Quotes about molding

A collection of quotes on the topic of molding, use, life, human.

Quotes about molding

Etty Hillesum photo
Ludwig Van Beethoven photo
U.G. Krishnamurti photo

“Nature is busy creating absolutely unique individuals, whereas culture has invented a single mold to which all must conform. It is grotesque.”

Source: Mind is a Myth (1987), Ch. 4: There Is Nothing To Understand
Context: If you are freed from the goal of the "perfect","godly", "truly religious" then that which is natural in man begins to express itself. Your religious and secular culture has placed before you the ideal man or woman, the perfect human being, and then tries to fit everybody into that mold. It is impossible. Nature does not exist at all. Nature is busy creating absolutely unique individuals, whereas culture has invented a single mold to which all must conform. It is grotesque.

Erik Satie photo

“I eat only white foods: eggs, sugar, grated bones, the fat of dead animals; veal, salt, coconut, chicken cooked in white water; fruit mold, rice, turnips; camphorated sausage, dough, cheese (white), cotton salad, and certain fish (skinless).”

Erik Satie (1866–1925) French composer and pianist

Quoted by Rollo H. Myers (1968). Erik Satie, p.135. New York: Dover.
See also Socrate for the context of this quote.
General quotes

William Shakespeare photo
Tupac Shakur photo
Hugo Munsterberg photo
Abraham Lincoln photo
Karl Wilhelm Friedrich Schlegel photo

“Think of something finite molded into the infinite, and you think of man.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Denke dir ein Endliches ins Unendliche gebildet, so denkst du einen Menschen.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (1968) #98

Francis Bacon photo

“Chiefly the mold of a man's fortune is in his own hands.”

Of Fortune
Essays (1625)

Theodor W. Adorno photo

“Music for entertainment … seems to complement the reduction of people to silence, the dying out of speech as expression, the inability to communicate at all. It inhabits the pockets of silence that develop between people molded by anxiety, work and undemanding docility.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 271

Maria Montessori photo
Antoine de Saint-Exupéry photo

“Each man must look to himself to teach him the meaning of life. It is not something discovered: it is something molded. These prison walls that this age of trade has built up round us, we can break down. We can still run free, call to our comrades, and marvel to hear once more, in response to our call, the impassioned chant of the human voice.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

1939 translation:
We can still run free, call to our comrades, and marvel to hear once more, in response to our call, the pathetic chant of the human voice.
Source: Terre des Hommes (1939), Ch. II : The Men, as quoted in The Lyric Self in Zen and E.E. Cummings (2015) by Michael Buland Burns and ‎Rima Snyder, p. 72

Christian Dior photo

“I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.”

Christian Dior (1905–1957) French fashion designer

Source: Gokhan Bu, in The Master Of The Haute Couture’s Museum http://hearttoexplain.com/2011/06/06/balenciaga-museum/, Balenciaga Museum, 6 June 2011

Theodor W. Adorno photo

“The blessing that the market does not ask about birth is paid for in the exchange society by the fact that the possibilities conferred by birth are molded to fit the production of goods that can be bought on the market.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

E. Jephcott, trans., p. 9
Dialektik der Aufklärung [Dialectic of Enlightenment] (1944)

Cassandra Clare photo
Laozi photo
Friedrich Nietzsche photo

“To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget”

Essay 1, Section 11
On the Genealogy of Morality (1887)
Context: To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget[... ] Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor!

Jack Kerouac photo

“He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor.”

The Town and the City (1950)
Context: He saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end. This he could sense even from the old house they lived in, with its solidly built walls and floors that held together like rock: some man, possibly an angry pessimistic man, had built the house long ago, but the house stood, and his anger and pessimism and irritable labourious sweats were forgotten; the house stood, and other men lived in it and were sheltered well in it.

Mary E. Pearson photo

“It's not what happens to us that molds us. It's what we do with what happens to us.”

Anita Stansfield (1961) American writer

Source: Where the Heart Leads

Sherrilyn Kenyon photo

“Don't worry, Otto. I'm an acquired taste. Most of my best friends had to know me for years before they could even stand my presence. I'm like mold, I usually grow on you very slowly. (Tabitha)”

Sherrilyn Kenyon (1965) Novelist

Variant: she said with a smile. "I'm an acquired taste. Most of my best friends had to
know me for years before they could even stand my presence. I'm like mold, I usually grow on you very
slowly.
Source: Seize the Night

Cassandra Clare photo
Dennis Lehane photo

“What molds us is what maims us.”

