Quotes about film
page 7

“Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device. For that tiny fraction, the copyright creates incentives to produce and distribute the creative work. For that tiny fraction, the copyright acts as an "engine of free expression."
But even for that tiny fraction, the actual time during which the creative work has a commercial life is extremely short. As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.”

Lawrence Lessig book Free Culture

Free Culture (2004)

Life, Books, Music, Time

“Mr. Kurosawa would spend an entire day filming one shot. None of the other directors with whom I worked would do that. Working with Mr. Kurosawa was like working on a play instead of a movie. We would spend a great deal of time rehearsing. It was torturous.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Time

“Nudity is available online and on certain TV programs like live fashion shows. It should be in sync with the rules followed in films. There should be one policy for nudity.”

Pahlaj Nihalani

On nudity on the internet and television, as quoted in " Censor board chief Pahlaj Nihalani: Time to snip nudity on TV, web http://timesofindia.indiatimes.com/tv/news/hindi/Censor-board-chief-Pahlaj-Nihalani-Time-to-snip-nudity-on-TV-web/articleshow/45997678.cms" The Times of India (24 January 2015)

Fashion

“I keep wondering why the Academy decided that they needed a separate category for animated films just at a moment when there are a lot of people who couldn't tell you whether a film is animated or not.”

Roy E. Disney (1930–2009) longtime senior executive for The Walt Disney Company

Roy Edward Disney (2003) as quoted in Disney Stories: Getting to Digital (2012) by Newton Lee and Krystina Madej, p. 3

People, Animals

“Olly has created a distinctive and glamorous look that belies the fact that the entire film was shot in less than a month.”

Olly Blackburn Film director and screenwriter

[Eye for Film, Giving British films some Punch, http://www.eyeforfilm.co.uk/feature.php?id=545, Amber, Wilkinson, 18 July 2008, 23 February 2012, www.eyeforfilm.co.uk]
About

“And the substance out of which this bubble is blown, the soap-film, is empty space welded onto empty time.”

James Jeans book The Mysterious Universe

Source: The Mysterious Universe (1930), p. 100, 1937 ed.

Time

“The characters in this movie should be arrested for loitering with intent to moan. Never have teenagers been in greater need of a jump-start. Granted some of them are more than 100 years old, but still: their charisma is by Madame Tussaud. The Twilight Saga: New Moon takes the tepid achievement of Twilight (2008), guts it, and leaves it for undead. You know you're in trouble with a sequel when the word of mouth advises you to see the first movie twice instead. Obviously the characters all have. Long opening stretches of this film make utterly no sense unless you walk in knowing the first film, and hopefully both Stephanie Meyer novels, by heart. Edward and Bella spend murky moments glowering at each other and thinking, So, here we are again.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-twilight-saga-new-moon-2009 of The Twilight Saga: New Moon (18 November 2009) Reviews, One-star reviews

Thinking, Sense, Heart

“In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece. When Michael began speaking about the character's inner life, it was clear that his own inner life was strong, as well. I then saw Cora in a completely different light because of Michael's orientation. It became easy to personalize her.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

Life, Light, Strong, Rage

“With Batman & Robin, the fourth entry in the recent Batman movie series, the profitable franchise appears poised to take a nosedive. This film, which places yet another actor in the batsuit, has all the necessary hallmarks of a sorry sequel — pointless, plodding plotting; asinine action; clueless, comatose characterization; and dumb dialogue. … Batman & Robin moves at a dizzying pace, yet goes absolutely nowhere.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman4.html of Batman & Robin (1997). Two star reviews

Appearance

“The excuse that the painters were documenting reality was becoming ridiculous. Photographers and film makers went far beyond them. Already it could be said that a good portrait led one to think about the painter not the model.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Thinking, Reality

“There is always this criticism that the lyricism and the poetry and the language and the dialogues of the past, the written word, is not so prevailing now. To some extent, yes. For somebody that has lived through those years and come back, I feel that when I go to concerts and when I go to public events, nobody asks me to recite dialogues from Baghban or Paa (laughs), they say ‘can we have Deewar?’ or ‘Can we have Agneepath?’ or whatever. So I’m assuming, therefore, that there was a lot more strength and value in those dialogues than what we have now. But I think that, in defense of today’s generation, maybe they don’t want it. They don’t like too many words. This generation is very cryptic in the way it communicates, they’ll have just one or two words where we used to use four of five sentences in our time. That attention span has become very short. So they use one or two words, ‘it’s cool’ or ‘you’re rocking’, to describe the whole feeling. That is the style of the younger generation and if this is what they want, we must make films that follow it.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Way, Feeling, Communication, Thinking

“I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Art, Way, Thinking, Time

“Finally we hit upon the old cathedral of Amsterdam, which belongs to the Reformed Church and which we remodeled. The owners gave us permission, on certain financial conditions, to shoot the film there. Before that, we had planned to use the cathedral of Cologne, but two days before we began our preparations, The Cook, the Thief, His Wife, and Her Lover was shown on German television and the archbishop immediately forbade us from entering the cathedral site!”

Peter Greenaway (1942) British film director

From an interview in Positif, January 1994
Interviews

Lovers, Cooking

“I've had people working for me who are film-school graduates and honestly, if they had been clapper boys or tea boys they probably would have learned more.”

Jamie Uys (1921–1996) South African film director

Sunday Times interview (1979)

People, School, Boy, Learning

“I do think it’s important for young women to know that magazine covers are retouched. People don’t really look like that. In films I might look glamorous, but I’ve been in hair and make-up for two hours.”

