Quotes about film
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“Nor is this kind of Texture peculiar to Cork onely; for upon examination with my Microscope, I have found that the pith of an Elder, or almost any other Tree, the inner pulp or pith of the Cany hollow stalks of several other Vegetables: as of Fennel, Carrets, Daucus, Bur-docks, Teasels, Fearn, some kinds of Reeds &c., have much such a kind of Schematisme, as I have lately shewn that of Cork, save onely that here the pores are rang'd the long-ways, or the same ways with the length of the Cane, whereas in Cork they are transverse.
The pith also that fills that part of the stalk of a Feather that is above the Quil, has much such a kind of texture, save onely that which way foever I set this light substance, the pores seem'd to be cut transversly, so that I guess this pith which fills the Feather, not to consist of abundance of long pores separated with Diaphragms, as Cork does, but to be a kind of solid or hardned froth, or a congeries of very small bubbles consolidated in that form, into a pretty stiff as well as tough concrete, and that each Cavern, Bubble, or Cell, is distinctly separate from any of the rest, without any kind of hole in the encompassing films, so that I could no more blow through a piece of this kinde of substance, then I could through a piece of Cork, or the found pith of an Elder.”

Robert Hooke book Micrographia

Micrographia (1667) p. 115

Way, Tree, Light, Parting

“I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.”

Rani Mukerji (1978) Indian film actress

citation needed
Famous Quotes

Life

“I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

Love, Life, People, World

“I wanted to do a film where the creatures didn't look like us.”

Jim Henson (1936–1990) American puppeteer

Interview about The Dark Crystal (1982)

“(William Berger) was a guy who had everything. He was handsome, knew how to act. He could have gone all the way to the top. But he got mixed up with drugs. I got a couple of parts because he was busy or he was arrested. When I made that Crea film, Berger had just been arrested because somebody had left drugs in his place, on the Costa Amalfi. His wife died in prison. I didn't get along with him because he was too hippy or what they call it, and I'm square! I don't drink, I don't smoke, and that's the way it is…But I knew so many psychedelic sophisticates in the early 1950s in Paris, that I just have my problems with them.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Way, Guy, Drink, Business

“"Hey, gang!" I squeaked in my terrifically accurate Mickey voice. "Everybody ready to shoot the ultimate Disney flick? The film that rips the lid off the goody two-shoes hypocrisy that lies sweltering beneath the surface of G-rated true-life adventures? Okay, you guys, let's get that hand-held Arriflex right down there between Minnie's legs! I wanna see closeups of quivering labia!"”

Harlan Ellison (1934–2018) American writer

The Three Most Important Things in Life http://www.harlanellison.com/iwrite/mostimp.htm (1978)

Life, Shoe, Guy

“I find it quite difficult to watch the film once it is done, because in your head or imagination it is totally different. In the beginning it is quite hard, and I don't mean hard as in a negative or a positive. It is difficult to see the film being edited and see the real images for the first time coming out of your head and onto the screen. Sometimes you are surprised that he left something in and he took something out. The director is the creator; he's the captain of the ship when it comes to the creative journey of the film, along of course with the producer. So when you start out acting you have to find a way to understand and to deal with that. But as I say I don't mean it as a negative or a positive.”

Marwan Kenzari (1983) Dutch Tunesian actor

Fight Cub: Marwan Kenzari and Nasrdin Dchar Talk Wolf http://thequietus.com/articles/16646-wolf-kenzari-dchar-interview (November 8th, 2014)

Way, Imagination, Understanding, Time

“Four guys could get together and make their own movie, in a year, but nobody does it 'cause they got bills to pay. What I'm saying is, that's what I would do, if I was young. I wouldn't even get a job. I'd get a couple of computers and a bunch of guys, we'd eat crap for a year, millionaires the next year if we did a good film. It's so extraordinary. Instead of crying about getting a job at Disney or "things are falling apart", things the old animators were doing when I was a kid, "it's all crumbling!" It's not crumbling, you're crumbling! You got these computers that could do this stuff for nothing! What do you do with it? You try to get a job for some asshole studio. It's so dumb.”

Ralph Bakshi (1938) Animator, filmmaker

Guy, Animals, Cry

“The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play — characters created by writers who have nothing to do with who I am.”

Paul Newman (1925–2008) American actor and film director

Quoted in Paul and Joanne: A Biography of Paul Newman and Joanne Woodward by Joe Morella and Edward Z. Epstein (Delacorte Press, 1988, ISBN 0-440-50004-4), p. 96

Women, Time

“You can talk film theory till you're blue in the face, but in the end, the thing that may haunt you most about a movie is a pair of eyes.”

Stephanie Zacharek (1963) American film critic

Seduced and Abandoned, Salon.com, 1997-05-09, 2006-08-25, http://web.archive.org/web/19990828005105/http://www.salon.com/may97/vep970509.html, 1999-08-28 http://www.salon.com/may97/vep970509.html,

“I think that it’s a very smart decision actually to have women that are capable and intelligent because it appeals to women. You know, so it’s not only a film for fifteen-year-old boys. It’s a film that can relate to a lot of people on a lot of levels. A lot of my girlfriends like it because of the romance or like Scarlett is in the trailer and it is appealing. 'Ooh who is she?”

Gwyneth Paltrow (1972) American actress, singer, and food writer

and it doesn’t look gratuitous. It looks like there are interesting women in the movie. Of her role in Iron Man 2; Teen Hollywood http://www.teenhollywood.com/2010/05/03/interview-gwyneth-and-scarlett-iron-mans-ladies (3 May 2010)

Women, People, Intelligence, Boy

“Adam and I had a special friendship for more than 50 years. We shared some of the most fun times of our lives together; our families have deep love and respect for each other. This is a terribly unexpected loss of my lifelong friend, I will forever miss him. There are several fine actors who have portrayed Batman in films, in my eyes there was only one real Batman and that is and always will be Adam West; He was truly the Bright Knight.”

