Quotes about floor
page 6

“Writer-director John Roecker's debut, Live Freaky! Die Freaky! will have you convulsing on the floor … with nausea, laughter, or both.”

John Roecker (1966) American film director

[Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
About

Peter Greenaway photo
T.S. Eliot photo
Johann Gottlieb Fichte photo
Vincent Gallo photo
Alice Cooper photo

“I haven't had an alcoholic drink in 22 years, but when I did drink I'd go for either Canadian whisky or Budweiser. Sometimes both. For a long time I used to think "Hey you, get off the floor!"”

Alice Cooper (1948) American rock singer, songwriter and musician

was my name.
Interview with Nick Harper in The Guardian (28 November 2003).

Edward St. Aubyn photo
E.M. Forster photo
Ogden Nash photo

“Life is not having been told that the man has just waxed
the floor.”

Ogden Nash (1902–1971) American poet

"You and Me and P. B. Shelley" http://books.google.com/books?id=zixbAAAAMAAJ&q=%22Life+is+not+having+been+told+that+the+man+has+just+waxed+the+floor%22&pg=PA5#v=onepage
Good Intentions (1942)

Judith Sheindlin photo

“(To a football player) If you lie to me, I'll mop the floor with you worse than anyone who's ever tackled you.”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

Quotes from Judge Judy cases, Being cocky

Will Carleton photo

“Not a log in this buildin' but its memories has got
And not a nail in this old floor but touches a tender spot.”

Will Carleton (1845–1912) poet.

Out of the old House, Nancy, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Donald J. Trump photo
W. H. Auden photo
Stevie Nicks photo

“That’s the words: "So I’m back to the velvet underground"—which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff—”back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

(on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", http://music-mix.ew.com/2009/03/31/stevie-nicks-in/ Entertainment Weekly, 31 March 2009

John Fante photo
Sofia Samatar photo

““A book,” says Vandos of Ur-Amakir, “is a fortress, a place of weeping, the key to a desert, a river that has no bridge, a garden of spears.” Fanlewas the Wise, the great theologian of Avalei, writes that Kuidva, the God of Words, is “a taskmaster with a lead whip.” Tala of Yenith is said to have kept her books in an iron chest that could not be opened in her presence, else she would lie on the floor, shrieking. She wrote: “Within the pages there are fires, which can rise up, singe the hair, and make the eyelids sting.” Ravhathos called the life of the poet “the fair and fatal road, of which even the dust and stones are dear to my heart,” and cautioned that those who spend long hours engaged in reading or writing should not be spoken to for seven hours afterward. “For they have gone into the Pit, into which they descend on Slopes of Fire, but when they rise they climb on a Ladder of Stone.” Hothra of Ur-Brome said that his books were “dearer than father or mother,” a sentiment echoed by thousands of other Olondrians through the ages, such as Elathuid the Voyager, who explored the Nissian coast and wrote: “I sat down in the wilderness with my books, and wept for joy.” And the mystic Leiya Tevorova, that brave and unfathomable soul, years before she met her tragic death by water, wrote: “When they put me into the Cold, above the white Lake, in the Loathsome Tower, and when Winter came with its cruel, hard, fierce, dark, sharp and horrible Spirit, my only solace was in my Books, wherein I walked like a Child, or shone in the Dark like a Moth which has its back to a sparkling Fire.””

Source: A Stranger in Olondria (2013), Chapter 3, “Doorways” (p. 19; the first sentence is echoed on p. 273)

