Quotes about form
page 35

Umberto Boccioni photo
Charles Edward Merriam photo

“It is not necessary to conclude that the managerial groups have assumed complete domination over the concerns in which they are found, although this may be the fact in various instances, but only to reckon with the undoubted truth that the managerial factor in public and private enterprise has taken on a far more significant role than before.
This new role which has puzzled and alarmed the "owners" in industry and the policy-makers in government is not, however, primarily a power role, but a specialization of the evolving and complex character which we now confront in our civilization.
We may, of course, always raise the question-not in point of fact always raised-of what the relation of these managers is to the t! nds of the state or the ends of other groups and to the special techniques of the particular group and to its special social composition. In the complex power pattern of organization how are these managerial element-related to the organization of the consent of the governed, so vital a force in the life of every form of human association? In the struggle for advantage and mastery these larger factors may, indeed, pass unnoticed, but from the point of view of the student of politics and government, they are of supreme importance in judging the trends and possibilities of managerial evolution in modem society.”

Charles Edward Merriam (1874–1953) American political scientist

Source: Systematic Politics, 1943, p. 163-4 ; as cited in Albert Lepawsky (1949), Administration, p. 15-16

Giorgio Vasari photo

“Men of genius sometimes accomplish most when they work the least, for they are thinking out inventions and forming in their minds the perfect idea that they subsequently express with their hands”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Often attributed to Giorgio Vasari, while in the text Vasari attributes these words to Leonardo da Vinci in: Giorgio Vasari. Lives of the Most Eminent Painters, Sculptors and Architects as translated by Mrs. Jonathan Foster (1852), Vol. 2;
Misattributed

Oliver Lodge photo

“Life must be considered sui generis; it is not a form of energy, nor can it be expressed in terms of something else.”

Oliver Lodge (1851–1940) British physicist

Raymond, p. 290 https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t80k3mq4s;view=1up;seq=332
Raymond, or Life and Death (1916)

Siddharth Katragadda photo

“The purest water is formed by flowing through the muddiest mountains”

Siddharth Katragadda (1972) Indian writer

page 45
Dark Rooms (2002)

John McCain photo
Kamisese Mara photo
Catherine the Great photo
William Blake photo

“The Angel that presided o'er my birth
Said, "Little creature, formed of joy and mirth,
Go love without the help of any thing on earth."”

William Blake (1757–1827) English Romantic poet and artist

The Angel That Presided
1800s, Poems from Blake's Notebook (c. 1807-1809)

Maxfield Parrish photo
Antonio Negri photo
Luis Buñuel photo

“In the name of Hippocrates, doctors have invented the most exquisite form of torture ever known to man: survival.”

Luis Buñuel (1900–1983) film director

Mon Dernier soupir (My Last Sigh, 1983)

Tallulah Bankhead photo

“Cocaine isn't habit forming. I should know — I've been using it for years.”

Tallulah Bankhead (1902–1968) American actress

Tallulah: My Autobiography (1952)

Emily Brontë photo
George Peacock photo
Frank Bunker Gilbreth, Sr. photo

“Process-chart notes and information should be collected and set down in sketch form by a highly intelligent man, preferably with an engineering training and experience, but who need not necessarily have been previously familiar with the actual details of the processes. In fact, the unbiased eye of an intelligent and experienced process-chart maker usually brings better results than does the study of a less keen man with more special information regarding present practices of the processes. The mere act of investigating sufficiently to make the notes in good enough condition for the draftsman to copy invariably results in many ideas and suggestions for improvement, and all of these suggestions, good and bad, should be retained and filed together with the description of the process chart. These suggestions and proposed improvements must be later explained to others, such as boards of directors, managers and foremen, and for best results also to certain workmen and clerks who have special craft or process knowledge. To overcome the obstacles due to habit, worship of tradition and prejudice, the more intelligence shown by the process-chart recorder, the sooner hearty cooperation of all concerned will be secured. Anyone can make this form of process chart with no previous experience in making such charts, but the more experience one has in making them, the more certain standard combinations of operations, inspection and transporting can be transferred bodily to advantage to the charts of proposed processes.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Process charts (1921), p. 5-6.

