Quotes about movie (1207 quotes, page 11)

“He made the characters a lot more three-dimensional. It's still a 'B' movie and it's still kinda campy. Now it's these really well-developed characters, really three-dimensional.”

John Leguizamo (1964) Colombian and American actor, film producer, voice artist, and comedian

John Leguizamo Talks About "Assault on Precinct 13", January 16, 2005.

“It would be far more logical to say that the epic movie BEN HUR happened by accident than to say that there is no God.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

God doesn't believe in atheists (2002)

God

“The biggest thing I learned was, especially the way I operate and how I am as a person, if I'm going to do a creative endeavor, I need to have full, complete control. Top to bottom. And with my book and website, I always had that. With the website, definitely, with the book, basically, with the movie…I didn't in a lot of ways. Nils and I, we had a lot of control, more control probably than almost any first time movie makers do within a normal studio system. We were in the middle between independent and not, because someone else paid for everything, and they kind of let us do what we wanted, but then once the movie was done creatively, it went in a direction that I did not want it to go, and there was nothing I could really do about it. It's hard enough to swim in that movie current by yourself, but when you've got weights tied to you and someone pulling you in a different direction, it's almost impossible. You need to pick a direction and go with it. If you're going to be a big studio movie, go be that, and if you're going to go be a rogue independent film, go be that. We had different people with different levels of authority on the movie that pulled us in different directions, and it just doesn't work. Either be in control or let someone else do it, but don't…too many chefs. I'm going to be better next time. Failure instructs, failure improves. Failure shouldn't deter you, unless you're just bad at it.”

Tucker Max (1975) Internet personality; blogger; author

http://www.youtube.com/watch?v=ZC6zdVKoNr8 (March 2010).

People , Books , Way , Failure

“Playboy: Then for now, aren't you asking home-computer buyers to invest $3000 in what is essentially an act of faith?
Jobs: In the future, it won't be an act of faith. The hard part of what we're up against now is that people ask you about specifics and you can't tell them. A hundred years ago, if somebody had asked Alexander Graham Bell, "What are you going to be able to do with a telephone?" he wouldn't have been able to tell him the ways the telephone would affect the world. He didn't know that people would use the telephone to call up and find out what movies were playing that night or to order some groceries or call a relative on the other side of the globe. But remember that first the public telegraph was inaugurated, in 1844. It was an amazing breakthrough in communications. You could actually send messages from New York to San Francisco in an afternoon. People talked about putting a telegraph on every desk in America to improve productivity. But it wouldn't have worked. It required that people learn this whole sequence of strange incantations, Morse code, dots and dashes, to use the telegraph. It took about 40 hours to learn. The majority of people would never learn how to use it. So, fortunately, in the 1870s, Bell filed the patents for the telephone. It performed basically the same function as the telegraph, but people already knew how to use it. Also, the neatest thing about it was that besides allowing you to communicate with just words, it allowed you to sing.
Playboy: Meaning what?
Jobs: It allowed you to intone your words with meaning beyond the simple linguistics. And we're in the same situation today. Some people are saying that we ought to put an IBM PC on every desk in America to improve productivity. It won't work. The special incantations you have to learn this time are "slash q-zs" and things like that. The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel—one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about. It's the first "telephone" of our industry. And, besides that, the neatest thing about it, to me, is that the Macintosh lets you sing the way the telephone did. You don't simply communicate words, you have special print styles and the ability to draw and add pictures to express yourself.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, as quoted in “Steve Jobs Imagines 'Nationwide' Internet in 1985 Interview” https://paleofuture.gizmodo.com/steve-jobs-imagines-nationwide-internet-in-1985-intervi-1671246589, Matt Novak, 12/15/14 2:20pm Paleofuture, Gizmodo.
1980s

People , World , Faith , Way

“Our founding fathers knew that if we went this direction, there was no more moral compass and you won’t be able to explain to your children — you’ll have to face the fact that we lost holding the line on one of the most principle issues in the Bible, and that is sex is not about fun. If you want to have fun, read a book, go see a movie. Sex is about the procreation of children. It’s a sacred responsibility that is meant by God to have men and women commit their lifetime to children.”

Jerome Corsi (1946) American conservative author

"Tea party speaker: ‘Well, they want to call me a racist? Go ahead’" http://www.rawstory.com/rs/2013/08/28/tea-party-speaker-well-they-want-to-call-me-a-racist-go-ahead/ www.rawstory.com (2013-8-23)

Women , Men , God , Children

“This is the fourth film from hot Swedish director Lukas Moodysson. Two of his previous three movies, Show Me Love and Lilya 4-Ever, made my year-end Top 10 lists. So it was with great anticipation that I settled into a seat on the first Friday night of the 2004 Toronto Film Festival to see A Hole in My Heart. 98 minutes later, I felt like I had been dragged through a vat of raw sewage laced with Sominex - Directed by Lukas Moodysson.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=935 of A Hole in My Heart (2004).
Zero star reviews

Love , Heart , Night

“[about how he and his wife can't go out on a date, since they're married]
(A) I'm not going to get to pick the restaurant. Because I'm going to go "where do you want to eat?", and she's going to go "I don't care." So I'll say, "okay, how about Italian?" "Hmmmm…." I'm not going to get to pick the movie, and there's a real good chance I'm not going to get lucky! That's not a date!”

Bill Engvall (1957) American comedian and actor

Aged and Confused (2009)

Chance

“Yes, I'm actually a fan of all things Disney, I utilize that in my craft, because I think Disney movies are crafted so well that they can be studied as well as film can be studied. What people do is they hear it in my voice, they can hear him in my voice, because he is me, he's not like a made-up character, he is me they can hear it in my voice, and when they hear that they ask "Are you the guy who played Sebastian the crab, because you look like him."”

Samuel E. Wright (1946) American actor

People , Guy , Thinking , Study

“Both Shah Rukh and Aamir have taught me a lot. I used to be their fan. I had seen all their movies. Once I had even taken Aamir's autograph! Then all of a sudden, I was facing the camera with him! The way these two looked after me and saw me through my initial scenes is something I can never forget.”

