Quotes about form
page 26

Thomas Wolfe photo

“But the form of free verse is as binding and as liberating as the form of a rondeau.”

Donald Hall (1928–2018) American writer

From his essay 'Goatfoot, Milktongue, Twinbird' in the book of the same title. 1978. ISBN 0-472-40000-2.

“We [the U. S. ] think nothing…of attempting to inflict upon other peoples forms of government ill-tailored to their needs.”

Ralph Peters (1952) American military officer, writer, pundit

Source: 2000s, Beyond Terror: Strategy in a Changing World (2002), p. 218

David Eugene Smith photo

“He… gave thirteen forms of the cubic which have positive roots, these having already been given by Omar Kayyam.”

David Eugene Smith (1860–1944) American mathematician

Source: History of Mathematics (1925) Vol.2, p.464

“…potted thinking is easily accepted, is concentrated in form, and has lost the vitamins essential to mental nourishment.”

Susan Stebbing (1885–1943) British philosopher

As quoted in Thinking to Some Purpose (1939), p. 63

Donald J. Trump photo
Li Minqi photo
Shankar Dayal Sharma photo

“The Rigveda stated that the earth was a …globe suspended freely in space. The Vedic texts disclosed that the Sun held the earth and heavenly bodies in its orbit. The Shatapatha Brahmana, a treatise of untold antiquity, recognized and explained the fact that the earth was spherical.. Aryabhata explained the daily rising and setting of planets and stars in terms of the earth’s constant revolutionary motion. The Surya Siddhantha said that the earth, owing to its gravitational force draw all things to itself. In physics, the thinker Kanada, explained light and heat as different aspects of the same element, thus anticipating Clarke Maxwell's Electro-magnetic Theory, which unified different forms of radiant energy. Sankaracharya, in his Advaita thought expanded the concept of unity of matter and energy. Vacaspati recognized light as composed of minute particles emitted by substances, anticipating Newton’s Corpuscular Theory of Light and the later discovery of the Photon. In Botany, Sankara Mishra and Kanada have discussed the circulation of sap in the Plant and the Santiparva of Mahabharata has clearly stated that the plants develop on the strength of nutrients made through interaction of sunlight and materials obtained from the air and ground. Bhaskarcharya's concept of Differential Calculus preceded Newton by many centuries. His study of time identified Truti: The 3400th part of a second as the unit of time.”

Shankar Dayal Sharma (1918–1999) Indian politician

He has rightly brought out the rationality and application of Sanskrit literature in diverse fields
Source: Aruna Goel Good Governance and Ancient Sanskrit Literature http://books.google.co.in/books?id=El_VADF13pUC&pg=PA16, Deep and Deep Publications, 1 January 2003, p. 16-17

Jayant Narlikar photo
Piet Mondrian photo

“.. the elements of form have a particular aspect; every fragment, every plane, every line has its proper character.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Source: 1940's, A New Realism', 1943-1945, p. 18

Rousas John Rushdoony photo
John Lancaster Spalding photo

“If ancient descent could confer nobility, the lower forms of life would possess it in a greater degree than man.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 181

Hendrik Lorentz photo

“I cannot refrain… from expressing my surprise that, according to the report in The Times there should be so much complaint about the difficulty of understanding the new theory. It is evident that Einstein's little book "About the Special and the General Theory of Relativity in Plain Terms," did not find its way into England during wartime. Any one reading it will, in my opinion, come to the conclusion that the basic ideas of the theory are really clear and simple; it is only to be regretted that it was impossible to avoid clothing them in pretty involved mathematical terms, but we must not worry about that. …
The Newtonian theory remains in its full value as the first great step, without which one cannot imagine the development of astronomy and without which the second step, that has now been made, would hardly have been possible. It remains, moreover, as the first, and in most cases, sufficient, approximation. It is true that, according to Einstein's theory, because it leaves us entirely free as to the way in which we wish to represent the phenomena, we can imagine an idea of the solar system in which the planets follow paths of peculiar form and the rays of light shine along sharply bent lines—think of a twisted and distorted planetarium—but in every case where we apply it to concrete questions we shall so arrange it that the planets describe almost exact ellipses and the rays of light almost straight lines.
It is not necessary to give up entirely even the ether. …according to the Einstein theory, gravitation itself does not spread instantaneously, but with a velocity that at the first estimate may be compared with that of light. …In my opinion it is not impossible that in the future this road, indeed abandoned at present, will once more be followed with good results, if only because it can lead to the thinking out of new experimental tests. Einstein's theory need not keep us from so doing; only the ideas about the ether must accord with it.”

