Quotes about kindness
page 48

Melinda M. Snodgrass photo

“There is no kindness at courts, only greed and lies and pain.”

Melinda M. Snodgrass (1951) American writer

Source: Queen's Gambit Declined (1989), Chapter 13 (p. 157)

Mitt Romney photo
Howard Dean photo

“I don't know. There are many theories about it. The most interesting theory that I've heard so far, which is nothing more than a theory, I can't—think it can't be proved, is that he was warned ahead of time by the Saudis. Now, who knows what the real situation is, but the trouble is that by suppressing that kind of information, you lead to those kinds of theories, whether they have any truth to them or not, and then eventually they get repeated as fact. So I think the president is taking a great risk by suppressing the clear, the key information that needs to go to the Kean commission.”

Howard Dean (1948) American political activist

Describing a theory held by some that President George W. Bush knew about the 9-11 attack coming to America. The Diane Rehm Show, public radio station WAMU, December 1, 2003. Quoted by Timothy Noah, "Howard Dean: Whopper of the Week" http://www.slate.com/articles/news_and_politics/chatterbox/2003/12/whopper_howard_dean.html, December 13, 2003. Retrieved May 12, 2016.

Carole King photo

“Chains, my baby's got me locked up in chains
And they ain't the kind that you can see
Woh these chains of love got a hold on me yeah.”

Carole King (1942) Nasa

Chains (1962), Co-written with Gerry Goffin, first performed by The Cookies
Song lyrics, Singles

Winston S. Churchill photo
Henry Ford photo
Mark Heard photo
Eugène Delacroix photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Bill Whittle photo
Geoffrey West photo
Robert Charles Wilson photo
Tad Williams photo
Phillip Abbott Luce photo
Robert Venturi photo
John Dryden photo

“Of all the tyrannies on human kind
The worst is that which persecutes the mind.”

Pt. I, lines 239–240.
The Hind and the Panther (1687)

Vladimir Lenin photo

“Russians are too kind, they lack the ability to apply determined methods of revolutionary terror.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

As quoted in Dmitri Volkogonov, Lenin: Life and Legacy (1994), p. 203.
Attributions

Ai Weiwei photo

“I cannot ever accept the kind of conditions where you can sacrifice someone’s rights.”

Ai Weiwei (1957) Chinese concept artist

2010-, Ai Weiwei: The Dissident, 2011

William Ewart Gladstone photo
Anthony Burgess photo

“God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Cormac McCarthy photo
William Cecil, 1st Baron Burghley photo
Isa Genzken photo

“Because it's exactly this kind of role reversal that I'm interested in, and then it actually makes it a challenge for the viewer. Also, because most artists work in a completely different way.”

Isa Genzken (1948) German sculptor

Emily Wasik asked Isa here: You once said in an interview, 'I want to animate the viewers, hold a mirror up to them.' Why do you believe it's important to put yourself [as an artist] in the viewer's shoes and create art that transforms them?
after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

“One could even argue that our creative endeavours and achievements and small acts of kindness are all the more impressive against the backdrop of a purposeless universe.”

Source: Darwin, God and the Meaning of Life: How Evolutionary Theory Undermines Everything You Think You Know (2010), p. 196

Rebecca Solnit photo
John Wilmot, 2nd Earl of Rochester photo
Willie Nelson photo
Hugh Downs photo
Charles Stross photo
Thomas Gainsborough photo
Janet Jackson photo

“Acceptance is right. Kindness is right. Love is right. I pray, right now, that we're moving into a kinder time when prejudice is overcome by understanding; when narrow-mindedness, and narrow-minded bigotry is overwhelmed by open-hearted empathy; when the pain of judgmentalism is replaced by the purity of love.”

Janet Jackson (1966) singer from the United States

Acceptance speech of a humanitarian award from the Human Rights Campaign, as quoted in an [ AP report (19 June 2005), and "SHe said" Issue 1325 Between The Lines News (23 June 2005) http://www.pridesource.com/article.html?article=14760

S. S. Rajamouli photo

“Can there ever be enough of kindness, generosity and praise?”

S. S. Rajamouli (1973) Indian film director

Exclusive: 'I don’t think my lifestyle will change,' Rajamouli on life post Baahubali

Leonid Kantorovich photo
Paul Wolfowitz photo

“The terrorists in Iraq believe their attacks on innocent people will weaken our resolve. They believe we will run from a challenge. They are mistaken. Americans are not the running kind.”

