Gustav Mahler, page 78. Originally written for a volume dedicated to Mahler edited by Paul Stephan, Munich 1910.
Recollections and Reflections
Quotes about modernity
page 23
[A 48-Million-Year-Old Aphid--Host Plant Association and Complex Life Cycle: Biogeographic Evidence, 10.1126/science.245.4914.173, Science, 245, 4914, 173–175, 14 July 1989, 17787877]
J. A. Galbreath (American Chess Bulletin, October, 1909)
About
Source: The Managerial Revolution, 1941, p. 281, as cited in: Albert Lepawsky (1949), Administration, p. 13-4
1960s, State of the Union Address (1966)
Source: 1960s - 1980s, MANAGEMENT: Tasks, Responsibilities, Practices (1973), Part 2, p. 525
“Among other ends, modern art is related to the ideal of Internationalism.”
American Abstract Expressionism of the 1950's, An Illustrated Survey, Herskovic, Marika; nyschoolpress, 2003, p.238
after 1970
Quote of Mondrian in 'Natuurlijke en abstracte realiteit', Piet Mondriaan, in 'De Stijl' III, 1920, p. 75
1920's
Source: Computer Science as Empirical Inquiry: Symbols and Search (1975), p. 125.
The Tragic Sense of Life (1913), IV : The Essence of Catholicism
As quoted in Pontifical Science Academy http://www.ewtn.com/library/ISSUES/STELLAR.TXT
1920s, The Progress of a People (1924)
as quoted in the exhibition, 'Expressionisten, die Avantgarde in Deutschland 1905 - 1920', catalog Nationalgalerie Berlin, DDR, 1986, p. 109
1900s - 1920s
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 9-10 : 'Notes from 1969'
interview at Americans for Prosperity's RightOnline Conference, July 2010
Christine O'Donnell Running For Senate In Delaware At AFP's RightOnline Conference
2010-09-05
http://www.youtube.com/watch?v=NYPTaKrWkRk
2010-10-20
asked if she considers herself a feminist
Audio lectures, Hybridization and the Law (n. d.)
Alfred-Maurice de Zayas 2013 Report of the Independent Expert on the promotion of a democratic and equitable international order
2013
Source: In the Shadow of Olympus: The Emergence of Macedon (1990), p. 97
Source: The Modern Corporation and Private Property. 1932/1967, p. 357 (1967, p. 313)
Source: Treason of the Intellectuals (1927), pp. 151–152
Source: Twenty Years at Hull-House (1910), Ch. 9
Source: The Brain As A Computer (1962), p.2
Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015
Connections (1979), 1 - The Trigger Effect
Source: The Art of Life (2008), p. 32.
Part III, Section 31
Principles of Philosophy of the Future http://www.marxists.org/reference/archive/feuerbach/works/future/index.htm (1843)
What Really Divides Us https://web.archive.org/web/20120127094927/http://www.ronpaularchive.com/2002/12/what-really-divides-us/ (23 December 2002).
2000s, 2001-2005
1920s, Second State of the Union Address (1924)
“Modern life demands, and is waiting for, a new kind of plan, both for the house and the city.”
Vers une architecture [Towards an Architecture] (1923)
Source: The Moral Obligation to be Intelligent (1915), p. 3
'The Artist in American Society' - Colorado Magazine Vol. 15 No 2 Autumn 1966
Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 16
Law and its Administration http://books.google.com/books?id=_VUf45FZR7cC&pg=PA3&dq=%22Law+as+it+exists+in+the+modern+community%22&hl=en&ei=uCLsTKahLYSs8AbQ5dWIAg&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCcQ6AEwAA#v=onepage&q=%22Law%20as%20it%20exists%20in%20the%20modern%20community%22&f=false (1915), p. 3.
Source: Utopia of Usurers (1917), p. 19
“Read Blake or go to hell, that's my message to the modern world.”
Letter to Helen Kemp, 1935, The Correspondence of Northrop Frye and Helen Kemp, 1932-1939, (1996), p. 1:426
"Quotes"
Source: Nancy Bachus The Modern Piano: The Influence of Society, Style, and Musical Trends on the Great Piano Composers http://books.google.co.in/books?id=azsmp3dvjk8C&pg=PA10, Alfred Music Publishing, 1 August 2006, p. 10
Alfred Binet (1909/1975, 105-6), as cited in: B.R. Hergenhahn. An Introduction to the History of Psychology 2009. p. 313
Modern ideas about children, 1909/1975
The Ascent of Humanity (2007)
life is not what is said but the saying of it, not the picture but the picturing
Quotes from Notes, 1989; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5
1980's
Theo Jansen, quoted in: " 2015 International Kinetic Art Exhibit & Symposium - Boynton Beach, FL, USA http://intlkineticartevent.org/?page_id=107," 2015
Source: The End of Utopia (1999), p. 26
As quoted in "Susan Boyle redeems us from superficiality" by Melanie Reid in TImes Online (18 April 2009) http://www.timesonline.co.uk/tol/comment/columnists/melanie_reid/article6115397.ece
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73
Source: 1950s-1960s, Social Choice and Individual Values (1951), p. 1: Opening pharagraph
Source: Longing for the Harmonies: Themes and Variations from Modern Physics (1987), Ch.8 The Weak Interaction
During Prime Minister's Questions, 2 April 2008 http://www.youtube.com/watch?v=-AsiKI7uCog&feature=related, with Deputy Conservative Party Leader, William Hague
167-8 ; as cited in Albert Lepawsky (1949), Administration, p. 220-1
Systematic Politics, 1943
Quote from Whitman and Cézanne, in Adventures in the Arts, New York, Boni Liveright 1921; as cited in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 34
1921 - 1930
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 3
Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM
Stonehenge: A Temple Restor'd to the British Druids, Preface. (1740).
p.5.
Source: 1950s, The painter and the audience' (1954), p. 108
Source: "The Study of Administration." 1937, p. 29
Samuel Johnson (1878), repr. In John Morley (ed.) English Men of Letters (New York: Harper, 1894) vol. 6, p. 60
As quoted in Phillips' Book of Great Thoughts & Funny Sayings (1993) edited by Bob Phillips, p. 42
Source: Creative Problem Solving: Total Systems Intervention (1991), p. 2
Diederik Aerts (2001) " Time, space and reality : an analysis from physics. http://www.vub.ac.be/CLEA/aerts/publications/2001TimeSpaceReality.pdf"
“Many of the old cases are strange and absurd : so also are some of the modern ones.”
Pillans v. Van Mierop (1764), 3 Burr. Part IV. 1671.
Connections 2 (1994), 1 - Revolutions
The Impossible Five (2015)
Postscript to letter to critic, poet and translator Ivan Kashkin (19 August 1935); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
Part IV, Chapter VI
Les voix du silence [Voices of Silence] (1951)
Justice (1993)
“"Writing" is the Latin of our times. The modern language of the people is video and sound.”
Wikimania 2006
Tsunami Reactions (9) - Sheik Al-Qaradhawi: Disaster a Punishment for Sex Tourism http://www.memritv.org/clip_transcript/en/470.htm January 2005.
2004 Indian Ocean earthquake
1920s, Viereck interview (1929)
Gottlieb's quote on the attacks of critics on abstract art, 1948
Quote from Gottlieb's Lecture, given at 'Forum: the Artist Speaks', museum of Modern Art, New York, May 5, 1948.
1940s
Running with the Pack https://books.google.it/books?id=IIOi5D5xkCEC&pg=PT0 (Granta Books, 2013), ch. 3.
Source: 2010s, Why Marx Was Right (2011), Chapter 2, p. 12