Quotes about molding

A collection of quotes on the topic of molding, use, life, human.

Quotes about molding

“I do believe it is possible to create, even without ever writing a word or painting a picture, by simply molding one’s inner life. And that too is a deed.”

Etty Hillesum (1914–1943) Jewish diarist

Life, Painting

“The world is a king, and like a king, desires flattery in return for favor; but true art is selfish and perverse — it will not submit to the mold of flattery.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

Conversations (March 1820)

World, Art, Selfishness

“Nature is busy creating absolutely unique individuals, whereas culture has invented a single mold to which all must conform. It is grotesque.”

U.G. Krishnamurti book Mind is a Myth

Source: Mind is a Myth (1987), Ch. 4: There Is Nothing To Understand
Context: If you are freed from the goal of the "perfect","godly", "truly religious" then that which is natural in man begins to express itself. Your religious and secular culture has placed before you the ideal man or woman, the perfect human being, and then tries to fit everybody into that mold. It is impossible. Nature does not exist at all. Nature is busy creating absolutely unique individuals, whereas culture has invented a single mold to which all must conform. It is grotesque.

Business, Nature

“I eat only white foods: eggs, sugar, grated bones, the fat of dead animals; veal, salt, coconut, chicken cooked in white water; fruit mold, rice, turnips; camphorated sausage, dough, cheese (white), cotton salad, and certain fish (skinless).”

Erik Satie (1866–1925) French composer and pianist

Quoted by Rollo H. Myers (1968). Erik Satie, p.135. New York: Dover.
See also Socrate for the context of this quote.
General quotes

Food, Fish, Water, Animals

“They say best men are molded out of faults,
And, for the most, become much more the better
For being a little bad”

William Shakespeare (1564–1616) English playwright and poet

Men

“No, you don't wanna get me started. Jell-O with hair all in the mold. I'd be like, "Damn, man, how are you gonna mess up Jell-O?" Jell-O is so wholesome and family-like. It just ruins it for me. To have a hair in there, yeah. I mean, I'm like, "Come on, Bill Cosby pumps this, man!"”

Tupac Shakur (1971–1996) rapper and actor

Posthumous attributions, Tupac: Resurrection (2003)

Family

“Ethics could teach us only those purposes and ideals. If the teachers seeks insight into the means by which the aim can be reached, into the facts by which the child can be molded, his way must lead from ethics to psychology. (…) Water flows downhill, anyhow, but to bring the water uphill hydraulic forces are indeed necessary. To overcome nature and instead to prepare for a life of ideals, to inhibit personal desires and instead to learn to serve the higher purposes indeed demands most serious and most systematic efforts. It is the teachers' task to make these efforts with all his best knowledge of mind and body, of social and of cultural values.”

Hugo Munsterberg (1863–1916) German-American psychologist, philosopher and agitator

Hugo Munsterberg, Psychology and the Teacher, 1909 (new edition, 2006), pp. 64-65.

Life, Way, Nature, Knowledge

“Auxiliary to all this, and working hand in hand with it, the Nebraska doctrine, or what is left of it, is to educate and mold public opinion, at least Northern public opinion, not to care whether slavery is voted down or voted up. This shows exactly where we now are; and partially, also, whither we are tending.
It will throw additional light on the latter, to go back, and run the mind over the string of historical facts already stated. Several things will now appear less dark and mysterious than they did when they were transpiring. The people were to be left "perfectly free," subject only to the Constitution. What the Constitution had to do with it, outsiders could not then see. Plainly enough now, it was an exactly fitted niche, for the Dred Scott decision to afterward come in, and declare the perfect free freedom of the people to be just no freedom at all. Why was the amendment, expressly declaring the right of the people, voted down? Plainly enough now: the adoption of it would have spoiled the niche for the Dred Scott decision.”

Abraham Lincoln (1809–1865) 16th President of the United States

1850s, The House Divided speech (1858)

People, Education, Decision, Freedom

“Think of something finite molded into the infinite, and you think of man.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Denke dir ein Endliches ins Unendliche gebildet, so denkst du einen Menschen.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (1968) #98

Thinking

“Chiefly the mold of a man's fortune is in his own hands.”

Francis Bacon book Essays

Of Fortune
Essays (1625)

“Music for entertainment … seems to complement the reduction of people to silence, the dying out of speech as expression, the inability to communicate at all. It inhabits the pockets of silence that develop between people molded by anxiety, work and undemanding docility.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 271

People, Music, Communication, Silence

“We teachers can only help the work going on, as servants wait upon a master. We then become witnesses to the development of the human soul; the emergence of the New Man who will no longer be the victim of events but, thanks to his clarity of vision, will become able to direct and to mold the future of mankind.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Part I : The Child's Part in World Reconstruction, p. 9
The Absorbent Mind (1949)

Soul, Teachers, Waiting, Future

“Each man must look to himself to teach him the meaning of life. It is not something discovered: it is something molded. These prison walls that this age of trade has built up round us, we can break down. We can still run free, call to our comrades, and marvel to hear once more, in response to our call, the impassioned chant of the human voice.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

1939 translation:
We can still run free, call to our comrades, and marvel to hear once more, in response to our call, the pathetic chant of the human voice.
Source: Terre des Hommes (1939), Ch. II : The Men, as quoted in The Lyric Self in Zen and E.E. Cummings (2015) by Michael Buland Burns and ‎Rima Snyder, p. 72

Life, Age

“I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.”