Kate Winslet (1975) English actress and singer

Marie Clare, Kate Winslet interview by Harvey Marcus on Thursday 30 April 2009 http://www.marieclaire.co.uk/celebrity/interviews/322173/kate-winslet-interview.html

Women, People, Thinking

“Here's what I know. I could not be standing here without that undying love that was just sung about by, not Bruce [Springsteen], but Neil Young. And I have that in a lover that is so close to fine, we should all be able to experience such heaven right here on earth. I know also that, I should not be doing this, I should not be here, but I am because of the union of such filmmakers as Ed Saxon, Ron Nyswaner, Kristi Zea, Tak Fujimoto, Jonathan Demme -- who seems to have these [referring to the Oscar] attached to his limbs for every actor that works with him of late. And a cast that includes Antonio Banderas, who, second to my lover, is the only person I would trade for. And a cast that includes many other people, but the actor who really put his film image at risk, and shone because of his integrity, Mr. Denzel Washington, who I really must share this with.”

Tom Hanks (1956) American actor

66th Academy Award Speech (1994)

Love, People, Lovers, Personality

“The intermedia network has made all of us artists by proxy. A decade of television-watching is equal to a comprehensive course in dramatic acting, writing, and filming… the mystique is gone - we could almost do it ourselves. Unfortunately too many of us do just that: hence the glut of sub-mediocre talent in the entertainment industry.”

Gene Youngblood book Expanded Cinema

Source: Expanded Cinema, 1970, p. 58

“I am not a nationalist, I am a Wolfe Tone Republican. In pursuit of that ideal I have been forced to continually shift positions, much like a man in a cinema who keeps changing his seat, but only so he can get a clean view of the same film. And the title of the film, of which I never tire, is The Future Irish Republic.”

Eoghan Harris (1943) Irish journalist

Contrary to opinion, I am politically consistent, Eoghan Harris, Irish Independent http://www.independent.ie/opinion/analysis/contrary-to-opinion-i-am-politically-consistent-1056982.html,

Wolf, Change, Future

“In Hollywood, women hate each other. Everyone is so bitchy and they don't want younger actresses coming in and taking their roles. You only have to look at what it's done to Kate Beckinsale. She used be cool. Now I've heard she's got a clause in her contract saying that she can't be filmed bending over at more than a 45-degree angle because her boob implants slide up onto her collar bone.”

Sienna Guillory (1975) British actress

Sienna talks about Kate Beckinsale Article http://www.yee.ch/movies/K/KA/Kate_Beckinsale/Kate_Beckinsale.htm. yee.ch. 2004

Women, Hate

“You don’t merely give over your creativity to making a film—you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night’s washing-up.”

Daniel Day-Lewis (1957) British-Irish actor

City Limits (London, April 7, 1988).

Life, Night

“My favorite thing about Kirby’s artwork was his storytelling. He was really a film director doing comics.”

Jack Kirby (1917–1994) American comic book artist, writer and editor

Source: Stan Lee, Jack Kirby, the abandoned hero of Marvel’s grand Hollywood adventure, and his family’s quest http://herocomplex.latimes.com/uncategorized/jack-kirby-the-forgotten-hero-in-marvels-grand-hollywood-adventure/, Los Angeles Times, (September 25, 2009).

“During those five years (of retirement), I traveled a lot and in some of the cities I visited, there was a kind of immediate recognition, whether it was Egypt or the Middle-East, or Russia or Africa. This kind of surprised me. It wasn't so much a reflection on me. It was a reflection on the Hindi film industry. People didn't know me by name, they knew me by my film name. They sang my songs when they saw me on the street, and came up to me and called me Vijay, for instance. I felt that if there is so much recognition of this medium and this industry in totally non-traditional regions of the world, why is it that something is not being done to market this or to promote it at a much larger scale? This is when I thought of the idea of forming a corporation much like international corporations worldwide to get a kind of professionalism and a kind of corporate attitude to the entertainment industry in this country and to be able to exploit it in all parts of the world. That was the attraction. That really brought me back again. Also, during my 30-year career, one of the accusations that used to come my way was that you've never invested back into the film industry. You've invested in pharmaceuticals, in this and that. But you've never invested your money back into the industry. But here, I felt, was one activity that was very genuine. I really was putting money back to raise the standard of working in the industry”

Amitabh Bachchan (1942) Indian actor

On his motivation behind starting ABCL
Quotable quotes by Amitabh Bachchan.

Money, People, World, Way

“If the film language and sensibility are not integrated somewhere in the narrative, then they are inconsequential, separate. And if you have one point of view, one aesthetic, one sensibility throughout everything you do, and you don't let people sway you away from that, especially your cinematographer, then the film develops a soul.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Filmmaker Magazine Interview

People, Soul

“I have become post facto a representative of the country. So if you ask, "Is Mermaids a Canadian film?" — it has become one. It has become a means whereby people characterize Canadian film. I think in the creation of Mermaids, I did see it in political terms. I thought of the underdog. Canada is not a superpower by any means. It's very quietly, comfortably democratic, but it's plagued by a sense of inferiority.”

Patricia Rozema (1958) Canadian film director

As quoted in "Patricia Rozema : I've Heard the Mermaids Singing" (1997) in Film Fatales : Independent Women Directors by Victoria A. Brownworth, and Judith M. Redding, p. 208

People, Thinking, Sense, Country

“Personally, in my home life it's the same, but professionally it's different. I'm not having to fight or push as much to get in to be seen for TV shows or for films. The calls are coming in. Also the fans are great. I love them and I am one myself.”

