Quotes about harbour
A collection of quotes on the topic of harbour, use, people, time.
Quotes about harbour

Letter to Virgil Finlay (25 September 1936), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 310
Non-Fiction, Letters

The Inferno (1917), Ch. XVI
Context: I come back as I always do to the greatness of mankind's curse, and I repeat it with the monotony of those who are always right — oh, without God, without a harbour, without enough rags to cover us, all we have, standing erect on the land of the dead, is the rebellion of our smile, the rebellion of being gay when darkness envelops us. We are divinely alone, the heavens have fallen on our heads.

to the minister of England."
Ireland and America (1846)

Maktubat-i-Imam Rabbani translated into Urdu by Maulana Muhammad Sa’id Ahmad Naqshbandi, Deoband, 1988, Volume III, pp. 660-63. These passages are from a long letter in which Ahmad Sirhindi answered a large number of questions from his disciples.
From his letters
The Chronicle of Henry of Huntingdon (trans. Thomas Forester), Book VI
Godwin supposedly said this just before he choked to death on a piece of bread at the table of King Edward "the Confessor", but the story is very doubtful.
Misattributed

Appel's quote is referring to his youth in Amsterdam, in the outskirts and the ports of the Dutch city
Source: Karel Appel – the complete sculptures,' (1990), pp. 75-77 'Quotes', K. Appel (1989)
Source: Gormenghast (1950), Chapter 2 (pp. 404-405)

Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre
1880s - 1890s

"A Far Cry from Africa" (1962), White Egrets
Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945
Source: Systems Thinking: Creative Holism for Managers (2003), p. 4

[Annette Sharp, The Diary: Painting by members, The Sun-Herald, Sydney, Australia, 29 July 2007, 2, Fairfax Media Publications Pty Limited]
About

Richard Kalich in conversation with Lucy Sweeney Byrne - Books Go Social http://booksgosocial.com/2015/01/13/richard-kalich-in-conversation-with-lucy-sweeney-byrne/ January 13, 2015.

The Impossible Five (2015)
'Postcard from Sydney'
Essays and reviews, Flying Visits (1984)

At Chateau Laurier, Ottawa, Canada, November 9, 1954 ; as cited at The Churchill Centre http://www.winstonchurchill.org/learn/speeches/quotations/famous-quotations-and-stories.
Post-war years (1945–1955)

Before signing of declaration on global challenges and threats to international security and stability with Russia's president Vladimir Putin quoted in Putin, Vajpayee to sign declaration on global challenges, 12 November 2003, Pravda http://english.pravda.ru/news/russia/12-11-2003/53753-0/,

Source: A Man of Law's Tale (1952), In London, p. 58
Source: Global Shift (2003) (Fourth Edition), Chapter 12, The Semiconductor Industry, p. 409

Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49
Quotes from Muslim medieval histories

The Renaissance in India (1918)

Source: 1930s, Adventures of Ideas (1933), p. 360.
Catholic Ashrams (1994)

Letter to Gladstone (15 December 1859), quoted in Philip Guedalla (ed.), Gladstone and Palmerston, being the Correspondence of Lord Palmerston with Mr. Gladstone 1851-1865 (London: Victor Gollancz, 1928), pp. 115-117.
1850s

28 min 30 sec
Cosmos: A Personal Voyage (1990 Update), Who Speaks for Earth? [Episode 13]

Rolls-Royce, p. 18
I Know You Got Soul (2004)
Hindu Temples – What Happened to Them, Volume I (1990)
Speech to National Federation Party conference, 31 July 2005
Unsourced

Charles Lamb "Characters of Dramatic Writers, Contemporary with Shakspeare", in Thomas Hutchinson (ed.) The Works in Prose and Verse of Charles and Mary Lamb (1908) vol. 1, p. 70.
Criticism

Arthur Young, quoted in: Bruce Lancaster (2001) The American Revolution, p. 16

Ihr habt ... die Kriege vermindert, um im Frieden desto mehr zu verdienen, um die Feindschaft der einzelnen, den ehrlosen Krieg der Konkurrenz, auf die höchste Spitze zu treiben!
Wo habt ihr etwas aus reiner Humanität, aus dem Bewußtsein der Nichtigkeit des Gegensatzes zwischen dem allgemeinen und individuellen Interesse getan? Wo seid ihr sittlich gewesen, ohne interessiert zu sein, ohne unsittliche, egoistische Motive im Hintergrund zu hegen?
Outlines of a Critique of Political Economy (1844)

which they do not control
Ten principles for a Black Swan-proof world http://www.ft.com/cms/s/0/5d5aa24e-23a4-11de-996a-00144feabdc0.html?nclick_check=1, Financial Times, 2009-04-07.
Ten principles for a Black Swan-proof world (2009)

Denouncing the Spanish Convention of Pardo in the House of Commons (6 March 1739), quoted in William Pitt, The Speeches of the Right Honourable the Earl of Chatham in the Houses of Lords and Commons: With a Biographical Memoir and Introductions and Explanatory Notes to the Speeches (London: Aylott & Jones, 1848), pp. 6-7.

