Quotes about harmony
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Chandra Shekhar photo
James Mattis photo

“In this age, I don’t care how tactically or operationally brilliant you are, if you cannot create harmony—even vicious harmony—on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.”

James Mattis (1950) 26th and current United States Secretary of Defense; United States Marine Corps general

At the May 2010 JFCOM Conference Ares blog, Aviation Week (June 2010) http://www.aviationweek.com/aw/blogs/defense/index.jsp?plckController=Blog&plckBlogPage=BlogViewPost&newspaperUserId=27ec4a53-dcc8-42d0-bd3a-01329aef79a7&plckPostId=Blog%3a27ec4a53-dcc8-42d0-bd3a-01329aef79a7Post%3ae790de68-06df-40d7-99bd-1297ed2bbeab&plckScript=blogScript&plckElementId=blogDest

Robert E. Lee photo

“The duty of its citizens, then, appears to me too plain to admit of doubt. All should unite in honest efforts to obilterate the effects of the war and restore the blessing of peace. They should remain, if possible, in the country; promote harmony and good feeling, qualify themselves to vote and elect to the State and general legislatures wise and patriotic men, who will devote their abilities to the interests of the country and the healing of all dissensions. I have invariably recommended this course since the cessation of hostilities, and have endeavored to practice it myself.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Letter to Governor Letcher
Variant: The interests of the State are therefore the same as those of the United States. Its prosperity will rise or fall with the welfare of the country. The duty of its citizens, then, appears to me too plain to admit of doubt. All should unite in honest efforts to obliterate the effects of war, and to restore the blessings of peace. They should remain, if possible, in the country; promote harmony and good feeling; qualify themselves to vote; and elect to the State and general Legislatures wise and patriotic men, who will devote their abilities to the interests of the country, and the healing of all dissensions. I have invariably recommended this course since the cessation of hostilities, and have endeavored to practice it myself.

Josefa Iloilo photo
B.K.S. Iyengar photo

“Health is a state of complete harmony of the body, mind and spirit. When one is free from physical disabilities and mental distractions, the gates of the soul open.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 48

Louis Brandeis photo
Matthew Arnold photo

“English civilization — the humanizing, the bringing into one harmonious and truly humane life, of the whole body of English society — that is what interests me.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Irish Essays. Ecce, Convertimur ad Gentes" (1882)

Jean Metzinger photo

“So, music does not attempt to imitate Nature's sounds, but it does interpet and embody emotions awakened by Nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expression of our sentiments.”

Jean Metzinger (1883–1956) French painter

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

Joel Barlow photo

“As the government of the United States is not in any sense founded on the Christian Religion,—as it has in itself no character of enmity against the laws, religion or tranquility of Musselmen,—and as the said States never have entered into any war or act of hostility against any Mehomitan nation, it is declared by the parties that no pretext arising from religious opinions shall ever produce an interruption of the harmony existing between the two countries.”

Joel Barlow (1754–1812) American diplomat

Treaty of Tripoli, Article 11 http://avalon.law.yale.edu/18th_century/bar1796t.asp#art11, signed at Tripoli on November 4, 1796, and at Algiers on January 3, 1797 and received ratification unanimously from the U.S. Senate on June 7, 1797; it was signed into law by John Adams (the original language is by Joel Barlow, U.S. Consul). This is a declaration of the secular character of the government of the United States, sometimes misattributed to John Adams, who signed the treaty into law. A portion is also sometimes misattributed to George Washington, and also misquoted as "This nation of ours was not founded on Christian principles."
Treaty of Tripoli (1797)

Ahad Ha'am photo
Aga Khan IV photo
Johann Gottlieb Fichte photo
Helena Petrovna Blavatsky photo
Han-shan photo
Emil Nolde photo

“They [his own fantasies he made in strange pencil drawings then] hover before me now in drifting color, more beautiful than I can possibly paint them.... I yearn for the day when I will have found my color harmonies, my harmonies.”