Rani Mukerji (1978) Indian film actress

[thedailystar.net, http://www.thedailystar.net/2005/06/26/d506261404102.htm, 1 June, 2006]
Famous Quotes

Way , Forgetting

“Andrew Holland was prosecuted in the UK for possessing "extreme pornography", a term which appears to mean porn that judges and prosecutors consider shocking. He had received a video showing a tiger having sex with a woman, or at least apparently so.
He was found innocent because the video he received was a joke. I am glad he was not punished, but this law is nonetheless a threat to other people. If Mr Holland had had a serious video depicting a tiger having sex with a woman, he still would not deserve to go to prison. … I've read that male dolphins try to have sex with humans, and female apes solicit sex from humans. What is wrong with giving them what they want, if that's what turns you on, or even just to gratify them?
But this law is not concerned with protecting animals, since it does not care whether the animal really had sex, or really existed at all. It only panders to the prejudice of censors.
A parrot once had sex with me. I did not recognize the act as sex until it was explained to me afterward, but being stroked on the hand by his soft belly feathers was so pleasurable that I yearn for another chance. I have a photo of that act; should I go to prison for it?
Perhaps I am spared because this photo isn't "disgusting", but "disgusting" is a subjective matter; we must not imprison people merely because someone feels disgusted. I find the sight of wounds disgusting; fortunately surgeons do not. Maybe there is someone who considers it disgusting for a parrot to have sex with a human. Or for a dolphin or tiger to have sex with a human. So what? Others feel that all sex is disgusting. There are prejudiced people that want to ban all depiction of sex, and force all women to cover their faces. This law and the laws they want are the same in spirit.
Threatening people with death or injury is a very bad thing, but violence is no less bad for being nonsexual. Is it worse to shoot someone while stroking that person's genitals than to shoot someone from a few feet away? If I were going to be the victim, and I were invited to choose one or the other, I would choose whichever one gave me the best chance to escape.
Images of violence can be painful to see, but they are no better for being nonsexual. I saw images of gruesome bodily harm in the movie Pulp Fiction. I do not want to see anything like that again, sex or no sex. That is no reason to censor these works, and would still not be a reason even if most people reacted to them as I do.
Since the law doesn't care whether a real human was really threatened with harm, it is not really concerned about our safety from violence, any more than it is concerned with avoiding suffering for corpses or animals. It is only prejudice, taking a form that can ruin people's lives.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

"Extreme Pornography Law in the UK" (2010) http://stallman.org/articles/extreme.html
2010s

Death , Women , Pain , People

“I was cast as a college girl and that wasn’t really hard to play as I was very young then. I was treated as a child on the sets. When the movies finally hit the theatres, all the newspapers carried reviews that said, ‘What natural acting.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala".

Girl , Nature

“Being an actress doesn't make you popular in school. I was always leaving to make a movie then coming back in.”

Kirsten Dunst (1982) American actress

Interview in The Guardian (14 October 2000)

School

“When I read the script for GODZILLA VS. SPACE GODZILLA, it reminded me of teenage idol films. In addition, the movie was going to have rap music in it. So, I thought, "Well, this is not my world, so I better not score this one."”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

World , Music , Reading

“I found a new me. When I first came over to America, it was like, 'How can I be rich? How can I build my movie career? How can I become the most muscular man?' It was all about me, and then there was this turn, and I found it was really great to do this.”

Arnold Schwarzenegger (1947) actor, businessman and politician of Austrian-American heritage

From Cowboys & Indians, the "magazine of the west" (September 2004).
Recalling a speech in which his father-in-law, creator of the Peace Corps, urged listeners to "Break that mirror in front of you -- that mirror that only lets you look at yourself."
2000s

“That movie (Zombi Holocaust) was also shot in Croce Verde. Not exactly on the same spot as the Emanuelle movie, but very near. I particularly remember the lovely leading actress, Alessandra delli Colli, the wife of one the greatest Italian cameramen, Tonino delli Colli. There was also this great Japanese guy, who used to have real snakes curl up on his belly! He was incredible.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Love , Guy

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it! — that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”

Joyce Carol Oates book You Must Remember This

You Must Remember This (1987), pt. 1, ch. 13

Color , Loss

“You may have heard of a character from the batman movies, called the Joker. The joker just lives a normal life like you or me, going to the grocery store, and the office or what have you. But WHen the joker puts his mask on, he becomes the joker, and he mercilessly goes out there and gets Paid. Thats what I try to do in my life and the way I live life, and I do do it every day, and it is the essence of understanding my pain.”

Dril Twitter user

[ "We Interviewed the Guy Behind @dril, the Undisputed King of Twitter", Caffier, Justin, August 24, 2018, Vice, August 25, 2018, http://archive.today/2018.08.26-011141/https://www.vice.com/en_us/article/3kymv8/we-interviewed-the-guy-behind-dril-the-undisputed-king-of-twitter, August 25, 2018, no https://www.vice.com/en_us/article/3kymv8/we-interviewed-the-guy-behind-dril-the-undisputed-king-of-twitter,]
dril in interviews

Life , Pain , Way , Understanding

“Lonely children often have imaginary playmates but I was never lonely; rather, I was solitary, and wanted no company at all other than books and movies, and my own imagination.”

Gore Vidal (1925–2012) American writer

Source: 1990s, Screening History (1992), Ch. 1: The Prince and the Pauper, p. 23

Children , Books , Imagination

“In Kevin's movies I would like to stay Jay. But, yeah, I'd love to do something else in someone else's movie. I got a script sent to me at this office and I got a call from a woman — Universal's doing a snowboarding movie. I'm not in it yet, but I'm supposed to meet with the director in New York soon. I'm waiting to hear back from them.”

Jason Mewes (1974) American actor

View Askew interview (1999)

Love , Universe , Waiting

“I love CGI when it’s done well. It may sound strange coming from me, because if you watch my stuff in movies it’s happening right in front of you, but I wish we had CGI back then to solve some problems. Getting rid of an edge or enhancing stuff, which is what they have today. I love it when it’s done well.”

Tom Savini (1946) American actor, stuntman, director and makeup artist

Love , Problem

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)

Death , People , Books , Art

“I was never really in love with acting. I always love movies and going to the theater. But did I love being in this business? Not for five minutes. I did it because I needed a job. For the first year or two, it's like a poison that enters your body. It's like a virus, and your body has to release antidotes. But it would be very unfair to say that it's that way all the time. It's just like anything this overwhelming that you enter suddenly. It's like being a contact at West Point. You're thrown into an intense environment. From the word go, you realize it's sink or swim.”

