Quotes about link
page 4

Alan Rusbridger photo

“It took one tweet on Monday evening as I left the office to light the virtual touchpaper. At five past nine I tapped: "Now Guardian prevented from reporting parliament for unreportable reasons. Did John Wilkes live in vain?"… By the time I got home, after stopping off for a meal with friends, the Twittersphere had gone into meltdown. Twitterers had sleuthed down Farrelly's question, published the relevant links and were now seriously on the case. By midday on Tuesday "Trafigura" was one of the most searched terms in Europe, helped along by re-tweets by Stephen Fry and his 830,000-odd followers.
… One or two legal experts uncovered the Parliamentary Papers Act 1840, wondering if that would help? Common #hashtags were quickly developed, making the material easily discoverable. By lunchtime – an hour before we were due in court – Trafigura threw in the towel. The textbook stuff – elaborate carrot, expensive stick – had been blown away by a newspaper together with the mass collaboration of total strangers on the web. Trafigura thought it was buying silence. A combination of old media – the Guardian – and new – Twitter – turned attempted obscurity into mass notoriety.”

Alan Rusbridger (1953) British newspaper editor

Alan Rusbridger " The Trafigura fiasco tears up the textbook http://www.theguardian.com/commentisfree/libertycentral/2009/oct/14/trafigura-fiasco-tears-up-textbook" The Guardian, Wednesday 14 October 2009; As cited in Paul Bradshaw, ‎Liisa Rohumaa (2013) The Online Journalism Handbook: Skills to survive and thrive in the Digital Age. p. 176.
2000s

Alan Rusbridger photo
Gerhard Richter photo

“Art serves to establish community. It links us with others and with the things around us, in a shared vision and effort.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

Michael Lewis photo
Muhammad photo
S. I. Hayakawa photo
John Gray photo
Letitia Elizabeth Landon photo

“Oh! frail are the many links that are
In the chain of affection's tender care”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Ring
The Golden Violet (1827)

Joseph Massad photo
Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Andrey Illarionov photo
Arundhati Roy photo
Tawakkol Karman photo
Guillaume Apollinaire photo

“From this new alliance – for until now costume and scenery on one hand, choreography on the other, have been linked only artificially – there has resulted in Parade a kind of sur-réalisme.”

Guillaume Apollinaire (1880–1918) French poet

De cette alliance nouvelle, car jusqu'ici les décors et les costumes, d'une part, la choréographie, d'autre part, n'avaient entre eux qu'un lien factice, il est résulté, dans Parade, une sorte de sur-réalisme.
Excelsior, May 11, 1917; translation from Michael Benedikt & George E. Wellwarth (eds.) Modern French Theatre (New York: Dutton, 1964) p. xvii.
The first usage of the word surrealism in any language.

John Hagee photo

“Most readers will be shocked by the clear record of history linking Adolf Hitler and the Roman Catholic Church in a conspiracy to exterminate the Jews.”

John Hagee (1940) American pastor, theologian and saxophonist

Jerusalem Countdown: A Prelude to War
Lake Mary, Fla.
Frontline
2007-01-23
revised 2007
114
76820742
978-1599790893
http://books.google.com/books?ei=MOM9Tv63OYHh0QGI8ZHSAw

Shashi Tharoor photo

“A philosopher is a lover of wisdom, not of knowledge, which for all its great uses ultimately suffers from the crippling effect of ephemerality. All knowledge is transient linked to the world around it and subject to change as the world changes, whereas wisdom, true wisdom is eternal immutable. To be philosophical one must love wisdom for its own sake, accept its permanent validity and yet its perpetual irrelevance. It is the fate of the wise to understand the process of history and yet never to shape it.”

The Great Indian Novel
Variant: A philosopher is a lover of wisdom, not of knowledge, which for all its great uses ultimately suffers from the crippling effect of ephemerality. All knowledge is transient linked to the world around it and subject to change as the world changes, whereas wisdom, true wisdom is eternal immutable. To be philosophical one must love wisdom for its own sake, accept its permanent validity and yet its perpetual irrelevance. It is the fate of the wise to understand the process of history and yet never to shape it.