Hendrik Lorentz (1853–1928) Dutch physicist

Theory of Relativity: A Concise Statement (1920)

Karen Armstrong photo
David Bentley Hart photo

“Christ is a persuasion, a form of evoking desire… Such an account [of Christ] must inevitably make an appeal to beauty.”

David Bentley Hart (1965) American theologian

Source: The Beauty of the Infinite (2003), p. 3

Caterina Davinio photo

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

Robert Graves photo
Revilo P. Oliver photo
Jean Piaget photo
Harry V. Jaffa photo
Camille Paglia photo
Norberto Bobbio photo
Nikolai Bukharin photo
Stafford Cripps photo
William Bateson photo

“At that second exhibition I had to peer into them and look through the grayed color and wonder what it would be like not gray and then wonder what the forms would be like not crabbed by the figures and trees.”

Donald Judd (1928–1994) artist

Donald Judd (1974), as quoted in: Joseph J. Rishel et al. (2009) Cézanne and beyond. p. 94: Talking about the work of Cezanne.
1970s

Karel Appel photo

“Something appears midway between order and chaos, these forms, these expressions occupy a middle position.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

1973 - from CF,35; p. 67
Karel Appel, a gesture of colour' (1992/2009)

Daniel J. Boorstin photo

“The cynic suffers the form of faith without love. Incredulity is his piety.”

James Richardson (1950) American poet

#16
Vectors: Aphorisms and Ten Second Essays (2001)

Rollo May photo
Ramsay MacDonald photo
Ralph Cudworth photo
Charles Grey, 2nd Earl Grey photo
Nicholas Murray Butler photo
Richard Matheson photo

“Somewhere In Time is the story of a love which transcends time, What Dreams May Come is the story of a love which transcends death. … I feel that they represent the best writing I have done in the novel form.”

Richard Matheson (1926–2013) American fiction writer

Introduction to an Omnibus edition of his work, as quoted in Somewhere in Time (1998), p. 318 - 319

André Maurois photo
Roberto Mangabeira Unger photo
Rudolf Clausius photo
Layal Abboud photo
William H. Gass photo
George Eliot photo
Alfred M. Mayer photo
Otoman Zar-Adusht Ha'nish photo
Henry Adams photo
Nicholas Murray Butler photo
Marshall McLuhan photo

“If a work of art is to explore new environments, it is not to be regarded as a blueprint but rather as a form of action-painting.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

To Wilfred Watson, October 6 1965. Letters of Marshall McLuhan (1987), p. 325
1960s

“Poetry cannot report the event, it must be the event, lived through in a form that can speak about itself while remaining wholly itself.”

Balachandra Rajan (1920–2009) Indian writer

The Overwhelming Question ' University of Toronto Press 1976

Anthony Burgess photo
Piet Mondrian photo

“I believe that in our period it is definitely necessary that, as far as possible, the paint is applied in pure colours, set next to each other in a pointillist or diffuse manner. This is stated strongly, and yet it relates to the idea which is the basis of meaningful expression in form, as I see it. It seems to me that the clarity of ideas should be accompanied by a clarity of technique.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Israel Querido, Summer of 1909; published in the weekly magazine 'De Controleur' 23 Oct, 1909; as cited in English translation, in Two Mondrian sketchbooks 1912 - 1914, ed. Robert P. Welsh & J. M. Joosten, Amsterdam 1969 p. 10
1900's

“The media is the thought-form of the technological society, and it finds nothing it does to be laughable, a sure sign that it is not human.”

Donald Phillip Verene (1937) philosopher

Source: Philosophy and the Return to Self-Knowledge (1997), p. 169

Jacob Bronowski photo
Henri Poincaré photo
Helena Petrovna Blavatsky photo
Jane Roberts photo
John Tyndall photo
Julie Christie photo

“All women are aware of that moment when suddenly the boys don’t look at you. It’s a fairly common thing, when suddenly you no longer attract that instant male attention because of the way you look. I never really knew how to enjoy beauty, but it took the form of a subconscious arrogance, expecting things, all muddled up with celebrity.”

Julie Christie (1940) British actress and activist

As quoted in "A Role About Winter for Julie Christie, a Star in Eternal Spring http://www.nytimes.com/2007/04/18/movies/18chri.html?_r=0" by Alan Riding in The New York Times (18 April 2007)]

Thomas Little Heath photo
Peter Cain photo
Michel De Montaigne photo

“Nature forms us for ourselves, not for others; to be, not to seem.”

