Quotes about movie
page 10

“Children in Australia are still named after movies and sporting events. You can tell roughly the year the swimming star Shane Gould was born. It was about the time Shane was released. There was a famous case of a returned serviceman who named his son after all the campaigns he had been through in the Western Desert. The kid was called William Bardia Escarpment Qattara Depression Mersa Matruh Tobruk El Alamein Benghazi Tripoli Harris.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, Unreliable Memoirs (1980), p. 29

Children, Star, Sport, Time

“Godzilla is the ultimate culmination of the "who cares about plot" summer movie. A loose remake of the 1954 "classic" Japanese monster movie, Godzilla, King of the Monsters (which is itself pretty thin in the story department), Roland Emmerich and Dean Devlin's big-budget lizard-stomps-Manhattan disaster flick has been written with the brain dead in mind. The script isn't just "dumbed down," it's lobotomized. Godzilla lives and dies on special effects alone.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=58 of Godzilla (1998). One-and-a-half star reviews

Summer, Dead

“Listen, when I arrived in Los Angeles in the early '40s, there were just 640,000 people. Every loser in the world headed there because there was no competition. The keynote was mediocrity because the film, radio and music businesses had defined that the average mental age of the audience was 12. They handed me the bloodstained hat of a guy who'd fallen off his horse and suddenly I was in the movies—in a Hopalong Cassidy picture. I give hope to the hopeless. People say, "If he can make it, I can be Queen of England.”

Robert Mitchum (1917–1997) American film actor, author, composer and singer

As quoted in "Roberto Mitchum: After all these years, still one of a kind"

People, Age, World, Hope

“Women-in-jeopardy movies are, in essence, the updated versions of men dying to save the princess from the dragon to earn her love. They are modern-day training films for teaching women to select the best protectors while weeding out the rest.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part II: The Glass Cellars of the disposable sex, p. 225.

Love, Women, Men, Princess

“Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/d/die_hard.html of Die Hard (1988). Four star reviews

Memory

“If a tree falls in the forest and no one hears it fall, does it make a sound or not? Hector had read alot of books by then, he knew all the tricks and arguments of the philosophers. If someone makes a movie and no one sees it, does the movie exist or not?”

Paul Auster book The Book of Illusions

The Book of Illusions (2002)

Books, Tree, Reading

“It's mind-boggling to consider that movies this bad are actually committed to film. The poor quality of The Pest in almost every category — humor, intelligence, creativity, and just plain entertainment value — ranks it somewhere between a bad infomercial and a local cable newscast. Rarely do I consider the act of seeing a movie to be a chore, but this kind of experience is the exception - Directed By Paul Miller.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/p/pest.html of The Pest (1997). Zero star reviews

Intelligence

“Now that we know Quentin Tarantino can make a movie like Reservoir Dogs, it's time for him to move on and make a better one.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/reservoir-dogs-1992 of Reservoir Dogs (26 October 1992) Reviews, Two-and-a-half star reviews

Dogs, Time

“Suicide is another thing that's so frowned upon in this society, but honestly, life isn't for everybody. It really isn't. It's sad when kids kill themselves 'cause they didn't really give it a chance, but life is like a movie: if you've sat through more than half of it and it sucked every second so far, it probably isn't gonna get great right at the very end for you and make it all worthwhile. No one should blame you for walking out early.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

Something to Take the Edge Off (2000)

Life, Sadness, Suicide, Chance

“No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/extremely-loud-and-incredibly-close-2012 of Extremely Loud and Incredibly Close (18 January 2012) Reviews, Two-and-a-half star reviews

“From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2009/01/a-conversation-with-kiarostami.html

“Pop culture is filth. It is now completely degenerate. Why do you never hear anyone humming a current pop song any more? Because none of them is hummable, or even worth bothering to remember. What is the main topic on TV sitcoms and "dramedies"? You know what. Why do you stand in the aisle in Blockbuster muttering to yourself: "There isn't a single damn movie in here I want to watch?"”

John Derbyshire (1945) writer

Because Hollywood produces nothing but crap, crap, crap. Unpleasant Truths: A conservative view of the world today http://www.nationalreview.com/derbyshire/derbyshire080202.asp, National Review August 2, 2002.

“Ohh, I guess you got me there. He's absolutely right. I'm just a wash up. Gotta stand on the stage.
- responding to the heckler saying "You're not funny! You're a reject! You never had no shows! You never had no movies! 'Seinfeld' that's it!"”

Michael Richards (1949) American actor

Laugh Factory incident (2006)

“at the Engvalls' home, Travis is about to play on the piano.
Engvall's son, Travis: I'm going to play you a song from Harry Potter.
Engvall: Oh, the movie?
Travis: No, the book. Here's your sign.
When telling the joke on Here's Your Sign: Live! (2004), he stops his son before he says "sign."”