John Barrowman (1967) Scottish-American actor, singer, dancer, musical theatre performer, writer and television personality

On how Doctor Who fame changed his life, in Attitude (2005)

Love, Life, Home, Fight

“At least some Americans are still having children. Unfortunately, many of those children spend their formative years being taught how to surrender. The emasculation of American boys is one step short of suicide. […] Schoolyards used to be filled with kids at recess playing games like "kill the guy with the ball." Nobody died. Boys played with G. I. Joes and girls played with dolls. Kids played freeze tag without a single incident of sexual harassment. […] Not too many years ago, cartoons were filled with violence. Bugs Bunny tied a gun barrel in a knot and Elmer Fudd's gun went kaboom, covering his own head in black soot. Wile E. Coyote chased the Road Runner and fell off a cliff to his destruction. We as children watched Superman cartoons, but we knew not to try and jump off the roof. Teenage boys watched Rocky and Rambo and Conan films. Then they went home without trying to kill anybody. […] We did not need liberals to tell us the difference between pretend and real life. Common sense and our parents handled that. Now schools across the country are canceling gym class. Dodgeball apparently promotes aggression […]. Even rock-paper-scissors is too violent. Rocks and scissors could be used by children to harm each other. Paper requires murdering trees. It's no wonder that Islamists produce strapping young men while America produces sensitive crybabies […]. Muslim children are taught hate in madrassas. They are taught how to kill infidels and the blasphemers. American boys are suspended from school for arranging their school lunch vegetables in the shape of a gun. […] During World War II, young boys volunteered to go overseas to save the world. […] Now American kids on college campuses retreat to their safe spaces to escape from potential microagressions. Islamists cut off heads and limbs and our young boys shriek at the drop of a microaggression. And we haven't seen the worst of it.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Scorched Earth: Restoring the Country after Obama (2016)

Life, Men, Hate, War

“Fellini has sometimes been accused of not being interested in the work of other directors but I never found this accusation to hold true. The Federico I knew was not only a voracious reader but extremely interested in hearing about international directors, most notably, Nanni Moretti, Pedro Almodovar, David Lynch, Spike Lee, Akira Kurosawa, David Cronenberg, Wim Wenders, Woody Allen, Martin Scorsese and Stanley Kubrick. Clearly, part of the pleasure of discussing these directors was the stimulus for new ideas that their latest films gave him. Although we never explored Portuguese film in any depth, the films of Manoel de Oliveira and Joao César Monteiro genuinely fascinated Federico. At the urging of Mastroianni, he went to see A Divina Comédia (1991), Oliveira’s superb allegory about Western civilization, and returned enthralled. He had long been obsessed by the theme of insane asylums and Oliveira’s masterful blend of philosophy and religion appealed to him at a time in his life when such questions as death and resurrection had become pressing concerns. I do not know where or in what format Federico saw Monteiro’s Recordaçoes de Casa Amarela (1989) but it was a film he described as “deliriously eccentric, a satirical bizarrie that Bunuel would have adored."”

Damian Pettigrew Canadian filmmaker

On Fellini’s favorite directors
Federico Fellini: Sou um Grande Mentiroso (2008)

Life, Death, Pleasure, Religion

“This is where we store our bicycles. A lot of people ride their bikes to work here. And, of course, there has to be a robot to protect them and make sure they don't get stolen like R2D2 in episode two where he did a very bad job in protecting Princess Amidala from those worm things. But this robot is significantly more effective as a theft-deterrant system than R2D2 was in that film. That's why the bikes are here.”

Phil Vischer (1966) American puppeter

From Disc Two; Behind the Scenes: Big Idea Tour (00:02:28-00:02:50)
Jonah: A VeggieTales Movie DVD (2002)

People, Princess

“Well I think that my main concern is that there is a market lack of desire for quote-unquote art that people are creating and appreciating. I think because there’s a lack of desire for that, which translates to the creation and elevation of art that then thereby lack substance because there’s no desire for it, there’s no appreciation for it. It self-perpetuates a world in which the hollow, the vapid and the greedy are elevated and revered. That bothers me because art is so important whether it’s design, fine art, film, fashion, things that are important to the world. It’s what makes me want to wake up in the morning, it drives me.”

Davey Havok (1975) American singer

Asked what concerns him the most about the society today. The Aquarian, November 2009 http://www.theaquarian.com/2009/11/06/interview-davey-havok-afi-conspicuous-composition/

People, World, Art, Quotes

“I didn't imagine that 30 years later, there'd be this enthusiasm and excitement about it. This celebration, I didn't see that coming at all. Back to the Future came out, and there was a two-year lapse, and we did II and III together. We were just making another movie and hoping it gets past opening night. But the kids who saw this film, they've grown up and had kids, who have grown up and had kids. It's exponential, it just keeps spreading out more and more. But the film has aged well. I saw it last night. It seems very contemporary.”

Christopher Lloyd (1938) American actor

Christopher Lloyd on Back to the Future Day, Eric Stoltz, and the Passage of Time http://www.vulture.com/2015/10/christopher-lloyd-on-back-to-the-future-day.html (October 21, 2015)

Age, Hope, Imagination, Past

“I love the reach of TV as during a serial you reside in so many people's hearts and all the same time. But, in films and theatre your character has a definite graph and it is defined very well. When you choose to do a film or enact a play, from beginning to end you know your part. And as an actor it gives me comfort to know this graph. In television and particularly in some of the serials often this is not defined. Your role can change, which is very unsettling for me. It's one major reason why I am comfy doing theatre and films.”