Alec Baldwin (1954) American actor, writer, producer, and comedian

As quoted in "The Hunt for Alec Baldwin", by Phoebe Hoban, in New York magazine, Vol. 23, No. 9 (5 March 1990).

Love , Way , Business , Time

“Why did they give an R rating to a movie perfect for teenagers?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/almost-famous-2000 of Almost Famous (15 September 2000)
Reviews, Four star reviews

Perfection

“Transformers: Revenge of the Fallen will make a ton of money, Michael Bay will be lauded as the greatest director of our generation, and the accountants at Paramount will have their second collective orgasm in as many months. As for me, I will try desperately not to weep — not so much for what the success of a movie like this means to motion pictures, but for the simple fact that I'm going to have to do this all over again in two or three years for Transformers 3.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1695 of Transformers: Revenge of the Fallen (2009).
One-and-a-half star reviews

Money , Revenge , Success

“["Lines you wouldn't hear in a superhero movie"] Is it a bird? Is it a plane? Whatever it is it's heading straight for the World Trade Center!”

Frankie Boyle (1972) Scottish comedian

Mock the Week

World , Bird

“Aside from a couple of signature flourishes, there's nothing to mark Paycheck as the product of acclaimed action director John Woo. In fact, there's little about this movie that makes it worth anyone's time and money. With a script that waffles between being hilariously absurd and insultingly stupid, and action scenes that won't cause anyone's pulse to skip a beat, Paycheck is less appealing than a lump of coal in a Christmas stocking.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/p/paycheck.html of Paycheck (2003).
One-and-a-half star reviews

Money , Stupidity , Time , Christmas

“["Lines you wouldn't hear in a superhero movie"] What's that Joker, you'll be back? Somehow I don't think you will be.”

Frankie Boyle (1972) Scottish comedian

Mock the Week

Thinking

“I went to the movies — it was Kanye, myself and John Mayer, and we went to see "Ray." We were watching it, and I was just inspired by the movie, just as a musician and as an artist, I felt inspired. We left there and went straight to the studio. Kanye started cooking up this beat and started doing this chant, like, "Go, go, go," and while we were sitting there thinking what to write, John Mayer said, "You could write about your fantasy." And I was like, "Am I going to let John Mayer come up with the concept for this joint? This is hip-hop." But John Mayer is a very talented brother and you don't know where your blessings are going to come from. He was singing, and we made him a sample on it, going 'Go.'”

Common (rapper) (1972) American rapper, actor and author from Illinois

So it all came together and now we have the song 'Go!,' which is about going to my fantasy.
On working with Kanye West and John Mayer on the track "Go." (2004) ( From MTV.com http://www.mtv.com/bands/c/common/common_q_and_a_050620/)
Interviews

Thinking , Singing , Cooking

“I'm not a career filmmaker and by that I'm not tearing down people who are, but I'm not Wes Anderson who can rent out a floor at the Chateau Marmont for a month to write my new screenplay--I have a life outside of filmmaking and after Buffalo '66, I genuinely thought I was done with making movies. But they pulled me back in. This Brown Bunny, it had something in it for me that I just had to say. I had to express it, it was in me and it ate its way out of me. I wished that it didn't, but it did and I was surprised to find myself shooting again.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Film Freak Central Interview

Life , People , Way , Tear

“A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.”

Orson Welles (1915–1985) American actor, director, writer and producer

Quoted by Peter Bogdanovich, from the DVD audio commentary on The Lady from Shanghai (1947).

Men , Boy

“Herzog is a miserable, hateful, malevolent, avaricious, money-hungry, nasty, sadistic, treacherous, cowardly creep. His so-called "talent" consists of nothing but tormenting helpless creatures and, if necessary, torturing them to death or simply murdering them. He doesn't care about anyone or anything except his career as a so-called filmmaker. Driven by a pathological addiction to sensationalism, he creates the most sensless difficulties and dangers, risking other people's safety and even their lives — just so he can eventually say that he, Herzog, has beaten seemingly unbeatable odds. For his movies he hires retards and amateurs whom he can push around (and alledgedly hypnotize!), and he pays them starvation wages or zilch. He also uses freaks and cripples of every conceivable size and shape, merely to look interesting. He doesn't have the foggiest inkling of how to make movies. He doesn't even try to direct the actors anymore. Long ago, when I ordered him to keep his trap shut, he gave up asking me whether I'm willing to carry out his stupid and boring ideas.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 222

Death , Money , Hate , People

“But we had tremendous success on The Apprentice and, when I ran for President, I had to leave the show, that's when I knew for sure I was doing it, and they hired a big, big movie star, Arnold Schwarzenegger, to take my place, and we know how that turned out. The ratings went right down the tubes, it's been a total disaster, and Mark [Burnett] will never, ever bet against Trump again, and I want to just pray for Arnold, if we can, for those rating, OK?”

Donald J. Trump (1946) 45th President of the United States of America

Trump's "National Prayer Breakfast" speech https://www.youtube.com/watch?v=cyxacu5AslI (2 February 2017)
2010s, 2017, February

Star , Success

“The real movie stars were Humphrey Bogart, Lauren Bacall, Spencer Tracy, Montgomery Clift. How could I put myself in the same category as Clark Gable? Tom Cruise is a great movie star. Do I consider myself a movie star? I consider myself a guy with a good job, an interesting job.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Bernard Weintraub, "Playboy Interview: Johnny Depp," http://www.deppimpact.com/mags/transcripts/playboy_may04.html Playboy (May 2004)

Guy , Star

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Life , Women , Money , Children

“When I was a small child, for some reason—and I don’t know if this was from cartoons or movies or what—I was very frightened of skeletons. I also was very afraid of the dark. I used to have incredibly terrible nightmares. I was afraid of everything as a child. Now look what I’m doing.”