Burt Ward (1945) American actor

Hollywood Reacts to Adam West's Death http://www.hollywoodreporter.com/heat-vision/hollywood-reacts-adam-wests-death-a-sweet-nutty-guy-1012217 (June 10, 2017)

Love, Friendship, Family, Loss

“Once is the kind of film I've been pestered about ever since I started reviewing again. People couldn't quite describe it, but they said I had to see it. I had to. Well, I did. They were right.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/once-2007 of Once (24 December 2007) Reviews, Four star reviews

People

“Too often, I have not been what I wanted to be I've succumbed to pressures. Yes, I have. The things I've done that I liked, I've always done against advice. The bad films everybody was high on. The good films, they advised me against.”

Kirk Douglas (1916–2020) American stage and film actor

Interview, 1969 http://www.rogerebert.com/interviews/interview-with-kirk-douglas

“Troy: Hi, I'm Troy McClure. You may remember me from such other nature films as "Earwigs, Ew." and "Man Vs Nature… The Road To Victory".”

Phil Hartman (1948–1998) Canadian American actor, comedian, screenwriter, and graphic artist

On the Simpsons, Troy McClure

Nature, Victory

“The whole sphere of cognitive and epistemological considerations was extremely important in my book and it was tightly coupled to the solaristic literature and to the essence of solaristics as such. Unfortunately, the film has been robbed of those qualities rather thoroughly. […]”

Stanisław Lem (1921–2006) Polish science fiction author

On Solaris screening (1972)

Books, Literature

“I think when you’re shooting on such a tight budget and schedule, the insanity and the energy and the sense of spirit is what makes the experience unique. Ten percent more isn’t going to make enough of a difference and anything that would — double the budget, triple the time — then you’re making a different kind of film.”

Olly Blackburn Film director and screenwriter

[Filmmaker Magazine, ”Donkey Punch” co-writer-director, Olly Blackburn, Jason, Guerrasio, 15 January 2008, 23 February 2012, http://www.filmmakermagazine.com/news/2008/01/donkey-punch-co-writer-director-olly-blackburn/, Independent Feature Project]

Thinking, Sense, Time

“Yes, in the sense that the negative is like the composer’s score. Then, using that musical analogy, the print is the performance. (Paraphrased as "Film is the score and the print is the performance.")”

Ansel Adams (1902–1984) American photographer and environmentalist

Music, Sense

“It wasn't about, 'Oh I want to make a film where I get to kiss a 10-year-old boy'. To me it was I wanted to make a film where you're trying to understand love.”

Nicole Kidman (1967) Australian-American actress and film producer

During a Press Conference at the Venice Film Festival 2004, on the polemic scene from her movie, "Birth"; quoted in Jamaica Gleaner http://jamaica-gleaner.com/gleaner/20040909/ent/ent2.html

Love, Boy, Understanding, Kiss

“We went to see 'Dr No' [first James Bond film, 1962] at Fort-Second Street. It's a fantastic movie, so cool. We walked outside and somebody threw a cherry bomb right in front of us, in this big crowd. And there was blood. I saw blood on people and all over. I felt like I was bleeding all over. I saw in the paper last week that there are more people throwing them - it's just part of the scene - and hurting people. My show in Paris is to be called 'Death in America.”

Andy Warhol (1928–1987) American artist

I'll show the 'Electric-chair' pictures and the Dogs in Birmingham and car wrecks and some suicide pictures.
Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Death, People, Dogs, Cars

“I like films that rest in the memory so I try and choose parts which have some kind of social or emotional force. For me, being an actress is not just a profession but a profession of faith.”

Isabelle Adjani (1955) French actress

Joyeux Anniversaire Isabelle Adjani http://www.city-connect.org/happy-birthday-isabelle-adjani/.

Faith, Memory, Parting

“I was amazed that the miniature set constructed for GAMERA - THE GUARDIAN OF THE UNIVERSE was so tiny. It's hard to believe that a film made with such a tiny set could receive such good reviews!”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

Universe

“Retakes, a standard procedure on the Hollywood scene, are not desirable in making TV films with audience participation. Dubbed-in laughs are artificial and, consequently, used only in emergencies. Close-ups, another routine step in standard film-making, were discarded since such glamour treatment stood out like a sore thumb.”

Karl Freund (1890–1969) German film director and cinematographer

Filming The Lucy Show (December 1953)

“It's an approximate count. If you have a hit film, you'll sell 5 million or 6 million CDs. Of my movies, at least 20 or 25 were really big hits. [Mind you, he adds], in India, we don't get royalties. Otherwise I'd be a very rich man. I wouldn't have to come to America!”

A. R. Rahman (1966) Indian singer and composer

Original Score

“Mr. Tsuburaya was a gentleman. He was very charismatic. Mr. Tsuburaya would never express his anger at me or the other monster actors. However, he would express his anger at the members of his staff. Mr. Tsuburaya often pretended to be asleep when he in fact was just thinking about his work. Once he had decided what he wanted to do, he would pretend to wake up. He then would begin giving instructions to the members of his staff. There were two things Mr. Tsuburaya hated. One was snakes and the other was bloodshed. I remember that someone once asked Mr. Tsuburaya why he never showed bloodshed in the monster films on which he worked. Mr. Tsuburaya replied that he never showed it because he knew that children went to see the movies. One day, a Toho employee suggested that the studio produce a film about a giant snake. Mr. Tsuburaya didn't like the idea, so the movie was never made. Mr. Tsuburaya would try to inspire the people with whom he worked. His inspiration helped me keep playing giant monsters for eighteen years.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Hate, Children, People, Idea

“My function is to make whoever sees my films aware of his need to love and to give his love, and aware the beauty is summoning him.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 200

Love, Beauty

“I cannot bear to look at a film that I made before 1990. Maybe 1985. There's no sense even trying to explain it. I really just can't watch myself. I see all the machinery at work and it just drives me nuts, so I don't look at anything.”

