Quotes about modernity
page 22

“Muhammad Ali Jinnah was the greatest benefactor of hindus in modern times, if he was not a hindu in disguise.”

Girilal Jain (1924–1993) Indian journalist

page 56, The Hindu Phenomenon, ISBN 81-86112-32-4.
On Peoples, On Muhammad Ali Jinnah

John Gray photo
Wallace Stevens photo

“All history is modern history.”

Wallace Stevens (1879–1955) American poet

Opus Posthumous (1955), Adagia

Jackson Pollock photo

“The thing that interests me is that today painters do not have to go to a subject-matter outside themselves. Modern painters work in a different way. They work from within.”

Jackson Pollock (1912–1956) American artist

Quote of Pollock in a radio interview (1951); as quoted in Lives of the Great Twentieth Century Artists', (1986) Edward Lucie-Smith, p. 263
1950's

John Anderson (Australian politician) photo
Wilhelm Liebknecht photo

“Pity for poverty, enthusiasm for equality and freedom, recognition of social injustice and a desire to remove it, is not socialism. Condemnation of wealth and respect for poverty, such as we find in Christianity and other religions, is not socialism. The communism of early times, as it was before the existence of private property, and as it has at all times and among all peoples been the elusive dream of some enthusiasts, is not socialism. The forcible equalization advocated by the followers of Baboeuf, the so-called equalitarians, is not socialism. In all these appearances there is lacking the real foundation of capitalist society with its class antagonisms. Modern socialism is the child of capitalist society and its class antagonisms. Without these it could not be. Socialism and ethics are two separate things. This fact must be kept in mind. Whoever conceives of socialism in the sense of a sentimental philanthropic striving after human equality, with no idea of the existence of capitalist society, is no socialist in the sense of the class struggle, without which modern socialism is unthinkable. Whoever has come to a full consciousness of the nature of capitalist society and the foundation of modern socialism, knows also that a socialist movement that leaves the basis of the class struggle may be anything else, but it is not socialism.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Theo van Doesburg photo
Marshall McLuhan photo

“The “interface” of the Renaissance was the meeting of medieval pluralism and modern homogeneity and mechanism – a formula for blitz and metamorphosis.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 161

The Mother photo

“It is in accordance with the impression that the plate ought to be painted; it gives you an impact, you translate the impact, and it is this which is truly artistic. It is like this that modern art began. And note that he was right. His plates were not round, but he was right in principle.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

As quoted in "Paris (1897-1904)", and in The Mother on Art http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=/_staticcontent/sriaurobindoashram/-02%20the%20mother/the%20mother%20as%20an%20artist/-05%20mother%20on%20art.htm

Lewis Mumford photo

“By his very success in inventing labor-saving devices, modern man has manufactured an abyss of boredom that only the privileged classes in earlier civilizations have ever fathomed.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

"The Challenge of Renewal"
The Conduct Of Life (1951)

Jeff Koons photo
David McNally photo

“What was it, then, about the development of capitalism that gave rise to modern racial ideology?”

David McNally (1953) Canadian political scientist

Source: Another World Is Possible : Globalization and Anti-capitalism (2002), Chapter 4, The Colour Of Money, p. 112

Alphonse de Lamartine photo

“If greatness of purpose, smallness of means, and astounding results are the three criteria of human genius, who could dare to compare any great man in modern history with Muhammad?”