Mark Tobey photo
Edmund Burke photo

“Permit me, Sir, to add another circumstance in our colonies, which contributes no mean part towards the growth and effect of this untractable spirit. I mean their education. In no country perhaps in the world is the law so general a study. The profession itself is numerous and powerful; and in most provinces it takes the lead. The greater number of the deputies sent to the congress were lawyers. But all who read, and most do read, endeavour to obtain some smattering in that science. I have been told by an eminent bookseller, that in no branch of his business, after tracts of popular devotion, were so many books as those on the law exported to the plantations. The colonists have now fallen into the way of printing them for their own use. I hear that they have sold nearly as many of Blackstone's Commentaries in America as in England. General Gage marks out this disposition very particularly in a letter on your table. He states, that all the people in his government are lawyers, or smatterers in law; and that in Boston they have been enabled, by successful chicane, wholly to evade many parts of one of your capital penal constitutions. The smartness of debate will say, that this knowledge ought to teach them more clearly the rights of legislature, their obligations to obedience, and the penalties of rebellion. All this is mighty well. But my honourable and learned friend on the floor, who condescends to mark what I say for animadversion, will disdain that ground. He has heard, as well as I, that when great honours and great emoluments do not win over this knowledge to the service of the state, it is a formidable adversary to government. If the spirit be not tamed and broken by these happy methods, it is stubborn and litigious. Abeunt studia in mores. This study renders men acute, inquisitive, dexterous, prompt in attack, ready in defence, full of resources. In other countries, the people, more simple, and of a less mercurial cast, judge of an ill principle in government only by an actual grievance; here they anticipate the evil, and judge of the pressure of the grievance by the badness of the principle. They augur misgovernment at a distance; and snuff the approach of tyranny in every tainted breeze.”

Edmund Burke (1729–1797) Anglo-Irish statesman

Second Speech on Conciliation with America (1775)

Ursula Goodenough photo

“Without a hook, the new information falls on the floor.”

p xxi
The Sacred Depths of Nature (1998)
Context: Human memory, they say, is like a coat closet: The most enduring outcome of a formal education is that it creates rows of coat hooks so that later on, when you come upon a new piece of information, you have a hook to hang it on. Without a hook, the new information falls on the floor.

Wallace Stevens photo

“Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato's ghost”

Wallace Stevens (1879–1955) American poet

"Less and Less Human, O Savage Spirit"
Transport to Summer (1947)
Context: p> If there must be a god in the house, must be,
Saying things in the room and on the stair,Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato's ghostOr Aristotle's skeleton. Let him hang out
His stars on the wall. He must dwell quietly.He must be incapable of speaking, closed,
As those are: as light, for all its motion, is;As color, even the closest to us, is;
As shapes, though they portend us, are.It is the human that is the alien,
The human that has no cousin in the moon.It is the human that demands his speech
From beasts or from the incommunicable mass.If there must be a god in the house, let him be one
That will not hear us when we speak: a coolnessA vermillioned nothingness, any stick of the mass
Of which we are too distantly a part.</p

Winston S. Churchill photo

“It is easy for an individual to move through those insensible gradations from left to right, but the act of crossing the Floor is one which requires serious attention. I am well informed on this matter for I have accomplished that difficult process, not only once, but twice.”

On the rebuilding of the House of Commons after a bomb blast. The Second World War, Volume V : Closing the Ring (1952) Chapter 9.
Post-war years (1945–1955)
Context: There are two main characteristics of the House of Commons which will command the approval and the support of reflective and experienced Members. The first is that its shape should be oblong and not semicircular. Here is a very potent factor in our political life. The semicircular assembly, which appeals to political theorists, enables every individual or every group to move round the centre, adopting various shades of pink according as the weather changes. I am a convinced supporter of the party system in preference to the group system. I have seen many earnest and ardent Parliaments destroyed by the group system. The party system is much favoured by the oblong form of chamber. It is easy for an individual to move through those insensible gradations from left to right, but the act of crossing the Floor is one which requires serious attention. I am well informed on this matter for I have accomplished that difficult process, not only once, but twice.

Bono photo

“I watched the way it was
The way it was when he was with us
And I really don't mind
Sleeping on the floor
But I couldn't sleep after what I saw”

Bono (1960) Irish rock musician, singer of U2

"Stranger in a Strange Land"
Lyrics, October (1981)
Context: I watched the way it was
The way it was when he was with us
And I really don't mind
Sleeping on the floor
But I couldn't sleep after what I saw
I wrote this letter to tell you
The way I feel.

M. C. Escher photo

“Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase?”