Rich Koz (1952) American actor and comedian

Rich Koz http://www.chicagomag.com/Chicago-Magazine/October-2017/Rich-Koz/ (October 27, 2017)

“The only acting you ever see at the Oscars is when people act like they're not mad they lost. Nicole Kidman was smiling so wide, she should have won an Emmy at the Oscars for her great performance. I was like, "If you'd done that in the movie, you'd have won an Oscar, girl."”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

At the Academy Awards as host
Miscellaneous

People , Smile , Girl , Madness

“One of the most difficult aspects of being an actor is trying to find the right work. Work that speaks to an audience, that you enjoy doing and that is reflective of your artistic sensibility. To be a contemporary movie actor, you have to kill people - that's basically it. If you don't cock'n'load'n'fire a Smith&Wesson at some point in your film career, you're not going to have a film career. There just aren't enough movies that I like to keep me working in movies all the time. Well, let me rephrase that: there aren't enough available parts.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/stage/2009/may/16/ethan-hawke-cherry-orchard-old-vic-mendes (2009-05-16)
2005–2009

People , Time , Parting

“These days too many children's movies are infected by the virus of Winning, as if kids are nothing more than underage pro athletes, and the values of Vince Lombardi prevail: It's not how you play the game, but whether you win or lose. This is a movie that breaks with that tradition, that allows its kids to be kids, that shows them in the insular world of imagination and dreaming that children create entirely apart from adult domains and values. There was a moment in the film when Rodriguez hit a line drive directly at the pitcher's mound, and I ducked and held up my mitt, and then I realized I didn't have a mitt, and it was then I also realized how completely this movie had seduced me with its memories of what really matters when you are 12.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-sandlot-1993 of The Sandlot (7 April 1993)
Reviews, Three star reviews

Children , World , Dreams , Imagination

“His real dream was to make movies.”

Jack Kirby (1917–1994) American comic book artist, writer and editor

Rosalind Kirby, "Jack Kirby Interview" http://www.tcj.com/jack-kirby-interview/5/, The Comics Journal, (May 23, 2011).
About

Dreams

“I am a diehard romantic. My all time favorite romantic movie would be Guru Dutt’s Pyaasa. Waheeda Rehmanji’s role in the movie is something I would love to do in my career. My role in Aashiqui 2 had shades that came close to it. Also, Titanic and The Notebook are on my favourite films list. My idea of romance revolves around everything I’ve grown up watching in our Bollywood movies. Our romances are like fairy tales, something that every romantic freak, especially girls would love to experience.”

Shraddha Kapoor (1987) Indian film actress & Singer

I’m a diehard romantic - Shraddha Kapoor via Filmfare (April 30, 2013) http://www.filmfare.com/interviews/im-a-diehard-romantic-shraddha-kapoor-3014.html

Love , Girl , Idea , Time

“You don't become a journalist because you're good at keeping secrets. Being a Journalist is about telling. It's about bearing the bad news. Spreading the contagion. The biggest story in history. This could be the end of mass media. The Culling song would be a plague unique to the Information Age. Imagine a world where people shun the television, the radio, movies, the Internet, magazines, and newspapers. People have to wear earplugs the way they wear condoms and rubber gloves. In the past, nobody worried too much about sex with strangers. Or before that, bites from fleas. Or untreated drinking water. Mosquitoes. Asbestos.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 7

People , Secret , Age , World

“A passionately lived life is not always comfortable. Going for it involves being open to all of life - the joys, the sorrows, the mundane as well as the magic, the splendid victories, the most abject defeats. You might even stop closing your eyes during the scary parts of the movie.”

Nicholas Lore (1944) American social scientist

The Pathfinder (1998)

Life , Passion , Victory , Joy

“Why do they believe that?”
“Because we are hackers,” Csongor said, “and they have seen movies.”

Neal Stephenson book Reamde

Day 4
Reamde (2011), Part I: Nine Dragons

“When I was younger I really admired people like Warren Beatty who could do one movie every four years. I thought I could do all that: run a theatre company, write a book, make the occasional movie. But life doesn’t work like that, or at least it only does for one or two people every generation. Usually, there’s a little give and take, you know. It took me a long time to realise that I didn’t understand things as well as I thought I did.”

Ethan Hawke (1970) American actor and writer

The Daily Telegraph http://www.telegraph.co.uk/culture/film/7801192/Ethan-Hawke-interview.html (2010-06-10)
2010–present

Life , People , Books , Understanding

“When I was playing Godzilla, we would show him wrestling with the other monsters. These days Godzilla and the other monsters only are shown firing their rays at each other. Period films are enjoyable because they feature sword battles. Westerns are enjoyable because they feature gun battles. The recent Godzilla movies are like period films without swords and westerns without guns.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

“I mean Hank, the movie was great, but the thirty minutes before the movie started was what I love about being a nerd. Because nerds like us are allowed to be unironically enthusiastic about stuff. We don't have to be like, 'Oh yeah that purse is okay' or like, 'Yeah, I like that band's early stuff.' Nerds are allowed to love stuff, like jump-up-and-down-in-the-chair-can't-control-yourself-love it. Hank, when people call people nerds, mostly what they are saying is, 'You like stuff', which is just not a good insult at all, like 'You are too enthusiastic about the miracle of human consciousness'.”

John Green (1977) American author and vlogger

Harry Potter Nerds Win at Life http://www.youtube.com/watch?v=rMweXVWB918
YouTube

Love , People

“When a movie is this bad, it's hard to adequately describe its awfulness in words. The temptation exists to write something along the lines of: "Something this horrible has to be seen to be believed." Of course, that kind of advice would lead to e-mail death threats and other assorted nasty comments from those who spend money on The Devil's Rejects. … Aside from its poor production values, horrendous acting, and ignoble morality, The Devil's Rejects isn't engaging cinema. Even if the simple act of sitting in a movie theater watching people get hacked up for 90 minutes doesn't bother you, the dullness and repetition is likely to.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=934 of The Devil's Rejects (2005).
Half-star reviews

Death , Money , People

“It's really two movies crammed into one, the first of which is a lot better than the second. Spider-Man 3 starts out strong but before it finishes, many viewers will desperately wish it had called it quits an hour earlier.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=573 of Spider-Man 3 (2007).
Two star reviews

Strong

“I kind of wonder if people who are outraged at the movie saw the originals when they were 13-years-olds and didn’t realize that "cheesy" was registering as "awesome."”

Mark Rosenfelder American language inventor

About http://zompist.wordpress.com/2008/06/19/indiana-jones-and-the-synopsis-of-dread/ Indiana Jones and the Kingdom of the Crystal Skull

People

“It tackles a wonderful subject without preening, and brings it off unassertively — so unassertively that the movie is in danger of being overlooked. (Variety has already dismissed it as something "for a very limited audience.") We're getting to the point where the press assumes that movie audiences won't be willing to bring anything to a picture, and warns them off.”