Emil Nolde (1867–1956) German artist

Quote of Nolde's letter, 1902, to Hans Fehr; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
During the next few years, Nolde virtually commuted between Copenhagen and Berlin; in the fishing village of Lildstand on Jutland's northern coast, he produced strange pencil drawings, as he wrote to Fehr
1900 - 1920

Vanna Bonta photo

“The forms [of poetry] are subsets of the principles that govern the cosmos itself which, by its very definition is: a complete, orderly, harmonious system.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Robert Musil photo
Piet Mondrian photo

“I am searching for the proper harmony of rhythm and unchanging proportion, as I wrote in the article. And I cannot tell you how difficult it is. [Mondrian is reacting on Van Doesburg criticism of the strong domination of the regular grid in Mondrian's latest paintings]”

Piet Mondrian (1872–1944) Peintre Néerlandais

In Mondrian's letter to Theo van Doesburg, Paris, 16 September 1919; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 171
1910's

Maurice Ravel photo
James McNeill Whistler photo
Calvin Coolidge photo
Vanna Bonta photo
Norman Spinrad photo
Henri Matisse photo

“I see with horror that the 'Salon Automne' is looming, for I haven't got, and shan't have, all I meant to be able to show there, the big stillife ['Harmony in Red'] has taken up so much of my time; but since I am content with the outcome, I tell myself one can't hope to be fast as well as good.”

Henri Matisse (1869–1954) French artist

Quote of Matisse in his letter to Sergei Shchukin [the Russian buyer of his still-life w:The Dessert: Harmony in Red (The Red Room), that year], 6 augustus 1908; as quoted by w:Hilary Spurling, The Unknown Matisse: Man of the North, 1869 – 1908, Penguin UK, 28 Sep, 2006, note 182
1900s

Alexander Pope photo
Robert Fludd photo
Arlo Guthrie photo

“If you're in a situation like that there's only one thing you can do and that's walk into the shrink wherever you are, just walk in say "Shrink, You can get anything you want, at Alice's restaurant." And walk out. You know, if one person, just one person does it they may think he's really sick and they won't take him. And if two people, two people do it, in harmony, they may think they're both faggots and they won't take either of them. And three people do it, three, can you imagine, three people walking in singing a bar of Alice's Restaurant and walking out. They may think it's an organization. And can you, can you imagine fifty people a day, I said fifty people a day walking in singing a bar of Alice's Restaurant and walking out. And friends they may thinks it's a movement. And that's what it is, the Alice's Restaurant Anti-Massacre Movement, and all you got to do to join is sing it the next time it come's around on the guitar!”

Arlo Guthrie (1947) American folk singer

Arlo has repeatedly updated this part through the years to help it match modern life more. He has updated to say that if only one person does it, they say the person in question is a certain amount of years too late. He also referenced the Don't Ask, Don't Tell policy during the 40th anniversary recording. He has also started adding the phrase, "And most of them would be too young to know what a movement was." once he says, "Friends they may think it's a movement."
Alice's Restaurant Massacree

Caspar David Friedrich photo

“The artist's feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person's feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry. Whatever people may say of Y's paintings and how they often resemble Z's, yet they proceed from Y and are his sole property.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated

Mary Parker Follett photo
Akbar photo

“[The people also got busy collecting] "all kinds of exploded errors, and brought them to his Majesty, as if they were so many presents… Every doctrine and command of Islam as the prophetship, the harmony of Islam with reason… the details of the day of resurrection and judgement, all were doubted and ridiculed."”

Akbar (1542–1605) 3rd Mughal Emperor

Muntakhab-ut-Tawarikh by Abdul Qadir Badaoni, vol. II, p. 307. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 2

Jean Chrétien photo
Paul Klee photo
Orison Swett Marden photo
Lionel Richie photo

“You know sometimes I sit and wonder
Just how this world would be
If we had all the people laughing
And everybody living in harmony.
We'd have to say se la se la.
Talking to the people se la, se la.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

Se La, co-written with Greg Phillinganes.
Song lyrics, Dancing on the Ceiling (1986)

Letitia Elizabeth Landon photo
B.K.S. Iyengar photo
William Wordsworth photo
John Ruysbroeck photo
Paul Gabriël photo

