira Ifukube (1914–2006) Japanese composer

That is why I agreed to work on GODZILLA VS. GHIDRAH. As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music, Way, Time, Daughters

“It's not a movie,
no private screening
This method acting,
well, I call that living”

Conor Oberst (1980) American musician

Method Acting
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

“Boys are scolded even for their violent fantasies- for the violent stories they want to hear, the violent books they want to read, the violent games they want to play. Male "demonism" is punished, pathologized, and stigmatized from cradle to campus. Even the good guys are treated like bad guys for ganging up, for being "xenophobic," patriotic, or too exclusive. Video games, fighting sports, and movies are decried for being "too violent." Football is deemed "too dangerous" by many overprotective parents. Everyone is supposed to agree that violence is never the answer- unless that violence comes from the cutting edge of the State's ax.”

Jack Donovan (1974) American activist, editor and writer

Pg 105
The Way of Men (2012)

Books, Guy, Game, Boy

“[It's a] really smart, faithful adaptation of the book. The book is such a tight page-turner… The character I play is an extreme guy… He's a killer. He wants to be Jesse James. He grew up watching cowboy and Indian movies and wants to be that. Then he meets Mickey Rourke's character, who's named The Black Bird and he wants to partner up with him and be a criminal and kill people. He's a psychotic and very bad guy… The thing about him is, he's not the bad killer, the kind of guy that sits and stews and then has these rageful outbursts. He is this extreme extrovert who never shuts up and tells you ridiculously tall tales about himself and mythologizes everything… Hyperactive, hyper, hyper guy wearing cowboy boots.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

IGN, March 30, 2006 - about his role in Killshot

People, Books, Faith, Guy

“I was with Karen Carpenter in Vegas. We were invited to Elvis's dressing room and I had to drag her away. She was such a sweet girl but I could see what was going on. I met him a few times after that, and he flirted very heavily with me. I was supposed to do a movie with him and that was stopped right away by my husband!”

Petula Clark (1932) British actress and singer

Calgary Herald, 14 Feb 2013

Girl, Time

“I wanted to make the movie feel like life feels to me — and life feels both sad and dark and confusing and more than hopeful — it feels like something totally incredible could happen at any moment and with no explanation.”

Miranda July (1974) American performance artist, musician and writer

On her film Me and You and Everyone We Know (2005), in an interview at Apple.com http://www.apple.com/finalcutstudio/in-action/?movie=july

Life, Sadness, Hope, Feeling

“The experience on that movie (Dead Poets Society) was, for lack of a better term, life-altering. Peter Weir has a unique talent for making movies that are intelligent but also mainstream. I've never been terribly successful at doing that.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/film/2000/dec/08/culture.features1 (2000-12-08) 2000&ndash;2004

Life, Intelligence, Success, Dead

“Americans are well aware that there has been a revolution. In morals. In manners. In speech. In crime rates. In riots. In violence. In drugs. In sex. In pornography. In politics. In movies. In education. In music. What most of us failed to realize at the moment was how important the music revolution would become. It turned out to be the catalyst for all the rest. It became the prod to promote drugs, the advertiser of sex in the hedonism manner, the mind-conditioner for four-letter gutter speech, and eventually the blatant propaganda funnel for political subversion. It also became the seductive Jezebel for a modern philosophy of no God, of Man as merely a graduate beast of the jungle, of Jesus Christ as a phoney actor--a superstar, of peace and prosperity being possible only under communism, of America as the enemy of the world, of Russia as the hope of the world.”

W. Cleon Skousen (1913–2006) ex FBI agent, conservative United States author and faith-based political theorist

Preface to Rock 'N' Reality: Mirrors of Rock Music--Its Relationship to Sex, Drugs, Family and Religion (1971)

God, World, Education, Peace

“I think all my movies are commercial. That's my delusion. I thought 'Naked Lunch' was wildly entertaining, so what do I know?”

David Cronenberg (1943) Canadian film director, screenwriter and actor

David Cronenberg's Body Language http://www.nytimes.com/2005/09/18/magazine/18cronenberg.html?pagewanted=all (September 18, 2005)

Thinking

“Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen. You know something has gone wrong when a story is about two heroes in the Old West, and the last shot is of a mechanical spider riding off into the sunset.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wild-wild-west-1999 of Wild Wild West (30 June 1999) Reviews, One-star reviews

Money, Dead

“Gradually I got tuned into the world — that happens on every movie. I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On developing a sensitivity for authentic details in the making of movies, Salon (17 October 1997).