Paul Wolfowitz (1943) American politician, diplomat, and technocrat

Yahoo News article October 10, 2003 http://in.news.yahoo.com/031010/137/28diu.html This statement is identical to one made by President George W. Bush on October 9, 2003 and is likely to have been a mis-reporting of Wolfowitz quoting Bush's statement.
Misattributed

Dylan Moran photo
Ron Paul photo
Thomas Carlyle photo
Tony Gonzalez photo
A. R. Rahman photo
John F. Kennedy photo

“No man can fully grasp how far and how fast we have come, but condense, if you will, the 50 thousand years of man's recorded history in a time span of but a half-century. Stated in these terms, we know very little about the first 40 years, except at the end of them advanced man had learned to use the skins of animals to cover them. Then about 10 years ago, under this standard, man emerged from his caves to construct other kinds of shelter. Only five years ago man learned to write and use a cart with wheels. Christianity began less than two years ago. The printing press came this year, and then less than two months ago, during this whole 50-year span of human history, the steam engine provided a new source of power. Newton explored the meaning of gravity. Last month electric lights and telephones and automobiles and airplanes became available. Only last week did we develop penicillin and television and nuclear power, and now if America's new spacecraft succeeds in reaching Venus, we will have literally reached the stars before midnight tonight.
This is a breathtaking pace, and such a pace cannot help but create new ills as it dispels old, new ignorance, new problems, new dangers. Surely the opening vistas of space promise high costs and hardships, as well as high reward.
So it is not surprising that some would have us stay where we are a little longer to rest, to wait. But this city of Houston, this state of Texas, this country of the United States was not built by those who waited and rested and wished to look behind them. This country was conquered by those who moved forward — and so will space.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Source: 1962, Rice University speech

Michael Chabon photo
Porphyry (philosopher) photo

“The Pythagoreans made kindness to beasts a training in humanity and pity.”

Porphyry (philosopher) (233–301) Neoplatonist philosopher

3, 20, 7
On Abstinence from Killing Animals

Joshua Reynolds photo
Dashiell Hammett photo

“Spade pulled his hand out of hers. He no longer either smiled or grimaced. His wet yellow face was set hard and deeply lined. His eyes burned madly. He said: "Listen. This isn't a damned bit of good. You'll never understand me, but I'll try once more and then we'll give it up. Listen. When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around – bad for that one organization, bad for every detective everywhere. Third, I'm a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go. It can be done, all right, and sometimes it is done, but it's not the natural thing. The only way I could have let you go was by letting Gutman and Cairo and the kid go. … Fourth, no matter what I wanted to do now it would be absolutely impossible for me to let you go without having myself dragged to the gallows with the others. Next, I've no reason in God's world to think I can trust you and if I did this and got away with it you'd have something on me that you could use whenever you happened to want to. That's five of them. The sixth would be that, since I've got something on you, I couldn't be sure you wouldn't decide to shoot a hole in *me* some day. Seventh, I don't even like the idea of thinking that there might be one chance in a hundred that you'd played me for a sucker. And eighth – but that's enough. All those on one side. Maybe some of them are unimportant. I won't argue about that. But look at the number of them. Now on the other side we've got what? All we've got is the fact that maybe you love me and maybe I love you." … "But suppose I do? What of it? Maybe next month I won't. I've been through it before – when it lasted that long. Then what? Then I'll think I played the sap. And if I did it and got sent over then I'd be sure I was the sap. Well, if I send you over I'll be sorry as hell – I'll have some rotten nights – but that'll pass. Listen." He took her by the shoulders and bent her back, leaning over her. "If that doesn't mean anything to you forget it and we'll make it this: I won't because all of me wants to – wants to say to hell with the consequences and do it -- and because – God damn you – you've counted on that with me the same as you counted on that with the others. … Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business – bringing in high-priced jobs and making it easier to deal with the enemy. … Well, a lot of money would have been at least one more item on the other side of the scales."”