Lee Smolin photo

“My father Giannino Castiglioni was a sculptor. His was a realistic sculpture, always linked to the human image, not fantastic and unreal, had an attitude of continuous analysis of the characteristics of people”

Achille Castiglioni (1918–2002) Italian designers and architect

Giannino Castiglioni. Milano, 1884 - Lierna (Lago di Como), 1971. Scultore. in: II personaggi pubblici., p. 42 ( online http://www.alessandraubertazzi.eu/wp-content/pdf/monumentale/personaggipubblici.pdf)

Viktor Orbán photo
George Lippard photo
Michel Foucault photo
Max Heindel photo
Arshile Gorky photo
Jacques Ellul photo
Conrad Aiken photo
Richard Pipes photo
Angela Davis photo

“The vicious circle linking poverty, police, courts and prison is an integral element of ghetto existence.”

Angela Davis (1944) American political activist, scholar, and author

If They Come in The Morning (1971)

Edwin Hubbell Chapin photo

“Through all God's works there runs a beautiful harmony. The remotest truth in His universe is linked to that which lies nearest the throne.”

Edwin Hubbell Chapin (1814–1880) American priest

Source: Dictionary of Burning Words of Brilliant Writers, P. 531.

Howard Bloom photo
Francis Parkman photo
Albert Gleizes photo
Dallin H. Oaks photo

“I submit that religious values and political realities are so inter-linked in the origin and perpetuation of this nation that we cannot lose the influence of religion in our public life without seriously jeopardizing our freedoms.”

Dallin H. Oaks (1932) Apostle of the LDs Church

" Dallin H Oaks - Religious Liberty's Canterbury Medal http://www.deseretnews.com/topics/561/Dallin-H-Oaks.html", Becket Fund for Religious Liberty Statement

Keiji Nishitani photo
Marcus Aurelius photo

“Data itself can be thought of as an energetic phenomenon that links us in our capacity as knowing subjects to an external physical world.”

Max Boisot (1943–2011) British academic and educator

Source: Information Space, 1995, p. 22

Nelson Mandela photo
Nick Herbert photo
Rebecca Solnit photo
Pope Benedict XVI photo
Emma Orczy photo
Matthew Hayden photo

“Mahindra is a very natural fit for me. Firstly it is a product that is owned, operated and managed out of India. So there’s that great connection to that link between Australia and India.”

Matthew Hayden (1971) Australian cricketer

Hayden on Mahindra & Mahindra, quoted on The Courier Mail, "The day 50 people laughed at Matthew Hayden" http://www.couriermail.com.au/entertainment/hayden-joins-indian-team/news-story/a88c1a51e63ddd3d9731820f4dc74cf1, March 20, 2016.

Ernesto Che Guevara photo
Elie Wiesel photo
C. Wright Mills photo
Francesco Petrarca photo
Wallace Stevens photo
Douglas Coupland photo
Clement Attlee photo
Freeman Dyson photo

“The two great conceptual revolutions of twentieth-century science, the overturning of classical physics by Werner Heisenberg and the overturning of the foundations of mathematics by Kurt Gödel, occurred within six years of each other within the narrow boundaries of German-speaking Europe. … A study of the historical background of German intellectual life in the 1920s reveals strong links between them. Physicists and mathematicians were exposed simultaneously to external influences that pushed them along parallel paths. … Two people who came early and strongly under the influence of Spengler's philosophy were the mathematician Hermann Weyl and the physicist Erwin Schrödinger. … Weyl and Schrödinger agreed with Spengler that the coming revolution would sweep away the principle of physical causality. The erstwhile revolutionaries David Hilbert and Albert Einstein found themselves in the unaccustomed role of defenders of the status quo, Hilbert defending the primacy of formal logic in the foundations of mathematics, Einstein defending the primacy of causality in physics. In the short run, Hilbert and Einstein were defeated and the Spenglerian ideology of revolution triumphed, both in physics and in mathematics. Heisenberg discovered the true limits of causality in atomic processes, and Gödel discovered the limits of formal deduction and proof in mathematics. And, as often happens in the history of intellectual revolutions, the achievement of revolutionary goals destroyed the revolutionary ideology that gave them birth. The visions of Spengler, having served their purpose, rapidly became irrelevant.”