Bill Engvall (1957) American comedian and actor

Here's Your Sign, "Here's MY Sign..."

Books, Home

“Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2001/12/14/vanilla/index.html of Vanilla Sky (2001)

Betrayal

Ray Harryhausen (1920–2013) American animator

Source: An Animated Life (2003), p. 195

Death, History, Nature

“I certainly hope I'm not a scary person in real life, it's not like people run from me when they see me. People are usually pretty nice when they meet me. If they're scared, they keep their shuddering to themselves. But even if you're a nice person, it's easy to be scary as a character in a movie. All you need to do is devoid yourself of any feeling toward other people and regard them as a piece of meat. If you can imagine eating someone, or if you can imagine that person being dead, that can make you seem pretty scary. But if you want to get technical about it, most of what's scary is in the writing, not in the acting.”

Brad Dourif (1950) British actor

Brad Dourif Will Act In Horror Movies, But Won`t Watch One http://articles.chicagotribune.com/1990-11-15/features/9004040566_1_brad-dourif-exorcist-iii-cerebral-palsy-victim (November 15, 1990)

Life, People, Hope, Feeling

“I wanted to be in the movies so badly that just before turning 15 I hitchhiked all the way to Hollywood, hoping to break into pictures, but of course it wasn't that easy. I ran out of money in a week and thumbed my way back home.”

Earl Holliman (1928) American actor

"Earl Holliman: actor with desire for variety" (1973)

Money, Hope, Way, Home

“One’s moviegoing tastes and habits change — I still like in movies what I always liked but now, for example, I really want documentaries. After all the years of stale stupid acted-out stories, with less and less for me in them, I am desperate to know something, desperate for facts, for information, for faces of non-actors and for knowledge of how people live — for revelations, not for the little bits of show-business detail worked up for us by show-business minds who got them from the same movies we’re tired of.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

People, Stupidity, Business, Knowledge

“Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"… as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/saving-silverman-2001 of Saving Silverman (9 February 2001) Reviews, Half-star reviews

Way, Star, Appearance, Waiting

“What I love about Celine, what I felt really proud about that script, is that she's really a fully dimensional woman. It's very rare in movies that you don't see a male projection of a fantasy woman. I mean, Julie deserves 90% of the credit, 100% of the credit, but I feel proud of the collaboration that created that character. Her work in that movie is my favorite thing about it.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/film/2005/oct/08/features.fiction (2005-10-08) On Before Sunset (2004) 2005&ndash;2009

Love, Feeling

“Yes, I've been compared to Jackie Gleason often. I've been often compared to Lou Costello. … But after a while you start to go, 'Well, geez. Do I have a personality in there?' The funny thing about Gleason is, he always used to talk about watching Jack Oakie. And if you ever watch Jack Oakie in an old movie, it's very similar to Gleason. … I think we all steal from one another.”

Nathan Lane (1956) American actor

Laurence Chollet (November 19, 1991) "Knocking Them Dead Even As a Grave Figure, This Actor Has The Last Laugh", The Record, p. D05.

Thinking, Personality

“This time of year, the whole crazy city could go in one big fire storm. There were times that he almost wished that it would. He hated this smoggy, tawdry Babylon of a city, its endless tangle of freeways, the strange-looking houses, the filthy air, the thick, choking, glossy foliage everywhere, the drugs, the booze, the divorces, the laziness, the sleaziness, the porno shops and the naked encounter parlors and the massage joints, the weird people wearing their weird clothes and driving their weird cars and cutting their hair in weird ways. There was a cheapness, a trashiness, about everything here, he thought. Even the mansions and the fancy restaurants were that way: hollow, like slick movie sets. He sometimes felt that the trashiness bothered him more than the out-and-out evil. If you kept sight of your own values you could do battle with evil, but trashiness slipped up around you and infiltrated your soul without your even knowing it. He hoped that his sojourn in Los Angeles was not doing that to him.”

Robert Silverberg (1935) American speculative fiction writer and editor

Source: Short fiction, Against Babylon (1986), p. 264

Hate, People, Hope, Angels

“Today the world has gone sex crazy. Illicit sex has become the downfall of many in the Bible. Movie stars not married to each other, having babies and making headlines all over the world as though they were doing some great thing. Big deal! Just another moral pervert. And for them to become heroes for our kids. My wife and I will be married 49 years the next anniversary.”

