[Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
About
Quotes about floor
page 6
Film Freak Central Interview
was my name.
Interview with Nick Harper in The Guardian (28 November 2003).
Letter 419, to William Plomer, 12 December 1957
Selected Letters (1983-1985)
“Life is not having been told that the man has just waxed
the floor.”
"You and Me and P. B. Shelley" http://books.google.com/books?id=zixbAAAAMAAJ&q=%22Life+is+not+having+been+told+that+the+man+has+just+waxed+the+floor%22&pg=PA5#v=onepage
Good Intentions (1942)
Quotes from Judge Judy cases, Being cocky
Out of the old House, Nancy, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Speech (9 January 2016), as quoted in "El Chapo on Donald Trump: 'Mi Amigo!" http://www.cbsnews.com/news/el-chapo-on-donald-trump-mi-amigo/, by Rebecca Kaplan, CBS News (10 January 2016).
2010s, 2016, January
(on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", http://music-mix.ew.com/2009/03/31/stevie-nicks-in/ Entertainment Weekly, 31 March 2009
Source: 1950's, In: Reminiscence and Reverie, 1951, pp. 45, 46
Source: Art Talk, Conversations with 15 woman artists 1975, p. 77.
“Without a hook, the new information falls on the floor.”
p xxi
The Sacred Depths of Nature (1998)
Context: Human memory, they say, is like a coat closet: The most enduring outcome of a formal education is that it creates rows of coat hooks so that later on, when you come upon a new piece of information, you have a hook to hang it on. Without a hook, the new information falls on the floor.
“Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato's ghost”
"Less and Less Human, O Savage Spirit"
Transport to Summer (1947)
Context: p> If there must be a god in the house, must be,
Saying things in the room and on the stair,Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato's ghostOr Aristotle's skeleton. Let him hang out
His stars on the wall. He must dwell quietly.He must be incapable of speaking, closed,
As those are: as light, for all its motion, is;As color, even the closest to us, is;
As shapes, though they portend us, are.It is the human that is the alien,
The human that has no cousin in the moon.It is the human that demands his speech
From beasts or from the incommunicable mass.If there must be a god in the house, let him be one
That will not hear us when we speak: a coolnessA vermillioned nothingness, any stick of the mass
Of which we are too distantly a part.</p
On the rebuilding of the House of Commons after a bomb blast. The Second World War, Volume V : Closing the Ring (1952) Chapter 9.
Post-war years (1945–1955)
Context: There are two main characteristics of the House of Commons which will command the approval and the support of reflective and experienced Members. The first is that its shape should be oblong and not semicircular. Here is a very potent factor in our political life. The semicircular assembly, which appeals to political theorists, enables every individual or every group to move round the centre, adopting various shades of pink according as the weather changes. I am a convinced supporter of the party system in preference to the group system. I have seen many earnest and ardent Parliaments destroyed by the group system. The party system is much favoured by the oblong form of chamber. It is easy for an individual to move through those insensible gradations from left to right, but the act of crossing the Floor is one which requires serious attention. I am well informed on this matter for I have accomplished that difficult process, not only once, but twice.
"Stranger in a Strange Land"
Lyrics, October (1981)
Context: I watched the way it was
The way it was when he was with us
And I really don't mind
Sleeping on the floor
But I couldn't sleep after what I saw
I wrote this letter to tell you
The way I feel.
Variant translations: Are you really sure that a floor can't also be a ceiling?
I can't keep from fooling around with our irrefutable certainties. It is, for example, a pleasure knowingly to mix up two and three dimensionalities, flat and spatial, and to make fun of gravity.
1950's, On Being a Graphic Artist', 1953
Context: In my prints I try to show that we live in a beautiful and orderly world and not in a chaos without norms, as we sometimes seem to. My subjects are also often playful. I cannot help mocking all our unwavering certainties. It is, for example, great fun deliberately to confuse two and three dimensions, the plane and space, or to poke fun at gravity. Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase? Can you be definite that it is impossible to eat your cake and have it?
1960s, Freedom From The Known (1969)
Context: Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated. The one cannot exist without the other, and the more harmony there is between the two, the more balance, the more active the brain cells are. Thought has set up this pattern of pleasure, pain, fear, and has been functioning inside it for thousands of years and cannot break the pattern because it has created it.
Eat, Pray, Love (2006)
Context: I walk up the stairs to my fourth-floor apartment, all alone. I let myself into my tiny little studio, all alone. I shut the door behind me. Another early bedtime in Rome. Another long night's sleep ahead of me, with nobody and nothing in my bed except a pile of Italian phrase books and dictionaries.
I am alone, I am all alone, I am completely alone.
Grasping this reality, I let go of my bag, drop to my knees, and press my forehead against the floor. There I offer up to the universe a fervent prayer of thanks.
First in English.
Then in Italian.
And then — just to get the point across — in Sanskrit.
And since I am already down there in supplication on the floor, let me hold that position as I reach back in time three years earlier to the moment where this entire story began — a moment that also found me in this exact same posture: on my knees, on a floor, praying.
“I walk up the stairs to my fourth-floor apartment, all alone.”
Eat, Pray, Love (2006)
Context: I walk up the stairs to my fourth-floor apartment, all alone. I let myself into my tiny little studio, all alone. I shut the door behind me. Another early bedtime in Rome. Another long night's sleep ahead of me, with nobody and nothing in my bed except a pile of Italian phrase books and dictionaries.
I am alone, I am all alone, I am completely alone.
Grasping this reality, I let go of my bag, drop to my knees, and press my forehead against the floor. There I offer up to the universe a fervent prayer of thanks.
First in English.
Then in Italian.
And then — just to get the point across — in Sanskrit.