Mukta Barve (1979) Indian actress

I enjoyed TV, but prefer doing films & theatre: Mukta Barve http://m.timesofindia.com/entertainment/marathi/movies/news/I-enjoyed-TV-but-prefer-doing-films-theatre-Mukta-Barve/articleshow/18969020.cms

Love, People, Change, Time

“Morally, good theatre and film for that matter disturbs and unnerves us, tries to rid us of our cliched reactions to the world around us by expanding our sympathies, stretching our imaginations, and enriches us”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

English translation of the Spanish language text.
Vogue, Mexico Interview: Una Actirz Multiplicada (July 1992)

World, Imagination

“Soon I must vote for Oscars and BAFTAs, so I've been having marathon screening sessions. Top of my list so far is ROOM, which is brilliant in every way. The boy actor, Jacob Tremblay, is astounding. But most of all, it's a film that never stoops to the rigged mini-plots so often used to generate viewer excitement: it goes its own way, always surprising, always utterly believable. The writer of both the novel and the screenplay, Emma Donoghue, has produced a perfect work. People seem surprised that a first-time screenwriter can be so good, but the truth is screenwriting's not hard, it's having something strong and real and true to write about that's hard. Emma Donoghue is original and wise: that's rare.”

Emma Donoghue (1969) Irish novelist, playwright, short-story writer and historian

William Nicholson, "Oscar voting" http://www.williamnicholson.com/blog/2016/1/3/oscar-voting-2 (January 3, 2016) About

People, Truth, Way, Boy

“It's the most obscene film I've ever seen.”

John Roecker (1966) American film director

Roddy Bottum, commenting on Roecker's work directing Live Freaky! Die Freaky! — quoted in [Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
About

“The only way it would work for me is if it was a full-length feature film directed by Joss Whedon or Tim Minear or David Greenwalt.”

David Boreanaz (1969) American actor, famous for Angel and Buffy

TV Guide interview, on becoming Angel again.

Way

“Although The Terminator is arguably the more visionary of the first two films, [Terminator 2] is the more visually and viscerally satisfying. It's an exhausting experience and, even 18 years after its release (as I write this review), few films have matched it within the science fiction genre for sheer white-knuckle exhilaration.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1632 of Terminator 2: Judgment Day (1991). Three-and-a-half star reviews

Science

“It's a universal tendency in films to be more about sex and violence than the real world is, but I would pose the opposite question: Why are so many characters that you see on TV so desexualized? A lot of them seem to be completely asexual — especially animated characters — and it implies that those characters are normal. The characters in Aeon Flux are normal people who have normal sex lives and appetites.”

Peter Chung (1961) Korean-American animator

Sexuality Desexualized http://www.mtv.com/shared/movies/features/a/aeon_flux_050706/

People, World, Sex, Question

“I try to write about small things. Paper, animals, a house…love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.”

David Byrne (1952) Scottish alternative rock musician and promoter of world music

In the self-interview on Stop Making Sense

Love, Singing, Animals, Housing

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Parting

“I’d like the power to make things die with the power of my mind. Not because I have any specific use in mind for it; I just think it’d be useful to have for difficult social situations. Like, if you’re trying to sleep on a plane and a bloke three seats down is laughing really loudly at a film. Or if someone’s trying to make me say something nice about their hideous baby, it would be a good way to change the subject. But then again, that’s really just replacing one awkward social situation with another.”

Ben Croshaw (1983) English video game journalist

http://www.darkhorse.com/Blog/1125/interview-yahtzee-croshaw-about-jam
Other Articles

Way, Thinking, Sleep, Change

“Human paint, produce films and videos; they dance, dream and make music; they engage in political action, exchange goods, perform rituals, build houses start wars, act in plays, try to please patrons- and so on… They contain patterns, press the practitioners to "conform" and in this way mold their thought, their perception, their actions, and their discriminative abilities.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 28.
Conquest of Abundance (2001 [posthumous])

War, Dreams, Music, Way

“The dialogue is laughably cheesy throughout, but perhaps that's part of Basic Instinct's appeal. In fact, there are times when the film comes close to achieving a status where it's so bad it becomes entertaining. … If you're looking for an intelligent thriller with real characters, Basic Instinct will seem like a fraud. If, on the other hand, you don't care whether the story makes sense and all you're in search of are cheap thrills and naked bodies, the movie delivers. Then again, so does a lot of Cinemax's late night programming.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=199 of Basic Instinct (1992). Two star reviews

Search, Intelligence, Fraud, Sense

“A film should appeal to sophisticated, profound-thinking people while at the same time entertaining simplistic people. A truly good movie is really enjoyable too. There’s nothing complicated about it. A truly good movie is interesting and easy to understand.”

Akira Kurosawa (1910–1998) Japanese film maker

Akira Kurosawa as quoted in Kamiski, Michael (2007). The Secret History of Star Wars(PDF). p. 48. Retrieved 2011-01-31.

People, Understanding, Thinking, Time

“The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

2006
eluniveral.com.mx (December 9, 2005)
2007, 2008

Life

“It's a public library. If you don't like the book, magazine, CD-ROM or film, put it down and pick up something else. Libraries provide choice. Our responsibility is to have in our collection a broad range of ideas and information.”

