page 56, The Hindu Phenomenon, ISBN 81-86112-32-4.
On Peoples, On Muhammad Ali Jinnah
Quotes about modernity
page 22
“All history is modern history.”
Opus Posthumous (1955), Adagia
Quote of Pollock in a radio interview (1951); as quoted in Lives of the Great Twentieth Century Artists', (1986) Edward Lucie-Smith, p. 263
1950's
http://www.heraldsun.news.com.au/common/story_page/0,5478,10782838%255E1702,00.html
Source: Making a Killing: The Political Economy of Animal Rights (2007), p. 10
No Compromise – No Political Trading (1899)
Quote in 'The end of Art', in De Stijl; Theo van Doesburg – series XII, 1924-5, pp. 135–136
1920 – 1926
Source: 1960s, The Gutenberg Galaxy (1962), p. 161
As quoted in "Paris (1897-1904)", and in The Mother on Art http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=/_staticcontent/sriaurobindoashram/-02%20the%20mother/the%20mother%20as%20an%20artist/-05%20mother%20on%20art.htm
Source: Burning All Illusions (1996), p. 36
Source: Nationalism and Modernism (1998), p. 192.
"The Challenge of Renewal"
The Conduct Of Life (1951)
“What was it, then, about the development of capitalism that gave rise to modern racial ideology?”
Source: Another World Is Possible : Globalization and Anti-capitalism (2002), Chapter 4, The Colour Of Money, p. 112
Alphonse de Lamartine, Histoire de la Turquie (1854), Vol. I, pp. 276-277
Context: Never has a man set for himself, voluntarily or involuntarily, a more sublime aim, since this aim was super human; to subvert superstitions which had been imposed between man and his Creator, to render God unto man and man unto God; to restore the rational and sacred idea of divinity amidst the chaos of the material and disfigured gods of idolatry, then existing. Never has a man undertaken a work so far beyond human power with so feeble means, for he Muhammad had in the conception as well as in the execution of such a great design, no other instrument than himself and no other aid except a handful of men living in a corner of the desert. Finally, never has a man accomplished such a huge and lasting revolution in the world, because in less than two centuries after its appearance, Islam, reigned over the whole of Arabia, and conquered, in God's name, Persia, Khorasan, Transoxania, Western India, Syria, Egypt, Abyssinia, all the known continent of Northern Africa, numerous islands of the Mediterranean Sea, Spain and part of Gaul.
If greatness of purpose, smallness of means, and astounding results are the three criteria of human genius, who could dare to compare any great man in modern history with Muhammad? The most famous men created arms, laws and empires only. They founded, if anything at all, no more than material powers which often crumbled away before their eyes. This man moved not only armies, legislations, empires, peoples and dynasties, but millions of men in one-third of the then inhabited world; and more than that, he moved the altars, the gods, the religions, the ideas, the beliefs and souls... his forbearance in victory, his ambition, which was entirely devoted to one idea and in no manner striving for an empire; his endless prayers, his mystic conversations with God, his death and his triumph after death; all these attest not to an imposture but to a firm conviction which gave him the power to restore a dogma. This dogma was twofold, the unity of God and the immateriality of God; the former telling what God is, the latter telling what God is not; the one overthrowing false gods with the sword, the other starting an idea with words.
Philosopher, orator, apostle, legislator, warrior, conqueror of ideas, restorer of rational dogmas, of a cult without images; the founder of twenty terrestrial empires and of one spiritual empire, that is Muhammad. As regards all standards by which human greatness may be measured, we may well ask, is there any man greater than he?
De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
Scotland in the World Forum (February 4, 2008)
Source: Strong democracy: Participatory politics for a new age (2003), p. 3
“[B]ureaucracy, the rule of no one, has become the modern form of despotism.”
"The Vita Activa", pp. 161–162
On the Contrary: Articles of Belief 1946–1961 (1961)
citing H. Rashdall: Doctrine and Development, Methuen, 1898 p. 177.
Spiritualism and the Christian Faith (1918)
Meaningoflife.tv interview, 2013
Restriction on 'usury' or restrictions on the laws in relation to the collection of interest
Vol. 4, pt. 2, translated by W.P. Dickson.
The History of Rome - Volume 4: Part 2
Also quoted in "Hints For Judo" by D. Risei Kano, at usadojo.com http://www.usadojo.com/articles/hints-judo.htm
Kodokan Magazine (1974)
Source: Treason of the Intellectuals (1927), p. 149
Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible
A Tale of Two Paradigms: the Mutual Incommensurability of LCDM and MOND, Stacy McGaugh, 29 Apr 2014, updated 17 May 2014 http://arxiv.org/abs/1404.7525,
"On Einstein's brain," The New York Times (June 24, 1999)
Source: Art on the Edge, (1975), p. 71, "Lester Johnson's Abstract Men"
Great Books: The Foundation of a Liberal Education (1954)
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.333-4
Ingersoll the Magnificent (Memorial Dedication Address, August 11, 1954)
Human Selection, Popular Science Monthly, volume 38 (November 1890) page 93.
(Misquoted in the article Evolution and You, in Awake! magazine, 8 August 1995).