Paul Newman (1925–2008) American actor and film director

Quoted in John Hiscock, "Still the blue-eyed boy," http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2002/07/13/bfnewm13.xml The Telegraph (2002-07-13)

Sense

“We saw the choices. The audience will be given the opportunity. They can see Him and Her, or they can see Them. … Well, for the cinephiles and the people who really want to commit, I would definitely say, “See Him and Her.” It’s the full experience. … I’ve always thought Him and Her. But it’s funny, in Toronto, when Harvey Weinstein saw the film for the first time, he saw Her and Him, and he was determined. He was like, “That’s how it has to be seen!””

Jessica Chastain (1977) American actress

So it depends.
On her role in The Disappearance of Eleanor Rigby (2013-2014), written and directed by Ned Benson
Vulture interview (2014)

People, Time, Dependency

“Gallery visitors did not tell Picasso to invent cubism. Jazz fanatics did not suggest that Miles Davies should work with hip-hoppers. Moviegoers did not propose to Lars von Trier, the Danish film director, that he make Breaking the Waves. And customers sure as hell did not come up with the idea for CDNow or Amazon. com. If you want to do something really interesting and revolutionary, learn to ignore your customers.”

Jonas Ridderstråle (1966) Swedish business theorist

Source: Funky Business Forever, 2007, p. 184

Idea, Hell, Learning

“We were professional rivals, yes. But beyond that there was no acrimony. He was getting his films and I was getting mine. We weren’t eating into each other’s songs. And we’ve sung duets together like Yeh bandhan toh (Karan Arjun 1995) and Neend churai meri (Ishq 1997). So it wasn’t as if we never got along.”

Draft:Udit Narayan (1955) Playback singer

http://www.filmfare.com/interviews/udit-narayan-looks-back-at-his-career-with-affection-14692.html

“Politics is not my life. I have a career in radio and another career in film. I have a wife who is the sweetest person in the world and two kids who are growing up into terrific, well-rounded people. I don't want to spend the rest of my life in politics. When I'm finished with my term as governor, I'm going back to the life that's waiting for me in the private sector.”

Jesse Ventura (1951) American politician and former professional wrestler

I Ain't Got Time To Bleed (1999)

Life, People, World, Waiting

“I had a hard time watching Wolf Creek. It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wolf-creek-2005 of Wolf Creek (23 December 2005) Reviews, Zero star reviews

Women, Wolf, Time

“We might as well have a cup of tea,’ he said, and we noisily marched over the hollow boards of the glass-covered bridge, down the stairs to Platform Four. We entered the filthy Gothic tea-room and Everett ordered. The serving-woman served us with tired distain; she treated her customers like a dull and endless film that could only, with order and money, make a very rare stereoscopic contact with her real though duller world. Everett took me to a table and began to talk sadly but eagerly.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Money, World, Tea

“I wanted to be a movie star. But movie stars are not what they used to be. When I was a kid, I thought movie stars were women and men who were in these great films that we still look at now… And people my age don't even know who those people are. I can't even have a conversation with most people of my generation about that, because they'd be like, "Okay, she's a freak…" And the worst part is, in terms of what people see of me, I have become this girl who just loves to be photographed, doesn't know how to focus, doesn't know how to work on set, just loves the attention, knows how to go out at night, knows how to party. And you know what? I was 20 years old. I never went to college. And I lived maybe six months out of my life like that, doing something wrong, and then I stopped. God forbid I should have ever learned my lesson. But at this point it's so hard for people to even believe that there was a lesson to be learned at all, because they just think I'm wrong. All these people think I'm never going to be right, because it's more interesting to fabricate this other girl. Who wants to read a tabloid story about a girl who is doing well?”

Lindsay Lohan (1986) American actress and pop singer

Interview interview (2009)

Love, Life, Women, Men

“Micro-motion study, presented for the first time at this meeting, is a new and accurate method of recording and transmitting skill. Based upon the principles of motion study and time study, it makes possible simultaneous measurement of both time and path of motions. It produces an entirely different result from any of the methods attempted by its predecessors, in that it shows a measured difference in the time of day on each and every cinematograph picture, even when the pictures are taken at a rate much faster than ever considered in work where positive films are printed and projected upon the screen.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: The present state of art of industrial management, 1913, p. 1225

Study, Time

“The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." … He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. … So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women."”

Salma Hayek (1966) Mexican-American actress and producer

Because I got to a point where I was whining all the time. I was miserable. I was desperate
O interview (2003)

Women, Dreams, Way, Girl

“He is a cool cat. I was surprised when he had a heart problem…People think my film with Mani, ‘Nayakan’, is my best work. To an extent it's true. But I'd like to think my best is yet to come.”

Kamal Haasan (1954) Indian actor

About Mani Ratnam, his son-in-law
Aamir's choice of films makes Kamal Haasan happy

People, Cats, Problem, Thinking

“Roecker seems to have been as inspired by Todd Haynes's legendary underground film "Superstar" -- in which he told Karen Carpenter's life story with surprising tenderness using Barbie dolls and a bootlegged soundtrack -- as by the stop-motion animation of Ray Harryhausen and the "Frosty the Snowman" cartoon.”