Christian Dior (1905–1957) French fashion designer

Source: Gokhan Bu, in The Master Of The Haute Couture’s Museum http://hearttoexplain.com/2011/06/06/balenciaga-museum/, Balenciaga Museum, 6 June 2011

“The blessing that the market does not ask about birth is paid for in the exchange society by the fact that the possibilities conferred by birth are molded to fit the production of goods that can be bought on the market.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

E. Jephcott, trans., p. 9
Dialektik der Aufklärung [Dialectic of Enlightenment] (1944)

Birth

“I don't see anything you need protecting from here," said the boy. "Except some bad decor and a possible mold problem. But you can usually clear that up with bleach.”

Cassandra Clare The Mortal Instruments

Jace to Freaky Pete, pg. 36
The Mortal Instruments, City of Ashes (2008)

Boy, Problem

“Thirty spokes unite at the single hub;
It is the empty space which makes the wheel useful.
Mold clay to form a bowl;
It is the empty space which makes the bowl useful.
Cut out windows and doors;
It is the empty space which makes the room useful.”

Laozi book Tao Te Ching

Source: Tao Te Ching, Ch. 11

“To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget”

Friedrich Nietzsche book On the Genealogy of Morality

Essay 1, Section 11
On the Genealogy of Morality (1887)
Context: To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget[... ] Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor!

Nature, Strong, Forgetting

“He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor.”

Jack Kerouac book The Town and the City

The Town and the City (1950)
Context: He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end. This he could sense even from the old house they lived in, with its solidly built walls and floors that held together like rock: some man, possibly an angry pessimistic man, had built the house long ago, but the house stood, and his anger and pessimism and irritable labourious sweats were forgotten; the house stood, and other men lived in it and were sheltered well in it.

Life, Pain, Tear

“When in love with someone, they must be your priority and paramount concern in life; and there should always be reciprocation; any other scenario creates a relationship molded with anxiety.”

Gandolfo – (RJ Intindola)

1980

Making love, Life, Love

“The forces of men’s material and perceptual violence mold Woman to dependence upon Man, in every meaning of 'dependence': contingent upon; conditional upon; necessitated by; defined in terms of; incomplete or unreal without; requiring the support or assistance of; being a subordinate part of; being an appurtenance to.”

Marilyn Frye book The Politics of Reality

Source: The Politics of Reality: Essays in Feminist Theory (1983), p. 77

Support, Men, Parting, Dependency

“It can take years to mold a dream. It takes only a fraction of a second for it to be shattered.”

Mary E. Pearson book The Kiss of Deception

Source: The Kiss of Deception

Dreams

“It's not what happens to us that molds us. It's what we do with what happens to us.”

Anita Stansfield (1961) American writer

Source: Where the Heart Leads

“Don't worry, Otto. I'm an acquired taste. Most of my best friends had to know me for years before they could even stand my presence. I'm like mold, I usually grow on you very slowly. (Tabitha)”

Sherrilyn Kenyon (1965) Novelist

Variant: she said with a smile. "I'm an acquired taste. Most of my best friends had to
know me for years before they could even stand my presence. I'm like mold, I usually grow on you very
slowly.
Source: Seize the Night

“No one told you to call your band Salacious Mold, my friend."
"We're Millennium Lint now," Simon protested”

Cassandra Clare book City of Fallen Angels

Source: City of Fallen Angels

“What molds us is what maims us.”

Dennis Lehane The Given Day

Source: The Given Day

“Each of us must live off the fruit of his thoughts in the future, because what you think today and tomorrow, next month and next year, you will mold your life and determine your future. You are guided by your mind.”

Earl Nightingale (1921–1989) American motivational speaker

Life, Thinking, Future

“[E]ach of our voices has something unique to say. Not only should I not mold my life to the demands of external conformity; I can't even find the model by which to live outside myself. I can only find it within.”

Charles Taylor (1931) Canadian philosopher

Source: Multiculturalism

Life

“I made no resolutions for the New Year. The habit of making plans, of criticizing, sanctioning and molding my life, is too much of a daily event for me.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Life

“The world would mold men by changing their environment. Christ changes men, who then change their environment. The world would shape human behavior, but Christ can change human nature.”

Ezra Taft Benson (1899–1994) President of The Church of Jesus Christ of Latter-day Saints

Men, World, Behavior, Nature

“You are the only you God made… God made you and broke the mold.”

Max Lucado (1955) American clergyman and writer

Source: Cure for the Common Life: Living in Your Sweet Spot

God

“The souls of emperors and cobblers are cast in the same mold…The same reason that makes us wrangle with a neighbor creates a war betwixt princes.”

Michel De Montaigne book Essays

Book II, Ch. 12
Essais (1595), Book II

War, Soul

“By means of all created things, without excaption, the divine assails us, penetrates us, and molds us. We imagined it as distant and inaccessible, when in fact we live steeped in its burning layers”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

Imagination, Distant

“The human bones are but vain lines dawdling, the whole universe a blank mold of stars.”