Source: The Given Day

Charles Taylor photo
Anaïs Nin photo
Ezra Taft Benson photo
Max Lucado photo

“You are the only you God made… God made you and broke the mold.”

Max Lucado (1955) American clergyman and writer

Source: Cure for the Common Life: Living in Your Sweet Spot

Michel De Montaigne photo
Pierre Teilhard De Chardin photo
Jack Kerouac photo
Joan Crawford photo

“The Democratic party is one that I've always observed. I have struggled greatly in life from the day I was born and I am honored to be apart of something that focuses on working class citizens and molds them into a proud specimen. Mr. Roosevelt and Mr. Kennedy have done so much in that regard for the two generations they've won over during their career course.”

Joan Crawford (1904–1977) American actress

Source: Interview, NBC (1961). Bryan Johnson from www.TheConcludingChapterOfCrawford.com pointed out, Crawford categorically refused to discuss her political affiliation, or endorse any political figure or party. We marked the quote as disputed because we didn't find the original interview.

Alexandra Kollontai photo
Miguel de Cervantes photo

“My heart is wax molded as she pleases, but enduring as marble to retain.”

La Gitanilla (The Little Gypsy) (c. 1590–1612; published 1613)

“Value-expressive attitudes not only give clarity to the self-image but also mold the self-image closer to the heart’s desire.”

Daniel Katz (1903–1998) American psychologist

Daniel Katz (1960). "The functional approach to the study of attitudes". In: Public opinion quarterly, 24 (1960). p. 173

Eric Foner photo

“The Confederate government increasingly molded its policies in the interest of the planter class.”

Eric Foner (1943) American historian

Reconstruction: America's Unfinished Revolution, 1863-1877 https://books.google.com/books?id=cwVkgrvctCcC&printsec=frontcover&dq=%22Eric+Foner%22+%22Republicans%22&hl=en&sa=X&ved=0ahUKEwiOwdup3aLLAhVK7SYKHZufDmUQ6AEIRjAH#v=onepage&q&f=false (1988). pp. 14–15
1980s

Josh Groban photo
Barbara W. Tuchman photo
Angela Davis photo
Max Horkheimer photo

“The blessing that the market does not ask about birth is paid for in the exchange society by the fact that the possibilities conferred by birth are molded to fit the production of goods that can be bought on the market.”

Max Horkheimer (1895–1973) German philosopher and sociologist

E. Jephcott, trans., p. 9.
Dialektik der Aufklärung [Dialectic of Enlightenment] (1944)

Richard Ashcroft photo
Walter Rauschenbusch photo
Rollo May photo

“Freedom is man's capacity to take a hand in his own development. It is our capacity to mold ourselves.”

Rollo May (1909–1994) US psychiatrist

Source: Man’s Search for Himself (1953), p. 138

Horace Bushnell photo
Clayton M. Christensen photo
Jerome K. Jerome photo
George Gordon Byron photo

“Sighing that Nature formed but one such man,
And broke the die, in molding Sheridan.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Source: Monody on the Death of Sheridan (1816), Line 117; this can be compared to: "Natura il fece, e poi ruppe la stampa" (translated: "Nature made him, and then broke the mould"), Ariosto, Orlando Furioso, canto x, stanza 84; "The idea that Nature lost the perfect mould has been a favorite one with all song-writers and poets, and is found in the literature of all European nations", Book of English Songs, p. 28.

Alexis Bledel photo
William Langland photo

“Rafe turned up looking like the glass of fashion and the mold of form.”

Hulbert Footner (1879–1944) Canadian writer

Murderer's Vanity, p. 16 (1940).

Max Heindel photo
Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Ilana Mercer photo

“Henpecked though he was by the Murdoch Media's golden goose — Megyn Kelly — Trump demonstrated that he is what his constituency craves: A man in the old mold.”

Ilana Mercer South African writer

"Trump Could Send the System's Sycophants Scattering," http://www.wnd.com/2015/08/trump-could-send-the-systems-sycophants-scattering/ WorldNetDaily.com, August 14, 2015.
2010s, 2015

Peter Singer photo

“Human social institutions can effect the course of human evolution. Just as climate, food supply, predators, and other natural forces of selection have molded our nature, so too can our culture.”