“Although I can look a bit grumpy myself, I love it when the sun shines in the water, but besides that I think my country is colored and what I particularly noticed when I came from abroad: our country is colored sappy fat, that's why our beautiful- colored and built cattle, their flesh, milk and butter, nowhere you can find this, but they [the cows] are also fed by that sappy, greasy and colored land - I have often heard strangers say, those Dutch painters all paint gray and their land is green.... the more I observe the more colored and transparent nature becomes and then the air seen altogether, something very different and yet so [strong] in harmony, it is delightful when one has learned to see, because that too must be learned, I repeat, our country is not gray, even not in gray weather, the dunes aren't gray either.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Alhoewel ik er zelf wat knorrig uit kan zien houd ik er veel van dat het zonnetje in het water schijnt, maar buiten dat ik vind mijn land gekleurd en wat mij bijzonder opviel wanneer ik uit den vreemde kwam: ons land is gekleurd sappig vet, vandaar onze schoone gekleurde en gebouwde runderen, hun vleesch melk en boter, nergens vind men dat zoo maar ze worden ook door dat sappige vette en gekleurde land gevoed - ik heb vreemdelingen dikwijls horen zeggen, die Hollandsche schilders schilderen allemaal grijs en hun land is groen.. ..hoe meer ik opserveer hoe gekleurder en transparanter de natuur word en dan de lucht erbij gezien een heel ander iets en toch zoo in harmonie, het is verrukkelijk wanneer men heeft leeren zien, want ook dat moet geleerd worden, ik herhaal het ons land is niet grijs, zelfs niet bij grijs weer, de duinen zijn ook niet grijs.
written note of Paul Gabriël, 1901; as cited in De Haagse School. Hollandse meesters van de 19de eeuw, ed. R. de Leeuw, J. Sillevis en C. Dumas); exhibition. cat. - Parijs, Grand Palais / Londen, Royal Academy of Arts / Den Haag, Haags Gemeentemuseum, Parijs, Londen, Den Haag 1983, p.183 - 23
after 1900

George Holmes Howison photo
James McNeill Whistler photo
Vincent Van Gogh photo

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34
1880s, 1889

Hermann Hesse photo

“Every discord is a harmony not understood. Happiness is a disease, and pain, a medicine.”

Swami Narayanananda (1902–1988) Indian guru

The Way to Peace, Power and Long Life (1945), p. 121 (2001 edition)

James Allen photo
Fernand Léger photo
Lin Yutang photo
Henry Adams photo
William Lisle Bowles photo

“Poetic trifles from solitary rambles whilst chewing the cud of sweet and bitter fancy.. now written from memory, confined to fourteen lines, this seemed best adapted to the unity of sentiment, the verse flowed in unpremeditated harmony as my ear directed but are far from being mere elegiac couplets.”

William Lisle Bowles (1762–1850) English priest, poet and critic

From Preface to The Poetical Works of William Lisle Bowles, Vol. 1 - With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan (1855) Ballantyne & Co , Edinburgh , kindle ebook edition ASIN B0082VAFKO.

Stefan Szczesny photo
Will Tuttle photo
Max Horkheimer photo
Daniel Dennett photo

“Evolution embodies information in every part of every organism. … This information doesn't have to be copied into the brain at all. It doesn't have to be "represented" in "data structures" in the nervous system. It can be exploited by the nervous system, however, which is designed to rely on, or exploit, the information in the hormonal systems just as it is designed to rely on, or exploit, the information embodied in your limbs and eyes. So there is wisdom, particularly about preferences, embodied in the rest of the body. By using the old bodily systems as a sort of sounding board, or reactive audience, or critic, the central nervous system can be guided — sometimes nudged, sometimes slammed — into wise policies. Put it to the vote of the body, in effect….When all goes well, harmony reigns and the various sources of wisdom in the body cooperate for the benefit of the whole, but we are all too familiar with the conflicts that can provoke the curious outburst "My body has a mind of its own!" Sometimes, apparently, it is tempting to lump together some of the embodied information into a separate mind. Why? Because it is organized in such a way that it can sometimes make independent discriminations, consult preferences, make decisions, enact policies that are in competition with your mind. At such time, the Cartesian perspective of a puppeteer self trying desperately to control an unruly body-puppet is very powerful. Your body can vigorously betray the secrets you are desperately trying to keep — by blushing and trembling or sweating, to mention only the most obvious cases. It can "decide" that in spite of your well-laid plans, right now would be a good time for sex, not intellectual discussion, and then take embarrassing steps in preparation for a coup d'etat. On another occasion, to your even greater chagrin and frustration, it can turn a deaf ear on your own efforts to enlist it for a sexual campaign, forcing you to raise the volume, twirl the dials, try all manner of preposterous cajolings to persuade it.”

