Quotes about fog
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Johnny Marr photo
Billy Connolly photo

“I used to be a folk singer, but I was… dreadful. I had a voice like a goose farting in the fog.”

Billy Connolly (1942) British comedian

An Audience With Billy - 1985

Camille Pissarro photo
Eddie August Schneider photo
Jack Kerouac photo
Mark Heard photo
Allen West (politician) photo
Dafydd ap Gwilym photo
Russell Brand photo

“With each tentative tiptoe and stumble, I had to inwardly assure myself that I was a good comedian and that my life was not pointless. “I am addicted to comfort,” I thought as I tumbled into the wood chips. I have become divorced from nature; I don’t know what the names of the trees and birds are. I don’t know what berries to eat or which stars will guide me home. I don’t know how to sleep outside in a wood or skin a rabbit. We have become like living cutlets, sanitized into cellular ineptitude. They say that supermarkets have three days’ worth of food. That if there was a power cut, in three days the food would spoil. That if cash machines stopped working, if cars couldn’t be filled with fuel, if homes were denied warmth, within three days we’d be roaming the streets like pampered savages, like urban zebras with nowhere to graze. The comfort has become a prison; we’ve allowed them to turn us into waddling pipkins. What is civilization but dependency? Now, I’m not suggesting we need to become supermen; that solution has been averred before and did not end well. Prisoners of comfort, we dread the Apocalypse. What will we do without our pre-packed meals and cozy jails and soporific glowing screens rocking us comatose? The Apocalypse may not arrive in a bright white instant; it may creep into the present like a fog. All about us we may see the shipwrecked harbingers foraging in the midsts of our excess. What have we become that we can tolerate adjacent destitution? That we can amble by ragged despair at every corner? We have allowed them to sever us from God, and until we take our brothers by the hand we will find no peace.”

Revolution (2014)

Huldrych Zwingli photo
Norman Mailer photo

“On a late-winter evening in 1983, while driving through fog along the Maine coast, recollections of old campfires began to drift into the March mist, and I thought of the Abnaki Indians of the Algonquin tribe who dwelt near Bangor a thousand years ago.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Harry Hubbard, in Harlot's Ghost : A Novel (1991)

Han-shan photo
John Dos Passos photo
Julian May photo
Roger Raveel photo

“[I have] all respect for that neoclassicism [of Piet Mondrian ], but it would sacrifices me too much to architecture. That kind of art does indeed fit perfectly in very modern rooms of modern buildings in equally modern cities, but never again a handcart can drive in there and never again someone can speak or think of a white dog cart in the fog. I am longing for a painting that can hang in a modern environment and still have its 'personal' life.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Al mijn respect voor dat neo-klassicisme [van Mondriaan], maar dat offert me teveel aan de architectuur. Dat werk past inderdaad gegoten in zeer moderne vertrekken van moderne gebouwen in even moderne steden maar er kan dan nooit meer een stootkar in rijden en nooit kan nog iemand spreken of denken aan een witte hondenkar in de mist. Ik verlang een schilderij die kan hangen in een moderne omgeving en die toch een ‘eigen’ leven heeft.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, after February 1951; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 133 (translation: Fons Heijnsbroek)
1945 - 1960

Sri Aurobindo photo

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Thomas Hughes photo
Richard Summerbell photo
Dennis Miller photo

“I don't have credibility, I'm a comedian. I'm not Ed Murrow up on the roof in a London fog reporting on the blitz.”

Dennis Miller (1953) American stand-up comedian, television host, and actor

Associated Press interview (26 January 2004) http://www.cnn.com/2004/SHOWBIZ/TV/01/26/tv.dennismiller.ap/

Eliza Farnham photo
John Fante photo
Van Morrison photo
Henry Van Dyke photo
Mark Tobey photo
Woody Guthrie photo

“As the fog was lifting a voice come chanting:
This land was made for you and me.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

This is one of the more variable of the stanzas; other renditions include:
Where the wind is blowing I go a strolling
The wheat field waving and the dust clouds rolling
The fog is lifting and the wind is saying:
This land is made for you and me.
The sun comes shining as I was strolling,
The wheat fields waving and the dust clouds rolling,
The fog was lifting as a voice come chanting:
This land was made for you and me.
This Land Is Your Land (1940; 1944)
Context: When the sun came shining as I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice come chanting:
This land was made for you and me.