Peter Singer (1946) Australian philosopher

Source: The Expanding Circle: Ethics, Evolution, and Moral Progress (1981), Chapter 6, A New Understanding Of Ethics, p. 172

Edmund White photo
Roberto Mangabeira Unger photo
Glen Cook photo
Andrew Sega photo
Robert Crumb photo

“My generation comes from a world that has been molded by crass TV programs, movies, comic books, popular music, advertisements and commercials. My brain is a huge garbage dump of all this stuff and it is this, mainly, that my work comes out of, for better or for worse. I hope that whatever synthesis I make of all this crap contains something worthwhile, that it's something other than just more smarmy entertainment—or at least, that it's genuine high quality entertainment. I also hope that perhaps it's revealing of something, maybe. On the other hand, I want to avoid becoming pretentious in the eagerness to give my work deep meanings! I have an enormous ego and must resist the urge to come on like a know-it-all. Some of the imagery in my work is sorta scary because I'm basically a fearful, pessimistic person. I'm always seeing the predatory nature of the universe, which can harm you or kill you very easily and very quickly, no matter how well you watch your step. The way I see it, we are all just so much chopped liver. We have this great gift of human intelligence to help us pick our way through this treacherous tangle, but unfortunately we don't seem to value it very much. Most of us are not brought up in environments that encourage us to appreciate and cultivate our intelligence. To me, human society appears mostly to be a living nightmare of ignorant, depraved behavior. We're all depraved, me included. I can't help it if my work reflects this sordid view of the world. Also, I feel that I have to counteract all the lame, hero-worshipping crap that is dished out by the mass-media in a never-ending deluge.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 363

Paul Karl Feyerabend photo
Halldór Laxness photo
Henrik Ibsen photo
Elaine Goodale Eastman photo

“It is time for students of the evolutionary process, especially those who have been misquoted and used by the creationists, to state clearly that evolution is a fact, not theory, and that what is at issue within biology are questions of details of the process and the relative importance of different mechanisms of evolution. It is a fact that the earth, with liquid water, is more than 3.6 billion years old. It is a fact that cellular life has been around for at least half of that period and that organized multicellular life is at least 800 million years old. It is a fact that major life forms now on earth were not at all represented in the past. There were no birds or mammals 250 million years ago. It is a fact that major life forms of the past are no longer living. There used to be dinosaurs and Pithecanthropus, and there are none now. It is a fact that all living forms come from previous living forms. Therefore, all present forms of life arose from ancestral forms that were different. Birds arose from nonbirds and humans from nonhumans. No person who pretends to any understanding of the natural world can deny these facts any more than she or he can deny that the earth is round, rotates on its axis, and revolves around the sun. The controversies about evolution lie in the realm of the relative importance of various forces in molding evolution.”

Richard C. Lewontin (1929) American evolutionary biologist

" Evolution/Creation Debate: A Time for Truth http://bioscience.oxfordjournals.org/content/31/8/local/ed-board.pdf", BioScience volume 31 (1981), p. 559; Reprinted in J. Peter Zetterberg, editor, Evolution versus Creationism, Oryx Press, Phoenix, Arizona, 1983.

“The more I ponder God's way, the more I believe He changes a person, or molds a person through enlightenment. He changes a person's mind.”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

Michelangelo Buonarroti photo

“As when, O lady mine,
With chiseled touch
The stone unhewn and cold
Becomes a living mold,
The more the marble wastes,
The more the statue grows.”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

Sonnet addressed to Vittoria Colonna; tr. Mrs. Henry Roscoe (Maria Fletcher Roscoe), Vittoria Colonna: Her Life and Poems (1868), p. 169.

Roger Manganelli photo
Nathalia Crane photo

“Lo and behold! God made this
starry wold,
The maggot and the mold; lo and
behold!
He taught the grass contentment
blade by blade,
The sanctity of sameness in a shade.”

Nathalia Crane (1913–1998) American writer

Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)