Jerry Falwell (1933–2007) American evangelical pastor, televangelist, and conservative political commentator

Televised sermon at the Thomas Road Baptist Church in Lynchburg, Virginia (25 June 2006), as quoted in "Falwell on the "moral pervert[s http://mediamatters.org/items/200606270003" in Hollywood: "[Y]ou almost got to be a homosexual to be recognized in the entertainment industry anymore" at Media Matters for America (27 June 2006)]

World, Sex, Star, Baby

“The Spice Girls are easier to tell apart than the Teenage Mutant Ninja Turtles, but that is small consolation: What can you say about five women whose principal distinguishing characteristic is that they have different names? They occupy Spice World as if they were watching it: They're so detached they can't even successfully lip-synch their own songs. During a rehearsal scene, their director tells them, with such truth that we may be hearing a secret message from the screenwriter, "That was absolutely perfect — without being actually any good." Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies… the huge difference, of course, is that the Beatles were talented — while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/spice-world-1998 of Spice World (23 January 1998) Reviews, Half-star reviews

Women, Truth, Secret, Age

“What's interesting is that you can have a set that's very calm, very smooth, very cooperative…and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film -- it's interesting in that way.”

Tobin Bell (1942) American actor

The Only Tobin Bell Interview You'll Ever Need http://movieline.com/2009/10/16/tobin-bell-interview/ (October 16, 2009)

Way

“The fact that Pinhead is a character that audiences want to watch, that women find sexy, that people have tattooed on their own bodies, I think, is perfectly extraordinary, and I'm incredibly pleased about it. I don't think an analysis of what he does in the movies ever completely illuminates the charm that the guy has.”

Clive Barker (1952) author, film director and visual artist

"A Living 'Hellraiser'", The Daily Bruin, Thursday, May 7, 1992

Women, People, Guy, Thinking

“It's strange: We leave the movie having enjoyed its conclusion so much that we almost forgot our earlier reservations. But they were there, and they were real.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/the-goodbye-girl-1977 The Goodbye Girl (1 January 1977) Reviews, Three star reviews

“Here is a Civil War movie that Trent Lott might enjoy. Less enlightened than Gone with the Wind, obsessed with military strategy, impartial between South and North, religiously devout, it waits 70 minutes before introducing the first of its two speaking roles for African Americans; "Stonewall" Jackson assures his black cook that the South will free him, and the cook looks cautiously optimistic. If World War II were handled this way, there'd be hell to pay.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/gods-and-generals-2003 of Gods and Generals (21 February 2003) Reviews, One-and-a-half star reviews

War, World, Way, Hell

“Many individuals spend a considerable portion of their lifetimes in terror of one imagined catastrophe or another. The classic is that your immortal soul will be consigned to eternal torment in the never-ending subterranean barbecue if you fail to follow the whacky edicts of one particular set of puckered dogwhistles or another. You may recall from the great movie Strange Days that a "dogwhistle" is a guy whose asshole is so tight that when he farts, only dogs can hear him.”

L. Neil Smith (1946) American writer

"The Bad Guys," http://www.bigheadpress.com/lneilsmith/?p=136 28 April 2009.

Dogs, Guy, Soul, Imagination

“When I was 5 or 6, I already was telling people, I want to be a movie star. I was already a movie fan, though at the time I thought the actors were actually behind the screen. As a boy, my dream was just to be a movie star; later, I wanted to be an actor.”

Earl Holliman (1928) American actor

"Earl Holliman: actor with desire for variety" (1973)

People, Dreams, Star, Boy

“I saw The Lonely Guy all by myself. It was one of those Saturday afternoons where the snow is coming down gray and mean, and you can't even get a decent recorded message on the answering machines of strangers … "Good luck," an usher told me. "You're going to need it." He was right … The Lonely Guy is the kind of movie that seems to have been made to play in empty theaters on overcast January afternoons … [It] is the kind of movie that inspires you to distract yourself by counting the commercial products visible on the screen, and speculating about whether their manufacturers paid fees to have them worked into the movie. I counted two Diet 7-Ups, two Tabs, and Steve Martin.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-lonely-guy-1984 of The Lonely Guy (1 January 1984) Reviews, One-and-a-half star reviews

Guy

“Sex is not necessary to make a movie sell. It's enough to have a pretty girl in the movie.”

Jamie Uys (1921–1996) South African film director

Sunday Times interview (1979)

Sex, Girl

“It considers not only how we relate to others, but how we relate to our ideas of others — so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or "people."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/solaris-2002 of Solaris (22 November 2002) Reviews, Three-and-a-half star reviews

Love, People, Books, World

“I started working at the Quick Stop with him. Every Sunday I used to go to the Quick Stop and we used to put the Sunday papers together at like five in the morning. And then after a while he got me a job at the video store next door. I used to lock up the store and go next door and hang out all the time and watch movies and stuff.”