Alphonse de Lamartine (1790–1869) French writer, poet, and politician

Alphonse de Lamartine, Histoire de la Turquie (1854), Vol. I, pp. 276-277
Context: Never has a man set for himself, voluntarily or involuntarily, a more sublime aim, since this aim was super human; to subvert superstitions which had been imposed between man and his Creator, to render God unto man and man unto God; to restore the rational and sacred idea of divinity amidst the chaos of the material and disfigured gods of idolatry, then existing. Never has a man undertaken a work so far beyond human power with so feeble means, for he Muhammad had in the conception as well as in the execution of such a great design, no other instrument than himself and no other aid except a handful of men living in a corner of the desert. Finally, never has a man accomplished such a huge and lasting revolution in the world, because in less than two centuries after its appearance, Islam, reigned over the whole of Arabia, and conquered, in God's name, Persia, Khorasan, Transoxania, Western India, Syria, Egypt, Abyssinia, all the known continent of Northern Africa, numerous islands of the Mediterranean Sea, Spain and part of Gaul.
If greatness of purpose, smallness of means, and astounding results are the three criteria of human genius, who could dare to compare any great man in modern history with Muhammad? The most famous men created arms, laws and empires only. They founded, if anything at all, no more than material powers which often crumbled away before their eyes. This man moved not only armies, legislations, empires, peoples and dynasties, but millions of men in one-third of the then inhabited world; and more than that, he moved the altars, the gods, the religions, the ideas, the beliefs and souls... his forbearance in victory, his ambition, which was entirely devoted to one idea and in no manner striving for an empire; his endless prayers, his mystic conversations with God, his death and his triumph after death; all these attest not to an imposture but to a firm conviction which gave him the power to restore a dogma. This dogma was twofold, the unity of God and the immateriality of God; the former telling what God is, the latter telling what God is not; the one overthrowing false gods with the sword, the other starting an idea with words.
Philosopher, orator, apostle, legislator, warrior, conqueror of ideas, restorer of rational dogmas, of a cult without images; the founder of twenty terrestrial empires and of one spiritual empire, that is Muhammad. As regards all standards by which human greatness may be measured, we may well ask, is there any man greater than he?

Willem de Kooning photo
Alex Salmond photo
Benjamin R. Barber photo
Mary McCarthy photo

“[B]ureaucracy, the rule of no one, has become the modern form of despotism.”

Mary McCarthy (1912–1989) American writer

"The Vita Activa", pp. 161–162
On the Contrary: Articles of Belief 1946–1961 (1961)

Ernest Barnes photo
Theodor Mommsen photo

“Caesar did not confine himself to helping the debtor for the moment; he did what as legislator he could, permanently to keep down the fearful omnipotence of capital. First of all the great legal maxim was proclaimed, that freedom is not a possession commensurable with property, but an eternal right of man, of which the state is entitled judicially to deprive the criminal alone, not the debtor. It was Caesar, who, perhaps stimulated in this case also by the more humane Egyptian and Greek legislation, especially that of Solon,(68) introduced this principle--diametrically opposed to the maxims of the earlier ordinances as to bankruptcy-- into the common law, where it has since retained its place undisputed. According to Roman law the debtor unable to pay became the serf of his creditor.(69) The Poetelian law no doubt had allowed a debtor, who had become unable to pay only through temporary embarrassments, not through genuine insolvency, to save his personal freedom by the cession of his property;(70) nevertheless for the really insolvent that principle of law, though doubtless modified in secondary points, had been in substance retained unaltered for five hundred years; a direct recourse to the debtor's estate only occurred exceptionally, when the debtor had died or had forfeited his burgess-rights or could not be found. It was Caesar who first gave an insolvent the right--on which our modern bankruptcy regulations are based-- of formally ceding his estate to his creditors, whether it might suffice to satisfy them or not, so as to save at all events his personal freedom although with diminished honorary and political rights, and to begin a new financial existence, in which he could only be sued on account of claims proceeding from the earlier period and not protected in the liquidation, if he could pay them without renewed financial ruin.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Restriction on 'usury' or restrictions on the laws in relation to the collection of interest
Vol. 4, pt. 2, translated by W.P. Dickson.
The History of Rome - Volume 4: Part 2

Kanō Jigorō photo
Lesslie Newbigin photo
Steven Pinker photo
H. G. Wells photo
Wilfred Thesiger photo
Robert Maynard Hutchins photo
George Holmes Howison photo
Joseph Lewis photo

“When the tyranny of the state is combined with the hypocrisy of the church, you have a modern example of the twin vultures that have devoured man, and his rights, throughout the ages.”