Book II, Ch. 37. Of the Resemblance of Children to their Brothers
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)

Wassily Kandinsky photo
Alfred de Zayas photo

“There are multiple ways of looking at self-determination. One understanding of the right focuses on the legitimacy of choice, so that every people may choose the form of government that it deems appropriate to its culture and traditions. Another perspective focuses on the right of two or more peoples to unify into one single State.”

Alfred de Zayas (1947) American United Nations official

Report of the Independent Expert on the promotion of a democratic and equitable international order on the right of self determination http://www.ohchr.org/EN/Issues/IntOrder/Pages/Reports.aspx.
2015, Report submitted to the UN General Assembly

Alasdair MacIntyre photo

“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Introduction'
Essays and reviews, Glued to the Box (1983)

Antonio Negri photo

“The contemporary scene of labor and production, we will explain, is being transformed under the hegemony of immaterial labor, that is, labor that produces immaterial products, suchs as information, knoledges, ideas, images, relationships, and affects. This does not mean that there is no more industrial working class whose calloused hands toil with machines or that there ae no more agricultural workers who till the soil. It does not even mean that the numbers of such workers have decreased globally. In fact, workers involved primarily in immaterial production are a small minority of the gloval whole. What it means, rather, is that the qualities and characteristics of immaterial production are tending to transform the other forms of labor and indeed society as a whole. Some of these new characteristics are decidedly unwelcome. When our ideas and affects, or emotions, are put to work, for insance, and when they thus become subject in a way to the command of the boss, we often experience new and intense forms of violation or alienation. Furthermore, the contractual and material conditions of immaterial labor that tend to spread to the entire labor market are making the position of labor in general more precarious. The is one tendency, for example, in various forms of immaterial labor to blur the distinction between work time and nonwork time, extending the working day indefinietly to fill all of life, and another tendency for immaterial labor to function without stable long-term contracts, and thus to adopt the precarious position of becoming flexible (to accomplish several tasks) and mobile (to move continually among locations). […] The production of ideas, knowledges, and affects, for example, does not merely create means by which society is formed and maintained; such immaterial labor also directly produces social relationships. […] immaterial labor tends to take the social form of network based on communication.”

65-66
Multitude: War and Democracy in the Age of Empire

Glenn Gould photo
Bill Thompson photo
Matthew Arnold photo
Alexander Maclaren photo

“The vision of the Divine presence ever takes the form which our circumstances most require.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.

Asger Jorn photo
S. H. Raza photo
Kazimir Malevich photo

“I transformed myself in the zero of form and emerged from nothing to creation, that is, to Suprematism, to the new realism in painting – to non-objective creation.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich, November 1916, in: 'From Cubism and Futurism to Suprematism: The New Realism in Painting'
1910 - 1920

Orson Pratt photo
Enoch Powell photo
Edward Hopper photo
Felix Frankfurter photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

W. Brian Arthur photo
Walter Rauschenbusch photo

“The socialism of continental Europe, taking it by and large, is actively hostile, not only to bad forms of organized religion, but to religion itself.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianizing the Social Order (1912), p. 109

George Holmes Howison photo
Thomas Jefferson photo
Tom Robbins photo
José Ortega Y Gasset photo
Thomas Jefferson photo
Gail Dines photo

“Nehru’s daughter, Mrs. Indira Gandhi, carried her father’s game much farther. In her fight for a monopoly of power, she split the Congress Party, and made a common cause with the Communists. Well-known Communists and fellow-travellers were given positions of power in the ruling Congress Party, in the Government at the Centre as well in the States, and in prestigious institutions all over the country. The Muslim-Marxist combine of “historians” had already captured the Indian History Congress during the days of Pandit Nehru, and many honest historians had been hounded out of it. Now this combine was placed in control of the Indian Council of Historical Research and entrusted with extensive patronage. The combine took over the National Council of Educational Research and Training also, and laid down the guidelines for producing school textbooks on various subjects. The Jawaharlal Nehru University was created and financed on a fabulous scale in order to collect Communist professors from all over the country, and form them into a frontline brigade for launching all sorts of anti-Hindu campaigns. The smokescreen for this Stalinist operation was provided by the slogan of Secularism which nobody was supposed to question, or examine as to what it had come to mean. Its meaning had to be accepted ex-cathedra, and as laid down by the Muslim-Marxist combine. In the new political parlance that emerged, Hinduism and the nationalism it inspired, became blackned as “Communalism.””

Sita Ram Goel (1921–2003) Indian activist

Small wonder that the word “Hindu” started becoming a dirty word in the academia as well as the media.
Hindu Temples – What Happened to Them, Volume II (1993)

Martin Heidegger photo