Freeman Dyson (1923) theoretical physicist and mathematician

The Scientist As Rebel (2006)

Ernst Mach photo

“The mental operation by which one achieves new concepts and which one denotes generally by the inadequate name of induction is not a simple but rather a very complicated process. Above all, it is not a logical process although such processes can be inserted as intermediary and auxiliary links. The principle effort that leads to the discovery of new knowledge is due to abstraction and imagination.”

Ernst Mach (1838–1916) Austrian physicist and university educator

3rd edition, p. 318ff, As quoted by Phillip Frank, Philosophy of Science: The Link Between Science and Philosophy (1957)
20th century, "Erkenntnis und Irrtum: Skizzen zur Psychologie der Forschung" (1905)

Mary Eberstadt photo
Enoch Powell photo
Lee Smolin photo

“The landscape problem and the problem of background independence are closely linked. The latter is the only route the former has to experimental confirmation.”

Lee Smolin (1955) American cosmologist

"A perspective on the landscape problem" arXiv (Feb 15, 2012)

Kent Hovind photo
Larry Wall photo

“I wasn't recommending that we make the links for them, only provide them with the tools to do so if they want to take the gamble”

Larry Wall (1954) American computer programmer and author, creator of Perl

or the gambol
[199709292259.PAA10407@wall.org, 1997]
Usenet postings, 1997

Gino Severini photo

“.. ambition to surpass Impressionism, destroying the subject's unity of time and place.... [to render its relations to] things that apparently had nothing to do with it, but that in reality were linked to it in my imagination, in my memories or by feeling. In the same canvas I brought together the Arc of Triumph, the Tour Eiffel, the Alps, the head of my father, an autobus, the municipal hall of Pienza, the boulevard…”

Gino Severini (1883–1966) Italian painter

Quote from his article 'Processo e difesa di un pittore d'oggi', L'Arte 5, Rome, September – November, 1931; as cited in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 25
quote, referring to his painting 'Memories of a Voyage', Severini painted in 1910-1911.

Enoch Powell photo
Ernst Ludwig Kirchner photo
Sam Harris photo
Gabrielle Roy photo
Will Eisner photo
Robert Silverberg photo
Alex Salmond photo
Ferdinand de Saussure photo
Philip Melanchthon photo

“Sagacity and eloquence are linked together to such an extent that they cannot be torn asunder for any reason.”

Philip Melanchthon (1497–1560) German reformer

Source: Praise of Eloquence (1523), p. 66

Kent Hovind photo
Pete Doherty photo
Leon R. Kass photo
Martin Amis photo
Maurice Merleau-Ponty photo

“When we link things metaphorically we recognise similarity in difference, we think one thing in terms of attributes of another.”

Christopher Tilley (1955) British postprocessual archaeologist.

[Buchli (Ed.), Victor, Christopher, Tilley, The Material Culture Reader, 2002, Berg, 1-85973-559-2, Oxford]

Leonid Kantorovich photo

“Once some engineers from the veneer trust laboratory came to me for consultation with a quite skilful presentation of their problems. Different productivity is obtained for veneer-cutting machines for different types of materials; linked to this the output of production of this group of machines depended, it would seem, on the chance factor of which group of raw materials to which machine was assigned. How could this fact be used rationally?
This question interested me, but nevertheless appeared to be quite particular and elementary, so I did not begin to study it by giving up everything else. I put this question for discussion at a meeting of the mathematics department, where there were such great specialists as Gyunter, Smirnov himself, Kuz’min, and Tartakovskii. Everyone listened but no one proposed a solution; they had already turned to someone earlier in individual order, apparently to Kuz’min. However, this question nevertheless kept me in suspense. This was the year of my marriage, so I was also distracted by this. In the summer or after the vacation concrete, to some extent similar, economic, engineering, and managerial situations started to come into my head, that also required the solving of a maximization problem in the presence of a series of linear constraints.
In the simplest case of one or two variables such problems are easily solved—by going through all the possible extreme points and choosing the best. But, let us say in the veneer trust problem for five machines and eight types of materials such a search would already have required solving about a billion systems of linear equations and it was evident that this was not a realistic method. I constructed particular devices and was probably the first to report on this problem in 1938 at the October scientific session of the Herzen Institute, where in the main a number of problems were posed with some ideas for their solution.
The universality of this class of problems, in conjunction with their difficulty, made me study them seriously and bring in my mathematical knowledge, in particular, some ideas from functional analysis.
What became clear was both the solubility of these problems and the fact that they were widespread, so representatives of industry were invited to a discussion of my report at the university.”