And since I am already down there in supplication on the floor, let me hold that position as I reach back in time three years earlier to the moment where this entire story began — a moment that also found me in this exact same posture: on my knees, on a floor, praying.
“Upon the floor uncounted medals lay
Like things of little value”
The Earthly Paradise (1868-70), The Lady of the Land
Context: Upon the floor uncounted medals lay
Like things of little value; here and there
Stood golden caldrons, that might well outweigh
The biggest midst an emperor's copper-ware,
And golden cups were set on tables fair,
Themselves of gold; and in all hollow things
Were stored great gems, worthy the crowns of kings.
Book VII, Ch. 4
Death Comes for the Archbishop (1927)
Context: The sky was as full of motion and change as the desert beneath it was monotonous and still, — and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one's feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was away, the thing all about one, the world one actually lived in, was the sky, the sky!
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 17
Context: With the present importance of the city [of Rome] and the unlimited numbers of its population, it is necessary to increase the number of dwelling-places indefinitely. Consequently, as the ground floors could not admit of so great a number living in the city, the nature of the case has made it necessary to find relief by making the buildings high. In these tall piles reared with piers of stone, walls of burnt brick, and partitions of rubble work, and provided with floor after floor, the upper stories can be partitioned off into rooms to very great advantage. The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.
“The world's floors are quaking, crumbling and breaking.”
"The Last Gallop"
Façades (1922)
Context: White as a winding sheet,
Masks blowing down the street:
Moscow, Paris London, Vienna — all are undone.
The drums of death are mumbling, rumbling, and tumbling,
Mumbling, rumbling, and tumbling,
The world's floors are quaking, crumbling and breaking.
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 30
Context: For three days and three nights, Phædrus stares at the wall of the bedroom, his thoughts moving neither forward nor backward, staying only at the instant. His wife asks if he is sick, and he does not answer. His wife becomes angry, but Phædrus listens without responding. He is aware of what she says but is no longer able to feel any urgency about it. Not only are his thoughts slowing down, but his desires too. And they slow and slow, as if gaining an imponderable mass. So heavy, so tired, but no sleep comes. He feels like a giant, a million miles tall. He feels himself extending into the universe with no limit.
He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help.
But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.
Justice Sudhir Aggarwal’s verdict, Para 3719
Quotes from the Judgment from Honorable Justice Agarwal, 2010
On her Communist upbringing in “The SRB Interview: Jackie Kay” https://www.scottishreviewofbooks.org/2016/03/the-srb-interview-jackie-kay/ in the Scottish Review of Books (2016 Mar 21)
Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)
Quoted in Alexandria Ocasio-Cortez Is Coming for Your Hamburgers!, David Remnick, The New Yorker, https://www.newyorker.com/news/daily-comment/alexandria-ocasio-cortez-is-coming-for-your-hamburgers (3 March 2019)
Quotes (2019)
Ta-Nehisi Coates: Joe Biden Shouldn’t Be President, Democracy Now (20 June 2019)
Law, Legislation and Liberty, volume 3, chapter 3, p. 55 https://books.google.pt/books?id=nclLLOfnGqAC&pg=PA55 (1979)
1960s–1970s, Law, Legislation and Liberty (1973, 1976, 1979)
The Kid from Hoboken: An Autobiography by Bill Bailey (1993)
Presidential Years:Zail Singh's posthumous defence of his controversial tenure
Quoted in Love, anger, the works!, 7 December 2013, Filmfare http://downloads.movies.indiatimes.com/site/june2002/flashback.html,
Lindsey Graham, February 26, 2016, as quoted in Lindsey Graham jokes about how to get away with murdering Ted Cruz http://www.cnn.com/2016/02/26/politics/lindsey-graham-ted-cruz-dinner (CNN.com)
14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth.. .I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas.. .I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]
Source: Artists talks 1969 – 1977, p. 12
Jack Newfield http://video.google.com/videoplay?docid=2441835652984416201&ei=sjpZS9eZGZPllQevwenkAw&q=sugar+ray+robinson#
About Sugar Ray sourced
He called it a forest nation. And they spend a lot of time on raking and cleaning and doing things, and they don't have any problem.
Paradise, California, , quoted in * 2018-11-20
#RakeNews: People in Finland Mock Trump With Leaf-Raking Photos After He Said the Country 'Rakes the Forest'
Ashley Hoffman
Time Magazine
https://time.com/5458605/trump-finland-raking-reactions/, and with video in * 2018-11-18
Trump Says California Can Learn From Finland on Fires. Is He Right?
Patrick Kingsley
New York Times
https://www.nytimes.com/2018/11/18/world/europe/finland-california-wildfires-trump-raking.html
Finnish President Sauli Niinistö said he didn't recall anything being said about raking. https://www.washingtonpost.com/world/the_americas/finnish-president-says-he-briefed-trump-on-forest-monitoring/2018/11/18/dd46a57e-eb32-11e8-8b47-bd0975fd6199_story.html
2010s, 2018, November
The Amazing Mr. Lutterworth (1958)
The Romance of Commerce (1918), A Representative Business of the Twentieth Century
The Romance of Commerce (1918), A Representative Business of the Twentieth Century
Interview with Nathaniel Parker https://www.bbc.co.uk/mediacentre/mediapacks/mrsjones/nathaniel
“I'm never bringing a bill to the floor that doesn't have the votes.”
2021
H.M.S. Pinafore (1878)
Source: 1878, HMS Pinafore, act 2, also quoted in Dictionary of Quotations, p. 353-354 (2005)
Source: A Gift From Earth (1968), Chapter 12, "The Slowboat" (p. 210)
"Less and Less Human, O Savage Spirit"
Transport to Summer (1947)