John Roecker (1966) American film director

Ann Hornaday — quoted in The Washington Post, The Washington Post Company, One Forgettable 'Freak' Show, January 27, 2006, Ann, Hornaday http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html, About

Life, Animals

“Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds… The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/sour-grapes-1998 of Sour Grapes (17 April 1998) Reviews, Zero star reviews

People, Family, Thinking

“I think it is really important to be in some way provocative -- either intellectually or viscerally -- in the films one makes.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Way, Thinking

“I am here to act, entertain and make good films. I don't want to work hard for a film which does not even get released. I will cooperate with my director and help him make a good film. I get disappointed if my co-actors don't put in as much as I do. Today I am looking for banners and costars who have the same goal as me --- to work towards making a good film with dedication. I have made mistakes in my career, but that is just the learning process.”

Rani Mukerji (1978) Indian film actress

[rediff.com, Rani: I am an entertainer, http://www.rediff.com/entertai/2002/may/09rani.htm, 1 June, 2006]
Famous Quotes

Disappointment, Learning, Help

“When we say expanded cinema we actually mean expanded consciousness. Expanded cinema does not mean computer films, video phosphors, atomic light, or spherical projections. Expanded cinema isn't a movie at all: like life it's a process of becoming, man's ongoing historical drive to manifest his consciousness outside of his mind, in front of his eyes. One no longer can specialize in a single discipline and hope truthfully to express a clear picture of its relationships in the environment. This is especially true in the case of the intermedia network of cinema and television, which now functions as nothing less than the nervous system of mankind.”

Gene Youngblood book Expanded Cinema

Preface
Expanded Cinema, 1970

Life, Hope, Light

“I want to thank all the right-wing organizations out there who tried to stop the film, either from their harassment campaign that didn't work on the theatre owners, or going to the FEC to get our ads removed from television, to all the things that have been said on television. It's only encouraged more people to go and see it. We are happy to announce that the efforts of the small-minded few have failed miserably.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

On the movie Fahrenheit 9/11 breaking box office records. — Zap2it.com (27 June 2004) http://www.zap2it.com/movies/go?path=/movies/news/story&general_id=22014 2004, Fahrenheit 9/11 (2004)

Happiness, People, Effort

“The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M. I. A.... was really fresh ground for me.”

A. R. Rahman (1966) Indian singer and composer

Quoted in Slumdog' Composer Competes for Oscars, 19 February 2009, 16 December 2013, Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2009/02/18/AR2009021803790.html,

Love, People, World, Music

“Mani Kaul was one of the greatest auteurs of New Wave Indian Cinema. His films reflected his personal creative vision. Kaul was a man with a luminous mind who pioneered the parallel cinema movement in India. His films explored a new language and expression. Innovative imagery, vocabulary and experimentation were his forte. His debut film Uski Roti was a landmark film in Indian cinema. He was deeply influenced by Robert Bresson, Andrei Tarkovsky and Ritwik Ghatak, though he made a mark of his own.”

Arin Paul (1980) Indian film director

On Mani Kaul http://cinefreakin.blogspot.com/2011/07/tribute-mani-kaul.html (2011)

Personality

“I think most directors and people who make anime would agree that their latest film is probably the one they feel the most confident in, that they have done their best and put everything into.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Anime News Network https://www.animenewsnetwork.com/interview/2013-05-01/makoto-shinkai-the-garden-of-words-interview About The Garden of Words

People, Feeling, Confidence, Thinking

“I can't pretend that I got involved with filming the natural world fifty years ago because I had some great banner to carry about conservation - not at all, I always had a huge pleasure in just watching the natural world and seeing what happens. - I made those films because it was a hugely enjoyable thing to do. But as I went on making them it became more and more apparent that the creatures that were giving me so much joy were under threat. The fun is in delighting in the animals but if you do that you owe them something so you have an obligation to speak out and to do what you can to protect them. m3s08-m4s05”

David Attenborough (1926) British broadcaster and naturalist

How Many People Can Live on Planet Earth? (BBC Horizon, 2009)

Pleasure, World, Nature, Animals

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Way, Bird, Sense, Time

“I'm proud of her [Shruti] because she isn't doing a product of our home banner Rajkamal Films. The only thing Rajkamal did for her was to give her a chance to do the background score in ‘Unnaipol Oruvan’. It wouldn't matter to me if she failed as a movie actress. But right now it looks like a winning streak.”

Kamal Haasan (1954) Indian actor

About his daughter Shruti Haasan
Aamir's choice of films makes Kamal Haasan happy

Home, Chance

“I don't watch my own films very often. I become so jittery and ready to cry… and miserable. I think it's awful.”

Ingmar Bergman (1918–2007) Swedish filmmaker

BBC article http://news.bbc.co.uk/2/hi/entertainment/3616037.stm (10 April 2004).

Thinking, Cry

“A dense film of a conventional surfactant is quite impermeable. On the other hand, a dense film of Janus grains always has some interstices between the grains, and allows for chemical exchange between the two sides; "the skin can breathe."”

Pierre-Gilles de Gennes (1932–2007) French Physicist

This may possibly be of some practical interest.
"Soft Matter" Nobel lecture (9 December 1991)

“Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On Crouching Tiger, Hidden Dragon http://www.imdb.com/news/wenn/2001-03-12#celeb4, quoted at IMDb Movie/TV News (12 March 2001).

Men, People, Way, Business

“Music earlier used to be an integral part of the film. The background score and the songs were as important, to take the story forward as were the screenplay and dialogues.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Music, Parting

“Clerks spoke with the sure, clear voice of an original filmmaker. In Mallrats the voice is muffled, and we sense instead advice from the tired, the establishment, the timid and other familiar Hollywood executive types. The year that Clerks played at the Cannes Film Festival, I was the chairman of a panel discussion of independent filmmakers. Most of them talked about their battles to stay free from Hollywood's playsafe strategies. But Kevin Smith cheerfully said he'd be happy to do whatever the studios wanted, if they'd pay for his films. At the time, I thought he was joking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mallrats-1995 of Mallrats (20 October 1995) Reviews, One-and-a-half star reviews

Happiness, Sense, Time

“He [Welles] was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining."”