Jane Roberts photo
Frederick Douglass photo
Phil Brooks photo

“Punk: I'm not gonna have you sit here and belittle me. Say I've lost sight? I've lost sight of things, John? The reason I say I'm gonna take that and walk out is because I don't fit a certain mold. Because I am the underdog, and that's exactly what you've lost sight of. Earlier in this ring, you mentioned great wrestlers like Eddie Guerrero and you said they used to look at you and say that the kid couldn't hang. And now you stand here and look at me as the kid that can't hang. John, I was hanging off of your gangster car, WrestleMania 22, as it rolled down in Chicago, Illinois, and I stood there in a suit looking as ridiculous as [points to Vince McMahon] that man looks right now in his suit, holding a phony Tommy gun, and I said to myself someday, I'm not gonna be standing out there watching you in the ring; I was gonna be in the ring watching you go down to CM Punk. And now here we are in your hometown of Boston. And now next week, we'll be back there in my hometown—Chicago, Illinois. And this… this is the part where I talk 'em into the building. See, you are the one that's lost sight, and I apologize for raising my voice because I'm not that guy. But when you stand here and tell me that I've lost sight, when you, the 10-time Champion who stands for hustle, loyalty and respect; who, from Boston, Massachusetts, lives and breathes these red colors, the same colors as your beloved Red Sox, who also portray themselves as the underdog, I'm sure just like the Bruins portray themselves as the underdog. Just like the Patriots think they're the underdog! Hey, how about those Celtics? Are they the underdogs too? Here's what you've lost sight of, John, and I'm really happy that your father and your wife are sitting in the front row so they can hear it!
John Cena: That's the last time I'm gonna tell you, man, ease up.
Punk: What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees! [John immediately punches Punk, who scoots out of the ring, grabs the contract, and goes up the ramp. Points respectively to Vince and John] You're Steinbrenner, and you might as well be Jeter! Mr. 3000, I'm the underdog! [John's music plays for fourteen seconds] Turn it off! Turn the music off because I have something to say, and I'm positive that everybody here wants to hear it, and everybody sitting at home has their DVRs fired up because they wanna hear it! I'm glad you just punched me in the face, John. I'm glad it went down this way because it hit me like a bolt of lightning—exactly why I no longer wanna be here, why I wanna leave. It's because I'm tired of this. I'm tired of you. I'm just tired. So ladies and gentlemen of the WWE Universe, Vince, John, Sunday night, say goodbye to the WWE Title, say goodbye to John Cena, and say goodbye to CM Punk! [Rips up the contract] I'll go be the best in the world somewhere else.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 11, 2011
WWE Raw

Joseph Beuys photo
Camille Paglia photo
Dana Gioia photo

“This is not work
but a kind of workmanship.
First out of paper, then from the body.
To provoke thought into form,
molded according to a measure.
I think of a tailor
who is his own fabric.”

Dana Gioia (1950) American writer

"Homage to Valerio Magrelli" (After the Italian of Valerio Magrelli), vi
Poetry, Interrogations at Noon (2001)

George F. Kennan photo
Adolf Hitler photo

“In those countries, it is actually capital that rules; that is, nothing more than a clique of a few hundred men who possess untold wealth and, as a consequence of the peculiar structure of their national life, are more or less independent and free. They say: 'Here we have liberty.' By this they mean, above all, an uncontrolled economy, and by an uncontrolled economy, the freedom not only to acquire capital but to make absolutely free use of it. That means freedom from national control or control by the people both in the acquisition of capital and in its employment. This is really what they mean when they speak of liberty. These capitalists create their own press and then speak of the 'freedom of the press.' In reality, every one of the newspapers has a master, and in every case this master is the capitalist, the owner. This master, not the editor, is the one who directs the policy of the paper. If the editor tries to write other than what suits the master, he is ousted the next day. This press, which is the absolutely submissive and characterless slave of the owners, molds public opinion.
..
Yes, certainly, we jeopardize the liberty to profiteer at the expense of the community, and, if necessary, we even abolish it.
..
All my life I have been a 'have-not.' At home I was a 'have-not.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

I regard myself as belonging to them and have always fought exclusively for them. I defended them and, therefore, I stand before the world as their representative.
Speech to the Workers of Berlin (10 December 1940) (Wikisource)
1940s

Herman Wouk photo
Bruce Springsteen photo

“When they built you brother, they turned this dust to gold.
When they built you brother, they broke the mold.”

Bruce Springsteen (1949) American singer and songwriter

"Terry's Song"
Song lyrics, Magic (2007)

Fernand Léger photo

“Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.”

Fernand Léger (1881–1955) French painter

Quote from 'Notes on Contemporary Plastic Life', 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, p. 25
Quotes of Fernand Leger, 1920's

S. I. Hayakawa photo
Bono photo
Jack Johnson (musician) photo
Marshall McLuhan photo

“New technological environments are commonly cast in the molds of the preceding technology out of the sheer unawareness of their designers.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 47

Paul Karl Feyerabend photo

“Before they made S J Perelman they broke the mold.”

S.J. Perelman (1904–1979) American humorist, author, and screenwriter

The Best of S. J. Perelman, Introduction

Huston Smith photo
Anne Sexton photo