Yevgeny Zamyatin photo
Colin Wilson photo

“All men are stuck in a kind of fog. They're surrounded by a wall of fog. They think this is perfectly normal, but it's not.”

Colin Wilson (1931–2013) author

Source: The Black Room (1975), p. 20
Context: All men are stuck in a kind of fog. They're surrounded by a wall of fog. They think this is perfectly normal, but it's not. It means that since they can't see much beyond their own little situation, they tend to vegetate. They need some immediate stimulus to keep them alert.

“Never to allow gradually the traffic to smother
With noise and fog the flowering of the spirit.”

Stephen Spender (1909–1995) English poet and man of letters

"I Think of Those Who Were Truly Great"
Poems (1933)
Context: What is precious is never to forget
The delight of the blood drawn from ancient springs
Breaking through rocks in worlds before our earth;
Never to deny its pleasure in the simple morning light,
Nor its grave evening demand for love;
Never to allow gradually the traffic to smother
With noise and fog the flowering of the spirit.

Roger Ebert photo

“To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/house-of-sand-and-fog-2003 of House of Sand and Fog (26 December 2003)
Reviews, Four star reviews
Context: It's so rare to find a movie that doesn't take sides. Conflict is said to be the basis of popular fiction, and yet here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it. To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them. … "House of Sand and Fog" relates not a plot with its contrived ups and downs but a story. A plot is about things that happen. A story is about people who behave.
To admire a story you must be willing to listen to the people and observe them, and at the end of House of Sand and Fog, we have seen good people with good intentions who have their lives destroyed because they had the bad luck to come across a weak person with shabby desires.

Stephen Crane photo

“The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting.”

Source: The Red Badge of Courage (1895), Ch. 1 First lines.
Context: The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumors.

“There is an obligation resting on us all to dedicate our minds to the hard task of thinking in terms of Christian objectives and values, so that we may be saved from moral confusion.
For never, probably, has there been a time when there was a more vigorous effort to surround social and international questions with such a fog of distortion and prejudices and hysterical appeal to fear.”

Halford E. Luccock (1885–1960) American Methodist minister

Keeping Life Out of Confusion (1938)
Context: When and if fascism comes to America it will not be labeled "made in Germany"; it will not be marked with a swastika; it will not even be called fascism; it will be called, of course, "Americanism." … The high-sounding phrase "the American way" will be used by interested groups intent on profit, to cover a multitude of sins against the American and Christian tradition, such sins as lawless violence, teargas and shotguns, denial of civil liberties … There is an obligation resting on us all to dedicate our minds to the hard task of thinking in terms of Christian objectives and values, so that we may be saved from moral confusion.
For never, probably, has there been a time when there was a more vigorous effort to surround social and international questions with such a fog of distortion and prejudices and hysterical appeal to fear. We have touched a new low in a Congressional investigation this Summer, used by some participating in it to whip up fear and prejudice against many causes of human welfare, such as concern for peace and the rights of labor to bargain collectively.

Charles Lindbergh photo

“If one took no chances, one would not fly at all. Safety lies in the judgment of the chances one takes. That judgment, in turn, must rest upon one's outlook on life. Any coward can sit in his home and criticize a pilot for flying into a mountain in fog. But I would rather, by far, die on a mountainside than in bed. Why should we look for his errors when a brave man dies? Unless we can learn from his experience, there is no need to look for weakness. Rather, we should admire the courage and spirit in his life. What kind of man would live where there is no daring? And is life so dear that we should blame men for dying in adventure? Is there a better way to die?”