Speech in the House of Commons (27 November 1781), reprinted in J. Wright (ed.), The Speeches of the Rt. Hon. C. J. Fox in the House of Commons. Volume I (1815), p. 429.
1780s

By this, we are then told, "he meant Death." (p. 158)
Source: The Four Men: A Farrago (1911), pp. 157–8

Letter to George Washington (26 April 1779)

One Particular Harbour, written with Bobby Holcomb
Song lyrics, One Particular Harbour (1983)

note about her first painting she started after the battle in Paris, 1870; in The Correspondence of Berthe Morisot with her family and friends', ed. Denis Rouart (transl. Betty W. Hubbard); Camden Press, London, 1986, p. 57
1860 - 1870

The Prisoner (October 1845)
Context: p>But first a hush of peace, a soundless calm descends;
The struggle of distress and fierce impatience ends
Mute music sooths my breast — unuttered harmony
That I could never dream till earth was lost to me.Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels —
Its wings are almost free, its home, its harbour found;
Measuring the gulf, it stoops and dares the final bound — O, dreadful is the check — intense the agony
When the ear begins to hear and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh and the flesh to feel the chain.Yet I would lose no sting, would wish no torture less;
The more that anguish racks the earlier it will bless;
And robed in fires of Hell, or bright with heavenly shine
If it but herald Death, the vision is divine —</p

The Nature, Importance and Liberties of Belief (1873)
Context: I look at a large tree on the lawn, and say to my neighbour: "What is that tree to you?" He looks at it, and says: "Well, I think that would cut about twenty cords of wood. You could work in a good many branches, and as the price of wood is in the market, I think I could make fifty dollars out of that tree easily, and perhaps more than that." His answer shows what the tree is to him — and it is that." I call up a boy, and say to him: "What do you think of when you look at that tree?" "Ah!" he says, "there will be a bushel of hickory-nuts on that tree, anyhow; and he begins to think how he will climb it, and shake them down, and what he will do with them. That is what the tree says to him. I say to another person: "What is that tree to you?" He says: "I would not take fifty dollars for it. Under it my cows stand in summer. The shade of that tree has stood me instead of a shed ever since I owned this farm. That tree is worth its weight in gold." He values it for its economic uses. I ask a painter: "What is that tree to you?" At once he says: "Do you see what an exquisite form it has? How picturesque it is? If you were to take it and put it in the foreground of the landscape that I am working on, what a magnificent effect you would get!" It has an aesthetic value to him. I ask another man: "What is it to you?" He goes into an explanation of its structure and qualities. He is a botanist, and he has his peculiar view of it. I ask myself: "What is that tree?" It is everything. It is God's voice, when the winds are abroad. It is God's thought, when in the deep stillness of the noon it is silent. It is the house which God has built for a thousand birds. It is a harbour of comfort to weary men and to the cattle of the field. It is that which has in it the record of ages. There it has stood for a century. The winter could not kill it, and the summer could not destroy it. It is full of beauty and strength. It has in it all these things; and as different men look at it, each looks at so much of it as he needs; but it takes ten men to see everything that there is in that tree — and they all do not half see it.
So it is with truths. Men sort them. They bring different faculties to bear in considering them. One person has philosophical reason; another has factual reason. One man brings one part of his mind to it; another brings to it another part of his mind. The truth is larger than any one man's thought of it. The truth of God usually has relations that stretch out in such a way that men may see it very differently, and all of them be true in spots, although they do not have the whole truth.

Astræa
1840s, Poems (1847)
Context: p>Each to each a looking-glass,
Reflects his figure that doth pass.
Every wayfarer he meets
What himself declared repeats,
What himself confessed records,
Sentences him in his words;
The form is his own corporal form,
And his thought the penal worm. Yet shine forever virgin minds,
Loved by stars and the purest winds,
Which, o'er passion throned sedate,
Have not hazarded their state;
Disconcert the searching spy,
Rendering to a curious eye
The durance of a granite ledge
To those who gaze from the sea's edge.
It is there for benefit;
It is there for purging light;
There for purifying storms;
And its depths reflect all forms;
It cannot parley with the mean,—
Pure by impure is not seen.
For there's no sequestered grot,
Lone mountain tarn, or isle forgot,
But Justice, journeying in the sphere,
Daily stoops to harbour there.</p

“When a man does not know what harbour he is making for, no wind is the right wind.”
errant consilia nostra, quia non habent quo derigantur; ignoranti quem portum petat nullus suus ventus est.
Letter LXXI: On the supreme good, line 3
Alternate translation: If one does not know to which port one is sailing, no wind is favorable. (translator unknown).
Epistulae Morales ad Lucilium (Moral Letters to Lucilius)
Context: Our plans miscarry because they have no aim. When a man does not know what harbour he is making for, no wind is the right wind.

Source: Speech in Bristol (22 April 1889), quoted in The Times (24 April 1889), p. 6