What the Future Holds (1984)
Quoted in "Origin of the Specious", Reason Magazine (July 1997) http://www.reason.com/news/show/30329.html.
1990s
The 5,000 Year Leap (1981)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 44.
The Cosmic Game - Explorations of the Frontiers of Human Consciousness (1997), ISBN 0-7914-3876-7, p. 219.
Jacobs v. Credit Lyonnais (1884), L. R. 12 Q. B. D. 601; 53 L. J. Q. B. 159.
1920
as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 440-441
1908 - 1920, On Mystery and Creation, Paris 1913
Source: Cybernetics and Second-Order Cybernetics (2001), p.5 : About the state of the art of contemporary cybenetics
Joel Mokyr (2016), A Culture of Growth: The Origins of the Modern Economy. p. 174
Source: The Fall of Hyperion (1990), Chapter 45 (pp. 492-493)
1990's & from posthumous publications
Source: Quoted in A Brief History of American Culture (1996) by Robert M. Crunden, p. 279.
Source: About Looking (1980), Chapter "Why Look at Animals?"
“The truth is always modern and there never comes a time when it is safe to give it voice.”
Voltaire (1916)
Interview with Pacific Journalism Online, 28 May 2000
The Interview: Author Peter Schweizer on the Clintons’ wealth http://www.macleans.ca/politics/washington/the-interview-author-peter-schweizer-on-the-clintons-wealth/ (June 15, 2015)
Joseph Nechvatal. in: " Origins of Virtualism: An Interview with Frank Popper http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/Popper.pdf," in: Media Art History, 2004.
Source: "Information and Efficiency: Another Viewpoint." (1969), p. 19; cited in: Eggertsson (1990; 23)
Walter F. Buckley (1970) in: Cry California. Vol 6. p. 28.
[The Way Things Ought to Be, Pocket Books, October 1992, 193, 978-0671751456, 92028659, 26397008, 1724938M]
Source: Law in Modern Societyː Toward a Criticism of Social Theory (1976), p. 266-7
Quoted in "Physics and Nuclear Arms Today" - Page 94 - by David Hafemeister - Science - 1991.
American "Civilization"
Civilta Americana (1945; 1983)
Walter W. Powell, "Expanding the scope of institutional analysis." The new institutionalism in organizational analysis (1991) In P. J. DiMaggio and W. Powell (eds.) The New Institutionalism and Organizational Analysis, Chicago: University of Chicago Press. p. 183-203. p. 188
Review of the Canterbury Tales (1957).
Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 69
Predatory Dinosaurs of the World
In Playboy to Alex Haley (1962); also in [Milestones: The music and times of Miles Davis since 1960, Jack, Chambers, Beech Tree Books, 1983, 9780688046460, 209], [The Playboy Interviews, Alex, Haley, Murray, Fisher, Ballantine, 1993, 9780345383006, 15], [The Miles Davis companion: four decades of commentary, Gary, Carner, Gary, Carner, Schirmer Books, 1996, 9780028646121, 19], and in [Miles Davis and American Culture, Missouri Historical Society Press Series, Gerald Lyn, Early, Missouri History Museum, 2001, 9781883982386, 205]
1960s
Bętkowska, Teresa (August–September 2010). "Mistrz niszowej dyscypliny" http://www2.almamater.uj.edu.pl/126/17.pdf (PDF). Alma Mater (in Polish). Kraków: Jagiellonian University (126–127): pp. 41–46.
Stanford Encyclopedia of Philosophy – "Property and Ownership" http://plato.stanford.edu/entries/property/
"The Contest" (1959)
Quoted in the introduction to "A Talk with Nassim Nicholas Taleb," Edge (April 2004) http://www.edge.org/3rd_culture/taleb04/taleb_index.html
Un Art de Vivre (The Art of Living) (1939), The Art of Working
Letter to F. Cobden (5 July 1835) during his visit to the United States, quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), pp. 33-34.
1830s
The First Sex, ch. 22 - Woman in the Aquarian Age, Putnam (1971).
"We Need Wilderness," National Parks Magazine, January–March 1946
"The Revolutionary Situation", p. 32.
Music, Ho! (1934)
Source: The New Drawing on the Right Side of the Brain (1979), p.239
Source: The Homeless Mind: Modernization and Consciousness (1973), pp. 4-5
A Path to Freedom (2010), p. 64
Source: 1940s, The Economics of Peace, 1945, p. 73
As quoted in Nuclear Disarmament (1979) by Aleksandr Efremovich Efremov
On The ‘Throne Of Bones’: A Q and A With Vox Day http://speculativefaith.lorehaven.com/on-the-throne-of-bones-a-q-and-a-with-vox-day/ (January 18, 2013)
December, 1918
India's Rebirth
2010s, Interview with Joshua Stanton (August 2017)
Quote from Gainborough's letter to Lord Dartmouth, 13 April 1771; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 74
1770 - 1788
Source: 1950s, The painter and the audience' (1954), pp. 109-110
“New York: Prison towers and modern posters for soap and whiskey. Pittsburgh: Abandon it.”
On New York and Pittsburgh, The New York Times (27 November 1955)