Julio César Strassera photo

“There exist no provisions in our law that perfectly and precisely describe the form of criminality that shall be judged here.”

Julio César Strassera (1933–2015) Argentine lawyer and jurist

El Diario del Juicio, 25 Sept 1985 (unpaginated)

Anton Chekhov photo
Maimónides photo
Muhammad Iqbál photo
Verghese Kurien photo
John Stuart Mill photo
Barbara Hepworth photo
Pope Benedict XVI photo
Friedrich Hayek photo

“Life at Cambridge during those war years was to me particularly congenial, and it completed the process of thorough absorption in English life which, from the beginning, I had found very easy. Somehow the whole mood and intellectual atmosphere of the country had at once proved extraordinarily attractive to me, and the conditions of a war in which all my sympathies were with the English greatly speeded up the process of becoming thoroughly at home—much more than in my native Austria from which I had already become somewhat estranged during the conditions of the 1920s. While neither on my early visit to the United States nor during my later stay there or still later in Germany did I feel that I really belonged there, English ways of life seemed so naturally to accord with all my instincts and dispositions that, if it had not been for very special circumstances, I should never have wished to leave the country again. And of all the forms of life, that at one of the colleges of the old universities…still seems to me the most attractive. The evenings at the High Table and the Combinations Room at King's are among the pleasantest recollections of my life, and some of the older men I came then to know well, especially J. H. Clapham, remained, while they lived, dear friends.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Stephen Kresge and Leif Wenar (eds.), Hayek on Hayek: An Autobiographical Dialogue (London: Routledge, 1994), p. 86
1980s and later

Jacques Ellul photo
Walter Scott photo
George W. Bush photo
James Madison photo

“Outside his own ever-narrowing field of specialization, a scientist is a layman. What members of an academy of science have in common is a certain form of semiparasitic living.”

Erwin Chargaff (1905–2002) Ukrinian-born biochemist who emigrated to the United States

Perspectives in Biology and Medicine (1973)

Robert A. Dahl photo
Dean Acheson photo
George Peacock photo
Miguel de Unamuno photo
George William Curtis photo

“And so it went until the alarm was struck in the famous Missouri debate. Then wise men remembered what Washington had said, 'Resist with care the spirit of innovation upon the principles of the Constitution'. They saw that the letting alone was all on one side, that the unfortunate anomaly was deeply scheming to become the rule, and they roused the country. The old American love of liberty flamed out again. Meetings were everywhere held. The lips of young orators burned with the eloquence of freedom. The spirit of John Knox and of Hugh Peters thundered and lightened in the pulpits, and men were not called political preachers because they preached that we are all equal children of God. The legislatures of the free States instructed their representatives to stand fast for liberty. Daniel Webster, speaking for the merchants of Boston, said that it was a question essentially involving the perpetuity of the blessings of liberty for which the Constitution itself was formed. Daniel Webster, speaking for humanity at Plymouth, described the future of the slave as 'a widespread prospect of suffering, anguish, and death'. The land was loud with the debate, and Rufus King stated its substance in saying that it was a question of slave or free policy in the national government. Slavery hissed disunion; liberty smiled disdain. The moment of final trial came. Pinckney exulted. John Quincy Adams shook his head. Slavery triumphed and, with Southern chivalry, politely called victory compromise.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Nanak photo
Fausto Cercignani photo

“No form and no degree of alleged liberty can justify calumny or the publication of calumnious material.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Gideon Mantell photo
Boris Johnson photo
Sri Aurobindo photo
Roberto Mangabeira Unger photo
Pierre Charles Alexandre Louis photo
Charles Manson photo