Joseph Lewis (1889–1968) American activist

Ingersoll the Magnificent (Memorial Dedication Address, August 11, 1954)

Amit Chaudhuri photo

“Calcutta is like a work of modern art that neither makes sense nor has utility, but exists for some esoteric aesthetic reason.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

A Strange and Sublime Address (1991)

Alfred Russel Wallace photo
Cesar Chavez photo
Irving Kristol photo
Jeet Thayil photo
Stanislav Grof photo
Tenzin Gyatso photo
Charles Bowen photo
Giorgio de Chirico photo
Francis Heylighen photo
Joel Mokyr photo
Jack London photo
Willem de Kooning photo

“And then there is that one-man movement, Marcel Duchamp — for me a truly modern movement because it implies that each artist can do what he thinks he ought to — a movement for each person and open for everybody.”

Willem de Kooning (1904–1997) Dutch painter

1990's & from posthumous publications
Source: Quoted in A Brief History of American Culture (1996) by Robert M. Crunden, p. 279.

John Berger photo
Bruce Fairchild Barton photo
Seyyed Hossein Nasr photo

“For Muslims the Quran is the Word of God; it is sacred scripture, not a work of "literature," a manual of law, or a text of theology, philosophy or history although it is of incomparable literary quality, contains many injunctions about a Sacred Law, is replete with verses of metaphysical, theological, and philosophical significance, and contains many accounts of sacred history. The unique structure of the Quran and the flow of its content constitute a particular challenge to most modern readers. For traditional Muslims the Quran is not a typical "read" or manual to be studied. For most of them, the most fruitful way of interacting with the Quran is not to sit down and read the Sacred Tex from cover to cover (although there are exceptions, such as completing the whole text during Ramadan). it is, rather, to recite a section with full awareness of it as the Word of God and to meditate upon it as one whose soul is being directly addressed, as the Prophet's soul was addressed during its revelation. … In this context it must be remembered that the Quran itself speaks constantly of the Origin and the Return, of all things coming from God and returning to Him, who himself has no origin or end. As the Word of god, the Quran also seems to have no beginning and no end. Certain turns of phrase and teachings about the Divine Reality, the human condition, the life of this world, and the Hereafter are often repeated, but they are not mere repetitions. Rather each iteration of a particular word, phrase, or verse opens the door of a hidden passage to other parts of the Quran. Each coda is always a prelude to an as yet undiscovered truth.”

The Study Quran: A New Translation and Commentary https://books.google.com/books?id=GVSzBgAAQBAJ&printsec=frontcover (2015)

Clarence Darrow photo

“The truth is always modern and there never comes a time when it is safe to give it voice.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Voltaire (1916)

“It is high time that the people are given back the flexibility and power to select and install their leaders who will be accountable to them if they are to prosper and forge ahead in the present modern and increasingly global context.”

Asesela Ravuvu (1931–2008) He loved nature and the outdoors. He 3 main principles in life were love all, hardwork and honesty.

Interview with Pacific Journalism Online, 28 May 2000

Peter Schweizer photo
Edith Hamilton photo

“They were the first Westerners. The spirit of the West, the modern spirit, is a Greek discovery; and the place of the Greeks is in the modern world.”

Edith Hamilton (1867–1963) American teacher and writer

On the Greeks, in Ch. 1
The Greek Way (1930)

Joseph Nechvatal photo
Albert Jay Nock photo
Harold Demsetz photo

“Modern analysis has yet to describe inefficiency in a world where indivisibilities are present and knowledge is costly to produce.”

Harold Demsetz (1930–2019) American economist

Source: "Information and Efficiency: Another Viewpoint." (1969), p. 19; cited in: Eggertsson (1990; 23)

Freeman Dyson photo

“In modern science, in fact, let alone modern systems theory, cause disappears wherever you have a very complex system of interrelated elements.”

Walter F. Buckley (1922–2006) American sociologist

Walter F. Buckley (1970) in: Cry California. Vol 6. p. 28.