Jason Mewes (1974) American actor

View Askew interview (1999)

Time

Mary McCarthy (1912–1989) American writer

"America the Beautiful: The Humanist in the Bathtub", p. 18
On the Contrary: Articles of Belief 1946–1961 (1961)

“Drunken Master (the first one). If I hadn't seen this movie, I would never have come up with Dragonball.”

Akira Toriyama (1955) manga artist and video game character designer

About Jackie Chan being his inspiration. Interview with Toriyama http://www.myfavoritegames.com/dragonball-z/Info/Interviews/Interviews-AkiraToriyama.htm

“Americans just don't know what being a movie star's all about.”

Patti Smith (1946) American singer-songwriter, poet and visual artist

Patti Smith: Can You Hear Me Ethiopia?, Cohen, Scott, Circus Magazine, 1976-12-14 http://www.oceanstar.com/patti/intervus/761214ci.htm,

Star

“Pixar is the first studio that is a movie star.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Twitter Feed https://twitter.com/ebertchicago/status/16740535371 (21 June 2010)

Star

“Since 1977, there have been many science fiction movies, but none has managed to equal [A New Hope's] blend of adventure, likable characters, and epic storytelling.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw1.html of Star Wars Episode IV: A New Hope (1977). Four star reviews

Hope, Science

“It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy. I think people who make movies and have invested a lot of money in them, get frightened that if they challenge an audience they are going to repel them. And I think the opposite, it's really true. It takes confidence and courage to know that and then commit to it.”

Claire Danes (1979) American actress

"Interview: Steve Martin and Claire Danes" by Jeff Otto at IGN.com (19 October 2005) http://movies.ign.com/articles/659/659752p1.html

Love, Money, People, Confidence

“I don't pride myself on being self-educated because I don't like to brag about the fact that I'm a high school dropout. My school wasn't prepared to have somebody leave for three months out of the year to be in a movie. Graduating wasn't in the cards in a conventional sense if I was going to continue acting. I could get my GED, or could I? I'd have to study up for that.”

Matt Dillon (1964) American actor

Ruthe Stein (April 25, 2006) "Matt Dillon dishes on 'Factotum's' private parts", San Francisco Chronicle, p. D1.

Education, School, Sense, Study

“The thought definitely crosses my mind, but for me, it has always been about reading great scripts and finding things I relate to, and this was one of those. As an actor, I think you always want your work to do well, and I think that’s hopefully what’s going to happen. Hopefully this movie does turn out as great as everyone wants it to be, and hopefully we don’t disappoint anyone.”

Liam Hemsworth (1990) Australian actor

On risks of becoming famous after The Hunger Games. — November 1, 2012, Q&A: Liam Hemsworth on The Hunger Games and Losing Weight for His Role, Krista Smith, November 8, 2011, Vanity Fair, Conde Nast http://www.vanityfair.com/online/daily/2011/11/Liam-Hunger-Games-Post,

Disappointment, Thinking, Reading

“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

John Roecker (1966) American film director

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
About

Sex

“I always preferred those movies I would have a large role in. If I had to choose between a small movie with a big role and a big movie with a small role, I'd take the one with more screen time. It's not very satisfying for an actor to get work and then ending up on the cutting room floor.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Time

“In movies you can shoot a guy 3,000 times and get a 'PG-13', but if you say the 'F' word twice it's automatically an 'R'. I'll let that be its own comment.”

Tom Shadyac (1958) American film director

Director's commentary for Dragonfly.

Guy, Time

“There were two times in my life that inspired me the most. The first was when I was a kid, probably the most emotionally influential time, when you’re naïve and innocent. I went to movie theaters and fell in love with genre films in the 1950s, when there was a big wave of monster movies. My passion came from the young guy who was watching The Fly back in 1958. Then, going to USC I began to watch movies in a different way and was exposed to different kinds of movies, foreign films. We had directors like Orson Welles, Alfred Hitchcock, Howard Hawks and John Ford come down and lecture us. It was unbelievable!”

John Carpenter (1948) American film director, screenwriter and producer

John Carpenter Q&A: Why ‘Halloween’ Didn’t Need Sequels & What Scares The Master Of Horror http://deadline.com/2014/10/john-carpenter-qa-halloween-sequels-michael-myers-861942/ (October 31, 2014)

Love, Life, Way, Guy

“It took me years to realize that a computer would never truly be able to say cogito ego sum although dozens of lurid Hollywood movies about robots want to leave that impression. A computer thinks…. that is, it realizes it has been switched on…but it doesn't know it exists.”

John Twelve Hawks book Spark

Spark (2014)

Thinking

“I used to be more dogmatic, more disciplined and segregated about my time to work; now I have to jump from one song to another, or score a scene in a movie, then get out the door for a performance at a moment's notice. The illusion of control over my schedule is totally obsolete. There is no way to say, "I can't do that right now." It's "Yes, thank you for the opportunity, whatever it takes to get the music out there."”