“I wanna say this to every man that has a mind, to all the intelligent life forms that exist on this planet Earth. I wish the British would say this to the Scottish Rites and the Masons and all the people with minds who have degrees of knowledge, and who are aware of courts, laws, United Nations, governments.
In the 40s, we had a war, and all of our economies went towards this war effort. The war ended on one level, but we wouldn't let it end on the other levels. We kept buying and selling this war. I'm not locked in the penitentiary for crimes, I'm locked in the Second World War. I'm locked in the Second World War with this decision to bring to the World Court - there must be a One World Court, or we're all gonna be devoured by crime.
Crime, and the definition of crime comes from Nuremberg, when the judges decided that they wanted to call Second World War a crime. Honor and war is not a crime. Crime is bad. When you go to war and you're a soldier, and you fight for your God and your country, that's not criminal. That's honorable. That's what you must do to be a man. If you don't fight for your God and your country, you're not worth anything. If you have no honor, then you're not worth petty's pigs.
Truth is, we've got to overturn this decision that you made in the Second World War, or the Second World War will never end. Degrees of the war was written in Switzerland, in Geneva, at conferences that were made by the men at the tables, clearly stated that anyone in uniform would be given the respect of their rank and their uniforms. Then when the United States and got all the Germans in handcuffs, they started breaking their own rules. And they've been breaking their own rules ever since. War is not a crime, but if you judge war as a crime in a court room, then turn around: If 2 + 3 = 5, and 3 + 2 = 5; if you say war is a crime, then crime becomes your war. I am, by all standards, a prisoner of war.
I've been a prisoner of war since 1944 in Juvenile Hall, for setting a school building on fire in Indianapolis, Indiana. I've been locked up 45 years trying to figure out why I got to be a criminal. It matters not whether I want to be; you've got to keep criminals going to keep the war going because that's your economy, your whole economy is based on the war. You've got to get your dollar bills off the war, you've got your silver market sterling off of the war, you've got to take your gold and your diamonds off of the war - You've got to overturn that decision, that hung 6000 men by the neck.
You killed 6000 soldiers for obeying orders. It's wrong. And the world has got to accept that's wrong. When you accept you're wrong, and you say you're sorry for all the things you've done, then that will be a note on that court, and we'll have some harmony going on this planet Earth, now.”

Charles Manson (1934–2017) American criminal and musician

Interview with Bill Murphy (1994) http://www.youtube.com/watch?v=XAjh_wOByoY

Lawrence Lessig photo
Thomas Little Heath photo
Richard Francis Burton photo

“What see we here? Forms, nothing more! Forms fill the brightest, strongest eye,
We know not substance; 'mid the shades shadows ourselves we live and die.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Maddox photo

“i hope that earns me some eprops (proper recognition in an electronic form lol) LOL LOL LOL!!!”

Maddox (1978) American internet writer

The Best Page in the Universe, April Fools

Amit Chaudhuri photo
Björk photo

“He offers a handshake, crooked five fingers
They form a pattern yet to be matched
On the surface simplicity
But the darkest pit in me is pagan poetry”

Björk (1965) Icelandic singer-songwriter

"Pagan Poetry", from Vespertine (2001)
Songs

Yves Klein photo
Calvin Coolidge photo
Julian of Norwich photo
Jean-Étienne Montucla photo

“Mathematics and philosophy are cultivated by two different classes of men: some make them an object of pursuit, either in consequence of their situation, or through a desire to render themselves illustrious, by extending their limits; while others pursue them for mere amusement, or by a natural taste which inclines them to that branch of knowledge. It is for the latter class of mathematicians and philosophers that this work is chiefly intended j and yet, at the same time, we entertain a hope that some parts of it will prove interesting to the former. In a word, it may serve to stimulate the ardour of those who begin to study these sciences; and it is for this reason that in most elementary books the authors endeavour to simplify the questions designed for exercising beginners, by proposing them in a less abstract manner than is employed in the pure mathematics, and so as to interest and excite the reader's curiosity. Thus, for example, if it were proposed simply to divide a triangle into three, four, or five equal parts, by lines drawn from a determinate point within it, in this form the problem could be interesting to none but those really possessed of a taste for geometry. But if, instead of proposing it in this abstract manner, we should say: "A father on his death-bed bequeathed to his three sons a triangular field, to be equally divided among them: and as there is a well in the field, which must be common to the three co-heirs, and from which the lines of division must necessarily proceed, how is the field to be divided so as to fulfill the intention of the testator?"”