Orson Welles (1915–1985) American actor, director, writer and producer

Kenneth Tynan, "Orson Welles," from Persona Grata (1953); later printed in Profiles (1990) [ISBN 0-06-096557-6], page 66.

Boy, Suicide, Time

“Our point isn’t to make an examination of popular film but to illustrate that the yearning for a heroic adventure lies just beneath the surface of our consciousness; film, television, literature, sports, and travel are in a sense vicarious adventures.”

Alan Hirsch (1959) South African missionary

Source: The Faith of Leap (2011), p. 110

Travel, Literature, Sense, Sport

“Worst part is the post project low that seems to happen after being on a project that you love. I don’t hate things, but I really really passionately dislike going from being around a “film family” every day and loving every minute of it, then after the film is over you rarely see each other again and if you do its very few and far in between.”

Rachele Brooke Smith (1987) American actress

Rachele Brooke Smith Interview http://www.naludamagazine.com/rachele-brooke-smith-interview/ (October 6, 2017)

Love, Hate, Family, Passion

“As actors, we need public relations to campaign for our next possible role, and any media promoting our work seems positive in nature; but whether in theater or on a film set, a bad unprofessional photograph at the wrong angle may not be as flattering to some actors, and may be considered a harmful exposure.”

Carson Grant (1950) American actor

Ernest Dempsey, "Camera Shy?", Digital Journal: Arts, Jan 10, 2011, p. 1
Pointing to the negative publicity factor with unsolicited photographs, article printed in Digital Journal 2011.

Nature

“A great many film stars perched on unstable ravine edges in the canyon systems of Los Angeles will, like the cemeteries there, eventually slide down to join their unfortunate fellows in the canyon floors, with mud, cars, and embalmed or living film stars in one glorious muddy mass. We should not lend our talents to creating such spectacular catastrophes…”

Bill Mollison (1928–2016) Australian permaculturist

Source: Permaculture: A Designers' Manual (1988), chapter 9.4

Angels, Cars, Star

“(discussing the Alfred Hitchcock film Saboteur): …I saw when I was young that, in fact, when you got to the top or toward the top of things, you found, indeed, very flawed but glamorous people, people who were, in fact, not thinking about the kinds of problems that the blind man was thinking about in 1943, not acting intuitively and bravely and in some kind of harmony with nature as that blind man in Saboteur was acting, and certainly not taking on impossible tasks. People were acting in a kind of what I’ve come to call a deutero-Hemingway way: they were preserving their own vitality by being adventurous within the media. The James Stewart character is someone who roams the world, but with a camera, not a gun, and not like Schweitzer, setting up modes of change in impossible places. He’s touring the world adventurously in the interest of preserving his masculine independence, but he’s doing it with a camera.”

George W. S. Trow (1943–2006) American writer

My Pilgrim’s Progress (1999)

People, World, Way, Nature

“They filmed it down in Wexford and I visited the set for about half an hour. I don't usually go near the set, because there's nothing for a writer to do there and you're constantly getting in the way. If I give a book to the movies, it's theirs. Writers often whinge about being betrayed by the movies – I have no sympathy for that. If you don't want a movie to be made, then don't sell your book to the movies.”

John Banville (1945) Irish writer

John Banville: Who cares whodunnit? (2013)

Books, Way

“I don't often use the words "godawful" and "abomination" to describe a movie, preferring to reserve such terminology for extreme instances when I feel duped and mortally offended. Case in point: Bachelorette. Often with a bad film, I search for something positive or productive to say, cognizant as I am that there are real people with real feelings behind the production. That won't be happening here. When it comes to watchability, the only thing to distinguish this from Freddy Got Fingered (the turd standard for cinematic badness) is the absence of the sexual molestation of animals. And one could make a convincing argument that the sexual molestation of animals might improve Bachelorette.”

James Berardinelli (1967) American film critic

This possibility that this might not be the worst movie of the year is frightening to contemplate - Directed by Lesley Headland. Review http://www.reelviews.net/php_review_template.php?identifier=2513 of Bachelorette (2012). Zero star reviews

People, Feeling, Search, Animals

“The historical significance of the Proclamation is not so much that it enacted the emancipation of people of African descent; on the contrary, it was a military strategy. But if we examine the meaning of this historical moment we might better be able to grasp the failures as well as the successes of emancipation. I have thought that perhaps we were not asked to reflect on the significance of the Emancipation Proclamation because we might realize that we were never really emancipated. But anyway, at least we may be able to understand the dialectics of emancipation; because we still live the popular myth that Lincoln freed the slaves and that this continues to be perpetuated in popular culture, even by the film Lincoln. Lincoln did not free the slaves. We also live with the myth that the mid-twentieth century Civil Rights Movement freed the. Civil rights, of course, constitute an essential element of the freedom that was demanded at that time, but it was not the whole story.”

Angela Davis (1944) American political activist, scholar, and author

Freedom is a Constant Struggle: Closures and Continuities (2013)

People, Failure, Understanding, Freedom

“Tommy started to play the guitar and sing. He and I had trekked more than once downtown to the Folk Center to hear a barefoot hillbilly woman in a long, faded skirt intone Elizabethan songs and pluck at a dulcimer or to listen, frightened and transported, to a big black Lesbian with a crew cut moan her way through the blues. The People — those brawny, smiling farmers, those plump, wholesome teens bursting out of bib overalls, those toothless ex-cons, those white-eyed dust bowel victims — the People, half-glimpsed in old photos, films and WPA murals, were about to reemerge, we trusted, into history and our lives.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Five (p. 120).