Judith Krug (1940–2009) librarian and freedom of speech proponent

" Oak Lawn Library Vows to Keep Playboy on Shelf http://articles.chicagotribune.com/2005-06-23/news/0506230234_1_library-board-president-library-officials-magazine" by Jo Napolitano, Chicago Tribune (June 23, 2005)

Books, Idea

“The maddest phenomenon in this wholly mad world – that the filming or wirelessing of an event, whether it is the Grand National or an attack in force on the Maginot Line, is held to be of more importance than the event itself.”

James Agate (1877–1947) British diarist and critic

Ego 4, p. 149, December 18, 1939.

World, Madness

“My Hindi direction is screwed up, I blink too much and I have no technical knowledge of film making.”

Preity Zinta (1975) film actress

Personal Quotes

Knowledge

“From the director to the international cast, all of them are from deaf families for generations, while the film industry usually entrusts these roles to audacious interpreters that end up being bad imitators of the Sign language: as if an Italian actor was asked to act in Japanese by cracking down the tongue.”

Emilio Insolera (1979) Actor and film producer

As quoted in Cinema. Quando il super eroe è sordo https://www.avvenire.it/agora/pagine/sordo(September 10, 2017), Avvenire)

Family

“In 1957, James Vicary, a market researcher, conducted a six week test in a New Jersey movie theatre. A high-speed projector repeatedly and subliminally flashed the slogans ‘drink Coke’ and ‘eat popcorn’ over the film. I thought I’d make my own cinema ad to try something similar. According to Vicary, popcorn sales went up by 57.5% and Coke sales by 18.1%… Whether Vicary’s results were due to the subliminals can never be shown and the experiment has become shrouded in urban myth. This is the Genesis Cinema in East London, which kindly agreed to include our ad amongst the trailers for a screening of Ocean's Twelve, a carefully chosen film which, if the ad works, the audience will not be able to remember. Not a bad thing.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Drink, Speed

“If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont with leading lady Sandra Bullock, while leaving Keanu Reeves somewhere safe and dry, "working on his music" with his band, Dogstar. Considering the dubious quality of the final product, this may be the wisest decision of the young actor's career. Speed 2 can be numbered among the worst second chapters ever made.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=291 of Speed 2: Cruise Control (1997). One-and-a-half star reviews

Money, Music, Decision, Summer

“Film contains potentialities for the combination of all the arts such as Wagner never dreamt of.”

Ralph Vaughan Williams (1872–1958) English composer

"Film Music", The R. C. M. Magazine, February 1944.

Art

“I wish I would have had more to do in the film. I hated to get killed so soon.”

Bruce Bennett (1906–2007) actor

Referring to his role in the The Treasure of the Sierra Madre (1948), as quoted in Please Don't Call Me Tarzan : The Life Story of Herman Brix/Bruce Bennett (2001) by Mike Chapman; also in "Herman Brix, 100; Olympian became actor known as Bruce Bennett" by Dennis McLellan in The Los Angeles Times (28 February 2007) http://articles.latimes.com/2007/feb/28/local/me-bennett28

Hate

“You know, if I would have understood the potential of… doing, or adapting comic book characters to feature films, and also the tie-in to gaming and digital technology, when I was doing the first Blade films, then I’d be in a different business right now. I’d be in a whole different ball game.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Wesley Snipes interview: 'Robert Downey Jr called me for advice about Iron Man' http://www.telegraph.co.uk/culture/film/11016602/Wesley-Snipes-interview-Robert-Downey-Jr-called-me-for-advice-about-Iron-Man.html, Daily Telegraph, 9 August 2014

Books, Game, Business

“The presence of The Sean has a tendency to taint a film, I find, because he is never his character; he's always just The Sean.”

Ben Croshaw (1983) English video game journalist

The Leauge of Extraordinary Gentlemen
Fully Ramblomatic, Reviews

“I never did a western while at Universal. I did a variety of roles, including ‘The Climax’ with Boris Karloff. There is a huge painting of me in the film. When it was over, Ernest Pagano, one of the producers, put it up in his office. It took up most of the wall! I wasn’t happy because people thought we were having an affair—which I never have and never would do.”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Happiness, People, Universe, Painting

“Attack of the Clones displays some similarities to The Empire Strikes Back, but, overall, it is not as effective a piece of cinema (although the 2002 era special effects make it far more pleasing to the eye). Both films contain romantic subplots and are darker in tone than their predecessors. Both develop a number of unresolved plot elements. And both end on a note that incorporates hope with ambiguity. There is, however, one major difference. The Empire Strikes Back includes a shocking revelation. Nothing of that sort is present in Attack of the Clones. In terms of its plotting, this film is relatively straightforward. There's nothing wrong with that — in fact, it works. In a time when, more often than not, sequels disappoint, it's refreshing to uncover something this high-profile that fulfills the promise of its name and adds another title to a storied legacy.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw2002.html of Star Wars Episode II: Attack of the Clones (2002). Three-and-a-half star reviews

Hope, Disappointment, Time

“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1970).

Life, Art, Literature, Painting

“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World, Home, Idea, Departure

“Being at the centre of a film is a burden one takes on with innocence—the first time. Thereafter, you take it on with trepidation.”

Daniel Day-Lewis (1957) British-Irish actor

City Limits (London, April 7, 1988).