Daniel Dennett (1942) American philosopher

Kinds of Minds (1996)

Anaïs Nin photo
Vitruvius photo
Charles Taze Russell photo
Dan Bern photo
Abd al-Karim Qasim photo
Richard Miles (historian) photo
Samuel P. Huntington photo
Robin Hartshorne photo

“I have been strongly influenced by the Mahabharata, discourses of the Buddha, Sri Aurobindo and Plato. My masters have been Vyasa, Buddha and Sri Aurobindo, as elucidated by Ram Swarup. … Paganism was a term of contempt invented by Christianity for people in the countryside who lived close to and in harmony with Nature, and whose ways of worship were spontaneous as opposed to the contrived though-categories constructed by Christianity’s city-based manipulators of human minds. In due course, the term was extended to cover all spiritually spontaneous culture of the world – Greek, Roman, Iranian, Indian, Chinese, native American. It became a respectable term for those who revolted against Christianity in the modern West. But it has yet to recover its spiritual dimension which Christianity had eclipsed. For me, Hinduism preserves ancient Paganism in all its dimensions. In that sense, I am a Pagan. The term "Polytheism' comes from Biblical discourse, which has the term 'theism' as its starting point. I have no use for these terms. They create confusion. I dwell in a different universe of discourse which starts with 'know thyself' and ends with the discovery, 'thou art that'…
I met her [Mother Theresa] briefly in Calcutta in 1954 or 1955 when she was unknown. I had gone to see an American journalist who was a friend and had fallen ill, when she came to his house asking for money for her charity set-up. The friend went inside to get some cash, leaving his five or six year old daughter in the drawing room. Teresa told her, "He is not your real father. Your real father is in heaven." The girl said, "He is very ill." Theresa commented, "If he dies, your father does not die. For your real father who is in heaven never 'dies."”

Sita Ram Goel (1921–2003) Indian activist

The girl was in tears.
Interview, The Observer. Date : February 22, 1997. http://sathyavaadi.tripod.com/truthisgod/Articles/goel.htm https://egregores.blogspot.com/2009/10/buddha-sri-aurobindo-and-plato.html https://egregores.wordpress.com/2009/11/16/hindus-and-pagans-a-return-to-the-time-of-the-gods/

Michael Elmore-Meegan photo
Edward Thomson photo
Christian Wolff photo
Pierre-Auguste Renoir photo

“The operational sciences hoped to nourish business management, which however largely ignored them, and the latter continues to be undernourished by the business schools which are fairly broad but shallow everywhere. By over focus on short-range financial values, business management in the United States has lost a dozen major markets to the Japanese, added pollution in all its forms, and enriched itself out of all proportion to its value as just one factor of production.
Action science, developed by the social sciences over many years in relative isolation from the applied physical sciences, and which might otherwise have humanized them and made engineering more productive, was doomed to fail by being on one end of the two-culture problem wherein science and the humanities do not even speak the same language.
I could go on listing a few dozen paradigms: art, law, computer software design, medicine, politics, and architecture, each addressed to a certain context, level, or phase, each good in itself, but each limited to the fields of its origin and its purposes. The methodological problem is the same as if, in designing any large system, each subsystem designer were left to design each subsystem to the best requirements he knew. The overall requirement might not be met; overall harmony could not be achieved, and conflict could ensue to cause failure at the system level.
What is envisioned is a new synthesis, a unified, efficient, systems methodology (SM): a multiphase, multi-level, multi-paradigmatic creative problem-solving process for use by individuals, by small groups, by large multi-disciplinary teams, or by teams of teams. It satisfies human needs in seeking value truths by matching the properties of wanted systems, and their parts, to perform harmoniously with their full environments, over their entire life cycles”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p.xi-xii, cited in Philip McShane (2004) Cantower VII http://www.philipmcshane.ca/cantower7.pdf

William Beebe photo
Noam Chomsky photo

“The poem, a harmonious flow of nuances, demands a musical rhythm, Vers libre.”

F. S. Flint (1885–1960) English Imagist poet

Contemporary French Poetry, The Poetry Review, 1914

Nicomachus photo

“Scientific number, being set over such things as these, should be harmoniously constituted, in accordance with itself; not by any other but by itself.”

Nicomachus (60–120) Ancient Greek mathematician

Book I, Chapter VI
Nicomachus of Gerasa: Introduction to Arithmetic (1926)

Robert Chambers (publisher, born 1802) photo
K. R. Narayanan photo
Maxwell D. Taylor photo

“So the future depends not only on what we do but on what other powers do. Will they join in the nuclear arms race or save their resources for later, more renumerative uses? Will they increase their productivity while we succumb to inflation and its social and economic consequences? Will they live in harmony at home while we remain riven by factionalism and terrorized by crime? Most important of all, will they choose their goals wisely and pursue them relentlessly while we flounder in aimlessness or exhaust ourselves in internecine struggles? These matters are quite as important as the decline of absolute American power in determining the equilibrium of international relations in the 1970s. One thing is sure: the international challenge tends to merge more and more with the domestic challenge until the two become virtually indistinguishable. The threats from both sources are directed at the same sources of national power which provide strength both for our national security and for our domestic welfare. It is clear, I believe, that we cannot overcome abroad and fail at home, or succeed at home and succumb abroad. To progress toward the goals of our security and welfare we must advance concurrently on both foreign and domestic fronts by means of integrated national power responsive to a unified national will.”