Sophie B. Hawkins (1967) American musician

Quotations from SophieBHawkins.com

Music, Way, Time

“I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-human-centipede-2010 of The Human Centipede (5 May 2010) Reviews, No star rating

World, Star, Time

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

War, Beauty, Art, Intelligence

“The movie is an exhausted retread of the old campus romance gag where the pretty girl almost believes the lies of the reprehensible schemer, instead of trusting the nice guy who loves her. The only originality the movie brings to this formula is to make it incomprehensible, through the lurching incompetence of its story structure. Details are labored while the big picture remains unpainted… I was appalled by the poverty of its imagination.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/slackers-2002 of Slackers (1 February 2002) Reviews, Zero star reviews

Love, Guy, Imagination, Girl

“A filmed play like this doesn't offer the sensual enjoyment that movies can offer, but you don't go to it for that; you go for O'Neill's crude, prosaic virtuosity, which is also pure American poetry, and for the kind of cast that rarely gathers for a stage production. […] Larry, a self-hating alcoholic, is a weak man and a windbag, but Ryan brings so much understanding to Larry's weakness that the play achieves new dimensions. Ryan becomes O'Neill for us; he has O'Neill's famous "tragic handsomeness" and at the end, when Larry is permanently "iced" — that is, stripped of illusion — we can see that this is the author's fantasy of himself […] Fredric March interprets Harry Hope with so much quiet tenderness that when Harry regains his illusions and we see March's muscles tone up, we don't know whether to smile for the character or the actor.”

Pauline Kael (1919–2001) American film critic

"The Iceman Cometh," pp. 353-354
5001 Nights at the Movies (1982)

Hate, Alcohol, Smile, Hope

“One does not attend this movie; one enlists in it.”

Murray Kempton (1917–1997) American journalist

"Serpents on the Nile," http://books.google.com/books?id=-tQ1AAAAIAAJ&q=%22One+does+not+attend+this+movie+one+enlists+in+it%22&pg=PA73#v=onepage a review of The Ten Commandments (1956)

“The result is a horrible mess of a movie, without shape, trajectory or purpose — a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state. I've heard a lot of funny jokes about drunks and druggies, but these guys are stoned beyond comprehension, to the point where most of their dialog could be paraphrased as "eh?"… As for Depp, what was he thinking he made this movie? He was once in trouble for trashing a New York hotel room, just like the heroes of Fear and Loathing in Las Vegas. What was that? Research? After River Phoenix died of an overdose outside Depp's club, you wouldn't think Depp would see much humor in this story — but then, of course, there *isn't* much humor in this story.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/fear-and-loathing-in-las-vegas-1998 of Fear and Loathing in Las Vegas (22 May 1998) Reviews, One-star reviews

Fear, Guy, Thinking, Past

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

Life, Pain, Penalty, Way

“The puppets in 'Dark Crystal' were very complicated, and some quite unpleasant. In that movie, I think we got into areas a bit too realistic.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1984)

Thinking

“I've been reviewing movies for a long time, and I can't think of one that more dramatically shoots itself in the foot.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/diary-of-a-mad-black-woman-2005 of Diary of a Mad Black Woman (25 February 2005) Reviews, One-star reviews

Thinking, Time

“Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but Star Wars and all the epic serials, especially the James Bond movies: Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/star-trek-ii-the-wrath-of-khan-1982 of Star Trek II: The Wrath of Khan (1 January 1982) Reviews, Three star reviews

War, Star, Strong, Help

“If I hadn't refused Ken Russell, Fellini and Spielberg and made their movies when they asked me, my life would be no different. It is not my fault that I accepted one movie and turned down another. I don't see any point in defending myself, either.”

Klaus Kinski (1926–1991) German actor

Fangoria interview

Life

“In my very first review I was already jaded, observing of "Galia," an obscure French film, that it "opens and closes with arty shots of the ocean, mother of us all, but in between it's pretty clear that what is washing ashore is the French New Wave." My pose in those days was one of superiority to the movies, although just when I had the exact angle of condescension calculated, a movie would open that disarmed my defenses and left me ecstatic and joyful.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Awake in the Dark: The Best of Roger Ebert (2006)

“I am growing increasingly convinced that if every one of these kids burning with passion to write that hit Christian song or make that hit Christian movie or start that hit Christian ministry to change the world would instead focus their passion on walking with God on a daily basis, the world would change.”

Phil Vischer (1966) American puppeter

Source: Me, Myself, & Bob (2006), p. 243

God, World, Passion, Change

“The action genre has always had a fascist potential, and it surfaces in this movie.”