Jack Kerouac book The Dharma Bums

Source: The Dharma Bums

Star, Universe

We consider the quote as suspicious, we have no evidence supporting authorship

“The Democratic party is one that I've always observed. I have struggled greatly in life from the day I was born and I am honored to be apart of something that focuses on working class citizens and molds them into a proud specimen. Mr. Roosevelt and Mr. Kennedy have done so much in that regard for the two generations they've won over during their career course.”

Joan Crawford (1904–1977) American actress

Source: Interview, NBC (1961). Bryan Johnson from www.TheConcludingChapterOfCrawford.com pointed out, Crawford categorically refused to discuss her political affiliation, or endorse any political figure or party. We marked the quote as disputed because we didn't find the original interview.

Life

“In particular, this question, to the sculptor:
If a drawing is traced, even with the greatest precision, from another drawing, you will perceive that the one is a copy. Although the differences may deviate less than half a hair, recognizable only by perceptual sensitivity, unanimously we rule the work of the intruder's hand as non-art.
But where is the line of true art—when the sculptor's process often introduces the hands of a plaster caster, the mold maker, the grinder and the polisher, and the patina applier, all these processes and foreign hands intruding deviations upon what was once the original work?”

David Smith (1906–1965) American visual artist (1906-1965)

1950s <br class="br">Source: 'Questions to Students', one from a long list of questions, in an undated typescript among the David Smith Papers; probably written c. 1953-54; as quoted at website David Smith State http://www.davidsmithestate.org/statements.html

Art, Question, Drawing

“No progress, either moral or material, can be made in a world which is frozen, like ours, into a rigid mold of suppression of liberties.”

Damon Knight book A for Anything

Source: A for Anything (1959), Chapter 10 (p. 120)

World

“The question rises whether in the middle of all these manifold, exciting labors and Party-assignments I could still find rime for intimate experiences, for the pangs and joys of love. Unfortunately, yes! I say unfortunately because ordinarily these experiences entailed all too many cares, disappointments, and pain, and because all too many energies were pointlessly consumed through them. Yet the longing to be understood by a man down to the deepest, most secret recesses of one's soul, to be recognized by him as a striving human being, repeatedly decided matters. And repeatedly disappointment ensued all too swiftly, since the friend saw in me only the feminine element which he tried to mold into a willing sounding board to his own ego. So repeatedly the moment inevitably arrived in which I had to shake off the chains of community with an aching heart but with a sovereign, uninfluenced will. Then I was again alone. But the greater the demands life made upon me, the more the responsible work waiting to be tackled, the greater grew the longing to be enveloped by love, warmth, understanding. All the easier, consequently, began the old story of disappointment in love, the old story of Titania in "A Midsummer Night's Dream."”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Love, Life, Pain, Secret

“My heart is wax molded as she pleases, but enduring as marble to retain.”

Miguel de Cervantes book La gitanilla

La Gitanilla (The Little Gypsy) (c. 1590–1612; published 1613)

Heart

“Value-expressive attitudes not only give clarity to the self-image but also mold the self-image closer to the heart’s desire.”

Daniel Katz (1903–1998) American psychologist

Daniel Katz (1960). "The functional approach to the study of attitudes". In: Public opinion quarterly, 24 (1960). p. 173

Heart

“We do not inhabit a perfected world where natural selection ruthlessly scrutinizes all organic structures and then molds them for optimal utility. Organisms inherit a body form and a style of embryonic development; these impose constraints upon future change and adaptation. In many cases, evolutionary pathways reflect inherited patterns more than current environmental demands. These inheritances constrain, but they also provide opportunity. A potentially minor genetic change […] entails a host of complex, nonadaptive consequences. […] What “play” would evolution have if each structure were built for a restricted purpose and could be used for nothing else? How could humans learn to write if our brain had not evolved for hunting, social cohesion, or whatever, and could not transcend the adaptive boundaries of its original purpose?”

Stephen Jay Gould book Hen's Teeth and Horse's Toes

"Hyena Myths and Realities", p. 156
Hen's Teeth and Horse's Toes (1983)

World, Optimism, Nature, Learning

“The Confederate government increasingly molded its policies in the interest of the planter class.”

Eric Foner (1943) American historian

Reconstruction: America's Unfinished Revolution, 1863-1877 https://books.google.com/books?id=cwVkgrvctCcC&printsec=frontcover&dq=%22Eric+Foner%22+%22Republicans%22&hl=en&sa=X&ved=0ahUKEwiOwdup3aLLAhVK7SYKHZufDmUQ6AEIRjAH#v=onepage&q&f=false (1988). pp. 14&ndash;15 <br class="br">1980s

“It's really tough to make a name for yourself without compromising and without fitting yourself into a real specific mold. When I made the choice that I would be involved in every aspect of music and not necessarily make music for radio or MTV, I was saying, 'OK, this is me. You decide who it is.”

Josh Groban (1981) American musician and actor

"
Inside Connection, February 2004

Music

“The ills and disorders of the 14th century could not be without consequence. Times were to grow worse over the next fifty-odd years until at some imperceptible moment, by the some mysterious chemistry, energies were refreshed, ideas broke out of the mold of the Middle Ages into new realms, and humanity found itself redirected.”