Pauline Kael book State of the Art

"Circus," review of Moscow on the Hudson (1984-04-16), p. 160.
State of the Art (1985)

“Hey, I saw this old British movie, all the people spoke so different, you could hardly understand them. But everyone here speaks American as good as you and me. What's with that?”

Max Barry book Jennifer Government

Source: Jennifer Government (2003), Chapter 40, page 144

People , Understanding

“Sundance means a lot to me. This is my third one. People that come here who love movies. Everyone has the attitude that movies aren't just disposable entertainment - they can really mean something. I love that, because that's the way I feel about films.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Salon, November 2009

Love , People , Way , Feeling

“Television people have put blinders on and they absolutely refuse—and movie people too—to admit that they can have any influence for ill in our society. You know the argument: 'We only reflect what's going on. We do not perpetuate it.' And yet not a week goes by in this town where there's not an award ceremony where they're patting each other on the back, saying, 'You raised AIDS awareness' [or] 'There'll be no more child abuse thanks to this fine show you did.' The argument is you can only do influence for good; you can't influence for ill. That makes no sense at all.”

Pat Sajak (1946) American television host

Attributed to Pat Sajak, in: Bloom: A Girl's Guide to Growing Up, (2003), p. 171
2000s

People , Sense

“Never on any golf course have I been approached by a policeman who said, "Lady, you can't play with an ordinary golf ball. You're movie star. You'll have to use a coconut for a ball.”

Irene Dunne (1898–1990) American actress

How Do I Stay Normal in Hollywood (1942)

Star

“Oh, it was just a movie that should have never been made. I'm horrible in it. I look at myself in it and think, "Oh, you stiff. Go die!" I can't even look at it. The only thing I can say about it was that it brought me to Texas.”

Madeleine Stowe (1958) American actress

On the film western Bad Girls (1994).. as quoted in an interview appearing at reel.com http://www.reel.com/reel.asp?node=features/interviews/stowe (10 July 1999)

Thinking

“The dialogue consists almost entirely of terse screams: Watch it! Incoming! Move! Look out! Fire! Move! The only characters I remember having four sentences in a row are the anchors on cable news. … Young men: If you attend this crap with friends who admire it, tactfully inform them they are idiots. Young women: If your date likes this movie, tell him you've been thinking it over, and you think you should consider spending some time apart.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/battle-los-angeles-2011 of Battle: Los Angeles (9 March 2011)
Reviews, Half-star reviews

Women , Men , Thinking , Time

“That's absolutely one of my most favorite movies, for so many reasons. I fought for that part; I wanted it badly. I took a lower salary, I did everything. Grace Kelly said, 'I'll never forgive you for playing that part. It was written for me. She [Kelly] got the prince [Rainier], I got the part.”

Lauren Bacall (1924–2014) American actress, model

On her role in Designing Women (1957)
Private Screenings interview (2005)

Forgiveness , Parting

“Playing the lottery is gambling, and I'm not a gambler. I assessed my life, knew I wanted to become a successful writer, and believed that I had a winner for a story. All I imagined was getting a huge publishing deal and attending the premier of my movie. In fact, every time my wife and I went to the movies, I'd tell her that, one day, we'll be in a theater in Hollywood watching MEG. Does that mean that I wasn't scared? Of course not. The process is similar to crawling out on a limb of a very high tree. You know you're out there and that it's a huge drop if you fall. Out along the weakest branches grows the fruit. If you really intend on making it all the way out to the fruit, you can't hold onto the trunk, you have to let go. At the same time, you have to be smart enough not to look down (negatives), which, of course, everyone you know is screaming at you to do. If you don't want to fall, then keep looking at the fruit. This all may sound hooky, but it works and it's how I've chosen to live my life, ever since I was 13 years old.”

Steve Alten (1959) American writer

Interview with Steve Alten http://www.screenwritersutopia.com/article/d14867f2 (March 11th, 2004)

Life , Way , Imagination , Tree

“Unlike American film score composers, Japanese film score composers are given only three or four days in which to write the music for a movie. Because of this, I have almost always been very frustrated while writing a score. I therefore can't select any of my scores as favorites.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music

“I was fortunate enough to be trained in the theater. Coming from the theater background, you’re schooled to play diverse roles in preparation for the repertory environment, or the repertory type of lifestyle. So, to me, going back and forth from genre to genre is only keeping true to the way I was trained in the theater. And I’m really an action fan. I’m a movie fan in general, but I’m definitely an action fan, as well.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Snipes in 2014 An Interview with Wesley Snipes: ‘The Expendables 3’ Interview http://www.theaquarian.com/2014/08/27/an-interview-with-wesley-snipes-the-expendables-3-interview/, The Aquarian Weekly, 27 August 2014

School , Way , Training

“In Europe, you do philosophy by performing discourse on another guy's text, and so Derrida will go over Heidegger, and Habermas will extend Marx's corpus; but in America you could never get away with kinky stuff like that, for you have to generate philosophy from real things—like computers or television. You need to look at Omni magazine to get a feel for this new kind of mail-order, Popular Mechanics science of mind. It's full of articles about meditation helmets and downloading the soul into computers so that when your body wears out you can live forever. What is completely missing in Europe is precisely what you will find in America: namely, an electronic Umwelt in which history is replaced with movies, education is replaced with entertainment, and nature is replaced with technology. This peculiar wedding of low kitsch and high tech generates a posthistoric world that no European literary intellectual can quite fathom.”

William Irwin Thompson (1938) American writer

Thompson (1991) Fast Foreword, from The American Replacement of Nature.

World , Education , Guy , Feeling

“It just sort of happened. I wrote like what I'd always read and what was in the movies … I'm sure popular music is supposed to be like this.”

Warren Zevon (1947–2003) American singer-songwriter

Answering the question "What led you to stake out the noir Roland the Headless Thompson Gunner genre?", in "My Lunch with Warren Zevon" by David Bowman,Salon.com (17 March 2000)

Music , Reading

“Chaos is ugly, nihilistic, and cruel -- a film I regret having seen. I urge you to avoid it. Don't make the mistake of thinking it's 'only' a horror film, or a slasher film. It is an exercise in heartless cruelty and it ends with careless brutality. The movie denies not only the value of life, but the possibility of hope.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/chaos-2005 of Chaos (11 August 2005)
Reviews, Zero star reviews

Life , Hope , Exercises , Thinking

“One of the things that's great about Training Day is that you have two very distinct personalities, but it's true: it also has a great plot. If you can do both, it's incredibly exciting for the audience. Oftentimes, you have art films that have no narrative to speak of and instead offer characterization; then you have mainstream movies that are simple formulas, A-B-C-D. Training Day is a good combo.”