People, Smile, Way, Photo

“African audiences cannot accept our passive consumer role in the presence of film.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 44

“There's an old saying in Hollywood: It's not the length of your film, it's how you use it.”

Ben Stiller (1965) actor, Comedian, director, writer

Reported in Inside Oscar 2 (2002) by Damien Bona

“Moreover, the lie that the film propagates claiming that I would equate Israel with Nazi Germany is abhorrent. I have never made such a reprehensible equation.”

Joseph Massad (1963) Associate Professor of Arab Studies

Massad, in "Intimidating Columbia University" in the Egyptian newspaper Al-Ahram, on the short film Columbia Unbecoming concerning claims of mistreatment of students with opposing viewpoints. (2004)
On Comparisons of Israel to Nazi Germany

Lie

“Actually another thing that keeps me going in the industry is trying to do a film that impresses”

Shahrukh Khan (1965) Indian actor, producer and television personality

his kids
From interview with David Light

“Films are even stranger, for what we are seeing are not disguised people but photographs of disguised people, and yet we believe them while the film is being shown.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Comparing film and stage theatre in "The Divine Comedy" (1977)

People

“Dodgeball? My children were playing dodgeball? That cruel, brutal, violent schoolyard game so mercilessly satirized in the 2004 film with Ben Stiller? The game, more important, that exemplified everything that was wrong with my childhood in suburban New Jersey, a short, pasty-faced Jewish girl in a town full of scrubbed, blond, athletic WASPs, their long tanned limbs toned from years of tennis lessons and country club swim teams? Dodgeball? Over my dead body.”

Ayelet Waldman (1964) American- Israeli writer

Salon.com column http://www.salon.com/mwt/col/waldman/2005/06/06/dodgeball/index.html?sid=1350454

Children, Girl, Game, Childhood

“David Dimbleby: You couldn't - you couldn't set our minds at rest on the vexed question of what the Sunday Times did actually pay you for the book?
Harold Wilson: No, I don't think it's a matter of interest to the BBC or to anybody else.
Dimbleby: But why..
Wilson: If you're interested in these things, you'd better find out how people buy yachts. Do you ask that question? Did you ask him how he was able to pay for a yacht?
Dimbleby: I haven't interviewed …
Wilson: Have you asked him that question?
Dimbleby: I haven't interviewed him.
Wilson: Well, has the BBC ever asked that question?
Dimbleby: I don't know …
Wilson: Well, what's it got to do with you, then?
Dimbleby: I imagine they have..
Wilson: Why you ask these question, I mean why, if people can afford to buy £25,000 yachts, do the BBC not regard that as a matter for public interest? Why do you insult me with these questions here?
Dimbleby: It's only that it's been a matter of..
Wilson: All I'm saying, all I'm saying..
Dimbleby: … public speculation, and I was giving you an opportunity if you wanted to, to say something about it.
Wilson: It was not a matter of speculation, it was just repeating press gossip. You will not put this question to Mr. Heath. When you have got an answer to him, come and put the question to me. And this last question and answer are not to be recorded. Is this question being recorded?
Dimbleby: Well it is, because we're running film.
Wilson: Well, will you cut it out or not? All right, we stop now. No, I'm sorry, I'm really not having this. I'm really not having this. The press may take this view, that they wouldn't put this question to Heath but they put it to me; if the BBC put this question to me, without putting it to Heath, the interview is off, and the whole programme is off. I think it's a ridiculous question to put. Yes, and I mean it cut off, I don't want to read in the Times Diary or miscellany that I asked for it to be cut out. [pause]
Dimbleby: All right, are we still running? Can I ask you this, then, which I mean, I.. let me put this question, I mean if you find this question offensive then..
Wilson: Coming to ask if your curiosity can be satisfied, I think it's disgraceful. Never had such a question in an interview in my life before.
Dimbleby: I.. [gasps]
Joe Haines (Wilson's Press Secretary): Well, let's stop now, and we can talk about it, shall we?
Dimbleby: No, let's.. well, I mean, we'll keep going, I think, don't you?
Wilson: No, I think we'll have a new piece of film in and start all over again. But if this film is used, or this is leaked, then there's going to be a hell of a row. And this must be..
Dimbleby: Well, I certainly wouldn't leak it..
Wilson: You may not leak it but these things do leak. I've never been to Lime Grove without it leaking.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Exchange with BBC interviewer David Dimbleby recorded for a documentary called "Yesterday's Men" broadcast on 16 June 1971. The BBC did agree not to show this portion of the interview, but Wilson's fears of a leak were justified as a transcript was published on page 1 of The Times on June 18, 1971. A fuller transcript appeared in Private Eye during 1972.
Leader of the Opposition

Life, People, Books, Imagination

“"It'll be all right, Jerry." No it won't. He recognized Goober's voice and it was important to share the discovery with Goober. He had to tell Goober to play ball, to play football, to run, to make the team, to sell the chocolates, to do whatever they wanted you to do. He tried to voice the words but there was something wrong with his mouth, his teeth, his face. But he went ahead anyway, telling Goober what he needed to know. They tell you to do your thing but they don't mean it. They don't want you to do your thing, not unless it happens to be their thing, too. It's a laugh, Goober, a fake. Don't disturb the universe, Goober, no matter what the posters say. His eyes fluttered open and he saw Goober's face all askew, like a broken movie film. But he was able to see the concern the worry on his face. Take it easy, Goober, it doesn't even hurt anymore. See? I'm floating, floating above the pain. Just remember what I told you. It's important. Otherwise, they murder you.”

Robert Cormier book The Chocolate War

Source: The Chocolate War (1974), p. 258-259

Pain, Universe, Football, Hurt

“People say to me, "You make fantastic films" and I say, "No, I make documentaries."”