Time

“The worst thing to happen to the Jews since Mein Kampf…I can't look at it. It's so horrible. The Israelis that helped make this film were crooks. They never gave us the negative back, they never gave us statements — not that the film was worth anything…The lesson for Big Gus for young people is: Don't listen to anybody. We got lots of advice on that film from older, more experienced people. But the film stunk; it's a disgrace. What you saw was made from a half-inch video that somebody from Israel brought to us…The movie opened in Tel Aviv, but it opened the week of the Seven-Day War. So bombs were raining down outside, but we had a bomb inside the movie theater.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 2014

War, People, Help

“With the technology, we’ve become more apathetic, because we don’t look in each other’s eyes any more as we attempt communication. But at the same time, with one iPhone, we can start a revolution. If there’s injustice, you just film it and post it. And suddenly people are tapped into a current event they wouldn’t otherwise see, and that’s incredible.”

Laura Dern (1967) American actress, director, producer

Comparing the pros and cons of the advancing technology, as quoted in Chet Cooper interview with Laura Dern, Chet Cooper, Ability Magazine (February/March 2015) https://abilitymagazine.com/laura-dern.html

People, Communication, Time

“The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society.”

David Fincher (1962) American film director

Fightin Words (1999)

Feeling, Idea, Problem

“Wizards was about the creation of the state of Israel and the Holocaust, about the Jews looking for a homeland, and about the fact that fascism was on the rise again, I thought. That was way before the Right Wing made their appearance again, and I felt that things were shifting back. So on that level, Wizards was a very personal film.”

Ralph Bakshi (1938) Animator, filmmaker

Way, Appearance, Personality

“All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

“I try to see my films just once. It's like a dream you've been through when it's been intense, and you just have to go through it once more just to make sure you've had it.”

Juliette Binoche (1964) French actress

Quoted at Juliette Binoche: The Art of Being http://juliettebinoche.net, her official website

Dreams

“I don't think much of most of the films I made, but being a movie star was something I liked very much.”

Joan Bennett (1910–1990) American actress

Flint, Peter B. (December 9, 1990). " Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80 https://www.nytimes.com/1990/12/09/obituaries/joan-bennett-whose-roles-ripened-from-sweet-to-siren-dies-at-80.html". The New York Times.

Star, Thinking

“One may speculate whether the contemporary idea of American society in decay is not a false notion which has been created, at least partially, by this old movie portrait of a society that was once stable, orderly and governed by the immutable justice of the Hollywood censorship code.
This is the ever-popular myth of a golden age which persuades so many generations that there was once a wonderful moment in the past when the world was sound and good people ruled and evil was justly punished. After Camelot came chaos and despair, except, of course, that Camelot never existed, any more than the world portrayed by those old Hollywood films existed.”

Russell Baker (1925–2019) writer and satirst from the United States

"Golden Oldies" (p.293)
So This Is Depravity (1980)

People, Age, World, Justice

“I really envy the members of the production departments of American movie studios. Their ideas are better, and they are given much more time to work on films.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

Idea, Time, Envy

“Film is not the art of scholars, but of illiterates.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Art

“A lot of the times with porn, it's instant fame. The only thing I can compare it to is being a child actor. You get it fast, then there's a shelf-life for it. With mainstream films, you've got to go to acting classes, you've really got to hustle, there's so much competition, but with these [porn] guys, if you're good-looking with a great body, you're in like Flynn.”

John Roecker (1966) American film director

[The Bay Area Reporter, Erotic superstars, up-close & personal: here!TV's 'Everything You Wanted to Know About Gay Porn Stars', December 4, 2008, David, Lamble, Benro Enterprises, Inc.]

Life, Guy, Time

“I always enjoyed horror, both as a kid and as a young man. Then when I was doing stunts in horror movies and was lucky enough to get the role as Jason the first time then that’s when everything changed. Once you get known in horror then every small horror film wants you to be in their movie because your name is known in the horror genre and that helps sell the movie. Very often, if they’re smart, they will offer you different kind of roles which I personally love. When somebody offers me something that I’ve never done before, that’s what I’m looking for.”

Kane Hodder (1955) Horror film actor

Interview: Kane Hodder Talks Stunt Work, Acting and His Career in Horror http://www.geekchicelite.com/interview-kane-hodder-talks-stunt-work-acting-and-his-career-in-horror/ (September 10, 2015)

Love, Change, Time, Help

“I think that the best science fiction is where the story is fiction but the science is real, or at least as real as possible. If you’re going to write a good sci-fi, and you want me to believe the one wholly implausible idea that your story is about, then every other aspect of the film should be as seemingly reasonable as it possibly can be. That’s what Jurassic Park tried to do. If I am to believe that an impossibly huge reptilian monster is destroying the city, then the back story of it’s origin ought to sound realistic enough to counter-balance that. That’s what the first Godzilla movie tried to do. After that, filmmakers adopted the opposite strategy; so that everything else in the subsequent sequels had so many outrageous absurdities, each so insanely stupid, that the monster in the middle was the most reasonable element by comparison.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Stupidity, Idea, Thinking, Science

“The sign had been put up out of suspicion and a guilty conscience: “Military zone. Filming or photography prohibited."”

Patrick Modiano (1945) French writer

p 125
The Search Warrant (2000)

“The filmed interview is an art extemporized under difficult conditions and successful only when the interviewee hasn't prepared his replies beforehand.”

Damian Pettigrew book I'm a Born Liar: A Fellini Lexicon

I'm a Born Liar: A Fellini Lexicon (2003)

Art, Success

“I would never want to film hard-core pornography, because it always looks like open-heart surgery to me.”