Pauline Kael (1919–2001) American film critic

"Dirty Harry," p. 191.
5001 Nights at the Movies (1982)

“Overcoming deficits is an essential part of the fabric of our culture. Our books, movies, and folklore are filled with stories of the underdog who beats one-in-a-million odds. And this leads us to celebrate those who triumph over their lack of natural ability even more than we recognize those who capitalize on their innate talents. As a result, millions of people see these heroes as being the epitome of the American Dream and set their sights on conquering major challenges. Unfortunately, this is taking the path of most resistance.”

Tom Rath (1975) American author

StrengthsFinder 2.0, 2007
Source: Tom Rath, "The Fallacy Behind the American Dream," Business Journal, Feb. 8, 2007 (Excerpted from StrengthsFinder 2.0)

People, Books, Dreams, Nature

“It's safe to say that in the past, games have wanted to be like movies, but we all know now that they aren't movies and they never will be. Games are often bigger, richer and more time consuming.”

Jeremy Soule (1975) American composer

Attributed

Game, Time, Past

“I never had a misunderstanding of what [acting] was about. Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly unless you have the right set of values and understand why you’re doing it. Luckily, I was raised by people who’d already gotten to that point, and seen all the yuck stuff—which is probably why they originally didn’t want me to act. I also understood the difference between getting a part at a Hollywood party and really getting a job. I knew you had to go in and audition and maybe then they’d hire you, and that’s where you start. I also had a good understating about press: that it’s the actor’s responsibility to publicize his or her films, that the press can be fun, that it’s not about hyping yourself into stardom or trying to sell yourself as a hot ticket.”

Laura Dern (1967) American actress, director, producer

On understanding the theatrical film business in Hollywood
Interview Magazines interview (September 1990)

People, Understanding, Business, Parting

“To this day, when men meet me, there's always that movie in the back of their mind.”

Anne Bancroft (1931–2005) American actress

On The Graduate, " Anne Bancroft Finds Her Own Way Back http://www.nytimes.com/2002/02/17/theater/theater-anne-bancroft-finds-her-own-way-back.html?pagewanted=2", interview with Peter Marks in the New York Times (17 February 2002).

Men

“Backlash happens to be the title of a 1947 Hollywood movie in which a man frames his wife for a murder he's committed. The backlash against women's rights works in much the same way: its rhetoric charges feminists with all the crimes it perpetrates. The backlash line blames the women's movement for the “feminization of poverty” ñwhile the backlash's own instigators in Washington pushed through the budget cuts that helped impoverish millions of women, fought pay equity proposals, and undermined equal opportunity laws. The backlash line claims the women's movement cares nothing for children's rightsñwhile its own represetatives in the capital and state legislatures have blocked one bill after another to improve child care, slashed billions of dollars in federal aid for children, and relaxed state licensing standards for day care centers. The backlash line accuses the women's movement of creating a generation of unhappy single and childless womenñbut its purveyors in the media are the ones guilty of making single and childless women feel like circus freaks.”

Susan Faludi book Backlash: The Undeclared War Against American Women

Page 17.
Backlash (1992)

Women, Children, Law, Way

“The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time – and then you want out of that movie.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

About Movies of Myself, [July 28, 2011, http://www.facebook.com/note.php?note_id=376772359546, Want One Bio, December 1, 2009]

Sense, Time

“House of the Dead 2 I gave away. Alone in the Dark 2 I will also not do; even if the DVD movie made money. BloodRayne 2 in the Wild West is what I really want to do.”

Uwe Boll (1965) German restaurateur and former filmmaker

Uwe Boll Talks Bloodrayne, Dungeon Siege, Postal and More., 2006-06-13, Gareth Von Kallenbach, sknr.net, 2006-03-03 http://sknr.net/index.php?option=com_content&task=view&id=67, 2000s

Money, Housing, Dead

“If you thought it was impossible for a film to contain less effective comedy than Date Movie, here's evidence to the contrary.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=595 of Epic Movie (2007). One-star reviews

“I would want my children to grow up and do what they wish to in a field that they choose to step in. They should not have to use the shadow of their father’s name. I think that is a bit of a downer for a movie star’s children.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Rajeev Masand

Children, Star, Thinking

“Each day a few more lies eat into the seed with which we are born, little institutional lies from the print of newspapers, the shock waves of television, and the sentimental cheats of the movie screen.”

Norman Mailer book Advertisements for Myself

"First Advertisement for Myself"
Advertisements for Myself (1959)

Cheating

“When the film premiered at Cannes 2003, Lars von Trier was accused of not portraying Americans accurately, but how many movies do? Anything by David Spade come to mind? Von Trier could justifiably make a fantasy about America, even an anti-American fantasy, and produce a good film, but here he approaches the ideological subtlety of a raving prophet on a street corner.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/dogville-2004 of Dogville (9 April 2004) Reviews, Two star reviews

“I went to the movies to see Independence Day, the outer-space summer blockbuster of 1996. (Even the most committed intellectual can't survive on an unalloyed diet of Jane Austen remakes.)”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Dodo in the Caucus Race", p. 232
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Summer

“The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is.”