Derek Jarman (1942–1994) British film director and artist

In Bergen Filmklub http://www.bergen-filmklubb.no/Arkiv/LENGRE_ARTIKLER/VAaREN_2005/DEREK_JARMAN.html

People

“Any kind of recognition for the work that you've done is a terrific thing. As a film actor, you don't often get that opportunity to meet with your audience and take your applause on stage. It's quite nice to meet people and hear them say, "I really enjoyed your work in this." I really enjoyed the Leprechaun films, and people who enjoy Leprechaun are quite obsessed.”

Warwick Davis (1970) English actor and television presenter

Warwick Davis Interview http://www.ign.com/articles/2012/04/11/warwick-davis-interview (April 11, 2012)

People

“Roger: Yeah! There's one that we'll be supposedly filming when we get back from Europe. Not really sure exactly what's going to happen or anything in the video 'cause Vinnie and I had like a great idea for the video and they basically said that they would have to spend way too much money on it so.. there you go. They don't want to pay for the special effects that we were talking about. It's a bummer though. It would have been good.”

Roger Manganelli (1973) American musician

laughs

Money, Way, Idea

“Gay and straight men have much more in common than do gay men with lesbians or straight men with straight women. Every man must define his identity against his mother. If he does not, he he just falls back into her and is swallowed up. This is the agonizing myth-pattern in the comic, matricidal Psycho (1960), one of the hauntingly emblematic films of our time.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), p. 23

Women, Men, Time

“Actually, I think this might be an Al-Qaeda recruitment film.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

Screenwipe

Thinking

“The Volta is taken from a Federico Fellini book about his films, what he characterizes as a changing of scene, or a turnaround; a new scene to him is called Volta. Y'know, changing of time and the changeover. And Mars, we're just fascinated by science fiction so and it's something that ultimately looked as in anything I write, its meaning is always up to the listener. As the way we write songs and words, if it looks great on paper then to us it's like painting, so if it looks good meaning the second then people usually have a better interpretation than we ever would.”

Cedric Bixler-Zavala (1974) American singer

Bixler-Zavala about the bandname The Mars Volta http://www.experiencefestival.com/a/The_Mars_Volta_-_Etymology_and_trivia/id/2070708

People, Books, Way, Science

“Film begins with DW Griffith and ends with Abbas Kiarostami.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Cited in: https://www.theguardian.com/film/2005/apr/16/art

“I only work every couple of years. I go into retirement between films.”

Paul Hogan

Interview with Spence D. - USA, April 21, 2001

“We watched the film and everybody was saying that he just turned into the Incredible Hulk the last four minutes of the game, just killing people and running over and tackling whoever had the ball.”

Brian Urlacher (1978) All-American college football player, professional football player, linebacker

Lightning strikes twice for Urlacher, English http://www.chicagobears.com/news/NewsStory.asp?story_id=2561, Devin Hester's commentary after Urlacher's performance against the Arizona Cardinals

People, Game

“This was part of Corporation 9592’s strategy; they had hired psychologists, invested millions in a project to sabotage movies—yes, the entire medium of cinema—to get their customers/players/addicts into a state of mind where they simply could not focus on a two-hour-long chunk of filmed entertainment without alarm bells going off in their medullas telling them that they needed to log on to T’Rain and see what they were missing.”

Neal Stephenson book Reamde

Day 15
Reamde (2011), Part II: American Falls

Parting

“Nobody can predict the future, but there is nobody in my generation who wants to be on the board of a symphony orchestra or an opera company and raise the kind of money that's needed. I think that the energy that in the 19th century went into opera is, in the 20th century, going into films. Films have that same over-the-top, overwhelming, high impact--all of the senses knocked out--and vast popular following, with stars who are larger than life. Well, that's what opera did in the 19th century.”

Peter Sellars (1957) American theatre director

Source: Mark Swed, "For L.A., History's Knocking", Los Angeles Times, December 26, 1996

Life, Money, Star, Thinking

“I have done some films along the way that have been screwed up and not as good as they read. Some films that are not that good on the page turn into good movies. So I’m fallible is what I’m saying. It’s OK to be wrong. You learn from your wrongs. You don’t learn from being right. If you’re right, you already know it. If you’re wrong, it’s because you don’t know about it, and you made a mistake.”

Martin Landau (1928–2017) American actor and acting coach

Martin Landau: ‘Doubt Is Important’, Washington Times (December 25, 2016)

Way, Learning, Reading

“Seriously! Acting in films is not my cup of tea. The joy I find in being a pucca musician is unparalleled.”

Shreya Ghoshal (1984) Indian playback singer

About acting in films http://web.archive.org/web/20161005115944/https://twitter.com/shreyaghoshal/status/114406431003914240

Joy, Tea

“Film-making encompasses everything, from tricking people into investing in it, to putting on the show, to trying to distill down to moments in time, and ape reality but send this other message. It's got everything. When I was a kid I loved to draw, and I loved my electric football sets, and I painted little things and made sculptures and did matte painting and comic books and illustrated stuff, and took pictures, had a darkroom, loved to tape-record stuff. It's all of that. It's not having to grow up. It's four-dimensional chess, it's strategy, and it's being painfully honest, and unbelievably deceitful, and everything in between.”

David Fincher (1962) American film director

Gavin Smith goes one-on-one with David Fincher (1999)

Love, People, Books, Reality

“You hear people in restaurants competing with each other "I love you". "No, I love you". "Yeah, but I REALLY love you. I love pencils that you have sucked and thrown away ten years ago. I love your eyebrows and your ancestry and EVERYTHING ABOUT YOU! Just eat your food and let me love you, don't speak!" But what they don’t know, of course, at the time is that that dialogue is actually from a really bad science fiction film written by nature - really, what they're saying to one another is: "The race must continue, the race must continue! My vadudium is pointing at your phenungulator, the race must continue!"”