John Waters (1946) American filmmaker, actor, comedian and writer

Books, Shock Value: A Tasteful Book About Bad Taste (1981)

Heart

“My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated. This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise. I'm not claiming or denying that I have done such a thing but I do believe in [Robert] Bresson's method of creation through omission, not through addition.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

Light, Painting

“Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way. The visuals are grubby and drab. The characters are unkempt and have rotten teeth. Breathing tubes hang from their noses like ropes of snot. The soundtrack sounds like the boom mike is being slammed against the inside of a 55-gallon drum. The plot. … Some movies run off the rails. This one is like the train crash in The Fugitive. I watched it in mounting gloom, realizing I was witnessing something historic, a film that for decades to come will be the punch line of jokes about bad movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/battlefield-earth-2000 of Battlefield Earth (12 May 2000) Reviews, Half-star reviews

Hostility, Way, Time, Training

“Jim was a big sheepdog of a man, 6-feet-4, 250 pounds, softhearted, soft-spoken. I never heard him use a dirty word; I never heard him tell a salacious story. Yet his novels are full of such words and stories; he seemed to have a need to dig deeply into the dark depraved nature of man. Nobody did it better. But then, anything he did, he did better. Two years ago, crippled by strokes, he appeared in a film, "Farewell, My Lovely," playing the cuckolded judge. When his wife in the film, played by Charlotte Rampling, carries on with Robert Mitchum in front of him, there is a look on his face that is part bewilderment, part despair and all forgiveness. He was that way, turning up the dark corners of the soul with love and forgiveness.”

Arnold Hano (1922) American writer

From "Jim Thompson, 1906 - 1977"
Other Topics

Love, Way, Soul, Forgiveness

“It was very personal. Political comes from the viewing process. Nothing is ever political if it's genuine. In the reaction, yes, it can be political. But the motives were based completely on a deep need to communicate and share information. The film language has evolved enough that you should get people interacting with the film. It's exciting for us to exhibit it, and it's exciting for people to watch it…I think it's very important for the gay community to have random characters that represent nothing more than people…I think it's part of a wave that will set a precedent of some sort so that you will no longer need a label.”

River Phoenix (1970–1993) American actor, musician, and activist

On My Own Private Idaho, The Face, (1992)

People, Communication, Motivation, Thinking

“You know the funny thing about child pornography: […] the lack of credits at the end. No ego on that side of Hollywood, is there? “Who did the editing on this film, it's seamless! I want to use him on my independent documentary”— but no names. Not even a nom de plume. Some people are in it just for the art.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

From Across The Street (2009)

People, Art

“Yet I also appreciate that we cannot win this battle to save species and environments without forging an emotional bond between ourselves and nature as well—for we will not fight to save what we do not love (but only appreciate in some abstract sense). So let them all continue—the films, the books, the television programs, the zoos, the little half acre of ecological preserve in any community, the primary school lessons, the museum demonstrations, even […] the 6:00 A. M. bird walks. Let them continue and expand because we must have visceral contact in order to love. We really must make room for nature in our hearts.”

Stephen Jay Gould book Eight Little Piggies

"Unenchanted Evening", p. 40
Eight Little Piggies (1993)

Love, Books, School, Communication

“For a viewer to think the custodian was trying to break free is the exact opposite of what the scene was supposed to convey. There is nothing gained from that kind of ambiguity. Ambiguity is not desirable or meaningful if it confuses an issue that is meant to be clear. This is the challenge of making a film that communicates but doesn't talk down: a lot of viewers and studio execs (and directors) hold that ANY ambiguity is the result of the filmmaker's failure. I disagree, but I also hold that, in order for ambiguity to be effective, certain things NEED to be unambiguous. For example, if it wasn't clear that Judy on the stage is the same character as Judy who'd invited Aeon to the Hostess' lair, then that's just bad execution. If the episode had been finished and seen in a version say, where we don't see her face drawn correctly, and viewers weren't sure it was the same character, they may wonder about things irrelevant to the story's themes, such as "do the custodians alter the appearance of their hosts", or "Trevor is masquerading a different person who is playing the role of Judy on the stage", etc, all of which does not help the story. Thinking that the custodian had a will of its own and wanted to break free is the same type of undesired speculation.”

Peter Chung (1961) Korean-American animator

Re: Utopia or Deuteranopia? http://ilx.wh3rd.net/thread.php?msgid=6622756

Communication, Failure, Thinking, Appearance

“No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.”

Martin Amis (1949) Welsh novelist

Review of The Essential Mailer by Norman Mailer, p. 267
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Death, Fear, Beauty, Fools

“I saw The Sound of Music again recently, and I loved it. Probably it's a more valuable film now than when it first came out, because some of the things it stood for have already disappeared. There's a kind of naive loveliness about it, and love goes by so fast … love and music and happiness and family, that's what it's all about. I believe in these things. It would be awful not to, wouldn't it?”

Julie Andrews (1935) British actress, singer, author, theatre director, and dancer

Photoplay (September 1973)

Love, Happiness, Family, Music

““(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas… Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays”
- Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: www.uga.edu/farleyrichmond/projects/trivandrum%20speech.pdf

Age, Home, Lovers, Study

“I've never been one for late nights, which is why I have always preferred making films to theatre. A play takes over your life: you start to feel sick at lunchtime and by mid-afternoon you're wishing for a bomb scare so the whole thing will be called off. Of course, if the evening goes well and you get the applause then it's wonderful. We're a strange bunch, we actors.”