Leonid Kantorovich (1912–1986) Russian mathematician

L.V. Kantorovich (1996) Descriptive Theory of Sets and Functions. p. 39; As cited in: K. Aardal, ‎George L. Nemhauser, ‎R. Weismantel (2005) Handbooks in Operations Research and Management Science, p. 15-26

William Ellery Channing photo
Hazrat Inayat Khan photo
Hamid Dabashi photo
Herbert Marcuse photo

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Source: One-Dimensional Man (1964), pp. 63-64

Tony Benn photo

“It would be inconceivable for the House to adjourn for Easter without recording the fact that last Friday the High Court disallowed an Act which was passed by this House and the House of Lords and received Royal Assent — the Merchant Shipping Act 1988. The High Court referred the case to the European Court…I want to make it clear to the House that we are absolutely impotent unless we repeal Section 2 of the European Communities Act. It is no good talking about being a good European. We are all good Europeans; that is a matter of geography and not a matter of sentiment. Are the arrangements under which we are governed such that we have broken the link between the electorate and the laws under which they are governed? I am an old parliamentary hand — perhaps I have been here too long — but I was brought up to believe, and I still believe, that when people vote in an election they must be entitled to know that the party for which they vote, if it has a majority, will be able to enact laws under which they will be governed. That is no longer true. Any party elected, whether it is the Conservative party or the Labour party can no longer say to the electorate, "Vote for me and if I have a majority I shall pass that law", because if that law is contrary to Common Market law, British judges will apply Common Market law.”

Tony Benn (1925–2014) British Labour Party politician

Speech in the House of Commons (13 March 1989) http://hansard.millbanksystems.com/commons/1989/mar/13/adjournment-easter-and-monday-1-may on the Factortame case
1980s

Anthony Watts photo
Hermann Hesse photo
Bill Whittle photo

“You tell the big lie by carefully selecting only the small, isolated truths, linking them in such a way that that advance the bigger lie by painting a picture inside the viewer's head. The Ascended High Master of this Dark Art is Noam Chomsky.”

Bill Whittle (1959) author, director, screenwriter, editor

MAGIC https://web.archive.org/web/20030602124318/http://www.ejectejecteject.com/archives/000051.html (18 May 2003)
2000s

Haile Selassie photo
Bram van Velde photo

“Each painting is linked to a fundamental drama.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Adelaide Anne Procter photo

“Hours are golden links, God's token
Reaching heaven; but one by one
Take them, lest the chain be broken
Ere the pilgrimage be done.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 583.

Max Ernst photo
Edward Said photo
Swami Vivekananda photo

“The greatest error is to call a man a weak and miserable sinner. Every time a person thinks in this mistaken manner, he rivets one more link in the chain of avidya that binds him, adds one more layer to the “self-hypnotism” that lies heavy over his mind.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Swami Vivekananda, Quoted by M.M. Thomas, The Acknowledged Christ of Indian Renaissance, 2nd Edition, Madras 1976, p. 125. Quoted from Goel, S. R. (1996). History of Hindu-Christian encounters, AD 304 to 1996. Chapter 13

Georges Bataille photo

“There is no better way to know death than to link it with some licentious image.”

Georges Bataille (1897–1962) French intellectual and literary figure

The Marquis de Sade, cited by Bataille in Erotism: Death and Sensuality
Erotism: Death and Sensuality (1962)