Dylan Moran (1971) Irish actor and comedian

Like, Totally (2006)

Love, People, Food, Nature

“I have to report that this motion picture is arguably the worst piece of cinematic crap I have ever experienced theatrically. Hyperbole, you wonder? I looked through my list of zero-star movies and couldn't find one entry (except the immortal Zombie vs. Mardi Gras, which was a straight-to-video release) that ranked as more difficult to endure. Words like abomination and travesty don't do this movie justice. Sitting through Freddy Got Fingered was one of the most depressing experiences in my 10 years of reviewing films. It's not even enjoyable on a campy level. It's just bad, bad, bad, bad, bad, bad, bad - Directed By Tom Green.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1485 of Freddy Got Fingered (2001). Zero star reviews

Justice, Star

“I bring excitement on the sets. I’m an exciting actor, overrated, exaggerated. But I’m not an unexciting actor. I excite people. I never lose hope. If I feel that a film is going wrong somewhere, I do even better.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Komal Nahta

People, Hope, Feeling

“I liked Truffaut a lot, I've felt a lot of admiration for his way to address the audience, and his storytelling…. La nuit américaine is adorable, and another film I like to see is L'enfant sauvage, with its fine humanism.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)

Way

“I have now done seven films as Godzilla, and I believe I have achieved most everything I have wanted to do inside the costume… Most importantly, I have always felt Godzilla should express its emotions, which is very difficult given the range of movements and expressions the suit can make. So, whatever Godzilla does - roaring, spewing his radiation breath, communicating with Godzilla Junior - I always try to add little movements that will show his emotional state, like moving his fingers, or a short glance. The Heisei Godzilla [has] a very different personality than the old Godzilla. He is very animalistic, always in motion. But I believe Godzilla is a very emotional creature.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by Steve Ryfle (1998), Japan's Favourite Mon-star: The Unauthorized Biography of "The Big G", ECW Press, p. 263-64, ISBN 1550223488

Communication, Personality

“The film concludes with … the most nauseatingly luscious, the most penetratingly vulgar mammy song that it has ever been my lot to hear. My flesh crept as the loud speaker poured out those sodden words, the greasy, sagging melody. I felt ashamed of myself for listening to such things, for even being a member of the species to which such things are addressed.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 62
Do What You Will (1928)

“And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.”

Peter Jackson (1961) New Zealand film director, producer, actor, and screenwriter

Darkhorizons interview (27 March 2006)

School, Feeling, Thinking, Learning

“At the same time we would most like to run the film back and see how the sanctuaries close again and the lights go out and the great powers of nature are once again met with deserved reverence. One can fell an oak in twenty seconds; but in order to become what it now is, it grew for a century.... Progress is but a word without sense, and the cow, which keeps the world alive, will not move faster than three kilometers per hour in the future, either.”

Fernand Léger (1881–1955) French painter

Quote, 1950, in: Fernand Léger - The Later Years, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 15
Quotes of Fernand Leger, 1950's

World, Nature, Sense, Light

“[About the 1991 film Diet for a New America narrated by John Robbins] It just changed my life, to see that film. When I saw it, I pledged to become vegetarian immediately, with the plan of becoming vegan. … My goal was always to become vegan, but it was a longer road. … I envy the kids going vegan now; they have so many different resources. … I think, at first, it struck me from an animal perspective, but the argument for the environment and for your own health also struck a cord with me. So it hit me on three different levels.”

Emily Deschanel (1976) American actress, television producer, and film producer

"Isn't she lovely". Interview by Stacy Gueraseva for Laika magazine, issue 4, 2014, page 51.

Life, Health, Thinking, Change

“My entire film career's been dependent on my ability to look unattractive.”

Anne Hathaway (1982) American actress

As quoted in "Anne Hathaway: 'I'd Rather Be Strong Than Skinny'" in in People magazine (8 March 2007) http://www.people.com/people/article/0,,20014366,00.html

Dependency

“Wild Things is lurid trash, with a plot so twisted they're still explaining it during the closing titles. It's like a three-way collision between a softcore sex film, a soap opera and a B-grade noir. I liked it. Movies such as this either entertain or offend audiences; there's no neutral ground. Either you're a connoisseur of melodramatic comic vulgarity, or you're not. You know who you are. I don't want to get any postcards telling me this movie is in bad taste. I'm warning you: It is in bad taste. Bad taste elevated to the level of demented sleaze.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/wild-things-1998 of Wild Things (20 March 1998) Reviews, Three star reviews

Sex, Way

“To me, bad taste is what entertainment is all about. If someone vomits while watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste.”

John Waters (1946) American filmmaker, actor, comedian and writer

Books, Shock Value: A Tasteful Book About Bad Taste (1981)

“Yeah, the physical stuff is always fun. I'm a physical and active person, so I would have loved to have done more of this, but my character does a lot more in the other films.”

Liam Hemsworth (1990) Australian actor

Commenting on decreased physical role of his character from book The Hunger Games as changed for adaptation to film. — — [Davia L. Mosley, 'The Hunger Games' exclusive Cast members share highlights, behind-the-scenes action, Marietta Daily Journal, Georgia, United States, March 13, 2012]

Love, Personality

“Mr. Honda would always give me complete control over the score. Even though he was very knowledgeable about music, he would always say to me, "Mr. Ifukube, I know very little about music, so I'll allow you to make all of the decisions about the score." Mr. Honda was a very generous man. All of the other directors with whom I worked would stay in the control booth while the scores for their films were being recorded. Only Mr. Honda would come out of the booth and stand beside me while I was conducting. He was always very curious.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Music, Knowledge, Decision

Quotes about film page 8

Quotes about film
page 8