Barbara W. Tuchman book A Distant Mirror

Source: A Distant Mirror (1978), p. 581

Age, Idea, Time

“The eternally repetitive routine, the imposed anonymity and the rigid atomization of numbers and cages are just a few of the dehumanizing, desocializing mechanisms. As for the relationship of prisoners to life outside, it is supposed to be virtually nonexistent. In this respect, the impenetrable concrete, the barbed wire and the armed keepers, ostensibly there to deter escape-bound captives, also suggest something further: prisoners must be guarded from the ingressions of a moving, developing world outside. Disengaged from normal social life, its revelations and influences, they must finally be robbed of their humanity. Yet human beings cannot be willed and molded into nonexistence. In reality the facts of prison life have begun in recent years to bespeak the irrationality of its goals. Even the most drastic repressive measures have not obstructed the progressive ascent of captive men and women to new heights of social consciousness. This has been especially intense among Black and Brown prisoners”

Angela Davis (1944) American political activist, scholar, and author

Source: If They Come in The Morning (1971), Chapter 2, "Lessons: From Attica to Soledad"

Life, Women, Men, World

Max Horkheimer (1895–1973) German philosopher and sociologist

E. Jephcott, trans., p. 9.
Dialektik der Aufklärung [Dialectic of Enlightenment] (1944)

Birth

“Cause it's a bitter sweet symphony, that's life
Try to make ends meet
you're a slave to money then you die.No change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
and I'm a million different people
from one day to the next
I can't change my mould, no, no, no, no, no…”

Richard Ashcroft (1971) English singer-songwriter

Urban Hymns (1997)

Life, Money, People, Change

“Like all great minds that do not merely imagine Utopias, but actually advance humanity to a new epoch, he [Jesus] took the situation and material furnished to him by the past and molded that into a fuller approximation to the divine conception within him.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Ch.2 The Social Aims of Jesus, p. 54

Imagination, Past

“Freedom is man's capacity to take a hand in his own development. It is our capacity to mold ourselves.”

Rollo May (1909–1994) US psychiatrist

Source: Man’s Search for Himself (1953), p. 138

Freedom

“O Thou Lamb of God that taketh away the sin of the world, what Thou bearest in Thy blessed hands and feet I cannot bear; take it all away. Hide me in the depths of Thy suffering love, mold me to the image of Thy divine passion.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 86.

Love, God, World, Suffering

“Only the general manager can mold the resources, processes, and values that affect innovation, into a coherent capability to develop and launch superior new products and services repeatedly.”

Clayton M. Christensen (1952–2020) Mormon academic

Clayton M. Christensen (1999) Innovation and the general manager. p. 2
1990s

“We are so bound together that no man can labor for himself alone. Each blow he strikes in his own behalf helps to mold the Universe.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

"On Getting on in the World".
Idle Thoughts of an Idle Fellow (1886)

Universe, Help

“Sighing that Nature formed but one such man,
And broke the die, in molding Sheridan.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Source: Monody on the Death of Sheridan (1816), Line 117; this can be compared to: "Natura il fece, e poi ruppe la stampa" (translated: "Nature made him, and then broke the mould"), Ariosto, Orlando Furioso, canto x, stanza 84; "The idea that Nature lost the perfect mould has been a favorite one with all song-writers and poets, and is found in the literature of all European nations", Book of English Songs, p. 28.

Nature

“When you put the corset on it gives you a glimpse into what those women's lives must have been like, a little bit. Just the fact that they did that to themselves to look a certain way gives you an idea of how important it was to be a proper young lady in those times, to kind of fit the mold of what they were trying to accomplish socially. The director, Jay Russell told me to use the corset as a device to remind myself that not only physically, but emotionally, she was trapped in her surroundings and wanted desperately to get out. It was definitely a reminder because the thing is so tight!”

Alexis Bledel (1981) American actress

About the film Tuck Everlasting
[Lynn B, http://www.agirlsworld.com/rachel/hangin-with/alexisbledel.html, We're Hangin' With.....Alexis Bledel, A Girl's World, October 7, 2002, 2007-02-26]

Women, Way, Idea, Time

“Brewesters and baksters, bochiers and cokes –
For thise are men on this molde that moost harm wercheth
To the povere peple”

William Langland book Piers Plowman

B-text, Passus 3, line 79.
Piers Plowman

Men

“Rafe turned up looking like the glass of fashion and the mold of form.”

Hulbert Footner (1879–1944) Canadian writer

Murderer's Vanity, p. 16 (1940).

Fashion

“On whistling stormcloud; on Zephyrus wing,
The Spirit-choir loud the world-anthems sing;
Hark! List to their voice: "We have passed through death's door,
There's no Death; rejoice! life lives evermore."

We are, have always been, will ever be.
We are a portion of Eternity,
Older than Creation, a part of One Great Whole,
Is each Individual and immortal Soul.

On Time's whirring loom our garments we've wrought,
Eternally weave we on network of Thought,
Our kin and our country, by Mind brought to birth,
Were patterned in heaven ere molded on earth.

We have shone in the jewel and danced on the wave,
We have sparkled in fire, defying the grave;
Through shapes ever-changing, in size, kind and name
Our individual essence still is the same.