Rush Limbaugh photo

“I prefer to call the most obnoxious feminists what they really are: feminazis. Tom Hazlett, a good friend who is an esteemed and highly regarded professor of economics at the University of California at Davis, coined the term to describe any female who is intolerant of any point of view that challenges militant feminism. I often use it to describe women who are obsessed with perpetuating a modern-day holocaust: abortion. There are 1.5 million abortions a year, and some feminists almost seem to celebrate that figure. There are not many of them, but they deserve to be called feminazis.A feminazi is a woman to whom the most important thing in life is seeing to it that as many abortions as possible are performed. Their unspoken reasoning is quite simple. Abortion is the single greatest avenue for militant women to exercise their quest for power and advance their belief that men aren't necessary. They don't need men in order to be happy. They certainly don't want males to be able to exercise any control over them. Abortion is the ultimate symbol of women's emancipation from the power and influence of men. With men being precluded from the ultimate decision-making process regarding the future of life in the womb, they are reduced to their proper, inferior role. Nothing matters but me, says the feminazi. My concerns prevail over all else. The fetus doesn't matter, it's an unviable tissue mass.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

[The Way Things Ought to Be, Pocket Books, October 1992, 193, 978-0671751456, 92028659, 26397008, 1724938M]

Roberto Mangabeira Unger photo
Dmitriy Ustinov photo
Julius Evola photo
Thorstein Veblen photo

“In point of substantial merit the law school belongs in the modern university no more than a school of fencing or dancing.”

Thorstein Veblen (1857–1929) American academic

Veblen (1918) The Higher Learning in America. p. 155

Gregory Scott Paul photo
Miles Davis photo

“I love Pops, I love the way he sings, the way he plays - everything he does, except when he says something against modern-jazz music.”

Miles Davis (1926–1991) American jazz musician

In Playboy to Alex Haley (1962); also in [Milestones: The music and times of Miles Davis since 1960, Jack, Chambers, Beech Tree Books, 1983, 9780688046460, 209], [The Playboy Interviews, Alex, Haley, Murray, Fisher, Ballantine, 1993, 9780345383006, 15], [The Miles Davis companion: four decades of commentary, Gary, Carner, Gary, Carner, Schirmer Books, 1996, 9780028646121, 19], and in [Miles Davis and American Culture, Missouri Historical Society Press Series, Gerald Lyn, Early, Missouri History Museum, 2001, 9781883982386, 205]
1960s

Włodzimierz Ptak photo

“Immunity is still, despite such extensive knowledge, a field full of secrets. It fascinates us and pushes us to develop new research strategies. Sometimes it resembles a fight with a stranger and invisible opponent, although lately, thanks to modern technology, this „battlefield” has been quite well recognized.”

Włodzimierz Ptak (1928–2019) immunologist

Bętkowska, Teresa (August–September 2010). "Mistrz niszowej dyscypliny" http://www2.almamater.uj.edu.pl/126/17.pdf (PDF). Alma Mater (in Polish). Kraków: Jagiellonian University (126–127): pp. 41–46.

Freeman Dyson photo
Jeremy Waldron photo

“With a few grasping, kind words and a modern gimmick, she hoped to breathe eternity into a mortal matter, love.”

Grace Paley (1922–2007) American writer and activist

"The Contest" (1959)

Nassim Nicholas Taleb photo

“It is now the scientific consensus that our risk-avoidance mechanism is not mediated by the cognitive modules of our brain, but rather by the emotional ones. This may have made us fit for the Pleistocene era. Our risk machinery is designed to run away from tigers; it is not designed for the information-laden modern world.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Quoted in the introduction to "A Talk with Nassim Nicholas Taleb," Edge (April 2004) http://www.edge.org/3rd_culture/taleb04/taleb_index.html