Grant Morrison (1960) writer

2004
https://web.archive.org/web/20040803000924/http://www.popimage.com/content/grant20041.html Popimage interview
On comics

Art, Home, Imagination, Game

“Because even though there is all this talk about multiculturalism in television and the movie industries, I have yet to see any evidence of it.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, RACISM AND CIVIL RIGHTS

“Those who delight in bad movies and enjoy producing their own unfilmed versions of Mystery Science Theater 3000 may gain a measure of semi-masochistic enjoyment out of Van Helsing. There are quite a few unintentionally funny moments, although the overall experience was too intensely painful for me to be able to advocate it as being "so bad, it's good."”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/v/van_helsing.html of Van Helsing (2004). Half-star reviews

Pain, Science

“Valentine's Day is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/valentines-day-2010 of Valentine's Day (10 February 2010) Reviews, Two star reviews

Thinking, Personality

“There's this barrier that goes up between the people who make the movies and the people who watch the movies. But the point of art is to have a connection between people. I think it's going to become much more of a dialogue, where everybody will watch everybody's stuff, as opposed to how it is now, where the huge corporations produce everything. I'm looking forward to seeing that.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

New York Post, March 25, 2007

People, Art, Thinking

“I think one of the things we may have missed in horror the last few years is how much fun those movies are to watch. They’re a good time. Horror has either been J Horror, moving upside down, girl with long hair, twisted head kind of thing, towards more let’s torture somebody and do something horrible over a long period of time and you can watch the trainwreck in real time. There are places for both kinds of movies, and there are great examples of both kinds but they’re not necessarily the most good time you can have at a theater.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive Interview: Patrick Lussier (My Bloody Valentine 3D) http://www.chud.com/17737/exclusive-interview-patrick-lussier-my-bloody-valentine-3d/ (January 12, 2009)

Girl, Thinking, Time

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/ General sources

War, Books, Way, Star

“In my career I met so many movie stars, but starting a life together and building a home goes beyond all other relationships," he explains. "I found in her a human being and a woman who would take care of my family. I found in my wife both compassion and understanding.”

Sunil Dutt (1929–2005) Hindi film actor

Quoted in Nargis-Sunil Dutt: A real life romance.
We all are one, whichever religion we belong to

Life, Family, Home, Star

“Your Names success told me movies still have the power to connect with society. As a medium, it still has a power that resonates.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Entertainment Weekly http://ew.com/article/2016/12/06/your-name-makoto-shinkai-interview/ About Your Name

Success

“When I was writing songs or performing or producing or dabbling in movies or even putting my career on hold to go to art school, I was just following my muse. A woman who did that then was criticized for having no direction. Today they call it versatility.”

Jackie DeShannon (1941) American singer-songwriter

Biography magazine (April 2002)

School, Art

“For a long time, the movie [Shrek] didn’t know what it wanted to be. One problem was unavoidable: Chris Farley had died, and the story had been geared around him, so when he went, the story kind of went with him. It went through an upheaval while they tried to find the right tone for it. I think they were really close to shelving the project when a few of us came into story to try and find a tone that we could work with. When Kelly Asbury moved on to Spirit: Stallion of the Cimarron I became head of story, along with Randy Cartwright. Along with Andrew Adamson, who stayed on as director, we started pulling little pieces together out of what remained, and part of the way through, Jeffrey [Katzenberg] decided that I should be directing. A few months later, we started production.”

Vicky Jenson (1960) American animator

Quoted by Michael Mallory in " Firsts Among Equals http://www.animationmagazine.net/top-stories/firsts-among-equals/", Animation Magazine (March 6th, 2014). Chris Farley was the original voice of Shrek.

Way, Problem, Thinking, Time

“I don't have a social life right now. I try to -- it's something that I miss -- but David Foster told me: 'The golden microphone is in front of your mouth. You have to sing into it or it will get passed onto someone else.' It's very lonely, what I'm doing. Even though you have a lot of people around you, they're not experiencing it first-hand. It's hard to name more than five close friends. As much as people want to understand, it's hard when you don't see someone for five months at a time, and they're like, 'C'mon, make time.' But I don't have time. My days are gone. There are a lot of firsts for me. And I'm not going to toss it off. It would be silly to say, 'No, I'd rather go see a movie.”