And when we have reached to the highest of all,
The gradations of growth our minds shall recall,
So that link by link we may join them together
And trace step by step the way we reached thither.

Thus in time we shall know, if only we do
What lifts, ennobles, is right and true.
With kindness to all, with malice to none,
That in and through us God's will may be done.”

Max Heindel (1865–1919) American asrologer and occultist

We Are Eternal (1911) <br class="br">Source: http://www.rosicrucian.com/rms/rmseng01.htm http://www.rosicrucian.com/rms/rmseng01.htm

Life, Death, God, World

“The character, or tone, of a society depends on what the society regards as the most respectable or most worthy of admiration. But by regarding certain habits or attitudes as most respectable, a society admits the superiority, the superior dignity, of those human beings who most perfectly embody the habits or attitudes in question. That is to say, every society regards a specific human type (or a specific mixture of human types) as authoritative. When the authoritative type is the common man, everything has to justify itself before the tribunal of the common man; everything which cannot be justified before that tribunal becomes, at best, merely tolerated, if not despised or suspect. And even those who do not recognize that tribunal are, willy-nilly, molded by its verdicts.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Source: Natural Right and History (1953), p. 137

Question, Dependency

“Prokofiev’s playing of lyrical music is especially noteworthy. His phrasing can be exquisitely beautiful in its dynamic molding (second theme of the Andante assaifrom Sonata No. 4; the middle section of Vision fugitive, op. 22, no. 11), and his polyphonic voicing can be clear and expressive”

Boris Berman (1948) Russian/American musician

Sonatina pastorale, op. 59, no. 3
Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Beauty, Music

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Life, God, Peace, Faith

“Henpecked though he was by the Murdoch Media's golden goose — Megyn Kelly — Trump demonstrated that he is what his constituency craves: A man in the old mold.”

Ilana Mercer South African writer

"Trump Could Send the System's Sycophants Scattering," http://www.wnd.com/2015/08/trump-could-send-the-systems-sycophants-scattering/ WorldNetDaily.com, August 14, 2015. <br class="br">2010s, 2015

“Human social institutions can effect the course of human evolution. Just as climate, food supply, predators, and other natural forces of selection have molded our nature, so too can our culture.”

Peter Singer (1946) Australian philosopher

Source: The Expanding Circle: Ethics, Evolution, and Moral Progress (1981), Chapter 6, A New Understanding Of Ethics, p. 172

Food, Nature

“We lived one year in a suburb so new it was still being built in fields of red clay: a neat grid of streets named after songbirds was being dropped like a lattice of dough over a pie. Up and down Robin and Tanager and Bluebird I raced my bike; in a storm I pedaled so fast I hoped to catch up with the wind-driven rain. As I sped into the riddling wet warmth I shook my right hand according to a magical formula of my own. The universe, signaled by its master, groaned, revolved, released a flash of lightning. At last the imagination, like a mold on an orange, was covering the globe of my mind.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Three (p. 81).

Hope, Imagination, Universe

“̆̽The argument of the social theory developed in this book [works] out the idea that each imaginative and institutional form of society represents an attempt to freeze, into a particular mold, the more fluid experiences of practical and passionate relationship characterizing the immediate, relatively unreflective, uninterpreted, and undisciplined life of personality. The dogmas and arrangements inform this life and alter it. But they do not completely overcome its recalcitrance or determine its inner nature. The visionary impulse in politics draws much of its persuasive force from the appeal to this defiant experience.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 467

Life, Books, Imagination, Idea

“The core study of geography is the study of places, that is the analysis of the significant differences that distinguish the various areas of the world from each other. Among the differences that are significant to this areal differentiation, one of the more obvious are differences in landforms; one of the least obvious to the eye, but nonetheless important in molding the character of areas, are the differences in their political organization. In pursuing these and other separate topics, geographers "radiate out in diverse directions" "and for various distances, toward the cores of other disciplines."”

Richard Hartshorne (1899–1992) American Geographer

As long as they realise where they are in reference to the central core, they may hope to understand each other purposes.
R. Hartshorne (1950) "The functional approach in political geography," Annals of the Association of American Geographers Vol. 40 (2), p. 95

World, Hope, Understanding, Study

“Krage eyed us from a face of stone. “I help you with something, Inquisitor?”
“Probably not. You’d lie to me if the truth would save your soul, you bloodsucker.”
“Flattery will get you nowhere. What do you want, you parasite?”
Tough boy, this Krage. Struck from the same mold as Bullock, but he had drifted into a socially less honored profession. Not much to choose between them I thought. Priest and moneylender.”