Ethan Hawke (1970) American actor and writer

Powell's Books http://www.powells.com/authors/hawke.html (2002-08-06)
2000–2004

Art , Personality , Training

“Everything I did on that show was me screwing around in the hallways, running around looking for attention. Joe Pesci, I never said 'Oh, I wanna do the Joe Pesci Show.' It was me, sitting around, bored out of my mind, and just walking the hallways going [Joe Pesci voice] 'Where do you get your culios big enough to call me…wait, I'm not gonna answer ya! S'ya worryin' about your weight, ya fat bastard, otherwise you wouldn't have problems upstairs doin' ya wife!' And this stoner guy, who was an intern, said 'Hey man, you should do that on [Weekend] Update!' He said, 'Well, "Casino's" coming out, and you should go on as Pesci and have Norm [MacDonald] say he's never heard of it.' Originally, it was me and the stoner intern, and I'd go on and Norm MacDonald's [Norm MacDonald voice] 'Hey, here to see, tell you how to do a movie, is Joe Pesci over here!' And I'd come on, [Joe Pesci voice] 'Hey, blah blah blah blah!' And he goes 'Well, I've never heard of it,' and I knock the crap out of him. And then some writer was like 'Wait wait wait, what are you doing? Hey, I've got an idea for it.'”

Jim Breuer (1967) American actor and comedian

And then we went in...
Explaining the origin of the Joe Pesci skits in an interview on Mancow's Morning Madhouse
Unsourced

Guy , Idea , Problem , Waiting

“This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.”

John C. Reilly (1965) American actor

Summer

“It's so rare to find a movie that doesn't take sides.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/house-of-sand-and-fog-2003 of House of Sand and Fog (26 December 2003)
Reviews, Four star reviews
Context: It's so rare to find a movie that doesn't take sides. Conflict is said to be the basis of popular fiction, and yet here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it. To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them. … "House of Sand and Fog" relates not a plot with its contrived ups and downs but a story. A plot is about things that happen. A story is about people who behave.
To admire a story you must be willing to listen to the people and observe them, and at the end of House of Sand and Fog, we have seen good people with good intentions who have their lives destroyed because they had the bad luck to come across a weak person with shabby desires.

“It was true of my generation, that the movies were terribly vivid and instructive.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Salon interview (2000)
Context: It was true of my generation, that the movies were terribly vivid and instructive. There were all kinds of things you learned. Like the 19th century novels, you saw how other social classes lived — especially the upper classes. So in a funny way, they taught you manners almost. But also moral manners. The gallantry of a Gary Cooper or an Errol Flynn or Jimmy Stewart. It was ethical instruction of a sort that the church purported to be giving you, but in a much less digestible form. Instead of these remote, crabbed biblical verses, you had contemporary people acting out moral dilemmas. Just the grace, the grace of those stars — not just the dancing stars, but the way they all moved with a certain grace. All that sank deep into my head, and my soul.

“I said this is the Batman movie I've been waiting for; more correctly, this is the movie I did not realize I was waiting for, because I didn't realize that more emphasis on story and character and less emphasis on high-tech action was just what was needed.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/batman-begins-2005 of Batman Begins (13 June 2005)
Reviews, Four star reviews
Context: I said this is the Batman movie I've been waiting for; more correctly, this is the movie I did not realize I was waiting for, because I didn't realize that more emphasis on story and character and less emphasis on high-tech action was just what was needed. The movie works dramatically in addition to being an entertainment. There's something to it.

Waiting

“Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/deuce-bigalow-european-gigolo-2005 of Deuce Bigalow: European Gigolo
Reviews, Zero star reviews
Context: Deuce Bigalow is aggressively bad, as if it wants to cause suffering to the audience. The best thing about it is that it runs for only 75 minutes. … Does this sound like a movie you want to see? It sounds to me like a movie that Columbia Pictures and the film's producers … should be discussing in long, sad conversations with their inner child.
The movie created a spot of controversy... Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed [2004's] Best Picture nominees and wrote that they were "ignored, unloved, and turned down flat by most of the same studios that … bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic."
Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: "Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind. … Maybe you didn't win a Pulitzer Prize because they haven't invented a category for Best Third-Rate, Unfunny Pompous Reporter Who's Never Been Acknowledged by His Peers..." As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks."

“I’m having my platform run up by a movie set designer, so it will be very impressive from the front, but not too premanent.”

Gracie Allen (1902–1964) American actress and comedienne

Source: How to Become President (1940), Ch. 7 : Buying a good used platform
Context: I’m having my platform run up by a movie set designer, so it will be very impressive from the front, but not too premanent. After all, there’s no sense putting a lot of time and thought into something you’ll have no use for after you’re elected.

“There were just things in Disney movies that probably were too scary for kids.”

Paul Reubens (1952) American actor, writer, film producer, game show host, and comedian

"Paul Reubens by Paul Rudd", Interview Magazine http://www.interviewmagazine.com/culture/paul-reubens/#/_

“Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

Optimism

“I would never see a good movie for the first time on television.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Cited in: Tim Concannon, Praising Arizona http://www.blackmassmovies.com/docs/Praising%20Arizona.pdf, March 2013
Source: Los Angeles Free Press, March 15, 1968. Gene Youngblood

Time

“Human beings are blind to their own faults. In the movies, villains never proclaim that they are villains. Nor do idiots say that they are idiots. Our faults lie within us, active and fierce, but unconfessed. I've never seen a man walk downstage and announce, his head held high, "Ladies and gentleman, I'm a scumbag!"”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

"Flor de Obsessão: as 1000 melhores frases de Nelson Rodrigues," page 34.

Lie

“Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Beauty , Light

“I've been told I sound like I'm out of an old movie; that perhaps I'm faking my voice, that it's nice, that it's not nice — all kinds of things.”