Josh Groban (1981) American musician and actor

I know there will be time for that later.
UK Sunday Times, 5/9/04

Life, People, Understanding, Singing

“I am the kind of guy who believes that films are supposed to be entertainment. I do not subscribe much to movies that leave you with a lingering feeling, make you feel angry or depressed. I am not yet ready to make films like that. I have grown up with films that are entertaining. Since I am such a huge fan of entertainment, I believe that the films that I do should also be entertaining, people can talk about it for three days and forget about it.”

R. Madhavan (1970) Indian actor

Interview, "Sify Movies", 30 Aug 2005 http://www.sify.com/movies/bollywood/interview.php?id=13928252&cid=2398

People, Guy, Feeling, Forgetting

“Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful — our own innocence.”

Pauline Kael book Kiss Kiss Bang Bang

"Movies on Television".
Kiss Kiss Bang Bang (1968)

People, Way, Effort, Evil

“It's a movie barely fit for a cretin, much less a King. … If you hear a door slam in the theater, you'll know that Elvis has left the building -- in disgust.”

Stephanie Zacharek (1963) American film critic

Review http://archive.salon.com/ent/movies/review/2001/02/23/graceland/index.html of 3000 Miles to Graceland (2001)

“I can't figure out who might appreciate this movie. Those who are expecting to sit back, stop thinking, and watch cool wall-to-wall battles are going to be disappointed. Those who yearn for a movie to recapture the long-lost horror and glory of the original creatures are going to be borderline suicidal. … Simply put, [Alien vs. Predator: Requiem] is trash.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=593 of Alien vs. Predator: Requiem (2007). One-star reviews

Disappointment, Thinking, Suicide

“(on Blades of Glory) Playing the assholes in the movie is fun.”

Will Arnett (1970) Canadian actor

"Interview:Will Arnett and Amy Poehler," CHUD.com (March 29, 2007) http://www.chud.com/index.php?type=interviews&id=9525 2007

“I didnt at first because horror movies scared me too much, but I really do love the genre and its a playground where you can really be artistic and create ideas in the minds of the audience and portray the unreal. Its very cool experimentation ground for a filmmaker.”

Sam Raimi (1959) American film director, producer, writer and actor

Interview: Sam Raimi on ASH VS. EVIL DEAD, DARKMAN and THE LAST OF US https://www.comingsoon.net/horror/news/747524-interview-sam-raimi-ash-vs-evil-dead-darkman-last-us#/slide/1 (October 26, 2015)

Love, Idea

“I like B movies. I take a look at this and that, while thinking, “What the hell is this!? This makes no sense!” till the end. I like that sort of feeling. So an alchemy manga was born because I wanted to have that kind of feeling in my manga. Thanks to everyone who bought it. While getting into it and thinking, “What is alchemy supposed to be like this?” Please enjoy it.”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Feeling, Hell, Thinking, Sense

“One should make movies innocently — the way Adam and Eve named the animals, their first day in the garden…Learn from your own interior vision of things, as if there had never been a D. W. Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.”

Orson Welles (1915–1985) American actor, director, writer and producer

Quoted in The Orson Welles Story.

Way, Learning, Animals

“…But the truth is, I've never wanted to be a movie star - and I've been pretty clear about that.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/film/2005/oct/08/features.fiction (2005-10-08) 2005&ndash;2009

Truth, Star

“When I was in eighth grade there was a movie called Willard, about a rat, and I fell in love with rats. I wanted one … so one guy suggested that I call Hershey Medical Center … So I called and they said … "What experiment is it for?" I said, "I don't wanna experiment on it, I just want it for a pet!" And they said, "Well, we can't do that." … About two weeks later, I go out to the mailbox, and there's this thing from the [American Anti-Vivisection Society]. Lo and behold, I'm looking through all these different experiments and I see a rat there, spread wide open, and it said some of the experiments [were] done at Hershey med center. So boom! I put two and two together, and I decided to do a report in school about it. I took advanced bio and you had to dissect cats, and I started [asking] questions, "Where'd the cat come from?", and that really ruffled some feathers. "I'm not gonna do this, you know." So basically I got thrown out of advanced bio. From that point on I became an antivivisectionist. … [Things] are changing. When I went vegetarian it was really hard on the road, and that was just eight years ago. And I see people doing it twenty, twenty-five years, traveling, and it's like, wow! … I think on a very basic level people wanna do the right thing. And if we continue to focus on that part of them that wants to do the right thing, we can win maybe at the next generation or the one after that.”

Rikki Rockett (1961) American musician

"Something To Believe In" https://books.google.it/books?id=NWxF_V4r3PAC&pg=PA107, interview by Kirsten Rosenberg (July 1999), in Speaking Out for Animals, edited by Kim W. Stallwood, Lantern Books, 2001, pp. 107-112.

Love, People, School, Travel