Charles Lindbergh (1902–1974) American aviator, author, inventor, explorer, and social activist

Journal entry (26 August 1938); later published in The Wartime Journals (1970)
Context: The readiness to blame a dead pilot for an accident is nauseating, but it has been the tendency ever since I can remember. What pilot has not been in positions where he was in danger and where perfect judgment would have advised against going? But when a man is caught in such a position he is judged only by his error and seldom given credit for the times he has extricated himself from worse situations. Worst of all, blame is heaped upon him by other pilots, all of whom have been in parallel situations themselves, but without being caught in them. If one took no chances, one would not fly at all. Safety lies in the judgment of the chances one takes. That judgment, in turn, must rest upon one's outlook on life. Any coward can sit in his home and criticize a pilot for flying into a mountain in fog. But I would rather, by far, die on a mountainside than in bed. Why should we look for his errors when a brave man dies? Unless we can learn from his experience, there is no need to look for weakness. Rather, we should admire the courage and spirit in his life. What kind of man would live where there is no daring? And is life so dear that we should blame men for dying in adventure? Is there a better way to die?

Kate Bush photo

“Just like a feeling that you're sending out,
I pick it up.
But I can't let you go.
If I let you go,
You slip into the fog…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Source: Song lyrics, The Sensual World (1989)

Clifford D. Simak photo

“The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air.”

Cemetery World (1973)
Context: The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air. It was time, I knew, to be getting back to camp. But I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.

George H. W. Bush photo

“A new breeze is blowing, and a nation refreshed by freedom stands ready to push on. There is new ground to be broken, and new action to be taken. There are times when the future seems thick as a fog; you sit and wait, hoping the mists will lift and reveal the right path. But this is a time when the future seems a door you can walk right through into a room called tomorrow.”

George H. W. Bush (1924–2018) American politician, 41st President of the United States

Inaugural Address (1989)
Context: I come before you and assume the Presidency at a moment rich with promise. We live in a peaceful, prosperous time, but we can make it better. For a new breeze is blowing, and a world refreshed by freedom seems reborn; for in man's heart, if not in fact, the day of the dictator is over. The totalitarian era is passing, its old ideas blown away like leaves from an ancient, lifeless tree. A new breeze is blowing, and a nation refreshed by freedom stands ready to push on. There is new ground to be broken, and new action to be taken. There are times when the future seems thick as a fog; you sit and wait, hoping the mists will lift and reveal the right path. But this is a time when the future seems a door you can walk right through into a room called tomorrow.
Great nations of the world are moving toward democracy through the door to freedom. Men and women of the world move toward free markets through the door to prosperity. The people of the world agitate for free expression and free thought through the door to the moral and intellectual satisfactions that only liberty allows.
We know what works: Freedom works. We know what's right: Freedom is right. We know how to secure a more just and prosperous life for man on Earth: through free markets, free speech, free elections, and the exercise of free will unhampered by the state.

Arthur Ponsonby photo

“War is fought in this fog of falsehood, a great deal of it undiscovered and accepted as truth. The fog arises from fear and is fed by panic. Any attempt to doubt or deny even the most fantastic story has to be condemned at once as unpatriotic, if not traitorous. This allows a free field for the rapid spread of lies.”

Arthur Ponsonby (1871–1946) British Liberal and later Labour politician and pacifist

Falsehood in Wartime (1928), Introduction
Context: War is fought in this fog of falsehood, a great deal of it undiscovered and accepted as truth. The fog arises from fear and is fed by panic. Any attempt to doubt or deny even the most fantastic story has to be condemned at once as unpatriotic, if not traitorous. This allows a free field for the rapid spread of lies. If they were only used to deceive the enemy in the game of war it would not be worth troubling about. But, as the purpose of most of them is to fan indignation and induce the flower of the country's youth to be ready to make the supreme sacrifice, it becomes a serious matter. Exposure, therefore, may be useful, even when the struggle is over, in order to show up the fraud, hypocrisy, and humbug on which all war rests, and the blatant and vulgar devices which have been used for so long to prevent the poor ignorant people from realizing the true meaning of war.

Immanuel Kant photo

“Desire, she realized, was a thick fog that could completely obscure reality.”

Steve Perry (1947) American writer

Source: The Vastalimi Gambit (2013), Chapter 6

Stephen L. Carter photo
Greta Garbo photo

“The mystery surrounding Garbo was as thick as a London fog.”

Greta Garbo (1905–1990) Swedish-American actress

Tallulah Bankhead, Tallulah: My Autobiography (1952), ch. 9, p. 172: Duels with the Screen

Alexis Karpouzos photo