André Maurois photo
Gabriele Münter photo
Richard Cobden photo

“I have generally made it a rule to parry the inquiries and comparisons which the Americans are so apt to thrust at an Englishman. On one or two occasions, when the party has been numerous and worth powder and shot, I have, however, on being hard pressed, and finding my British blood up, found the only mode of allaying their inordinate vanity to be by resorting to this mode of argument:—"I admit all that you or any other person can, could, may, or might advance in praise of the past career of the people of America. Nay, more, I will myself assert that no nation ever did, and in my opinion none ever will, achieve such a title to respect, wonder, and gratitude in so short a period; and further still, I venture to allege that the imagination of statesmen never dreamed of a country that should in half a century make such prodigious advances in civilization and real greatness as yours has done. And now I must add, and I am sure you, as intelligent, reasonable men, will go with me, that fifty years are too short a period in the existence of nations to entitle them to the palm of history. No, wait the ordeal of wars, distresses, and prosperity (the most dangerous of all), which centuries of duration are sure to bring to your country. These are the test, and if, many ages hence, your descendants shall be able only to say of their country as much as I am entitled to say of mine now, that for seven hundred years we have existed as a nation constantly advancing in liberty, wealth, and refinement; holding out the lights of philosophy and true religion to all the world; presenting mankind with the greatest of human institutions in the trial by jury; and that we are the only modern people that for so long a time withstood the attacks of enemies so heroically that a foreign foe never put foot in our capital except as a prisoner (this last is a poser);—if many centuries hence your descendants will be entitled to say something equivalent to this, then, and not till then, will you be entitled to that crown of fame which the historian of centuries is entitled to award."”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to F. Cobden (5 July 1835) during his visit to the United States, quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), pp. 33-34.
1830s

John Hirst photo

“Wilderness to the people of America is a spiritual necessity, an antidote to the high pressure of modern life, a means of regaining serenity and equilibrium.”

Sigurd F. Olson (1899–1982) American conservationist

"We Need Wilderness," National Parks Magazine, January–March 1946

Constant Lambert photo
Peter L. Berger photo
Michael Collins (Irish leader) photo
Leonid Brezhnev photo
Mark Rothko photo
Vox Day photo

“I am a Christian who wrote a novel in a specific literary tradition. I did not approach the process as a representative of modern evangelical culture, hoping to collect a few crumbs fallen from the medieval feast described in excruciatingly painstaking detail on the secular table, but as one of the legitimate heirs to the literary kingdom who is castigating the usurpers.”

Vox Day (1968) writer, actor, video game designer, blogger, far-right activist

On The ‘Throne Of Bones’: A Q and A With Vox Day http://speculativefaith.lorehaven.com/on-the-throne-of-bones-a-q-and-a-with-vox-day/ (January 18, 2013)

Lewis Mumford photo
Sri Aurobindo photo

“In the stupendous rush of change which is coming on the human world as a result of the present tornado of upheaval, ancient India's culture, attacked by European modernism, overpowered in the material field, betrayed by the indifference of her children, may perish for ever along with the soul of the nation that holds it in its keeping…. Each nation is a Shakti or power of the evolving spirit in humanity and lives by the principle which it embodies. India is the Bharata Shakti, the living energy of a great spiritual conception, and fidelity to it is the very principle of her existence…. To follow a law or principle involuntarily or ignorantly or contrary to the truth of one's consciousness is a falsehood and a self-destruction. To allow oneself to be killed, like the lamb attacked by the wolf, brings no growth, farthers no development, assures no spiritual merit. Concert or unity may come in good time, but it must be an underlying unity with a free differentiation, not a swallowing up of one by another or an incongruous and inharmonious mixture. Nor can it come before the world is ready for these greater things. To lay down one's arms in a state of war is to invite destruction and it can serve no compensating spiritual purpose…. India is indeed awaking and defending herself, but not sufficiently and not with the whole-heartedness, the clear sight and the firm resolution which can alone save her from the peril. Today it is close; let her choose,… for the choice is imperatively before her, to live or to perish.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

December, 1918
India's Rebirth

Rudolf Rocker photo
Michio Kaku photo
Thomas Gainsborough photo
Frank Lloyd Wright photo

“New York: Prison towers and modern posters for soap and whiskey. Pittsburgh: Abandon it.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

On New York and Pittsburgh, The New York Times (27 November 1955)

Anthony Burgess photo

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

Anthony Burgess (1917–1993) English writer

Pop Music