Glen Cook book Shadows Linger

Source: Shadows Linger (1984), Chapter 14, “Juniper: Duretile” (p. 283)

Truth, Lie, Soul, Boy

“Religion is a simplistic answer that society has created in order to make people feel better, but there is little evidence as to its validity. There are thousands of religions in the world, each with their own "correct" answers, and each contradicting each other. For now the most sensible explanation to me is that we are the result of a lucky combination of cosmic factors, we're the "mold" that has grown on this particular planet and in a universe as vast as ours, it's expected that somewhere this would happen.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

People, World, Religion, Feeling

“My generation comes from a world that has been molded by crass TV programs, movies, comic books, popular music, advertisements and commercials. My brain is a huge garbage dump of all this stuff and it is this, mainly, that my work comes out of, for better or for worse. I hope that whatever synthesis I make of all this crap contains something worthwhile, that it's something other than just more smarmy entertainment—or at least, that it's genuine high quality entertainment. I also hope that perhaps it's revealing of something, maybe. On the other hand, I want to avoid becoming pretentious in the eagerness to give my work deep meanings! I have an enormous ego and must resist the urge to come on like a know-it-all. Some of the imagery in my work is sorta scary because I'm basically a fearful, pessimistic person. I'm always seeing the predatory nature of the universe, which can harm you or kill you very easily and very quickly, no matter how well you watch your step. The way I see it, we are all just so much chopped liver. We have this great gift of human intelligence to help us pick our way through this treacherous tangle, but unfortunately we don't seem to value it very much. Most of us are not brought up in environments that encourage us to appreciate and cultivate our intelligence. To me, human society appears mostly to be a living nightmare of ignorant, depraved behavior. We're all depraved, me included. I can't help it if my work reflects this sordid view of the world. Also, I feel that I have to counteract all the lame, hero-worshipping crap that is dished out by the mass-media in a never-ending deluge.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 363

Books, World, Fear, Hope

“Human paint, produce films and videos; they dance, dream and make music; they engage in political action, exchange goods, perform rituals, build houses start wars, act in plays, try to please patrons- and so on… They contain patterns, press the practitioners to "conform" and in this way mold their thought, their perception, their actions, and their discriminative abilities.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 28.
Conquest of Abundance (2001 [posthumous])

War, Dreams, Music, Way

“You talk a great deal about building a better world for your children, but when you are young you can no more envision a world inherited by your children than you can conceive of dying. The society you mold, you mold for yourself.
It was this way with my generation. We were unhappy with what we inherited and we tried to reshape it in ways that would make it more tolerable to us. You were not uppermost in our thoughts.
Now, in middle age, some of us are trying to rewrite history. Some of us tell you, "We labored and dared and sacrificed — all for you — yet we hear no thanks."
You will not be unduly moved, I hope, by these laments. They are sentimental cries from persons so attached to the society they have rebuilt that they cannot bear the thought of seeing it overhauled by new proprietors.”

Russell Baker (1925–2019) writer and satirst from the United States

"The Becoming Looseness of Doom" (p.79)
There's a Country in My Cellar (1990)

Children, Age, World, Hope

“Preachers are not sermon makers, but men makers and saint makers, and he only is well-trained for this business who has made himself a man and a saint. It is not great talents nor great learning nor great preachers that God needs, but men great in holiness, great in faith, great in love, great in fidelity, great for God - men always preaching by holy sermons in the pulpit, by holy lives out of it. These can mold a generation for God.”

Edward McKendree Bounds (1835–1913) clergyman of the Methodist Episcopal Church South

Power Through Prayer.

Love, Men, God, Faith

“When they were busy molding the upper floor, it was discovered that the cellar had begun to crack. When the foreman joiner and the foreman mason were summoned, they announced that these cracks must have been caused by the earthquakes that had occurred that summer. Bjartur said that no one had noticed any earthquakes that particular summer, not on the upper surface of the earth at least. "There were earthquakes in Korea," said the foreman joiner.”

Halldór Laxness (1902–1998) Icelandic author

Sjálfstætt fólk (Independent People) (1935), Book Two, Part II: Years of Prosperity

Business, Summer

“Mrs. Elvsted: You have some hidden motive in this, Hedda!
Hedda: Yes, I have. I want for once in my life to have power to mold a human destiny.
Mrs. Elvsted: Have you not the power?
Hedda: I have not—and never had it.
Mrs. Elvsted: Not your husband's?
Hedda: Do you think it's worth the trouble? Oh, if only you could understand how poor I am. And fate has made you so rich!”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Act II
Hedda Gabler (1890)

Life, Fate, Motivation, Understanding

“Skirting the rocks at the forest edge
With a running flame from ledge to ledge,
Or swaying deeper in shadowy glooms,
A smoldering fire in her dusky blooms;
Bronzed and molded by wind and sun,
Maddening, gladdening every one
With a gypsy beauty full and fine,—
A health to the crimson columbine!”

Elaine Goodale Eastman (1863–1953) American novelist, poet

Columbine; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 124.

Health, Beauty, Sun

“It is time for students of the evolutionary process, especially those who have been misquoted and used by the creationists, to state clearly that evolution is a fact, not theory, and that what is at issue within biology are questions of details of the process and the relative importance of different mechanisms of evolution. It is a fact that the earth, with liquid water, is more than 3.6 billion years old. It is a fact that cellular life has been around for at least half of that period and that organized multicellular life is at least 800 million years old. It is a fact that major life forms now on earth were not at all represented in the past. There were no birds or mammals 250 million years ago. It is a fact that major life forms of the past are no longer living. There used to be dinosaurs and Pithecanthropus, and there are none now. It is a fact that all living forms come from previous living forms. Therefore, all present forms of life arose from ancestral forms that were different. Birds arose from nonbirds and humans from nonhumans. No person who pretends to any understanding of the natural world can deny these facts any more than she or he can deny that the earth is round, rotates on its axis, and revolves around the sun. The controversies about evolution lie in the realm of the relative importance of various forces in molding evolution.”