Women, World, Learning

“He considers [it's] insulting and false to say that gods are magical anthropomorphic immortals. But however insensitive that may seem, we cannot fairly dismiss all the hundreds of gods who were worshiped by millions of people for thousands of years. However we define what a god is, that definition must include every entity already universally accepted as a deity by those who worship it. My research in this area would have me submit that all gods are magical anthropomorphic immortals, because that description does seem to apply to all of them. They all have miraculous powers and human characteristics, and even if you can kill the body, they still exist and can still return in some other form, or the same form, or be literally born again as it was with Dionysus II. Even on the rare occasion that gods can be killed, none of them die from cancer or old age, and all of them survive for centuries. Even the immortals in movie, the Highlander could be killed–one particular way only. Otherwise, they’re immortal with human characteristics. Give them magic powers and they’d be gods.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Philosophistry http://www.patheos.com/blogs/reasonadvocates/2017/04/12/philosophistry/ (April 12, 2017)

God, People, Age, Way

“Perhaps a better title for The Da Vinci Code might be Much Ado About Nothing. When you boil away the hype and hysteria, all that remains is a pedestrian murder mystery that isn't sufficiently challenging or scandalous to raise anyone's hackles. It's preposterous, overlong, and saddled with a sloppy denouement that defines the term "anti-climax." The film's two big "surprises" are telegraphed early, and the ease with which they can be guessed (using the "conservation of characters" process) leeches the movie of a large measure of its suspense. Individual scenes are entertaining in their own right, but the production as a whole is a lumbering mess.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1014 of The Da Vinci Code (2006). Two-and-a-half star reviews

“Here's a movie that stretches out every moment for more than it's worth, until even the moments of inspiration seem forced. Since the basic idea of the movie is a good one and there are talented people in the cast, what we have here is a film shot down by its own forced and mannered style.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/raising-arizona-1987 of Raising Arizona (20 March 1987) Reviews, One-and-a-half star reviews

People, Idea

“This movie is not merely bad, but incompetent. I get tapes in the mail from 10th graders that are better made than this… I have often asked myself, "What would it look like if the characters in a movie were animatronic puppets created by aliens with an imperfect mastery of human behavior?"”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Now I know. Review http://www.rogerebert.com/reviews/friends-and-lovers-1999 of Friends & Lovers (30 April 1999) Reviews, Half-star reviews

Behavior

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

Pauline Kael book Deeper into Movies

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange Deeper into Movies (1973)

People, Pleasure, Fools, Sex

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Life, Truth, World, Education

“Never follow a dog act. You know you're on the skids when you play yourself in the movie version of your life.”

Erica Jong (1942) Novelist, poet, memoirist, critic

Erica Jong's father (a musician, songwriter and later business man), his two pieces of advice for her. Given in the Times Literary Supplement, 7 October 1994, page 44.
Other

Life, Dogs

“Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. … [W]ith the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. … In the final analysis, The Curse of Michael Myers is a horrific motion picture — just not in the way the film makers intended - Directed By Joe Chappelle.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=708 of Halloween: The Curse of Michael Myers (1995). Zero star reviews

Way

“The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-bucket-list-2008 of The Bucket List (10 January 2008) Reviews, One-star reviews

People, Suffering

“…might possibly preserve her from suicide inasmuch as she remembered one of Amadeus's favorite utterances: Love, know thyself first in order to love thy neighbour. And then: one has to go into oneself - into one's childhood - to be able to go out of oneself. And he felt that the movie was the machine of modern man as a means of going out of oneself. And finally she recalled the famous couple embracing under a bathrobe, functioning as one person.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 5th ending, written page in brush, related to no. 4923r https://charlotte.jck.nl/detail/M004923/part/character/theme/keyword/M004923JHM: (554) 'Life? or Theater..', p. 819 Charlotte Salomon - Life? or Theater?

Love, Suicide, Childhood, Personality

“Hollywood is great. I also think it's stupid and small-minded and shortsighted. I'm sure there are people who get into movies so they can get nice tables at restaurants.”

David Fincher (1962) American film director

The Curious Case of David Fincher (2007)

People, Stupidity, Thinking

“He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade… He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Sadness, Feeling, Learning, Time

“Making the movie Babe opened my eyes to the intelligence and the inquisitive personalities of pigs. These highly social animals possess an amazing capacity for love, joy and sorrow that makes them remarkably similar to our beloved canine and feline friends.”