Charles Dance

Charles Dance's diary http://www.standard.co.uk/lifestyle/esmagazine/charles-dances-diary-6407964.html (June 3, 2011)

Life, Feeling, Night

“The party of Lincoln and Liberty was transmogrified into the party of hairy-backed swamp developers and corporate shills, faith-based economists, fundamentalist bullies with Bibles, Christians of convenience, freelance racists, misanthropic frat boys, shrieking midgets of AM radio, tax cheats, nihilists in golf pants, brownshirts in pinstripes, sweatshop tycoons, hacks, fakirs, aggressive dorks, Lamborghini libertarians, people who believe Neil Armstrong's moonwalk was filmed in Roswell, New Mexico, little honkers out to diminish the rest of us, Newt's evil spawn and their Etch-A-Sketch president, a dull and rigid man suspicious of the free flow of information and of secular institutions, whose philosophy is a jumble of badly sutured body parts trying to walk.”

Garrison Keillor (1942) American radio host and writer

" "We're Not in Lake Wobegon Anymore" In These Times (26 August 2004) http://www.inthesetimes.com/site/main/article/979/

People, Faith, Boy, Evil

“I definitely think this is the best time to be in the industry. Earlier, films were made on a set pattern- love story, family drama, one is rich and other is poor type formulas. But today there are different kinds of films being made and accepted by the audience. I wish I was there in the industry today…I wish I was born in today's time.”

Waheeda Rehman (1938) Indian actress

Quote, Waheeda Rehman not in favour of biopics and remakes

Love, Family, Thinking, Time

“A movie loosely based upon my novel, I Know What You Did Last Summer, opened in theaters around the country. I was ecstatic until I settled into a theater seat with my box of popcorn and discovered that Hollywood had turned my teenage suspense story into a slasher film. The setting had been changed from the mountains of New Mexico to a fishing village on the East Coast, so an insane fisherman, who wasn't in my book, could decapitate my characters with an ice hook. The first thing I did after leaving the theater was phone our daughter Kerry and warn her not to let the grandchildren see it.”

Lois Duncan (1934–2016) American young-adult and children's writer

On the adaptation of her novel I Know What You Did Last Summer in 1997, quoted in MoviePilot https://moviepilot.com/posts/3514425 piece 1990–2002

Books, Mountain, Fish, Change

“There are so many films from which one leaves as stupid as one entered. I'd rather give you a migraine than nothing at all … I'd rather ruin your eyes than leave you indifferent.”

Isidore Isou (1925–2007) Romanian-born French poet, film critic and visual artist

Venom and Eternity (1951), Danielle's Monologue

Stupidity, Indifference

“I wonder who will find the film more uncomfortable - men or women? Both will recoil from the brutality of the scenes of the assault. But for some men, the movie will reveal a truth that most women already know. It is that verbal sexual harassment, whether crudely in a saloon back room or subtly in an everyday situation, is a form of violence - one that leaves no visible marks but can make its victims feel unable to move freely and casually in society.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-accused-1988 of The Accused (14 October 1988) Reviews, Three star reviews

Women, Men, Truth, Feeling

“We call that fire of the black thunder-cloud "electricity," and lecture learnedly about it, and grind the like of it out of glass and silk: but what is it? What made it? Whence comes it? Whither goes it? Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, whither we can never penetrate, on which all science swims as a mere superficial film. This world, after all our science and sciences, is still a miracle; wonderful, inscrutable, magical and more, to whosoever will think of it.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

World, Thinking, Science

“"To Guru Mani Madhava Chakyar, Kutiyattam was more than art, it was life itself"
- Mani Madhava Chakkyar: The Master at Work (film) - Kavalam N. Panickar, 1994”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Mani Madhava Chakkyar: The Master at Work, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994

Life, Art

“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996). Three star reviews

Idea, Science, Summer

“I am secretly a costume drama queen. Oo, I love me some Merchant Ivory films! I do! If there is a petticoat and Helena Bonham Carter, already I can feel the tears well up in my eyes. I love me some period films! And I know that I will never be in them. I will never be in any of these movies, unless I am laying down on my side smoking some opium. And I get offered movie roles all the time, but I say, "No! No! I don't want to play a manicurist. I don't want to play a really pissed-off liquor store owner. I don't want to go nowhere with a chicken under my arm. I don't want to play an exceptionally good student, I do not want to get off a tour bus and take numerous photographs, I do not ever want to utter the phrase, 'Welcome to Japan, Mr. Bond'! I don't want to write down all my memoirs about being a geisha!"”

Margaret Cho (1968) American stand-up comedian

What it is, is that I cannot run up a wall!!
From Her Tours and CDs, Revolution Tour

Love, Feeling, Tear, Time

“Everyone who makes films has to be an athlete to a certain degree because cinema does not come from abstract academic thinking; it comes from your knees and thighs.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Thinking

“Film-making is not an esoteric thing to me. I consider film-making – to start with – a personal thing. If a person does not have a vision of his own, he cannot create.”

Ritwik Ghatak (1925–1976) Bengali filmmaker and script writer

[Ghatak, Ritwik, Cinema and I, 1987, Ritwik Memorial Trust, 65]

Personality

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

Feeling

“Film is such an extraordinary rich medium which can handle so many different modes of operation, combining together in the same place all these extraordinary disciplines which may be executed in their own right -- music, writing, picture making of all kinds, and I often feel that some filmmakers make films with one eye closed and two hands tied behind their backs.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Music, Feeling

“Today that rarely happens. Most often the songs are used as a relief. They have nothing to do with the film per say. And all look almost the same. Just replace the central characters and a step here and there…choreography remains the same in most cases. So does the beat. We have so many classical dances and folk dances in the country but nobody seems to be using them.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Dance, Country

Quotes about film page 7

Quotes about film
page 7