M. C. Escher (1898–1972) Dutch graphic artist

Variant translations: Are you really sure that a floor can't also be a ceiling?
I can't keep from fooling around with our irrefutable certainties. It is, for example, a pleasure knowingly to mix up two and three dimensionalities, flat and spatial, and to make fun of gravity.
1950's, On Being a Graphic Artist', 1953
Context: In my prints I try to show that we live in a beautiful and orderly world and not in a chaos without norms, as we sometimes seem to. My subjects are also often playful. I cannot help mocking all our unwavering certainties. It is, for example, great fun deliberately to confuse two and three dimensions, the plane and space, or to poke fun at gravity. Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase? Can you be definite that it is impossible to eat your cake and have it?

Jiddu Krishnamurti photo

“Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1960s, Freedom From The Known (1969)
Context: Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated. The one cannot exist without the other, and the more harmony there is between the two, the more balance, the more active the brain cells are. Thought has set up this pattern of pleasure, pain, fear, and has been functioning inside it for thousands of years and cannot break the pattern because it has created it.

Elizabeth Gilbert photo

“I am alone, I am all alone, I am completely alone.
Grasping this reality, I let go of my bag, drop to my knees, and press my forehead against the floor. There I offer up to the universe a fervent prayer of thanks.”

Eat, Pray, Love (2006)
Context: I walk up the stairs to my fourth-floor apartment, all alone. I let myself into my tiny little studio, all alone. I shut the door behind me. Another early bedtime in Rome. Another long night's sleep ahead of me, with nobody and nothing in my bed except a pile of Italian phrase books and dictionaries.
I am alone, I am all alone, I am completely alone.
Grasping this reality, I let go of my bag, drop to my knees, and press my forehead against the floor. There I offer up to the universe a fervent prayer of thanks.
First in English.
Then in Italian.
And then — just to get the point across — in Sanskrit. 
And since I am already down there in supplication on the floor, let me hold that position as I reach back in time three years earlier to the moment where this entire story began — a moment that also found me in this exact same posture: on my knees, on a floor, praying.

Elizabeth Gilbert photo

“I walk up the stairs to my fourth-floor apartment, all alone.”

Eat, Pray, Love (2006)
Context: I walk up the stairs to my fourth-floor apartment, all alone. I let myself into my tiny little studio, all alone. I shut the door behind me. Another early bedtime in Rome. Another long night's sleep ahead of me, with nobody and nothing in my bed except a pile of Italian phrase books and dictionaries.
I am alone, I am all alone, I am completely alone.
Grasping this reality, I let go of my bag, drop to my knees, and press my forehead against the floor. There I offer up to the universe a fervent prayer of thanks.
First in English.
Then in Italian.
And then — just to get the point across — in Sanskrit. 
And since I am already down there in supplication on the floor, let me hold that position as I reach back in time three years earlier to the moment where this entire story began — a moment that also found me in this exact same posture: on my knees, on a floor, praying.

William Morris photo

“Upon the floor uncounted medals lay
Like things of little value”

William Morris (1834–1896) author, designer, and craftsman

The Earthly Paradise (1868-70), The Lady of the Land
Context: Upon the floor uncounted medals lay
Like things of little value; here and there
Stood golden caldrons, that might well outweigh
The biggest midst an emperor's copper-ware,
And golden cups were set on tables fair,
Themselves of gold; and in all hollow things
Were stored great gems, worthy the crowns of kings.

Willa Cather photo

“Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was away, the thing all about one, the world one actually lived in, was the sky, the sky!”

Book VII, Ch. 4
Death Comes for the Archbishop (1927)
Context: The sky was as full of motion and change as the desert beneath it was monotonous and still, — and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one's feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was away, the thing all about one, the world one actually lived in, was the sky, the sky!

Vitruvius photo

“The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 17
Context: With the present importance of the city [of Rome] and the unlimited numbers of its population, it is necessary to increase the number of dwelling-places indefinitely. Consequently, as the ground floors could not admit of so great a number living in the city, the nature of the case has made it necessary to find relief by making the buildings high. In these tall piles reared with piers of stone, walls of burnt brick, and partitions of rubble work, and provided with floor after floor, the upper stories can be partitioned off into rooms to very great advantage. The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.