James Cromwell (1940) American actor and producer

Said in a press statement for SaveBabe campaign, as quoted in "James Cromwell: King Lear, Babe and the Black Panthers" http://www.nouse.co.uk/2007/10/26/james-cromwell-king-lear-babe-and-the-black-panthers/ in Nouse (26 October 2007)

Love, Intelligence, Animals, Joy

“I always felt that the telefilm directors made wonderful films, which are even better than the big screen movies, but never got enough opportunities to showcase their talents on the big screens.”

Arin Paul (1980) Indian film director

Interview on Calcuttatube http://calcuttatube.com/arin-paul-exclusive-interview/1608/ (2009)

“The notion that there might be any need for, or possibility of, profound changes in the institutions that shape American life work, family, technology, the primacy of the car and the single-family house — is foreign to the mainstream media that define our common sense. And so conflicts that cannot be addressed politically have expressed themselves by other means. From public psychodramas like the O. J. Simpson trial, the Lewinsky scandal and Columbine to disaster movies, talk shows and "reality TV," popular culture carries the burden of our emotions about race, feminism, sexual morality, youth culture, wealth, competition, exclusion, a physical and social environment that feels out of control.”

Ellen Willis (1941–2006) writer, activist

"Dreaming of War," The Nation (15 October 2001)

Life, Youth, Family, Cars

“The thing that really breeds career longevity in this profession is doing good work. You can make $20 million a movie, but does that mean you'll still have a job when you're 60? It's a profession that eats people up and wants constant turnaround, so you have to dedicate yourself to learning and making the most of whatever gift you may have.”

Ethan Hawke (1970) American actor and writer

New York Daily News http://www.nydailynews.com/archives/entertainment/2000/05/11/2000-05-11_a_renaissance_man_tackles_sh.html (2000-05-11) 2000&ndash;2004

People, Learning

“A movie should present its characters with a problem and then watch them solve it, not without difficulty. So says an old and reliable screenplay formula. Countless movies have been made about a boy and a girl who have a problem (they haven't slept with each other) and after difficulties (family, war, economic, health, rival lover, stupid misunderstanding) they solve it by sleeping with each other. Now we have a movie about two homosexuals that follows the same reliable convention.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/latter-days-2004 of Latter Days (13 February 2004) Reviews, Two-and-a-half star reviews

War, Health, Stupidity, Family

“Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line…Mad Dog Time should be cut into free ukulele picks for the poor.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mad-dog-time-1996 of Mad Dog Time (29 November 1996) Reviews, Zero star reviews

Dogs, Time, Waiting, Madness

“Movies are always made by committees, and the writer is not at the head of the committee. Thus, mush.”

Jane Espenson (1964) American television writer and producer

Ain't It Cool News interview (17 July 2003)

“Friends, last night I watched the Hollywood (Paramount) movie Noah. It is much, much worse than I thought it would be—much worse. The director of the movie, Darren Aronofsky, has been quoted in the media as saying that Noah is “the least biblical biblical film ever made,” and I agree wholeheartedly with him. I am disgusted. I am going to come right out and say it: this movie is disgusting and evil—paganism! Do you really want your family to see a pagan movie that portrays Noah as a psychopath who says that if his daughter-in-law’s baby is a girl then he will kill her as soon as she’s born? And when two girls are born, bloodstained Noah (the man the Bible calls “righteous” in Genesis 7:1) brings a knife down to the head of one of the babies to kill her—and at the last minute doesn’t do it. And then a bit later, Noah says he failed because he didn’t kill the babies. How can we recommend this movie and then speak against abortion? Psychopathic Noah sees humans as a blight on the planet and wants to rid the world of people. I feel dirty—as if I have to somehow wash the evil off myself. I cannot believe there are Christian leaders who have recommended that people see this movie.”