Ysabella Brave (1979) American singer

"ysabellabravetalk #1" (9 March 2007) http://www.youtube.com/watch?v=q1v2hkkm1Lo
Context: I've been told I sound like I'm out of an old movie; that perhaps I'm faking my voice, that it's nice, that it's not nice — all kinds of things. Well it's my voice. The only thing I can think of is sometimes you're in one mood or another mood, and so maybe it sounds a little different, but I've always spoken this way — and I'm trying to sound pleasant — I hope it does sound pleasant, but that's about it.

“We think we’re in the present, but we aren’t. The present we know is only a movie of the past.”

Ken Kesey (1935–2001) novelist

Source: The Electric Kool-Aid Acid Test (1968), Ch. 11: The Unspoken Thing
Context: We are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we’re in the present, but we aren’t. The present we know is only a movie of the past.

Thinking , Past

“And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror.”

Terry Gilliam (1940) American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe

On Heath Ledger's death in January 2008, as quoted in Terry Gilliam on Heath Ledger’s death and The Imaginarium of Doctor Parnassus (14 May 2008) http://cma.staging-thetimes.co.uk/tto/arts/film/article2431428.ece
Context: We were devastated. We spent the whole day — Amy Gilliam, Nicola Pecorini, the director of photography, and myself — lying flat on the floor. Heath Ledger's dead, and you don't quite get over that. I suppose I'm in an interesting position because while I'm cutting the film I'm basically working with him every day and he's fine; he's in good shape. Ideas are floating around. Then finally we decided, 'OK, let's get three other people to take over the part'. And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror. So you can very genuinely say that these other actors are different aspects of the character that Heath plays. And it works. The point was, we've got to keep going. It was a bit like half being there, but apparently on autopilot I can still do a few things.

“I want to do one movie that if I die the next day, I know I left one thing in this world that I was very proud of, that other people can see, that meant something to me, that had my voice.”

Salma Hayek (1966) Mexican-American actress and producer

O interview (2003)
Context: I had been already trying to do Frida, but I would sit on my sorrows because it was so difficult. But now I was learning new things. And so I thought, this is what I want to do. I want to do one movie that if I die the next day, I know I left one thing in this world that I was very proud of, that other people can see, that meant something to me, that had my voice. Because God forbid I die tomorrow, I'm the bombshell for the rest of my existence. … Then I became very angry I said, I have become what they decided I am. When did I fall in this trap? Somebody decided I was this, and I became that. And I said, "I'm going to change it now. I'm going to define myself."

People , World

“Movies in Hollywood now, for the past 20 or 30 years, are made mainly by lawyers or agents.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

ibid.
Cited in: Ideas, not plots, inspire Jean-Luc Godard http://www.csmonitor.com/1994/0803/03121.html, csmonitor.com, August 3, 1994

Past

“He felt that he had his destiny in his grasp. He was more alive than he could ever remember having been; his mind and attention were pointed focused toward a goal. For the first time in his life he moved consciously between two sharply defined poles: he was moving away from the threatening penalty of death, from the death-like times that brought him that tightness and hotness in his chest; and he was moving toward that sense of fullness he had so often but inadequately felt in magazines and movies.”

Richard Wright (1908–1960) African-American writer

"Flight", pp. 141
Native Son (1940)

Life , Death , Penalty , Sense

“The press, television, and movies make heroes of vandals by calling them whiz kids.”

Ken Thompson (1943) American computer scientist, creator of the Unix operating system

"Reflections on Trusting Trust" http://cm.bell-labs.com/who/ken/trust.html, 1983 Turing Award Lecture http://cm.bell-labs.com/who/ken/trust.html,Communications of the ACM 27 (8), August 1984, pp. 761-763.
Context: The press, television, and movies make heroes of vandals by calling them whiz kids.... There is obviously a cultural gap. The act of breaking into a computer system has to have the same social stigma as breaking into a neighbor's house. It should not matter that the neighbor's door is unlocked.

“Sophie's Choice is a fine, absorbing, wonderfully acted, heartbreaking movie. It is about three people who are faced with a series of choices, some frivolous, some tragic. As they flounder in the bewilderment of being human in an age of madness, they become our friends, and we love them.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/sophies-choice-1982 of Sophie's Choice (1 January 1982)
Reviews, Four star reviews
Context: Sometimes when you've read the novel, it gets in the way of the images on the screen. You keep remembering how you imagined things. That didn't happen with me during Sophie's Choice, because the movie is so perfectly cast and well-imagined that it just takes over and happens to you. It's quite an experience. … The movie becomes an act of discovery, as the naive young American, his mind filled with notions of love, death, and honor, becomes the friend of a woman who has seen so much hate, death, and dishonor that the only way she can continue is by blotting out the past, and drinking and loving her way into temporary oblivion. … Sophie's Choice is a fine, absorbing, wonderfully acted, heartbreaking movie. It is about three people who are faced with a series of choices, some frivolous, some tragic. As they flounder in the bewilderment of being human in an age of madness, they become our friends, and we love them.

Love , People , Age , Madness

“It's the first movie I feel really proud of. But I know it's not a movie for everyone.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On The Ice Storm (1997) Salon (17 October 1997).
Context: It's the first movie I feel really proud of. But I know it's not a movie for everyone. Some people will embrace it, but some people will hate it, and I'm not really sure how to deal with that. In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

Feeling

“To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/house-of-sand-and-fog-2003 of House of Sand and Fog (26 December 2003)
Reviews, Four star reviews
Context: It's so rare to find a movie that doesn't take sides. Conflict is said to be the basis of popular fiction, and yet here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it. To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them. … "House of Sand and Fog" relates not a plot with its contrived ups and downs but a story. A plot is about things that happen. A story is about people who behave.
To admire a story you must be willing to listen to the people and observe them, and at the end of House of Sand and Fog, we have seen good people with good intentions who have their lives destroyed because they had the bad luck to come across a weak person with shabby desires.

Love , Understanding , Heart , Housing

“My fault has been honesty and I've been sentenced to a lifetime of independent movies, and that's it.”

Natasha Lyonne (1979) actress

Suicidegirls interview (2004)
Context: My fault has been honesty and I've been sentenced to a lifetime of independent movies, and that's it. That's how it feels right now.

“I think The Razor's Edge is a pretty good movie. But at the time, it was just as reviled as any other comedian doing a serious thing now.”