Edith Sitwell photo

“The world's floors are quaking, crumbling and breaking.”

Edith Sitwell (1887–1964) British poet

"The Last Gallop"
Façades (1922)
Context: White as a winding sheet,
Masks blowing down the street:
Moscow, Paris London, Vienna — all are undone.
The drums of death are mumbling, rumbling, and tumbling,
Mumbling, rumbling, and tumbling,
The world's floors are quaking, crumbling and breaking.

Robert M. Pirsig photo

“He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help.
But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 30
Context: For three days and three nights, Phædrus stares at the wall of the bedroom, his thoughts moving neither forward nor backward, staying only at the instant. His wife asks if he is sick, and he does not answer. His wife becomes angry, but Phædrus listens without responding. He is aware of what she says but is no longer able to feel any urgency about it. Not only are his thoughts slowing down, but his desires too. And they slow and slow, as if gaining an imponderable mass. So heavy, so tired, but no sleep comes. He feels like a giant, a million miles tall. He feels himself extending into the universe with no limit.
He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help.
But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.

Richard Wright photo
Francois Mauriac photo

“The ASI Report had a feature not amenable to criticism. It was that they (the excavators) have discovered many walls and floors and some pillar bases beneath the Babri mosque, and all these constitute evidence.”

Suraj Bhan (archaeologist) (1931–2010) Indian archaeologist

Justice Sudhir Aggarwal’s verdict, Para 3719
Quotes from the Judgment from Honorable Justice Agarwal, 2010

Jackie Kay photo
Alessandro Cagliostro photo
Eric Rücker Eddison photo
David Foster Wallace photo
Alexandria Ocasio-Cortez photo

“I grew up with a real romanticism about America. I grew up in a first-generation household where your parents give up everything, and for me America was the greatest thing ever to exist. To be there on the floor of the House was beyond anything my parents would have ever dreamed of.”

Alexandria Ocasio-Cortez (1989) American politician

Quoted in Alexandria Ocasio-Cortez Is Coming for Your Hamburgers!, David Remnick, The New Yorker, https://www.newyorker.com/news/daily-comment/alexandria-ocasio-cortez-is-coming-for-your-hamburgers (3 March 2019)
Quotes (2019)

William Logan (author) photo

“Two things are essential to the astrologer, namely, a bag of cowries and an almanac, When any one comes to consult him he quietly sits down, facing the sun, on a plank seat or mat, murmuring some mantrams or sacred verses, opens his bag of cowries and pours them on the floor. With his right hand he moves them slowly round and round, solemnly inciting meanwhile a stanza or two in praise of his guru or teacher and of his deity, invoking their help. He then stops and explains what, lie has been doing, at the same time taking a handful of cowries from the heap and placing them on one side. In front is a diagram drawn with chalk on tire floor and consisting of twelve compartments. Before commencing operations with the diagram he selects three or five of the cowries highest up in tho heap and places them in a line on the right-hand side. These represent Ganapati (the Belly God, the remover of difficulties), the sun, the planet Jupiter, Sarasvati (the Goddess of speech), and his own Guru or preceptor. To all of those the astrologor gives due obeisance, touching his ears and the ground three times with both hands. The cowries are next arranged in the compartments of tho diagram and are moved about from compartment to compartment by the astrologer, who quotes meanwhile tho authority on which ho makes such moves. Finally he explains the result, and ends with again worshipping the deified cowries who were witnessing the operation as spectators.”