… Spade set the edges of his teeth together and said through them: "I won't play the sap for you."
Chap. 20, "If They Hang You"
spoken by the character "Sam Spade" to "Brigid O'Shaughnessy."
The Maltese Falcon (1930)

Andrew S. Tanenbaum photo
Georges Laraque photo
Lotfi A. Zadeh photo

“It was a biologist — Ludwig von Bertalanffy — who long ago perceived the essential unity of system concepts and techniques in the various fields of science and who in writings and lectures sought to attain recognition for “general systems theory” as a distinct scientific discipline. It is pertinent to note, however, that the work of Bertalannfy and his school, being motivated primarily by problems arising in the study of biological systems, is much more empirical and qualitative in spirit than the work of those system theorists who received their training in exact sciences.
In fact, there is a fairly wide gap between what might be regarded as “animate” system theorists and “inanimate” system theorists at the present time, and it is not at all certain that this gap will be narrowed, much less closed, in the near future.
There are some who feel this gap reflects the fundamental inadequacy of the conventional mathematics—the mathematics of precisely defined points, functions, sets, probability measures, etc.—for coping with the analysis of biological systems, and that to deal effectively with such systems, we need a radically different kind of mathematics, the mathematics of fuzzy or cloudy quantities which are not describable in terms of probability distributions. Indeed the need for such mathematics is becoming increasingly apparent even in the realms of inanimate systems”

Lotfi A. Zadeh (1921–2017) Electrical engineer and computer scientist

Zadeh (1962) "From circuit theory to system theory", Proceedings I.R.E., 1962, 50, 856-865. cited in: Brian R. Gaines (1979) " General systems research: quo vadis? http://pages.cpsc.ucalgary.ca/~gaines/reports/SYS/GS79/GS79.pdf", General Systems, Vol. 24 (1979), p. 12
1960s

Wentworth Miller photo
Morrissey photo

“Lots of people make the stage and it can seem very violent and over the top, but it's not really. It's always a kind of gentle ballet.”

Morrissey (1959) English singer

From "LA Confidential", interview by Jaan Uhelszki, Mojo (April 2001)
In interviews etc., About himself and his work

Nathanael Greene photo

“But whatever grounds I supposed there were for authorizing such expectations, I now find they were vain and nugatory. The cloud thickens, and the prospects are daily growing darker. There is now no hope of cash. The agents are loaded with heavy debts, and perplexed with half-finished contracts, and the people clamorous for their pay, refusing to proceed in the public business unless their present demands are discharged. The constant run of expenses, incident to the department, presses hard for further credit., or immediate supplies of money. To extend one, is impossible; to obtain the other, we have not the least prospect. I see nothing, therefore, but a general check, if not an absolute stop, to the progress of every branch of business in the whole department, I have little reason to hope that, with the most favorable disposition in the agents, it will be in our power to provide for the occasional demands of the army in their present cantonments; much less, to have in readiness the necessary apparatus, and supplies of different kinds, for putting the army in motion at the opening of the campaign. My apprehensions of a failure in these respects are so strong, and my anxiety for the consequences so great, that I feel it my duty once more to represent to your Excellency our circumstances and prospects. From such a view of our situation, you may be led not to expect more from us than we are able to perform, and may have time to take your measures consequent upon such information.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (January 1780)

Charles, Prince of Wales photo

“Instead of designing an extension to the elegant facade of the National Gallery which complements it and continues the concept of columns and domes, it looks as if we may be presented with a kind of municipal fire station, complete with the sort of tower that contains the siren. I would understand better this type of high-tech approach if you demolished the whole of Trafalgar Square and started again with a single architect responsible for the entire layout, but what is proposed is like a monstrous carbuncle on the face of a much-loved and elegant friend.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
The Prince had undoubtedly read "The Spencers on Spas" written the previous year by his step-mother-in-law, Raine, Countess Spencer, which included on page 14 the observation that "Monstrous carbuncles of concrete have erupted in gentle Georgian Squares".
1990s

Margaret Cho photo
Bert McCracken photo
Fred Polak photo
Andy Partridge photo
George Gissing photo
Herbert Kroemer photo
Andrew Vachss photo
Gabrielle Roy photo
Sarah Palin photo

“Katie Couric: You've cited Alaska's proximity to Russia as part of your foreign-policy experience. What did you mean by that?Sarah Palin: That Alaska has a very narrow maritime border between a foreign country, Russia, and on our other side, the land — boundary that we have with — Canada. It, it's funny that a comment like that was — kind of made to — cari— I don't know. You know. Reporters —Couric: Mocked?Palin: Yeah, mocked, I guess that's the word, yeah.Couric: Explain to me why that enhances your foreign policy credentials.Palin: Well, it certainly does because our— our next door neighbors are foreign countries. They're in the state that I am the executive of. And there in Russia—Couric: Have you ever been involved with any negotiations, for example, with the Russians?Palin: We have trade missions back and forth. We— we do— it's very important when you consider even national security issues with Russia as Putin rears his head and comes into the air space of the United States of America, where— where do they go? It's Alaska. It's just right over the border. It is— from Alaska that we send those out to make sure that an eye is being kept on this very powerful nation, Russia, because they are right there. They are right next to— to our state.”