Maxwell D. Taylor (1901–1987) United States general

Closing words, p. 421-422
Swords and Plowshares (1972)

Albert Einstein photo
James Eastland photo
Josefa Iloilo photo
Annie Besant photo

“Every person, every race, every nation, has its own particular keynote which it brings to the general chord of life and of humanity. Life is not a monotone but a many-stringed harmony, and to this harmony is contributed a distinctive note by each individual.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

The Birth of New India: A Collection of Writings and Speeches on Indian Affairs http://books.google.co.in/books?id=n7ZMF8Mjh2oC, p. 85

Lope De Vega photo

“Harmony is pure love, for love is complete agreement.”

Armonía es puro amor, porque el amor es concierto.
Fuenteovejuna (1613), Barrildo, Act I.

Kurien Kunnumpuram photo
Robert G. Ingersoll photo
Ervin László photo
Nicomachus photo
Leonard Trelawny Hobhouse photo

“To move towards harmony is the persistent impulse of the rational being, even if the goal lies always beyond the reach of accomplished effort.”

Leonard Trelawny Hobhouse (1864–1929) British sociologist

Source: Liberalism (1911), Chapter VI, The Heart Of Liberalism, p. 69.

Ernest Flagg photo
Christopher Hitchens photo

“A double problem arises: There is first the difficulty of, if not the impossibility of demonstrating the existence of any creator or designer at all. I think I say something uncontroversial when I say that no theologian has ever conclusively demonstrated that such a designer can or does or ever has existed. The most you can do, by way of the argument from design, is to infer him or her or it from an apparent harmony in the arrangements - and this was at a time when that was the very best that, so to speak, could be done. But religion goes a little further than this already rather impossible task, and expects us to believe as follows: that the speaker not only can prove the existence of a said entity, but can claim to know this entity's mind - in fact, can claim to know it quite intimately; can claim to know his or her personal wishes; can, in turn, tell you what you may do, in his name - a quite large arrogation of power, you will suddenly notice, is being granted to the speaker here. The speaker can tell you that he knows - he cannot tell you how - but he can tell you that he knows, for example, that heaven hates ham, that god doesn't want you to eat pork products; he can tell you that god has a very very strong view about with whom you may have sexual relations, indeed, how you may have sexual relations with others; he can indicate, perhaps a little less convincingly but no less firmly, that there are certain books or courses of study that you might want to avoid or treat with great suspicion.”

Christopher Hitchens (1949–2011) British American author and journalist

Christopher Hitchens vs. Marvin Olasky, 14/05/2007 http://www.youtube.com/watch?v=sMgMUHD_kPI?t=1m35s
2000s, 2007

El Lissitsky photo
Andrew Carnegie photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Eugène Delacroix photo
Edwin Abbott Abbott photo

“On the whole we get on pretty smoothly in our domestic relations, except in the lower strata of the Military Classes. There the want of tact and discretion on the part of the husbands produces at times indescribable disasters. Relying too much on the offensive weapons of their acute angles instead of the defensive organs of good sense and seasonable simulation, these reckless creatures too often neglect the prescribed construction of the women's apartments, or irritate their wives by ill-advised expressions out of doors, which they refuse immediately to retract. Moreover a blunt and stolid regard for literal truth indisposes them to make those lavish promises by which the more judicious Circle can in a moment pacify his consort. The result is massacre; not, however, without its advantages, as it eliminates the more brutal and troublesome of the Isosceles; and by many of our Circles the destructiveness of the Thinner Sex is regarded as one among many providential arrangements for suppressing redundant population, and nipping Revolution in the bud.

Yet even in our best regulated and most approximately Circular families I cannot say that the ideal of family life is so high as with you in Spaceland. There is peace, in so far as the absence of slaughter may be called by that name, but there is necessarily little harmony of tastes or pursuits; and the cautious wisdom of the Circles has ensured safety at the cost of domestic comfort.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 4. Concerning the Women