Ken Ham (1951) Australian young Earth creationist

"The Noah Movie is Disgusting and Evil: Paganism!" http://blogs.answersingenesis.org/blogs/ken-ham/2014/03/28/the-noah-movie-is-disgusting-and-evil-paganism/, Around the World with Ken Ham (March 28, 2014) Around the World with Ken Ham (May 2005 - Ongoing)

People, World, Family, Law

“Perhaps it is the positive knowledge that humans now possess the means to destroy their whole planet, the fear that they have in this way themselves become the gods, dreadfully charged with their own continued existence, that has made comic-book and movie myth escapist.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

God, Books, Fear, Way

“Far up above, aliens hover
Making home movies for the folks back home
Of all these weird creatures that lock up their spirits
Drill holes in themselves and live for their secrets”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

"Subterranean Homesick Alien"
Lyrics, OK Computer (1997)

Secret, Home

“Following the positive HIV test of adult actress Darren James on April 13, 2004, a new HIV scare led to a search for all potentially infected partners of the actor, as well as a two-month shut down of adult movie production in Los Angeles. Commenting on this on April 29, 2004, Gibson said that the actors "should not be surprised, considering what they do" and noted that "this was bound to happen to them sooner or later."”

John Gibson (media host) (1946) American radio talk show host

http://news.yahoo.com/news?tmpl=story&cid=1521&ncid=1505&e=3&u=/afp/20040502/pl_afp/afplifestylehivscare

Angels, Search

“Traditionally there's this barrier between the people who make movies and the people who watch them, and I think it sucks. Making Hollywood this castle on a hill and crowning actors the "Stars" might have been exciting and even brought people together last century, but now it's grown kind of disgusting in its excesses and it's no longer bringing people together—it's keeping people apart. It always turns my stomach a little when, because I'm in movies and on TV, people sometimes treat me as if I'm somehow different from, even above, a normal person. But the emails, posts, and comments I've been trading recently with people through those aforementioned sites cause me no nausea; they inspire me. There's no nasty status predicated on "Fame" or "Fortune."”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

There's just that beautiful thing, the point of all art in the first place: a connection between one individual and another. April 6, 2006 http://hitrecord.org/Journal-2006-04-06.html

People, Beauty, Art, Star

“Postal will be so politically incorrect and harsh, it's like a mirror to American society, and I don't think the movie will be well received by anybody. For example, Osama Bin Laden will be one of the lead characters—I think that shows the mood of the movie.”

Uwe Boll (1965) German restaurateur and former filmmaker

Uwe Boll Bites Back, 2006-06-13, Ellie Gibson, Eurogamer, 2006-02-15 http://www.eurogamer.net/article.php?article_id=62899, 2000s

Mood, Thinking

“I can do short jobs. If I was still starring in three movies every year, there’s no way that I’d be the person my kids want when they fall down.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

Interview with Gwyneth Paltrow, Elle http://www.elle.com/Pop-Culture/Cover-Shoots/The-Spellbinder-Gwyneth-Paltrow#mode=base;slide=0; (August 3 2011)

Way, Star, Personality

“I think I made essentially a mistake in staying in movies but it’s a mistake I can’t regret because it’s like saying I shouldn't have stayed married to that woman but I did because I love her. I would have been more successful if I hadn't been married to her, you know. I would have been more successful if I'd left movies immediately, stayed in the theatre, gone into politics, written, anything. I've wasted a greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. I'ts about two percent movie-making and ninety-eight percent hustling. It's no way to spend a life.”

Orson Welles (1915–1985) American actor, director, writer and producer

Interview with Leslie Megahey for The Orson Welles Story (1982); transcribed in Mark Estrin's Orson Welles: Interviews. Jackson. Mississippi: University Press of Mississippi, 2002, page 209.

Love, Life, Money, Way

“Lizards don't look anything like dinosaurs. Why doesn't anyone understand this?… Ignore what you've seen in the cheesy old movies made by those who don't know anything; there's not even one dinosaur that looks anything like a lizard. It's so obvious it bothers me that no one can see this.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Geerup's Terrible Lizard Classification https://www.youtube.com/watch?v=qhZeowON8l8 (July 28, 2009)

Understanding

“The reason movies are often so bad out here isn't because the people who make them are cynical money hacks. Most of them are doing the very best they can; they really want to make good movies. The trouble is with their heads, not their hearts.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Quoted in Against the American Grain (1962) by Dwight Macdonald, p. 30

Money, People, Heart

“I have never had an experience (like 'Star Wars'), and that includes 'Jurassic Park,' of what it feels like to be a character to young children that feels otherworldly or iconic or whatever that is. So now, I've had this amazing experience of little kids seeing me and instead of wanting to talk about the movie, they kind of back away, a little scared. It's like when you go to Disneyland and see Mickey Mouse and you're little. It's a weird thing that 'Star Wars' holds something a bit untouchable or something like that.”