Richard C. Lewontin (1929) American evolutionary biologist

" Evolution/Creation Debate: A Time for Truth http://bioscience.oxfordjournals.org/content/31/8/local/ed-board.pdf", BioScience volume 31 (1981), p. 559; Reprinted in J. Peter Zetterberg, editor, Evolution versus Creationism, Oryx Press, Phoenix, Arizona, 1983.

Life, Lie, World, Understanding

“The more I ponder God's way, the more I believe He changes a person, or molds a person through enlightenment. He changes a person's mind.”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

God, Way, Change, Personality

“As when, O lady mine,
With chiseled touch
The stone unhewn and cold
Becomes a living mold,
The more the marble wastes,
The more the statue grows.”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

Sonnet addressed to Vittoria Colonna; tr. Mrs. Henry Roscoe (Maria Fletcher Roscoe), Vittoria Colonna: Her Life and Poems (1868), p. 169.

“Roger: It’s complicated. It kind of has different phases. It will be like Chris [Demakes, guitarist/singer] or I will have a song idea and Vinnie Fiorello [drummer/lyricist] will write lyrics that go with that song idea or Vinnie will just have words that he wrote down and we’ll take that and sort of mold it into a song. I mean it kind of happens in different ways and not everyone is always involved, and sometimes everyone is involved it just depends. There’s no like formula for writing songs at least not in our band. It’s pretty much however it comes apart and falls apart and everything if it feels right it feels right the song is the ultimate guide. Am I being too hippie for you?”

Roger Manganelli (1973) American musician

Way, Feeling, Idea, Dependency

“Lo and behold! God made this
starry wold,
The maggot and the mold; lo and
behold!
He taught the grass contentment
blade by blade,
The sanctity of sameness in a shade.”

Nathalia Crane (1913–1998) American writer

Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)

God, Grass

“Still speaking of dreams, Seth says: "Energy projected into any kind of construction, psychic or physical, cannot be recalled, but must follow the laws of the particular form into which it has been for the moment molded. Therefore, when the dreamer contracts his multi-realistic objects backward, ending for himself the dream he has constructed, he ends it for himself only. The reality of the dream continues."”

Jane Roberts (1929–1984) American Writer

The energy, as Seth explains it, can be transformed, but not annihilated.
Source: The Seth Material (1970), p. 200-201

Law, Dreams, Reality

“To the mind of superficial men the future of different races has already brought disaster and ruin upon the country. The poor negro has been charged with all our woes. In the haste of these men they forget that our trouble was not ethnological, but moral, that it was not difference of complexion, but difference of conviction. It was not the Ethiopian as a man, but the Ethiopian as a slave and a coveted article of merchandise, that gave us trouble. I close these remarks as I began. If our action shall be in accordance with the principles of justice, liberty, and perfect human equality, no eloquence can adequately portray the greatness and grandeur of the future of the republic. We shall spread the network of our science and our civilization over all who seek their shelter, whether from Asia, Africa, or the isles of the sea. We shall mold them all, each after his kind, into Americans. Indian and Celt, Negro and Saxon, Latin and Teuton, Mongolian and Caucasian, Jew and gentile, all shall here bow to the same law, speak the same language, support the same government, enjoy the same liberty, vibrate with the same national enthusiasm, and seek the same national ends.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Men, Justice, Law, Support

“Punk: I'm not gonna have you sit here and belittle me. Say I've lost sight? I've lost sight of things, John? The reason I say I'm gonna take that and walk out is because I don't fit a certain mold. Because I am the underdog, and that's exactly what you've lost sight of. Earlier in this ring, you mentioned great wrestlers like Eddie Guerrero and you said they used to look at you and say that the kid couldn't hang. And now you stand here and look at me as the kid that can't hang. John, I was hanging off of your gangster car, WrestleMania 22, as it rolled down in Chicago, Illinois, and I stood there in a suit looking as ridiculous as [points to Vince McMahon] that man looks right now in his suit, holding a phony Tommy gun, and I said to myself someday, I'm not gonna be standing out there watching you in the ring; I was gonna be in the ring watching you go down to CM Punk. And now here we are in your hometown of Boston. And now next week, we'll be back there in my hometown—Chicago, Illinois. And this… this is the part where I talk 'em into the building. See, you are the one that's lost sight, and I apologize for raising my voice because I'm not that guy. But when you stand here and tell me that I've lost sight, when you, the 10-time Champion who stands for hustle, loyalty and respect; who, from Boston, Massachusetts, lives and breathes these red colors, the same colors as your beloved Red Sox, who also portray themselves as the underdog, I'm sure just like the Bruins portray themselves as the underdog. Just like the Patriots think they're the underdog! Hey, how about those Celtics? Are they the underdogs too? Here's what you've lost sight of, John, and I'm really happy that your father and your wife are sitting in the front row so they can hear it!
John Cena: That's the last time I'm gonna tell you, man, ease up.
Punk: What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees! [John immediately punches Punk, who scoots out of the ring, grabs the contract, and goes up the ramp. Points respectively to Vince and John] You're Steinbrenner, and you might as well be Jeter! Mr. 3000, I'm the underdog! [John's music plays for fourteen seconds] Turn it off! Turn the music off because I have something to say, and I'm positive that everybody here wants to hear it, and everybody sitting at home has their DVRs fired up because they wanna hear it! I'm glad you just punched me in the face, John. I'm glad it went down this way because it hit me like a bolt of lightning—exactly why I no longer wanna be here, why I wanna leave. It's because I'm tired of this. I'm tired of you. I'm just tired. So ladies and gentlemen of the WWE Universe, Vince, John, Sunday night, say goodbye to the WWE Title, say goodbye to John Cena, and say goodbye to CM Punk! [Rips up the contract] I'll go be the best in the world somewhere else.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 11, 2011
WWE Raw