Sarah Palin (1964) American politician

Interview with Katie Couric http://www.cbsnews.com/stories/2008/09/25/eveningnews/main4479062.shtml, CBS Evening News ()
[Christine Lagorio, New Sarah Palin Clip: Keeping An Eye On Putin, http://www.cbsnews.com/blogs/2008/09/25/couricandco/entry4478088.shtml, Couric & Co., CBS News, September 25, 2008, 2008-09-25]
Referring to ABC News interview with Charlie Gibson (see above).
2008, 2008 interviews with Katie Couric

Torquato Tasso photo

“High state, the bed is where misfortune lies,
Mars most unfriendly, when most kind he seems,
Who climbeth high, on earth he hardest lights,
And lowest falls attend the highest flights.”

Torquato Tasso (1544–1595) Italian poet

Chè fortuna quaggiù varia a vicenda,
Mandandoci venture or triste, or buone:
A' voli troppo alti e repentini
Sogliono i precipizi esser vicini.
Canto II, stanza 70 (tr. Fairfax)
Gerusalemme Liberata (1581)

Cary Grant photo

“It is the law of life that if you are kind to someone you feel happy. If you are cruel you are unhappy. And if you hurt someone, you will be hurt back.”

Cary Grant (1904–1986) British-American film and stage actor

Love – That’s All Cary Grant Ever Thinks About (1964)

Rakesh Khurana photo

“By any precise definition, Washington is a city of advanced depravity. There one meets and dines with the truly great killers of the age, but only the quirkily fastidious are offended, for the killers are urbane and learned gentlemen who discuss their work with wit and charm and know which tool to use on the escargots.
On New York's East Side one occasionally meets a person so palpably evil as to be fascinatingly irresistible. There is a smell of power and danger on these people, and one may be horrified, exhilarated, disgusted or mesmerized by the awful possibilities they suggest, but never simply depressed.
Depression comes in the presence of depravity that makes no pretense about itself, a kind of depravity that says, "You and I, we are base, ugly, tasteless, cruel and beastly; let's admit it and have a good wallow."
That is how Times Square speaks. And not only Times Square. Few cities in the country lack the same amenities. Pornography, prostitution, massage parlors, hard-core movies, narcotics dealers — all seem to be inescapable and permanent results of an enlightened view of liberty which has expanded the American's right to choose his own method of shaping a life.
Granted such freedom, it was probably inevitable that many of us would yield to the worst instincts, and many do, and not only in New York. Most cities, however, are able to keep the evidence out of the center of town. Under a rock, as it were. In New York, a concatenation of economics, shifting real estate values and subway lines has worked to turn the rock over and put the show on display in the middle of town.
What used to be called "The Crossroads of the World" is now a sprawling testament to the dreariness which liberty can produce when it permits people with no taste whatever to enjoy the same right to depravity as the elegant classes.”

Russell Baker (1925–2019) writer and satirst from the United States

"Cheesy" (p.231)
So This Is Depravity (1980)

Grant Morrison photo

“Most of the people who do this kind of work, do it out of love, like the love you'd show to an ailing friend.”

Grant Morrison (1960) writer

2004
https://web.archive.org/web/20040803000924/http://www.popimage.com/content/grant20041.html Popimage interview
On comics

Fredric Jameson photo
Dana Gioia photo

“This is not work
but a kind of workmanship.
First out of paper, then from the body.
To provoke thought into form,
molded according to a measure.
I think of a tailor
who is his own fabric.”

Dana Gioia (1950) American writer

"Homage to Valerio Magrelli" (After the Italian of Valerio Magrelli), vi
Poetry, Interrogations at Noon (2001)

William Stanley Jevons photo

“that in the same open market, at any one moment, there cannot be two prices for the same kind of article”

Source: The Theory of Political Economy (1871), Chapter IV, Theory of Exchange, p. 97.