Laura Dern (1967) American actress, director, producer

As quoted in "Laura Dern says kids fear her since appearing in ‘Star Wars’" by James Desborough, New York Daily News (22 January 2018) http://www.nydailynews.com/entertainment/gossip/confidential/laura-dern-kids-fear-appearing-star-wars-article-1.3772851

War, Children, Feeling, Star

“The liberal paradigm of regulation and license has led to a society where an 18-year-old girl has the right to public fornication in a pornographic movie -- but only if she is paid the minimum wage.”

Irving Kristol (1920–2009) American columnist, journalist, and writer

Wall Street Journal, September 11 1975.
1970s

Girl

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

Love, Life, Women, War

“The special effects are more sophisticated. The materials and techniques used to construct the monster costumes and miniature sets have improved, and we now use computer graphics. However, the earlier Godzilla films are much more profound. I think the reason for this is the fact that the people who worked on them experienced World War II firsthand. Shinichi Sekizawa served in the South Pacific, and Mr. Honda was a prisoner of war in China for quite some time. The earlier films also are more detailed. For example, there are more reaction shots in them. The expressions on people's faces are shown more often, and the effects of the monsters' actions are shown more often. On the other hand, the newer movies are more contemporary in that they address current issues such as bio-technology and environmental destruction. The earlier films didn't do that as much.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

War, People, World, Thinking

“I was having dinner with a group of friends about a month ago, and one of them was talking about sitting with his four-year-old daughter watching a DVD. And in the middle of the movie, apropos nothing, she jumps up off the couch and runs around behind the screen. […] And her dad said, "What you doing?" And she stuck her head out from behind the screen and said, "Looking for the mouse."
Here's something four-year-olds know: A screen that ships without a mouse ships broken. Here's something four-year-olds know: Media that's targeted at you but doesn't include you may not be worth sitting still for. Those are things that make me believe that this is a one-way change. […]
We're going to look at every place that a reader or a listener or a viewer or a user has been locked out, has been served up passive or a fixed or a canned experience, and ask ourselves, "If we carve out a little bit of the cognitive surplus and deploy it here, could we make a good thing happen?"”

Clay Shirky (1964) American technology writer

And I'm betting the answer is yes.
Gin, Television, and Social Surplus (2008)

Way, Change, Daughters

“Despite the bare butts and crude sex jokes -- or because of them -- this Adam Sandler vehicle addresses some of the biggest political problems of our time. … At the very least, it's got to be the first picture to use smelly-feet jokes as a means of parsing the Israeli-Palestinian conflict. But more than that, it's a mainstream movie that dares to make jokes about the kinds of complex political realities that most of us don't dare bring up at dinner parties.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/06/06/zohan/ of You Don't Mess with the Zohan (2008)

Sex, Problem, Reality, Time

“I read all the movie reviews, especially those of Ebert, a graceful and witty prose stylist with profound erudition, whose reviews are worth reading just for themselves, whether or not I have any intention of viewing the movie … Ebert, the smart and handsome one, gave thumbs up to my first movie Garfield: The Movie], but [Richard] Roeper, the other one, gave thumbs down and was particularly unkind. He went on forever attacking Ebert for liking Garfield. This from a man with enough taste to praise Duma. How very disappointing. One of Roeper's complaints was that I was animated and all of the other characters in the movie were "real." Do you have any idea how a statement like that hurts an actor who has worked all of his life as a media cat? Yes, Richard Roeper, I was animated. Read my lips: I am a character in a comic strip.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/garfield-a-tail-of-two-kitties-2006 of Garfield: A Tail of Two Kitties, written in the first person as Garfield. (16 June 2006) Reviews, Three star reviews

Life, Disappointment, Cats, Idea

“I do not demand that all movies have a story to pull us from beginning to end, and indeed one of the charms of The Big Lebowski, the Coens' previous film, is how its stoned hero loses track of the thread of his own life. But with O Brother, Where Are Thou? I had the sense of invention set adrift; of a series of bright ideas wondering why they had all been invited to the same film.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/o-brother-where-art-thou-2000 of O Brother, Where Art Thou? (29 December 2000) Reviews, Two-and-a-half star reviews

Life, Idea, Sense

Quotes about movie page 6

Quotes about movie
page 6