Jean-Étienne Montucla (1725–1799) French mathematician

This way of stating it will, no doubt, create a desire in most minds to discover the method of solving the problem; and however little taste people may possess for real science, they will be tempted to try iheir ingenuity in finding the answer to such a question at this.
Source: Preface to Recreations in Mathematics and Natural Philosophy. (1803), p. ii; As cited in: Tobias George Smollett. The Critical Review: Or, Annals of Literature http://books.google.com/books?id=T8APAAAAQAAJ&pg=PA410, Volume 38, (1803), p. 410

Pierre Teilhard De Chardin photo

“However convergent it be, evolution cannot attain to fulfilment on earth except through a point of dissociation. With this we are introduced to a fantastic and inevitable event which now begins to take shape in our perspective, the event which comes nearer with every day that passes: the end of all life on our globe, the death of the planet, the ultimate phase of the phenomenon of man. …
Now when sufficient elements have sufficiently agglomerated, this essentially convergent movement will attain such intensity and such quality that mankind, taken as a whole, will be obliged—as happened to the individual forces of instinct—to reflect upon itself at a single point; that is to say, in this case, to abandon its organo-planetary foothold so as to shift its centre on to the transcendent centre of its increasing concentration. This will be the end and the fulfilment of the spirit of the earth.
The end of the world: the wholesale internal introversion upon itself of the noosphere, which has simultaneously reached the uttermost limit of its complexity and its centrality.
The end of the world: the overthrow of equilibrium, detaching the mind, fulfilled at last, from its material matrix, so that it will henceforth rest with all its weight on God-Omega. …
Are we to foresee man seeking to fulfil himself collectively upon himself, or personally on a greater than himself? Refusal or acceptance of Omega? … Universal love would only vivify and detach finally a fraction of the noosphere so as to consummate it—the part which decided to "cross the threshold", to get outside itself into the other. …
The death of the materially exhausted planet; the split of the noosphere, divided on the form to be given to its unity; and simultaneously (endowing the event with all its significance and with all its value) the liberation of that percentage of the universe which, across time, space and evil, will have succeeded in laboriously synthesising itself to the very end. Not an indefinite progress, which is an hypothesis contradicted by the convergent nature of noogenesis, but an ecstasy transcending the dimensions and the framework of the visible universe.”

pp. 273, 287–289 https://archive.org/stream/ThePhenomenonOfMan/phenomenon-of-man-pierre-teilhard-de-chardin#page/n137/mode/1up/,
The Phenomenon of Man (1955)

William Ewart Gladstone photo

“I name next a word that it requires some courage to utter these days—the word of economy. It is like a echo from the distant period of my early life. The wealth of the country, and the vast comparative diffusion of comfort, has, I am afraid, put public economy, at least in its more rigid and severe forms, sadly out of countenance.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech in Newcastle (2 October 1891), quoted in A. W. Hutton and H. J. Cohen (eds.), The Speeches of The Right Hon. W. E. Gladstone on Home Rule, Criminal Law, Welsh and Irish Nationality, National Debt and the Queen's Reign. 1888–1891 (London: Methuen, 1902), p. 377.
1890s

Michael Friendly photo
Bob Rae photo

“Constitutions do not emerge perfectly formed from the brain of the philosopher king, as Mr. Trudeau himself discovered in 1980 and 1981. They are always messy processes that are easier to knock down or tear apart than they are to construct.”