Mark Feuerstein photo

“Is it so simple or so black and white that rich people are just kind of inherently bad? And it’s obviously not the case.”

Mark Feuerstein (1971) American actor

Katey Rich, Royal Pains Set Visit Part 1: Mark Feuerstein Interview, Television Blend http://www.cinemablend.com/television/Royal-Pains-Set-Visit-Part-1-Mark-Feuerstein-Interview-17881.html

Uri Avnery photo
Robert G. Ingersoll photo
Alfred de Zayas photo
Alexandra Kollontai photo

“I am still far from being the type of the positively new women who take their experience as and working women contemporaries, were able to understand that love was not the main goal of our life and that we knew how to place work at its center. Nevertheless we would have been able to create and achieve much more had our energies not been fragmentized in the eternal struggle with our egos and with our feelings for another. It was, in fact, an eternal defensive war against the intervention of the male into our ego, a struggle revolving around the problem-complex: work or marriage and love? We, the older generation, did not yet understand, as most men do and as young women are learning today, that work and the longing for love can be harmoniously combined so that work remains as the main goal of existence. Our mistake was that each time we succumbed to the belief that we had finally found the one and only in the man we loved, the person with whom we believed we could blend our soul, one who was ready fully to recognize us as a spiritual-physical force. But over and over again things turned out differently, since the man always tried to impose his ego upon us and adapt us fully to his purposes. Thus despite everything the inevitable inner rebellion ensued, over and over again since love became a fetter. We felt enslaved and tried to loosen the love-bond. And after the eternally recurring struggle with the beloved man, we finally tore ourselves away and rushed toward freedom. Thereupon we were again alone, unhappy, lonesome, but free–free to pursue our beloved, chosen ideal… work. Fortunately young people, the present generation, no longer have to go through this kind of struggle which is absolutely unnecessary to human society. Their abilities, their work-energy will be reserved for their creative activity. Thus the existence of barriers will become a spur.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Sara Teasdale photo

“I hope that when he smiles at me
He does not guess my joy and pain,
For if he did, he is too kind
To ever look my way again.”

Sara Teasdale (1884–1933) American writer and poet

"Young Love"
Helen of Troy and Other Poems (1911)

Cormac McCarthy photo
Emma Thompson photo

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

“Tough and funny and a little bit kind: that is as near to perfection as a human being can be.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Condoleezza Rice photo

“Condoleezza Rice: I think that these historical circumstances require a very detailed and sober look from historians and what we've encouraged the Turks and the Armenians to do is to have joint historical commissions that can look at this, to have efforts to examine their past and, in examining their past, to get over their past.
Adam Schiff:… you come out of academia… is there any reputable historian you're aware of that takes issue with the fact that the murder of 1.5 million Armenians constituted genocide?
Condoleezza Rice: Congressman, I come out of academia, but I'm secretary of state now and I think that the best way to have this proceed is for the United States not to be in the position of making this judgment, but rather for the Turks and the Armenians to come to their own terms about this.
Adam Schiff:… Why is it only this genocide? Is it because Turkey is a strong ally? Is that an ethical and moral reason to ignore the murder of 1.5 million people? Why is it we don't say, "Let's relegate the Holocaust to historians" or "relegate the Cambodian genocide or Rwandan genocide?" Why is it only this genocide that we should let the Turks acknowledge or not acknowledge?
Condoleezza Rice: Congressman, we have recognized and the president recognizes every year in a resolution that he himself issues the historical circumstances and the tragedy that befell the Armenian people at that time…
Adam Schiff:… You recognize more than anyone, as a diplomat, the power of words. And I'm sure you supported the recognition of genocide in Darfur, not calling it tragedy, not calling it atrocity, not calling it anything else, but the power and significance of calling it genocide. Why is that less important in the case of the Armenian genocide?
Condoleezza Rice: Congressman, the power here is in helping these people to move forward… And, yes, Turkey is a good ally and that is important. But more important is that like many historical tragedies, like many historical circumstances of this kind, people need to come to terms with it and they need to move on.
Adam Schiff:… Iran hosts conferences of historians on the Holocaust. I don't think we want to get in the business of encouraging conferences of historians on the undeniable facts of the Armenian genocide.”