Hate, World, Music, Cars

“Not only were the minds of artists formed by the university; in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), pp. 247-248, "American Drawing"

Art, Universe

“My objects are to be seen as stimulants for the transformation of the idea of sculpture.... or of art in general. They should provoke thoughts about what sculpture can be and how the concept of sculpting can be extended to the invisible materials used by everyone.
THINKING FORMS – how we mold our thoughts or
SPOKEN FORMS – how we shape our thoughts into words or
SOCIAL SCULPTURE – how we mold and shape the world in which we live:
Sculpture as an evolutionary process; everyone an artist.
That is why nature of my sculpture is not fixes and finished. Processes continue in most of them: chemical reactions, fermentations, color changes, delays, drying up. Everything is in a STATE of CHANGE.”

Joseph Beuys (1921–1986) German visual artist

Beuys' quote from Theory of Social Sculpture, 1979, as cited in: Chris Thompson. Felt: Fluxus, Joseph Beuys, and the Dalai Lama. 2011. p. 88-89
1970's

World, Art, Color, Idea

“The Nefertiti bust is one of the most popular art works in the world. It is printed on scarves and molded in necklace pendants and coffee-table miniatures. But never in my experience is the bust exactly reproduced. The copyist softens it, feminizes it and humanizes it. The actual bust is intolerably severe. It is too uncanny an object for domestic display. Even art books lie. The bust is usually posed in profile or at an angle, so that the missing left pupil is hidden or shadowed. What happened to the eye?”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 67

Lie, Books, World, Art

“This is not work
but a kind of workmanship.
First out of paper, then from the body.
To provoke thought into form,
molded according to a measure.
I think of a tailor
who is his own fabric.”

Dana Gioia (1950) American writer

"Homage to Valerio Magrelli" (After the Italian of Valerio Magrelli), vi
Poetry, Interrogations at Noon (2001)

Thinking

“Surely one of the reasons for our continued failures throughout these areas [Asia and the Middle East] has been our inability to understand how profound, how irrational, and how erratic has been the reaction generally of the respective peoples to the ideas and impulses that have come to them from the West in recent decades. This applies particularly to the intellectuals who play so prominent a part in political leadership and in the molding of public opinion. To ascertain the reasons for the intensely anti-American attitudes manifested by these people would be to delve deeply into psychological reactions and the origins of various forms of neuroses. I have thoughts about these matters, but will not take up your time with them here.
Only one thing I would emphasize. The respective reactions are obviously emotional and subconscious, and not likely to be altered by any attempts on our part to meet them by any verbal appeal to rational processes.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

January 23, 1952
The Kennan Diaries

People, Idea, Failure, Understanding

“In those countries, it is actually capital that rules; that is, nothing more than a clique of a few hundred men who possess untold wealth and, as a consequence of the peculiar structure of their national life, are more or less independent and free. They say: 'Here we have liberty.' By this they mean, above all, an uncontrolled economy, and by an uncontrolled economy, the freedom not only to acquire capital but to make absolutely free use of it. That means freedom from national control or control by the people both in the acquisition of capital and in its employment. This is really what they mean when they speak of liberty. These capitalists create their own press and then speak of the 'freedom of the press.' In reality, every one of the newspapers has a master, and in every case this master is the capitalist, the owner. This master, not the editor, is the one who directs the policy of the paper. If the editor tries to write other than what suits the master, he is ousted the next day. This press, which is the absolutely submissive and characterless slave of the owners, molds public opinion.
..
Yes, certainly, we jeopardize the liberty to profiteer at the expense of the community, and, if necessary, we even abolish it.
..
All my life I have been a 'have-not.' At home I was a 'have-not.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

I regard myself as belonging to them and have always fought exclusively for them. I defended them and, therefore, I stand before the world as their representative.
Speech to the Workers of Berlin (10 December 1940) (Wikisource)
1940s

Life, Men, People, Reality

“The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in.”

Herman Wouk (1915–2019) Pulitzer Prize-winning American author whose novels include The Caine Mutiny, The Winds of War and War and …

“An Exclusive Interview with Herman Wouk,” Kirk Polking, Writer’s Digest (September 1966).

Life, Truth, Art, Imagination

“When they built you brother, they turned this dust to gold.
When they built you brother, they broke the mold.”

Bruce Springsteen (1949) American singer and songwriter

"Terry's Song"
Song lyrics, Magic (2007)

“Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.”

Fernand Léger (1881–1955) French painter

Quote from 'Notes on Contemporary Plastic Life', 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, p. 25
Quotes of Fernand Leger, 1920's

Color, Question