Bill Murray (1950) American actor and comedian

Rolling Stone Issue 903 (22 August 2002)
Context: I think The Razor's Edge is a pretty good movie. But at the time, it was just as reviled as any other comedian doing a serious thing now. Like The Majestic [with Jim Carrey], movies where comedians go straight, people don't like them.
It angers people, like you're taking something away from them. That's the response I got. I thought, "Well, aren't we all bigger than that?" I wasn't shocked by it, but I thought that the professional critics would be able to say, "OK, we shouldn't rule this out, because the guy normally does other stuff."
Unless it's really despicable, then you have to just jump with both feet on the neck.

Thinking , Time

“I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

2004
Context: I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor — I would oppose that but you know I do quite well, and I don't know... I make these books and movies and TV shows because I want things to change, and so the more people who get to see them, the better. And so I'm…I'm happy I'm happy if that happens. Should I not be happy? I don't know, It's like if a friend of yours had the DVD of my movie — gave it to you to watch one night is that person doing something wrong? I'm not seeing any money from that, but he's just handing the DVD to you so that you can watch my movie, that he bought, and you're not buying it — and yet you're watching it without paying me any money you see, I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.

After being asked what he thought about his films being pirated on the internet, in a press conference (July 2004) (YouTube video) http://www.youtube.com/watch?v=OlAB0v8wHdc, quoted in

People , Law , Problem

“I always love it when people write me and say "I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference."”

Audrey Hepburn (1929–1993) British actress

How to be Lovely‎ (2005)
Context: People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and say "I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference."

Love , People , Time

“All you need for a movie is a gun and a girl.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Cited in: Jerry White, Two Bicycles: The Work of Jean-Luc Godard and Anne-Marie Miéville https://books.google.nl/books?id=QpXZAgAAQBAJ&pg=PT136&dq=%22All+you+need+for+a+movie+is+a+gun+and+a+girl%22&hl=nl&sa=X&ved=0ahUKEwjB-5vnrJ_LAhXCLQ8KHZ1yCTgQ6AEIHDAA#v=onepage&q=%22All%20you%20need%20for%20a%20movie%20is%20a%20gun%20and%20a%20girl%22&f=false, 2013
Source: Journal entry, May 16, 1991.

Girl

“Star Wars Episode IV: A New Hope (1977) is probably the most influential film of my generation. … That movie was the personification of good and evil and the way it opened up the world to space adventure, the way westerns did to our parents' generations, it left an indelible imprint.”

J. J. Abrams (1966) American film and television producer and director

Pirelli interview (2015)
Context: Star Wars Episode IV: A New Hope (1977) is probably the most influential film of my generation. … That movie was the personification of good and evil and the way it opened up the world to space adventure, the way westerns did to our parents' generations, it left an indelible imprint. So, in a way, everything that any of us does is somehow directly or indirectly affected by the experience of seeing those first three films.

War , World , Hope , Way

“I would like to do for you now, a Japanese science fiction movie: "Attack of the Killer Vibrators."”

Robin Williams (1951–2014) American actor and stand-up comedian

Performance at the L.A. Improv (1977) https://www.youtube.com/watch?v=FH7crqRvhhc

Science

“Dances With Wolves has the kind of vision and ambition that is rare in movies today.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/dances-with-wolves-1990 of Dances with Wolves (9 November 1990)
Reviews, Four star reviews
Context: Dances With Wolves has the kind of vision and ambition that is rare in movies today. It is not a formula movie, but a thoughtful, carefully observed story. It is a Western at a time when the Western is said to be dead. It asks for our imagination and sympathy. It takes its time, three hours, to unfold. It is a personal triumph for Kevin Costner, the intelligent young actor of Field of Dreams, who directed the film and shows a command of story and of visual structure that is startling; this movie moves so confidently and looks so good it seems incredible that it's a directorial debut.

Dance

“I think politicians and movie actors and movie executives are similar in more ways than they’re different.”

Jack Valenti (1921–2007) President of the MPAA

Interview on National Public Radio (13 December 1974)
Context: I think politicians and movie actors and movie executives are similar in more ways than they’re different. There is an egocentric quality about both; there is a very sensitive awareness of the public attitude, because you live or die on public favor or disfavor. There is the desire for publicity and for acclaim, because, again, that’s part of your life... And in a strange and bizarre way, when movie actors come to Washington, they’re absolutely fascinated by the politicians. And when the politicians go to Hollywood, they’re absolutely fascinated by the movie stars. It’s a kind of reciprocity of affection by people who both recognize in a sense they’re in the same racket.

Way , Thinking

“I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'… Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was… in the stars for me, no pun intended.”

Michelle Pfeiffer (1958) American actress

Interview on Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2

Thinking , Night

“This movie is about the fact that personal repression gives rise to larger political oppression.”

Gary Ross (1956) American film director

On his film Pleasantville (1998), as quoted in Review of Pleasantville by Edward Johnson-Ott http://www.imdb.com/reviews/149/14904.html
Context: This movie is about the fact that personal repression gives rise to larger political oppression.… That when we're afraid of certain things in ourselves or we're afraid of change, we project those fears on to other things, and a lot of very ugly social situations can develop.

Personality

“Minority Report reminds us why we go to the movies in the first place.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/minority-report-2002 of Minority Report (21 June 2002)
Reviews, Four star reviews
Context: American movies are in the midst of a transition period. Some directors place their trust in technology. Spielberg, who is a master of technology, trusts only story and character, and then uses everything else as a workman uses his tools. He makes Minority Report with the new technology; other directors seem to be trying to make their movies from it. This film is such a virtuoso high-wire act, daring so much, achieving it with such grace and skill. Minority Report reminds us why we go to the movies in the first place.

“The first thing I ever thought of when I thought of Buffy, the movie, was the little…blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim.”

Joss Whedon (1964) American director, writer, and producer for television and film

Welcome to the Hellmouth (1997) DVD Commentary
Context: The first thing I ever thought of when I thought of Buffy, the movie, was the little... blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series.

Girl , Idea

“The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children.”

Jack Valenti (1921–2007) President of the MPAA

The Voluntary Movie Rating System (2004)
Context: I knew that the mix of new social currents, the irresistible force of creators determined to make "their" films and the possible intrusion of government into the movie arena demanded my immediate action.... My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry... the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children.

Children , Parent , Decision

Quotes about movie page 11

Quotes about movie
page 11