Malabar Manual, Page 142 https://archive.org/details/MalabarLogan/page/n154
Malabar Manual (1887)

Stephen King photo
Ta-Nehisi Coates photo
Friedrich Hayek photo

“The assurance of a certain minimum income for everyone, or a sort of floor below which nobody need fall even when he is unable to provide for himself, appears not only to be a wholly legitimate protection against a risk common to all, but a necessary part of the Great Society in which the individual no longer has specific claims on the members of the particular small group into which he was born.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Law, Legislation and Liberty, volume 3, chapter 3, p. 55 https://books.google.pt/books?id=nclLLOfnGqAC&pg=PA55 (1979)
1960s–1970s, Law, Legislation and Liberty (1973, 1976, 1979)

Johann Gottlieb Fichte photo
Zail Singh photo

“After succeeding his mother, Rajiv Gandhi asked K. K. Tewary, a Congress MP, to make the reckless charge on the floor of the Rashtrapati Bhawan.”

Zail Singh (1916–1994) Indian politician and former President of India

Presidential Years:Zail Singh's posthumous defence of his controversial tenure

Mukesh Ambani photo
Rekha photo
Ted Cruz photo

“If you killed Ted Cruz on the floor of the Senate, and the trial was in the Senate, nobody would convict you.”

Ted Cruz (1970) American politician

Lindsey Graham, February 26, 2016, as quoted in Lindsey Graham jokes about how to get away with murdering Ted Cruz http://www.cnn.com/2016/02/26/politics/lindsey-graham-ted-cruz-dinner (CNN.com)

“Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it?”

Carl Andre (1935) American artist

14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth.. .I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas.. .I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]
Source: Artists talks 1969 – 1977, p. 12

Sugar Ray Robinson photo
Julio Cortázar photo
Julio Cortázar photo
Margaret Cho photo

“I was on the floor in the emergency room, and the woman came up to me and said "Hi, my name is Gwen and I'm here to wash your vagina!"”

Margaret Cho (1968) American stand-up comedian

From Her Tours and CDs, I'm The One That I Want Tour

Dylan Moran photo
Donald J. Trump photo

“You gotta take care of the floors. You know, the floors of the forest. It's very important. You look at other countries where they do it differently, and it's a whole different story. I was with the president of Finland, and he said, "We have a much different— we're a forest nation."”

Donald J. Trump (1946) 45th President of the United States of America

He called it a forest nation. And they spend a lot of time on raking and cleaning and doing things, and they don't have any problem.

Paradise, California, , quoted in * 2018-11-20

#RakeNews: People in Finland Mock Trump With Leaf-Raking Photos After He Said the Country 'Rakes the Forest'

Ashley Hoffman

Time Magazine

https://time.com/5458605/trump-finland-raking-reactions/, and with video in * 2018-11-18

Trump Says California Can Learn From Finland on Fires. Is He Right?

Patrick Kingsley

New York Times

https://www.nytimes.com/2018/11/18/world/europe/finland-california-wildfires-trump-raking.html

Finnish President Sauli Niinistö said he didn't recall anything being said about raking. https://www.washingtonpost.com/world/the_americas/finnish-president-says-he-briefed-trump-on-forest-monitoring/2018/11/18/dd46a57e-eb32-11e8-8b47-bd0975fd6199_story.html
2010s, 2018, November

Harry Gordon Selfridge photo

“The floors are of marble or mosaic or are covered with hundreds of thousands of yards of carpets. The lifts are almost without number...”

Harry Gordon Selfridge (1858–1947) America born English businessman

The Romance of Commerce (1918), A Representative Business of the Twentieth Century

Harry Gordon Selfridge photo
Richard Siken photo
William Morris photo
Nathaniel Parker photo
Newt Gingrich photo
Nancy Pelosi photo

“I'm never bringing a bill to the floor that doesn't have the votes.”

Nancy Pelosi (1940) American politician, first female Speaker of the House of Representatives, born 1940

2021

W. S. Gilbert photo

“When I was a lad I served a term
As office boy to an attorney's firm.
I cleaned the wndows and I swept the floor,
And I polished up the handle of the big front door.
I polished up that handle so carefullee
That now I am the Ruler of the Queen's Navee!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

H.M.S. Pinafore (1878)
Source: 1878, HMS Pinafore, act 2, also quoted in Dictionary of Quotations, p. 353-354 (2005)

Larry Niven photo
Wallace Stevens photo