Condoleezza Rice (1954) American Republican politician; U.S. Secretary of State; political scientist

Appropriations hearing before the Subcommittee on State, Foreign Operations, and Related Programs http://schiff.house.gov/news/press-releases/schiff-presses-secretary-of-state-rice-on-armenian-genocide-recognition, March 21, 2007.

Joseph Beuys photo

“I think the tree is an element of regeneration which in itself is a concept of time. The oak is especially so because it is a slowly growing tree with a kind of really solid heartwood. It has always been a form of sculpture, a symbol for this planet.”

Joseph Beuys (1921–1986) German visual artist

Joseph Beuys (1982), cited in: Claudia Mesch (2013) Art and Politics: A Small History of Art for Social Change Since 1945. p. 160
1980's

Austin Grossman photo
Adolf Eichmann photo

“The war with the Soviet Union began in June 1941, I think. And I believe it was two months later, or maybe three, that Heydrich sent for me. I reported. He said to me: "The Führer has ordered physical extermination." These were his words. And as though wanting to test their effect on me, he made a long pause, which was not at all his way. I can still remember that. In the first moment, I didn't grasp the implications, because he chose his words so carefully. But then I understood. I didn't say anything, what could I say? Because I'd never thought of a … of such a thing, of that sort of violent solution. … Anyway, Heydrich said: "Go and see Globocnik, the Führer has already given him instructions. Take a look and see how he's getting on with his program. I believe he's using Russian anti-tank trenches for exterminating the Jews." As ordered, I went to Lublin, located the headquarters of SS and Police Commander Globocnik, and reported to the Gruppenführer. I told him Heydrich had sent me, because the Führer had ordered the physical extermination of the Jews. … Globocnik sent for a certain Sturmbannführer Höfle, who must have been a member of his staff. We went from Lublin to, I don't remember what the place was called, I get them mixed up, I couldn't say if it was Treblinka or some other place. There were patches of woods, sort of, and the road passed through — a Polish highway. On the right side of the road there was an ordinary house, that's where the men who worked there lived. A captain of the Ordnungspolizei welcomed us. A few workmen were still there. The captain, which surprised me, had taken off his jacket and rolled up his sleeves, somehow he seemed to have joined in the work. They were building little wooden shacks, two, maybe three of them; they looked like two- or three-room cottages. Höfle told the police captain to explain the installation to me. And then he started in. He had a, well, let's say, a vulgar, uncultivated voice. Maybe he drank. He spoke some dialect from the southwestern corner of Germany, and he told me how he had made everything airtight. It seems they were going to hook up a Russian submarine engine and pipe the exhaust into the houses and the Jews inside would be poisoned.
I was horrified. My nerves aren't strong enough … I can't listen to such things… such things, without their affecting me. Even today, if I see someone with a deep cut, I have to look away. I could never have been a doctor. I still remember how I visualized the scene and began to tremble, as if I'd been through something, some terrible experience. The kind of thing that happens sometimes and afterwards you start to shake. Then I went to Berlin and reported to the head of the Security Police.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

Source: Eichmann Interrogated (1983), p. 75 - 76.

Ernest Bevin photo
Max Scheler photo

“But this instinctive falsification of the world view is only of limited effectiveness. Again and again the ressentiment man encounters happiness, power, beauty, wit, goodness, and other phenomena of positive life. They exist and impose themselves, however much he may shake his fist against them and try to explain them away. He cannot escape the tormenting conflict between desire and impotence. Averting his eyes is sometimes impossible and in the long run ineffective. When such a quality irresistibly forces itself upon his attention, the very sight suffices to produce an impulse of hatred against its bearer, who has never harmed or insulted him. Dwarfs and cripples, who already feel humiliated by the outward appearance of the others, often show this peculiar hatred—this hyena-like and ever-ready ferocity. Precisely because this kind of hostility is not caused by the “enemy's” actions and behavior, it is deeper and more irreconcilable than any other. It is not directed against transitory attributes, but against the other person's very essence and being. Goethe has this type of “enemy” in mind when he writes: “Why complain about enemies?—Could those become your friends—To whom your very existence—Is an eternal silent reproach?” (West-Eastern Divan). The very existence of this “being,” his mere appearance, becomes a silent, unadmitted “reproach.””

Max Scheler (1874–1928) German philosopher

Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
Das Ressentiment im Aufbau der Moralen (1912)

Richard Cobden photo
A. R. Rahman photo
Dana Gioia photo