Bob Rae (1948) Canadian politician

Source: The Three Questions - Prosperity and the Public Good (1998), Chapter Seven, The Three Questions and the Question of Canada, p. 158

Phillip Guston photo
Antonio Negri photo
Eduardo Torroja photo
Eric R. Kandel photo
Charles Lyell photo
Richard Dedekind photo
Max Beckmann photo
Roberto Mangabeira Unger photo
Karel Appel photo

“The struggle begins, to harmonize canvas, eye, hand, forms. New apparitions stalk the earth.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel's excerpt', c. 1953

Thomas Jefferson photo

“In England, where judges were named and removable at the will of an hereditary executive, from which branch most misrule was feared, and has flowed, it was a great point gained, by fixing them for life, to make them independent of that executive. But in a government founded on the public will, this principle operates in an opposite direction, and against that will. There, too, they were still removable on a concurrence of the executive and legislative branches. But we have made them independent of the nation itself. They are irremovable, but by their own body, for any depravities of conduct, and even by their own body for the imbecilities of dotage. The justices of the inferior courts are self- chosen, are for life, and perpetuate their own body in succession forever, so that a faction once possessing themselves of the bench of a county, can never be broken up, but hold their county in chains, forever indissoluble. Yet these justices are the real executive as well as judiciary, in all our minor and most ordinary concerns. They tax us at will; fill the office of sheriff, the most important of all the executive officers of the county; name nearly all our military leaders, which leaders, once named, are removable but by themselves. The juries, our judges of all fact, and of law when they choose it, are not selected by the people, nor amenable to them. They are chosen by an officer named by the court and executive. Chosen, did I say? Picked up by the sheriff from the loungings of the court yard, after everything respectable has retired from it. Where then is our republicanism to be found? Not in our constitution certainly, but merely in the spirit of our people. That would oblige even a despot to govern us republicanly. Owing to this spirit, and to nothing in the form of our constitution, all things have gone well. But this fact, so triumphantly misquoted by the enemies of reformation, is not the fruit of our constitution, but has prevailed in spite of it. Our functionaries have done well, because generally honest men. If any were not so, they feared to show it.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

1810s, Letter to H. Tompkinson (AKA Samuel Kercheval) (1816)

Ossip Zadkine photo

“Because the scope of the sculptor's subject remains so limited, we must be careful to concentrate as much meaning or emotion as possible in the few forms that remain at our disposal.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

David Eugene Smith photo
Quentin Crisp photo

“An autobiography is obituary in serial form with the last installment missing.”

Source: The Naked Civil Servant (1968), Ch. 29

Patrick Swift photo
Mata Amritanandamayi photo
Jim Gaffigan photo

“Stand-up is an amazing art form, I think, because it's all about you having complete control of the situation, but absolutely none.”

Jim Gaffigan (1966) comedian, actor, author

Allan Johnson (October 7, 2005) "Seriously, Jim Gaffigan is an actor and a stand-up comic", Chicago Tribune, p. 9.

Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Richard A. Posner photo
Gouverneur Morris photo
Timothy Ferriss photo
James Brown photo

“Get up,
Get on up.
Stay on the scene.
Get on up,
Like a Sex Machine.
Get on up,
Get up.
Shake your arm,
Then use your form.
Stay on the scene, like a Sex Machine.
You gotta have the feeling,
Sure as you're born.”

James Brown (1933–2006) American singer, songwriter, musician, and recording artist

Get Up (I Feel Like Being a) Sex Machine, written with Bobby Byrd and Ron Lenhoff (1970)
Song lyrics

Salvador Dalí photo
Cormac McCarthy photo
Eugène-Melchior de Vogüé photo

“All contemporary forms of art have secret bonds in common.”

Eugène-Melchior de Vogüé (1848–1910) French diplomat, orientalist, travel writer, archaeologist, philanthropist and literary critic

Russian Novelists (1887), page 141 (translated by Jane Loring Edmands)

Johann Gottlieb Fichte photo
Hazrat Inayat Khan photo
Ernst Mach photo
Herbert Marcuse photo

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Source: One-Dimensional Man (1964), pp. 63-64

Herbert Marcuse photo